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All Journal Jurnal Ilmu dan Teknologi Kelautan Tropis MUDRA Jurnal Seni Budaya Panggung Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Al Mahara: Jurnal Pendidikan Bahasa Arab Abdi Geomedisains Jurnal Ilmiah Sistem Informasi dan Teknik Informatika (JISTI) TRANSFORMATIONAL LANGUAGE, LITERATURE, AND TECHNOLOGY OVERVIEW IN LEARNING (TRANSTOOL) JPLED Runtas: Journal of Arts and Culture Jurnal Penelitian Sains dan Kesehatan Avicenna Jurnal Pengadaan Indonesia
Guntur
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Dentistry Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Library & Information Science Mathematics Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Symbolic and Aesthetic Representation of the Royal Carriage as a Manifestation of Palace Craft Art: Implications for the Study of Cultural Identity in the Archipelago Wahyono; Guntur; Suyanto; Eko Supriyanto
PANGGUNG Vol 35 No 3 (2025): Estetika, Identitas, dan Digitalisasi: Praktik Seni dan Budaya Nusantara dalam P
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i3.3745

Abstract

Craft art represents a cultural expression reflecting community creativity, identity, and skills. In Indonesia, craft art has a long historical tradition influenced by Hindu-Buddhist, Islamic, and European colonial cultures. One prominent manifestation of palace craft art is the royal carriage (kereta kencana), which serves as ceremonial transportation and a symbol of royal authority, social status, and cultural identity. This study investigates the royal carriage's aesthetic, symbolic, and technical representations as a significant artifact of palace craft art. The research adopts a qualitative approach through literature study, relying on written sources such as books, scientific articles, and historical documents. Findings indicate that the royal carriage reflects exceptional aesthetic quality and technical mastery through high-quality materials such as teak wood, precious metals, luxurious textiles, and intricate carvings, integrating elements of Hindu-Buddhist, Islamic, and Western cultures. Symbols such as Garuda, Arabic calligraphy, floral and faunal motifs, and Baroque ornaments represent the royal institutions’ philosophical, spiritual, and political values. Nevertheless, this research has limitations regarding the empirical exploration of symbolic meaning shifts in modern contexts. Further studies are recommended to employ ethnographic approaches, material analyses, and conservation strategies utilizing digital technology and artisan regeneration to maintain the relevance of palace craft heritage as a critical part of Indonesia’s cultural identity.
Acehnese Culture-Based Artistic Experimentation in the Creation of the Artwork Imajinisan Fadhlan, Fadhlan; Guntur; Sunarmi
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.3486

Abstract

In Aceh, ancient gravestones, as well as the peusijuek ritual, are increasingly marginalized by modernization and infrastructural development. However, they contain profound symbolic, spiritual, and aesthetic values that remain underrepresented in visual arts discourse. This study aims to explore how local cultural phenomena, particularly Aceh's ancient gravestones and the peusijuek ritual, can serve as conceptual and visual inspiration in the development of contemporary painting techniques. Employing a qualitative method with hermeneutic and artistic practice approaches, the exploration process was conducted through field observations at gravestone sites, visual technique experiments using rubbing, washing, collage, and the gestural act of reutek as a form of spiritual symbolism. All stages were organized in a tiered structure, visualized through a triangular diagram, illustrating an integrative process from observation to visual affirmation. The results show that creating visual techniques based on local culture can produce an authentic and meaningful visual language, while also serving as a reflective medium on the dynamics of cultural preservation amid modernization. These findings affirm that exploratory documentation of the technique creation process plays a crucial role in shaping visual distinctiveness and strengthening the artist's identity within the landscape of contemporary Indonesian art. The study further suggests that experimental practices grounded in local cultural symbols not only enrich the discourse of contemporary painting but also offer a model for sustainable artistic innovation that bridges tradition and modernity.
Literacy Program to Foster Reading Habits from an Early Age for Madrasah Ibtidaiyah Students Al-Manduriy, Shahibul Muttaqien; Guntur; Millatur Rahmah Syafi’i
Journal of Practice Learning and Educational Development Vol. 5 No. 4 (2025): Journal of Practice Learning and Educational Development (JPLED)
Publisher : Global Action and Education for Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58737/jpled.v5i4.890

Abstract

This study aims to describe the implementation of a literacy program to introduce early reading habits for Madrasah Ibtidaiyah Students and analyse its impact on students' reading interest. The background of this research is based on the low literacy culture of Indonesian students and the importance of fostering early reading habits as a foundation for learning and character development. The approach used in this study was qualitative with descriptive methods. Data collection techniques were conducted through interviews, observation, and documentation. The research subjects included the principal, literacy mentor teachers, students, and parents in Madrasah Ibtidaiyah. The results show that the literacy program at Madrasah Ibtidaiyah Students is implemented through various strategies, such as a 15-minute reading habit, story reading by teachers, the provision of reading boxes in each classroom, and parental involvement. This program has been proven to increase students' interest in reading, as evidenced by changes in student behaviours, who have begun actively reading during their free time, and increased student comprehension of the reading material. Challenges faced in program implementation include limited facilities, lack of teacher training, and a lack of engaging reading materials. However, active teacher participation and parental support are crucial factors in the success of this literacy program. This research recommends developing more engaging literacy resources and establishing reading communities, such as book clubs, to strengthen the reading culture among students. Thus, literacy programs not only play a role in improving reading skills but also serve as a foundation for students' character and love of knowledge
THE FIVE HUMAN SENSES AS BATIK MOTIFS FOR CASUAL CLOTHING : INGGRIS Arif Riyan Fauzi; Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

The five human senses are a physiological system in the human body which has the function of recognizing, feeling and receiving various physical stimuli. The Five Senses are unique and contain many values in them. The aim of this final assignment is to be able to describe and be able to create.which can later be developed into the creation of written batik motifs. The exploration stage is the first stage by directly observing the human senses which will then lead to the design stage of alternative designs which will later be selected and used as motifs and designs for clothing.casual.Embodiment, is the final stage, where this stage begins with making patterns, scratching, batiking, coloring, locking colors, sagging, and sewing until finishing. The process of creating this work uses dabbing techniques and uses tools and materials such as wax, canting, stove, remasol dye, primisima cloth, and brocade cloth. The results of the creation of this work are 5 casual clothes with different titles and meanings for each dress, namely the work 1 with the title Grana, work 2 with the title Sesanti, work 3 with the title Tutur, work 4 with the title Gegaran, and work 5 with the title Senguhan. This design produces an innovation to inform the human senses and also batik art in the fieldfashion. Keywords: Human Five Senses, Batik, Clothing, Casual
Co-Authors Ade Yamindago Al-Manduriy, Shahibul Muttaqien Aliviyanti, Dian Amiruddin Andik Isdianto Anggita, Elisa Bella Anggraini, Rosita Arif Riyan Fauzi Defri Yona Eko Supriyanto Fadhlan, Fadhlan Fuad, Muhammad Arif Zainul Gatut Bintoro Jeremy, Laurentius Klemens KRESNO YULIANTO La Ode Liaumin Azim Millatur Rahmah Syafi’i Mundir, Ahmad Nirwana Nisaul Jamilah Ofriangky Oktasyah, Lutfi Paizar, Ariq Rahman Purba, Calvin Arauna Rudianto Rudianto Saasa Seftiawan Samsu Rijal, Seftiawan Samsu Setyawan, Fahreza Okta Sunarmi Suyanto Swatama, Deny Syafira, Vivian Aprida Syafira Taalami, La Ode Thamrin Datjing Wahyono Wahyono Widodo wiyanto, Agung Yudha, Aria Rusandi