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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Pendidikan Seni Rupa Abdimas Teknobuga : Jurnal Teknologi Busana dan Boga ANDHARUPA Catharsis Fashion and Fashion Education Journal Jurnal Penelitian Pendidikan IPA (JPPIPA) Pendas : Jurnah Ilmiah Pendidikan Dasar JURNAL PENDIDIKAN TAMBUSAI Gelar : Jurnal Seni Budaya Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan JSM (Jurnal Seni Musik) JKKP (Jurnal Kesejahteraan Keluarga dan Pendidikan) Visual Heritage: Jurnal Kreasi Seni dan Budaya Didaktik : Jurnal Ilmiah PGSD STKIP Subang Journal of Vocational and Career Education Jurnal Pustaka AI : Pusat Akses Kajian Teknologi Artificial Intelligence Jurnal Desain Komunikasi Visual Nirmana Edukasia: Jurnal Pendidikan dan Pembelajaran Room of Civil Society Development Jurnal Ilmu Sosial, Humaniora dan Seni Catharsis Jurnal Penelitian Pendidikan Eduarts: Jurnal Pendidikan Seni Journal of Vocational and Career Education Jurnal Pendidikan dan Sosial Humaniora Sinergi : Jurnal Ilmiah Multidisiplin Teknobuga : Jurnal Teknologi Busana dan Boga
Na:am, Muh Fakhrihun
Jurusan TJP Fakultas Teknik UNNES
Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Fostering creativity and cultural bonds: revitalizing kasab crafts through arts education and community engagement in West Aceh, Indonesia Lindawati Lindawati; Muh Fakhrihun Naam; Ismawan Ismawan; Tri Supadmi
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5108

Abstract

This study aims to examine the school's efforts in introducing and preserving Kasab in West Aceh through art education and community collaboration. Kasab is gold thread embroidery on velvet cloth which is widely used in Acehnese weddings as a cultural product. Kasab was introduced to art education at the West Aceh High School through arts and culture subjects. This study used a qualitative approach. The research was conducted in five high schools in West Aceh District, Indonesia. Data collection techniques were carried out through interviews with students, teachers who teach arts and culture, and Kasab craftsmen. In addition, observations were also conducted to observe the collaborative learning process of the community and teachers, as well as literature studies on community collaboration and art education in the field of crafts. The results of the study show that collaborative art education in schools and communities regarding the introduction and process of making Kasab crafts is taught in the fine arts course, which begins with making decorative motifs. Next, the Kasab crafts were embroidered with gold thread. Students and teachers performed field studies at the Kasab craftsmen's place to observe the process of making Kasab. Later on, the students practice making Kasab at school, guided by the teacher and Kasab craftsmen. This activity is very important to be performed in every high school as an effort to preserve the Kasab craft in the West Aceh district.
Strategy for Increasing The Skilled Human Resources Through Training in Creating The Bridal Delivery Setyowati, Erna; Maghfiroh, Anik; Naam, Muh Fakhrihun
Jurnal Abdimas Vol 27, No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/abdimas.v27i2.47173

Abstract

The objective of implementing this community service is to increase the knowledge and skills of the PKK women in the community sub-district of Karanganyar Gunung , Semarang in making the bridal delivery. The methods chosen to carry out this community service are as follows: 1) lectures and questions-answers are used when giving material about the bridal delivery . The practice method is used when the trainer or the presenter practices the steps for making the bridal delivery, then the training participants are asked to practice making the bridal delivery which has already been practiced, with the guidance of the trainer and the community service team. 3) monitoring and evaluation. The community service activities that have been carried out run smoothly and successfully without any obstacles. This can be seen from the enthusiasm of the participants who feel that they have increased their knowledge and skills in making the bridal deliveries. Besides that, the bridal delivery training also received a positive response from all the training participants. This can be seen from the seriousness, earnestness and activeness of the participants when participating in the bridal delivery training.
Kriya gerabah Bumi Jaya: Pendidikan keluarga pada perajin Bumi Jaya Amaliyah, Millatun; Na’am, Muh. Fakhrihun; Syarif, Muh. Ibnan
Imaji: Jurnal Seni dan Pendidikan Seni Vol 21, No 2 (2023): IMAJI OCTOBER
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v21i2.52529

