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All Journal E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya MUDRA Jurnal Seni Budaya PRABANGKARA Journal of Education Technology Jurnal Nasional Pendidikan Teknik Informatika (JANAPATI) Jurnal Pendidikan Kesehatan Rekreasi Bilancia : Jurnal Ilmiah Akuntansi Journal Coaching Education Sports Jurnal Yustitia Bhumidevi : Journal Of Fashion Design Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Harmonia: Journal of Arts Research and Education
I Wayan Adnyana
Teachers’ Training College of PGRI BALI Seroja Street, Tonja, Denpasar
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Physics Public Health Social Sciences

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Abinawa Musara Ahyung: Analogi Anggrek Pensil Dalam Busana Feminine Exotic Wardani, Putu Asri; Adnyana, I Wayan; Pebryani, Nyoman Dewi
BHUMIDEVI: Journal of Fashion Design Vol. 3 No. 1 (2023): Bhumidevi
Publisher : Pusa Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/bhumidevi.v3i1.2236

Abstract

Anggrek pensil yang memiliki nama latin papilionanthe hookeriana merupakan tanaman hias yang menyandang gelar sebagai Ratu Anggrek dan mendapat hadiah berupa “First Class Certificate” dikarenakan keindahannya yang mampu menawan para pemerintah inggris dan masyarakatnya pada tahun 1882. Tanaman yang terkenal memiliki habitat alami di Danau Dendam Tak Sudah ini menjadi ide pemantik untuk mewujudkan busana ready to wear, ready to wear deluxe dan haute couture yang kemudian dikemas dengan konsep busana Feminine Exotic yang berjudul Abinawa Musara Ahyung. Pembedahan tanaman anggrek pensil ke dalam bentuk mind mapping menghasilkan 5 kata kunci yang kemudian dapat diimplementasikan lewat teori analogi. 5 kata kunci terpilih yaitu: bergelombang, tutul ungu, halus, ungu gradasi, dan lurus. Metode penciptaan yang digunakan dalam pembuatan busana Abinawa Musara Ahyung adalan metode FRANGIPANI yang terdiri dari delapan tahapan penciptaan desain fashion yang ditulis oleh Dr. Tjok Istri Ratna Cora Sudharsana, tahun 2016. Hasil akhir dari rekacipta penciptaan busana Abinawa Musara Ahyung ini diharapkan dapat menambah kepustakaan dalam bidang fashion.
Swastra Seni Busana : Sebuah Analogi Dari ”Lukisan Penangkapan Pangeran Diponegoro Karya Raden Saleh” Sebagai Inspirasi Penciptaan Karya Busana Berkolaborasi Dengan Pagi Motley Studio Dewi, Dewa Ayu Sinta; Adnyana, I Wayan; Mudarahayu, Made Tiartini
BHUMIDEVI: Journal of Fashion Design Vol. 4 No. 1 (2024): Bhumidevi
Publisher : Pusa Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Lukisan Penangkapan Pangeran Diponegoro karya Raden Saleh adalah salah satu karya seni terkenal yang menggambarkan peristiwa sejarah penting di Indonesia pada abad ke-19. Pangeran Diponegoro digambarkan dalam keadaan yang sangat dramatis, dengan tangan terikat dan dipandu oleh tentara Belanda. Lukisan ini mencerminkan semangat perlawanan dan perjuangan bangsa Indonesia melawan penjajah. Penciptaan karya busana Tugas Akhir yang dilatarbelakangi oleh keinginan penulis dalam mengimplementasikan Lukisan Penangkapan Pangeran Diponegoro dengan mewujudkannya kedalam karya busana dengan menggunakan teori pendekatan analogi. Metode yang digunakan dalam penciptaan karya ini adalah sembilan penciptaan Frangipani hasil penciptaan ini diharapkan dapat memperkenalkan Lukisan bersejarah yaitu Lukisan Penangkapan Pangeran Diponegoroa karya Raden Saleh yang di visualisasikan dengan karya busana Tugas Akhir ready to wear, ready to wear deluxe dan semi couture.
Pelatihan Bounce the Ball Jarak 2 Meter 15 Repetisi 4 Set terhadap Ketepatan Passing Atas Bola Voli Sumerta, I Ketut; Artawan, I Kadek Suryadi; Subekti, Maryoto; Dewi, Ida Ayu Kade Arisanthi; Pranata, I Kadek Yudha; Adnyana, I Wayan
Jurnal Pendidikan Kesehatan Rekreasi Vol. 10 No. 2 (2024): Juni 2024
Publisher : Program Studi Pendidikan Jasmani Kesehatan dan Rekreasi FKIP Universitas PGRI Mahadewa Indonesia bekerjasama dengan Asosiasi Prodi Olahraga Perguruan Tinggi PGRI (APOPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/jpkr.v10i2.3964

