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English: English Irma Damajanti; Ardhana Riswarie; Lulu Lusianti Fitri; RR Sri Wachyuni; Miryam Wedyaswari
Journal of Visual Art and Design Vol. 13 No. 2 (2021): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2021.13.2.4

Therapeutic uses of art have been acknowledged since even before the emergence of art therapy as a discipline and profession. Over the last couple of years, the Psychology of Art course managed under the Visual Art Study Program ITB has included discussion and therapeutic artmaking practice for students from all over the university. During the beginning of the Covid-19 pandemic, the delivery of therapeutic artmaking practice in the classroom had to be adjusted. Therefore, a video guide was created to help the students to follow the course activities. This paper describes the process and the theoretical background of making the video guide as well as discussing some of the students’ reports using the self-concept framework and the effectiveness of distance therapeutic artmaking activities. The preliminary study used a quasi-experimental approach, specifically a pre-experimental design, towards Psychology of Art students in 2020. The data used included verbal reports and images, which were analyzed qualitatively using codification and content analysis with two raters to discuss the findings. The results showed that the activity was impactful towards students’ self-concept. In some findings, the participants elaborated how the activity had impacted them positively. In the future, this model of distant therapeutic artmaking can be further developed and distributed to give benefits to a larger audience.

SENI LUKIS PENYANDANG TUNANETRA KOMUNITAS BALVI Trusti Warni; Irma Damajanti
ULTIMART Jurnal Komunikasi Visual Vol 12 No 1 (2019): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Komunitas Bala Vision (Balvi) merupakan komunitas tunanetra pertama yang berkarya seni lukis. Hal ini seakan ingin mematahkan pandangan masyarakat bahwa penyandang tunanetra tidak bisa membuat karya visual/ rupa. Berdasarkan fenomena tersebut maka penelitian ini dikembangkan dengan tiga rumusan masalah yaitu mengkaji proses kreasi, kecenderungan visual dalam karya seni lukis yang diciptakan, dan fungsi seni bagi penyandang tunanetra komunitas tunanetra Balvi. Penelitian ini menggunakan metode kualitatif dan kuantitatif. Metode kualitatif digunakan untuk mengumpulkan data dari proses observasi, wawancara, studi pustaka, dan dokumentasi, sementara metode kuantitatif digunakan untuk mengumpulkan data melalui metode eksperimen. Data kuantitatif dan kualitatif dianalisis dengan metode kualitatif. Teori yang digunakan yaitu proses kreasi Graham Wallas dan metoda kritik seni Terry Barret. Hasil dari penelitian ini menunjukkan bahwa proses kreasi penyandang tunanetra yang khas yaitu mengawali berkarya dengan bercerita pengalamannya, melakukan tahap pengujian tidak secara visual, pengalaman visual dapat digantikan dengan pengalaman perseptual, mengenali bidang berkarya dengan cara yang terukur, pengalaman mengunjungi pameran dan diskusi den- gan seniman menunjang kemampuan kognisi dan apresiasi penyandang tunanetra. Karya yang diciptakan memiliki kecenderungan visual garis yang diciptakan membentuk pola vertikal dan horizontal, goresan garis dan warna tidak penuh atau rata, pemilihan warna didasarkan pada kepentingan mengekspresikan suatu gagasan secara simbolik, bentuk abstrak sebagai cara penyadang tunanetra menerjemahkan pengalaman perseptual yang dimilikinya.

Telusur Sejarah Ogoh-Ogoh sebagai Manifestasi Seni Rupa Bali dari Sudut Pandang Komodifikasi Budaya Diaz Ramadhansyah; Irma Damajanti
Jurnal Seni Nasional Cikini Vol 8 No 1 (2022): Jurnal Seni Nasional Cikini Vol. 8 No. 1
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v8i1.161