Abstract

Tujuan dari penelitian ini adalah untuk mengkaji upaya yang dilakukan oleh perajin untuk mempertahankan kerajinan tradisional. Dengan menggunakan metode deskriptif kualitatif. Penelitian ini menggunakan pendekatan interdisipliner yang mencakup etnografi untuk mengkaji budaya dalam masyarakat, dan pendidikan. Dari hasil pengumpulan dan analisis data dan informasi, dapat diketahui bahwa dalam budaya Indonesia banyak hal yang harus dipertahankan, baik tradisional maupun artistik, seperti yang dilakukan masyarakat Bumi Jaya untuk mempertahankan kerajinan tradisional di Banten. Di era globalisasi ini, seni tradisional mengalami masa-masa yang stagnan untuk terus bertahan dan diakui, banyak upaya yang dapat dilakukan oleh pengrajin untuk mempertahankan kerajinan tradisional. Seperti yang dilakukan perajin Bumi Jaya untuk mempertahankan gerabahnya, di mana gerabah Bumi Jaya telah dikenal sejak masa kesultanan yang kemudian akan datang kepada generasi berikutnya sehingga dapat dikatakan sebagai seni tradisional. Pengrajin Bumi Jaya terus berusaha mempertahankan kerajinan gerabah tradisional dengan berbagai cara, salah satunya dilingkungan keluarga, perajin menurunkan ke generasi selanjutnya lewat aktivitas sehari hari yang melibatkan anak ketika proses pembuatan gerabah, yang di sebut dengan pendidikan keluarga orang tua memberikan peran penting dalam pendidikan keluarga, dengan pendidikan keluarga ini bertujuan menurunkan keterampilan membuat gerabah dan mengajarkan nilai nilai kehidupan seperti kepedulian dan kekeluargaan.Kata kunci: gerabah, Bumi Jaya, pendidikan  Bumi Jaya gerabah engineering: Family education in Bumi JayaAbstractThe purpose of this study is to examine the efforts made by craftsmen to maintain traditional crafts. By using a qualitative descriptive method. This study uses an interdisciplinary approach that includes ethnography to examine culture in society, and education. From the results of data and information collection and analysis, it can be seen that in Indonesian culture there are many things that must be preserved, both traditional and artistic, such as what the Bumi Jaya people do to maintain traditional crafts in Banten. In this era of globalization, traditional arts experience stagnant times to continue to survive and be recognized, many efforts can be made by craftsmen to maintain traditional crafts. Like what Bumi Jaya craftsmen do to maintain their pottery, where Bumi Jaya pottery has been known since the sultanate period which will then come to the next generation so that it can be said as a traditional art. Bumi Jaya craftsmen continue to try to maintain traditional pottery crafts in various ways, one of which is in the family environment, craftsmen pass it on to the next generation through daily activities that involve children when the pottery-making process, which is called family education, parents play an important role in family education, This family education aims to reduce pottery making skills and teach the values of life such as caring and kinship.Keywords: pottery, Bumi Jaya, education
Melestarikan Tradisi Melalui Inovasi : Eksplorasi Sarung Goyor Pemalang Sebagai Tren Fashion Modern Anisih, Endang Tri; Sugiarto, Eko; Naam, Muh Fakhrihun
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1733

Abstract

Perkembangan dunia semakin canggih. Untuk bisa bersaing menghadapi tantangan globalisasi, maka kreativitas sangat diperlukan. Kreativitas dapat menjadi menjadi alat untuk menaklukan tantangan hidup di zaman modern. Mengembangkan ekonomi kreatif tidak terlepas dari budaya khas daerah setempat. Dalam budaya lokal terdapat istilah “kearifan lokal” yaitu bentuk kearifan lingkungan dalam kehidupan bermasyarakat di suatu daerah. (Laeli & Rusyida, 2021). Salah satu kearifan lokal yang ada di Pemalang adalah Kain Sarung Goyor Toldem. Penelitian dilatarbelakangi oleh maraknya penggunaan mesin dalam pembuatan kain membuat beberapa pengrajin kain tenun ATBM di Pemalang banyak yang gulung tikar hal ini disebabkan karena harga dari kain tenun yang lebih terjangkau dipasaran. Artikel ini bertujuan untuk membahas tentang upaya pelestarian tradisi melalui inovasi eksplorasi Sarung Goyor Pemalang sebagai tren fashion modern .Jenis penelitian ini adalah penelitian kualitatif dengan metode etnografi. Teknik pengumpulan data melalui studi literarur, wawancara, dan observasi. Teknik analisis data dengan reduksi data, penyajian data dan analisis data serta pemaparan data. Sarung Goyor, kain tradisional khas Pemalang, Jawa Tengah, memiliki potensi besar untuk diintegrasikan ke dalam tren fashion modern. Melalui inovasi dan eksplorasi kreatif, Sarung Goyor dapat diubah menjadi berbagai macam pakaian dan aksesoris modern yang menarik dan stylish. Hal ini dapat membantu meningkatkan nilai dan minat masyarakat terhadap Sarung Goyor, sehingga dapat membantu melestarikan tradisi dan budaya lokal. Artikel ini membahas tentang beberapa contoh desain dan kreasi fashion modern yang menggunakan Sarung Goyor. Selain itu, artikel ini juga membahas tentang manfaat dan dampak positif dari pelestarian tradisi melalui inovasi eksplorasi Sarung Goyor Pemalang sebagai tren fashion modern.
Pertunjukan Wayang Orang-Orangan sebagai Upaya Pelestarian Bahasa Tegalan Alfina, Zulfah; Naam, Muh. Fakhrihun; Sugiarto, Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1738