Abstract

Penelitian ini bertujuan untuk mengetahu efektivitas pelatihan Bounce the Ball jarak 2 meter 15 repetisi 4 set terhadap ketepatan passing atas bola voli. Penelitian ini adalah penelitian eksperimen dengan desain randomized pre-test and post-test groups design. Jumlah sampel 28 orang siswa peserta ekstrakurikuler bola voli SMP Negeri 2 Gianyar yang diperoleh dari populasi yang memenuhi kriteria inklusi dan ekslusi dengan teknik total sampling. Uji statistik dalam penelitian ini terdiri atas beberapa tahapan yang diawali dengan uji deskriptif, uji normalitas, uji homogenitas, uji t-paired dan uji independent. Hasil penelitian diperoleh pelatihan Bounce the Ball jarak 2 meter 15 repetisi 4 set meningkatkan ketepatan passing atas bola voli dengan hasil beda rerata pre-test dan post-test 17,22 x/menit atau meningkat 83,71%. Simpulan penelitian menunjukkan bahwa pelatihan Bounce the Ball jarak 2 meter 15 repetisi 4 set terbukti meningkatkan kemampuan passing atas bola voli SMP Negeri 2 Gianyar.
Interpretasi Karakteristik Dewa Siwa Sebagai Inspirasi Seni Lukis Sadewa, Kadek Ian Gangga; Adnyana, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.1061

Abstract

This thesis contains a description of the creation of painting with the theme "Interpretation of the Characteristics ofLord Shiva as the Inspiration for Painting". The discussion of this theme is based on the symbolic form of Lord Shiva who has a background story and deep spiritual meaning, feels very relevant to be implemented regarding thephenomenon of social life in the modern era like today. The results are manifested in paintings using the creationmethod of Graham Wallas. The creation method includes the stages of preparation, incubation, getting inspiration, totesting. At the preparation stage, knowledge, insight, and framework of thinking are processed as instruments in findingproblems and solving problems, including the preparation of mind mapping. Towards the incubation stage, thesubconscious/preconscious takes over the process of searching and solving problems. At the stage of getting inspiration, the conscious and logic take back control to be able to elaborate on data or even ideas obtained previously to then beformulated as a concept. This stage is carried out by making a sketch as a record of the idea so that it is not biased andspread everywhere. The last is the testing stage which is carried out simultaneously with the formation or manifestationof the work. The results of this research and creation are in the form of six paintings about the characteristics of LordShiva with the titles (1) Shiva Nilakantha, (2) Shiva Trinetra, (3) Shiva Nataraja, (4) Lingga Yoni, (5) Trisula, (6) Nandhi. The meaning of the characteristics of Lord Shiva is poured into metaphorical visual symbols, with relevantassumptions, so as to achieve a narrative that is intended to be conveyed. The concept of the painting is adjusted to thestyle of surrealism and symbolism, namely the expression of concepts through forms that go beyond reality, and byusing symbols as its strength.
Canggu's Batu Mejan Beach As A Source Of Inspiration For The Creation Of Painting Works Setiawan, I Made Ricky; Adnyana, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3630