Abstract

Wayang Orang-Orangan, a unique blend of traditional Indonesian performing arts and modern innovation, is a powerful tool for preserving cultural heritage. This traditional art form originating from Tegal, Indonesia, combines elements of wayang golek, music and dance to create a captivating performance that showcases a rich cultural heritage. Through its fusion of traditional and modern elements, Wayang Orang-Orangan has successfully captured the attention of a new generation of Indonesians, promoting a sense of identity and cultural pride. This article highlights the importance of Wayang Orang-Orangan as a means to preserve cultural heritage, especially the use of Tegal language in the face of globalization and modernization. By embracing innovation and adaptation, this traditional art form has managed to remain relevant, educating and entertaining audiences about the importance of preserving cultural identity.
Batik Jlamprang Wujud Dari Warisan Budaya Kota Pekalongan Bariroh, Bariroh; Naam, Muh Fakhrihun; Sugiarto, Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1739

Abstract

Jlamprang batik is a form of cultural heritage originating from the city of Pekalongan, Central Java. Known for its distinctive geometric motifs and use of bright colours, this batik not only displays visual beauty but also contains deep philosophical meanings. This article discusses the history, uniqueness of the motif, and values contained in Jlamprang batik. Jlamprang batik serves not only as an artistic and economic product but also as a guardian of the cultural and historical identity of Pekalongan city, as well as a reflection of the richness and diversity of Indonesian culture. This research aims to explore Jlamprang batik as a form of Pekalongan's cultural heritage using qualitative research methods. Through interviews with an employee of the Pekalongan Batik Museum and literature studies through literature searches in the form of journals related to Jlamprang batik. This research reveals the history, uses, and philosophical meanings contained in Jlamprang batik. The results show that Jlamprang batik, with its geometric motifs and bright colours, reflects not only artistic beauty but also the cultural and spiritual values of the Pekalongan people.
Eksistensi Kesenian Balo-Balo Untuk Semua Kalangan Masyarakat Di Kota Tegal Oktaviana, Ina; Naam, Muh Fakhrihun; Sugiarto , Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1743

Abstract

Tujuan penelitian ini adalah untuk mengetahui eksistensi kesenian balo-balo sebagai ciri khas kebudayaan di kota tegal.kesenian ini di kenalkan oleh bapak Hj.suryat dan bapak Ponaji Darso pada tahun 1970an tepatnya di kelurahan slrok kecamatan tegal timur kota tegal.balo-balo merupakan seni tradisional Seni rakyat ini memadukan musik, tari, dan lakon dalam pementasan. Istilah balo-balo berasal dari kata “bala-bala”, yang berarti kawan-kawan. Teknik pengumpulan data dalam kasus ini menggunakan teknik observasi, wawancara dan dokumentasi. Sumber data yang dijadikan fokus penulis adalah ketua paguyuban balo-balo di slerok kecamatan tegal timur kota tegal dan sumber dari dinas kebudayaan kota tegal. yang kemudian data-data tersebut dianalisa dengan menggunakan teknik analisis sesuai kerangka dasar yang telah disusun.Hasil penelitian menunjukkan bahwa eksistensi kesenian balo-balo masih terus ada memang tidak seramai dahulu akan tetapi kesenian balo-balo terus dimodifikasi agar pencinta musik balo-balo yang ciri khusus musiknya tetap ada walaupun di modifikasi dengan band akan tetati alat-alat pokok pada musik balo-balo masih tetap ada.
Batik Tegalan Sebagai Aset Pendidikan Dan Budaya Masyarakat Tegal Rosyadi, Imron; Naam, Muh Fakhrihun; Sugiarto, Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1745

Abstract

Tegal is a coastal region on the north coast of Java. This small region on the west side of Central Java Province has unique characteristics. Like other regions in Java, Tegal has its own distinctive batik-making centers. Almost every region in Indonesia has batik with its own characteristics, such as Solo batik, Pekalongan batik, Banyumas batik, Cirebon batik, Ponorogo batik, Tulungagung batik, Gresik batik, Surabaya batik, Madura batik, and many more with different names. In addition to the batik that has been mentioned, there is also batik that is the pride of the Tegal people, namely Tegalan batik. Batik Tegalan is actually a great potential that Tegal regency has, apart from its tourism sector. Because Tegal batik has a strong competitiveness with other batik. Bright motifs and patterns characterize this batik, which is called coastal batik. But despite its enormous potential, moor batik has not been well known by the people of Tegal in particular, and the people of Indonesia in general. This is due to the lack of promotion, as well as the lack of capital for batik craftsmen who are mostly home industry businesses. In Bengle village, which is known as the batik town of Tegal, almost all of its residents earn a living as batik craftsmen, almost all of them are in the category of SME entrepreneurs.
Wayang Santri 'Lupit Dan Slentheng': Aset Budaya Sarana Dakwah Di Kabupaten Tegal Hamidah, Nur; Naam, Moh. Fakhrihun; Sugiarto, Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1746