Abstract

The author discusses the history and atmosphere that the author experienced when creating the work as inspiration for painting. This topic was chosen as a means of conveying to the public what the history and atmosphere of Batu Mejan Beach is like and how the author created it in a work of painting. Creation of works is carried out through the steps of research, creation and presentation of art. This research is qualitative in nature by collecting data through journals related to Batu Mejan Beach. The method used is the Hawkins creation method, namely: idea exploration, improvisation/experimentation and realization. The originality of the work is carried out by the author from the basis of the emergence of an idea to the creation of a work of art using the visual source of coral rocks at Batu Mejan Beach and the addition of objects that have meaning/symbols. The visualization of the work emphasizes the elements of the idea and the techniques in which it is developed, accompanied by a spirit of taste that is built to give an aesthetic impression through the presentation of forms, as well as concepts that are used as references in each work. The result of the creation is a form of visualization of a painting by emphasizing the elements and principles of painting. The creation of this painting work is entitled "Canggu's Batu Mejan Beach as a Source of Inspiration for the Creation of Painting Works" with the output being a final thesis work and six works of painting art. Using palette techniques and acrylic paint materials with an expressionist flow.
KEBIJAKAN TINGKAT KOMPONEN DALAM NEGERI (TKDN) TERHADAP TELEPON SELULER DALAM OPTIMALISASI PENGGUNAAN PRODUK DALAM NEGERI DI INDONESIA PRATAMA, I PUTU ANDIKA; ADNYANA, I WAYAN
Jurnal Yustitia Vol 19 No 2 (2024): JURNAL YUSTITIA FAKULTAS HUKUM UNIVERSITAS NGURAH RAI
Publisher : Fakultas Hukum Universitas Ngurah Rai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62279/yustitia.v19i2.1351

Abstract

Kebijakan TKDN yang diberlakukan di Indonesia mengatur bahwa produk-produk industri yang diproduksi di dalam negeri harus mengandung komponen-komponen lokal dengan persentase tertentu. Berdasarkan hal tersebut, adapun permasalahan dalam jurnal ini terkait dengan: (1) Pengaturan mengenai Tingkat Komponen Dalam Negeri (TKDN) terhadap produk telepon seluler di Indonesia; dan (2) Permasalahan dalam pemberlakuan kebijakan Tingkat Komponen Dalam Negeri (TKDN) terhadap produk telepon seluler di Indonesia. Penelitian ini merupakan Doctrinal Research dengan menggunakan bahan hukum primer, sekunder dan tersier. Teknik pengumpulan bahan hukum dilakukan dengan sistem kartu dengan pendekatan perundang-undangan, pendekatan fakta, dan pendekatan analisis konseptual. Hasil dari penelitian ini yaitu, Pertama, Tingkat Komponen Dalam Negeri (TKDN) merupakan salah satu aspek penting dalam kebijakan industri dan perdagangan di Indonesia yang bertujuan untuk mendukung perekonomian nasional dengan memaksimalkan penggunaan produk dan komponen dalam negeri dalam proses produksi barang dan jasa. Adapun dasar hukum yang mengatur TKDN terhadap telepon seluler adalah Permenperin No. 29 Tahun 2017 dan juga Permenperin No. 22 Tahun 2020 sebagai amanat dari UU No. 3 Tahun 2014. Kedua, mengoptimalkan kebijakan TKDN di Indonesia memerlukan pendekatan yang komprehensif yang melibatkan berbagai sektor, dari pemerintah, industri, hingga masyarakat. Langkah-langkah seperti peningkatan kualitas dan kapasitas industri lokal dan penguatan regulasi merupakan kunci untuk mencapai tujuan kebijakan TKDN. Dengan langkah-langkah tersebut, Indonesia dapat meningkatkan kemandirian ekonomi, memperkuat industri dalam negeri, dan mengurangi ketergantungan pada impor.
Implementing Kahoot! for Japanese Language Learning in Indonesian High School Adnyani, Kadek Eva Krishna; Adnyana, I Wayan; Murniasih, Ni Nyoman; Suwastini, Ni Komang Arie
Journal of Education Technology Vol. 6 No. 2 (2022): May
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jet.v6i2.46102

Abstract

Kahoot! is an individual and collaborative gamified learning platform that encourages curiosity, promotes lifelong learning, and makes learning enjoyable. Given the numerous advantages of using Kahoot! in language acquisition, several academic institutions have included gamification to enhance their learning experience. However, there are always issues and hurdles encountered throughout technology deployment. The present study aimed to analyze how the teacher implements Kahoot! in Japanese learning, the Indonesian high school teachers and students' perceptions of using Kahoot! and the constraints they encountered in using Kahoot! The study was designed as qualitative research, enrolling one Japanese language teacher and 34 students in a state senior high school. Semi-structured interviews, non-participatory observation, and a mixed questionnaire were used to collect data. Despite specific problems in the teacher's implementation of Kahoot!, the research indicated that both the teacher and the students had an "excellent" impression of the platform, with a poor internet connection being recognized as the biggest stumbling block to their utilizing Kahoot! efficiently. While Kahoot! may be a realistic alternative for inspiring high school students to learn Japanese, it requires a solid internet connection to guarantee that the learning process runs well.
Tuna Fish As A Source Of Inspiration For Ideas In The Creation Of Paintings Gangga, I Putu Bisma Maha; Adnyana, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4487

Abstract

The final report of this independent study/project raises the theme "Tuna Fish as a Source of Inspiration in the Creation of Paintings". The phenomenon of fish bombing, especially referring to tuna which still often occurs even though it has been urged and given a deterrent effect by giving fines or imprisonment, but there are still many who use explosives or bombs to hunt fish, the cause of fishing perpetrators is mostly aimed at getting a lot of profit in a short time and with the energy expended is so limited. The problem faced is how to apply the concept and how to visualize the meaning contained in the painting, the purpose to be achieved in the creation of this work is to appeal to the wider community, especially those in coastal areas and to ISI Denpasar students not to use explosives or bombs in catching tuna and other fish. Through the idea of creativity and imagination channeled into the form of paintings by combining certain techniques, styles, symbols, colors, and references to achieve the desired goals and meanings. It can be concluded that tuna fish inspire writers in creating paintings and develop imaginative ideas and ideas that will become valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey messages and meanings, as well as an educational medium from the impact of tuna bombing.
Implementation of the BLU Policy at the National Gallery of Indonesia: Financing Model and Public–Private Partnership in Its Art Exhibitions 2024–2025 dewi, Citra Smara; Nurjadin, Indira Estiyanti; Adnyana, I Wayan; Ramadhana, Rizki Ayu
Mudra Jurnal Seni Budaya Vol 40 No 3 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i3.3230

Abstract

This study examines the management of the National Gallery of Indonesia (Galeri Nasional Indonesia/GNI) in its transition into a Public Service Agency (Badan Layanan Umum/BLU). GNI was selected for this study as a state cultural institution that holds both national and international art exhibitions, potentially playing a role as a benchmark of contemporary Indonesian art. The transformation marks a significant shift towards an entrepreneurial spirit in institutional performance, directly impacting the management of art exhibitions. The study aims to explain and analyze the implementation of the BLU policy in improving GNI’s management while identifying internal and external challenges and opportunities. This study's novelty lies in using two case studies—Lini Natalini Widhiasi: Infinity Yin and Yang (2024) and Arkiv Vilmansa: Semesta Arkiv (2025)—as representations of the BLU implementation in practice. It employs a descriptive qualitative method with the theoretical framework of institutional entrepreneurship. The findings indicate that the BLU policy stimulates GNI to develop a more collaborative, innovative, and entrepreneurship-oriented management, which should be further strengthened through public-private partnership strategies and diversified funding sources.
ANALISIS PROSEDUR PEMBERIAN KREDIT PADA KSP SARI MERTHA UTAMA Utami, Ni Kadek Cahya Dwi; Andini, Ni Wayan Lady; Yastini, Ni Putu Yeni Ari; Adnyana, I Wayan
Bilancia : Jurnal Ilmiah Akuntansi Vol 9 No 3 (2025): Bilancia : Jurnal Ilmiah Akuntansi
Publisher : Institut Bisnis dan Teknologi Pelita Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35145/bilancia.v9i3.5239