Abstract

This research aims to describe and analyze the model of Islamic da'wah based on local wisdom contained in wayang santri performances. The Islamic da'wah model is a pattern or approach used to broadcast Islamic values. Wayang santri is a concept for wayang performances that are specifically used for preaching purposes. This research uses a qualitative research method with a descriptive approach that describes a model of Islamic da'wah with sources from the wayang santri artistic apparatus including puppeteers, sinden and wayang santri music players. This research produces several important points regarding the Islamic preaching model based on local wisdom in the art of wayang santri, namely regarding the origins and history of the development of wayang santri, the beauty contained in wayang santri performances, and the Islamic values ​​contained in wayang santri performances.
Moci Tegal di Mata Siswa untuk Menjaga Warisan Leluhur Utami, Desi; Naam, Muh. Fakhrihun; Sugiarto, Eko
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 5 (2024): Maret - April
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i5.1748

Abstract

The tradition of moci, which is drinking teapot tea, has a deep meaning for the Tegal community and has been passed down from generation to generation. This study examines students' views on the moci tradition and its role in maintaining ancestral heritage. Through interviews and observations, it was found that for Tegal students, moci is not only a daily habit, but also a symbol of cultural identity that needs to be preserved. This tradition teaches the values of togetherness, openness, and simplicity that are important in their social life. In addition, moci also serves as a means of strengthening social relations in schools and communities. The students play an active role as agents of cultural preservation, by teaching and introducing the moci tradition to other young people through various cultural activities and social media. This research shows that students' efforts in maintaining the moci tradition not only strengthen their cultural identity, but also ensure that the values continue to evolve and are relevant in the modern context.
Co-Authors Abas Karend, Khanza Azizah Abdul Aziz Abdul Rahman Farras Adimas Akma Danish Azfar Aghnia, Innaz Muthia Agus Cahyono Agus Cahyono Agus Cahyono Aimar, Khairina Alfi Rifai Wahab Alfina, Zulfah Amaliyah, Millatun Anik Maghfiroh Anisih, Endang Tri Apranadyanti, Nitya Arif Fiyanto Athian, Muhammad Rahman Aulia Pambajeng Miftahunnajah, Nimas Bangkit Sanjaya Bariroh, Bariroh Bella, Shafina Axa Budiharti Budiharti Cita Hapsari, Maria Magdalena Desi Utami Dwina Mada Kamila Eko Haryanto Eko Haryanto Eko Sugiarto Erna Setyowati Etty Soesilowati Fadlilah, Eftiyati Naila Faridah Nur Amalina Fauzia, Afifah Nur Godham Eko Saputro Godham Eko Saputro Hadi Alhail Ifa Nurhayati Imron Rosyadi Innaz Muthia Aghnia Ismawan Ismawan Ismawan Ismawan, Ismawan Ismia, Ufik Nur Jatikusuma, Amellia Kasanah, Usfatun Kemal Budi Mulyono Kingkin Prasetyo Wati Krisnawatai, Maria Lilis Anggraini Lindawati Lindawati Lindawati Lindawati Lisa Andriani Maghfiroh, Anik MARIA BINTANG Maria Krisnawati Mega Fatimah Rosana Muh. Ibnan Syarif, Muh. Ibnan Muhammad Sahal Muhammad Wildan Khunaefi Muhammad Wildan Khunaefi Nana Kariada Trimartuti Nanda Delva Fitriyah Nazwan, Atikah Putri Nur Hamidah, Nur Nur Rizki Amalia Nurdiyanti, Andini Nurmasitah, Sita Nurul Kemala Dewi Oktaviana, ina Purbawati, Sih Yunika Rachmawati, Rina Rafelina, Gauri Retnoningrum Hidayah Saefudin, Muhammad Samsudin Anis Sicilia Sawitri Siti Nurrohmah Soesilowaty, Etty Sri Endah Wahyuningsih Sri Endah Wahyuningsih Sri Wahyuni Sri Wahyuni Sugiarto , Eko Supadmi, Tri Syahrul Syah Sinaga Syakir Syakir - syakir syakir Tri Supadmi Wadio, Wadio Wulansari Prasetyaningtyas, Wulansari Zairina, Nurul Farisah