Abstract

This study aims to identify and describe the credit granting procedures at Koperasi Simpan Pinjam (KSP) Sari Mertha Utama, as well as to examine and describe the implementation of the 5C principles in the credit granting procedures at KSP Sari Mertha Utama. Data were collected through interviews, observation, and documentation. The study employed a qualitative data analysis technique, including data reduction, data presentation, and conclusion drawing or verification. This research used a qualitative approach with a descriptive research design. The findings indicate that KSP Sari Mertha Utama has implemented structured and systematic credit granting procedures. These procedures consist of several important stages, namely: submission of credit applications, interview process, creditworthiness analysis, credit decision-making, signing of the credit agreement, and credit disbursement. The application of the 5C principles (Character, Capacity, Capital, Collateral, and Condition) as guidelines for evaluating creditworthiness at KSP Sari Mertha Utama has been carried out effectively. Each aspect serves as the basis for assessing the eligibility of prospective borrowers to receive credit facilities. Penelitian ini bertujuan untuk mengetahui dan mendeskripsikan prosedur pemberian kredit pada Koperasi Simpan Pinjam (KSP) Sari Mertha Utama, serta mengetahui dan mendeskripsikan penerapan prinsip 5C dalam prosedur pemberian kredit pada KSP Sari Mertha Utama. Pengumpulan data dilakukan melalui metode wawancara, observasi, dan dokumentasi. Penelitian ini menggunakan teknik analisis data kualitatif yaitu reduksi data, penyajian data, dan penarikan kesimpulan atau verifikasi. Penelitian ini menggunakan pendekatan kualitatif dengan jenis penelitian deskriptif. Hasil penelitian menunjukkan KSP Sari Mertha Utama telah menerapkan prosedur pemberian kredit secara terstruktur dan sistematis. Prosedur tersebut mencakup beberapa tahapan penting, yaitu: pengajuan permohonan kredit, proses wawancara, analisis kelayakan kredit, pengambilan keputusan kredit, penandatanganan perjanjian kredit, serta realisasi pencairan kredit. Penerapan prinsip 5C (Character, Capacity, Capital, Collateral, dan Condition) sebagai pedoman evaluasi kelayakan kredit pada Koperasi Simpan Pinjam (KSP) Sari Mertha Utama telah dilaksanakan dengan baik. Setiap aspek digunakan sebagai dasar untuk menilai kelayakan calon debitur dalam menerima fasilitas kredit.
Co-Authors Abd. Rasyid Syamsuri Agus Cahyono Anak Agung Ngurah Putra Laksana Ardana, Wayan Nika Citra Smara Dewi Dewi, Dewa Ayu Sinta Gangga, I Putu Bisma Maha Hermawan, Gede Satya I Gusti Ngurah Ardana I Kadek Yudha Pranata I Ketut Sumerta I Komang Sudirga I Made Bendi Yudha, I Made Bendi I Made Radiawan I Made Suparta I Wayan Mudra, I Wayan I Wayan Swandi Ida Ayu Kade Arisanthi Dewi Jenaru, Kandidus Jimyanto Kadek Eva Krishna Adnyani Kadek Suryadi Artawan Kopong, Daton Maryoto Subekti Mudarahayu, Made Tiartini Muhammad Jazuli Ni Komang Arie Suwastini Ni Luh Putu Indrawathi Ni Nyoman Murniasih Ni Putu Yeni Ari Yastini, Ni Putu Yeni Ari Ni Wayan Lady Andini Nurjadin, Indira Estiyanti Nyoman Dewi Pebryani Pratama, I Putu Andika Pratama, Pande Putu Yogi Arista Ramadhana, Rizki Ayu Remawa, Anak Agung Gede Rai Sadewa, Kadek Ian Gangga Setiawan, I Made Ricky Suryajaya, Cok Agung Utami, Ni Kadek Cahya Dwi Utami, Ni Made Purnami Wardani, Putu Asri