Ogoh-ogoh yang selama ini identik sebagai simbol tradisi budaya umat Hindu Bali dalam menyambut Tahun Baru Saka adalah sebuah produk kesenian yang baru lahir pada tahun 1980an. Karya seni ini lahir sebagai wujud kreativitas masyarakat dan berkembang dengan falsafah membersihkan energi negatif menjadi lebih baik sehingga harmonis. Pada perkembangannya, Ogoh-ogoh berkembang dengan falsafah membersihkan energi negatif menjadi lebih baik sehingga harmonis. Pada perkembangan, Ogoh-ogoh berkembang menjadi objek parawisata dan komoditas. Penelitian ini bertujuan melihat bagaimana proses komodifikasi budaya terjadi pada Ogoh-ogoh berdasarkan teori Adorno. Studi kesejarahan menunjukkan hasil bagaimana Ogoh-ogoh mulanya dibuat oleh masing-masing Banjar, lambat laun menjadi komoditas dan dapat diperjualbelikan. Pawai Ogoh-ogoh berkembang menjadi objek pariwisata sebagai tontonan dan sebagai pajangan museum. Salah satu sanggar yang terkenal memproduksi Ogoh-ogoh adalah Sanggar Gases Denpasar, dan salah satu museum Ogoh-ogoh yang ada adalah The Ogoh-ogoh Bali Museum di Denpasar.

Multiculturalism in the Design Work of Indonesian Women Designers Senja Aprela Agustin; Acep Iwan Saidi; Irma Damajanti
SOCIUS Vol 10 No 1 (2023): Jurnal Socius: Journal of Sociology Research and Education, Universitas Negeri P
Publisher : Labor Jurusan Sosiologi Fakultas Ilmu Sosial Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/scs.v10i1.495

Multiculturalism has become a prominent issue in media communication, serving as both a communication strategy and a form of awareness for creators, particularly in visual communication design media. Most of the previous findings on the study of multiculturalism in the media suggest that different cultural backgrounds must be considered for global brands to reach diverse markets since visual language is not universal. In addition, other studies explore the interpretation of multiculturalism ideas in the media and practice participatory design research to communicate multiculturalism value through visual communication media. Nevertheless, in Indonesia, the interpretation study of multiculturalism in designs, especially those created by women designers, as a manifestation of multiculturalism awareness seems to be underexplored. To narrow the gap, this study uses the visual semiotic theory of Roland Barthes to investigate the multicultural significance represented in visual images in the work of Indonesian women designers by outlining the levels of denotative and connotative meanings which develop into myth. This research reveals that the idea of multiculturalism in the design work of Nita Darsono and Sanchia Hamidjaja can provide other counter-knowledge in representing the diversity amongst the hegemony of a single and standardized body myth, such as white skin, ideal body, and race, in media. This approach better understands the audiences and appreciates cultural diversity. Overall, this study sheds light on the importance of multiculturalism in visual communication design media, particularly in representing diversity and challenging hegemonic norms. It highlights the need for more research in this area, particularly from underrepresented perspectives, such as women designers in Indonesia.

Sebuah Penelitian Tentang Pan-Sensualisme Sebagai Bentuk Silang Budaya: Karya Seni Oleh Jim Supangkat; Ken Dedes (1975) Aprilia Ariesty Wibowo; Kiki Rizky Soetisna Putri; Irma Damajanti
Journal of Visual Art and Design Vol. 15 No. 2 (2023): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2023.15.2.7

This study examined the use of the term ‘Pan-Sensualism’ in the discourse on contemporary Indonesian new art and how this manifested itself in artworks created at the beginning of the Indonesian New Order era (1966-1998). Jim Supangkat was one of the artists and initiators in forming the artist group Gerakan Seni Rupa Baru Indonesia (Indonesian New Art Movement), which then organized the first Seni Rupa Baru 75 exhibition in 1975. Jim Supangkat presented six installation works with different narratives, but Ken Dedes was the only one that presented the dialectic of traditional and modern culture. The Prajnaparamita, or Ken Dedes statue is presented with a drawing of the body of a woman wearing jeans with the buttons open. In looking at the formal, social-historical, cultural, feministic, and other elements in the work of Ken Dedes (1975-1996), we used the iconographic research method. This method helps to see several aspects of Supangkat’s visual works related to the aesthetic paradigm of Pan-Sensualism and the intersection of two cultural elements, i.e., high and low art, which may be distinguished based on social class appreciation.

Multiculturalism in the Design Work of Indonesian Women Designers Agustin, Senja Aprela; Saidi, Acep Iwan; Damajanti, Irma
SOCIUS Vol 10 No 1 (2023): Jurnal Socius: Journal of Sociology Research and Education, Universitas Negeri P
Publisher : Labor Jurusan Sosiologi Fakultas Ilmu Sosial Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/scs.v10i1.495

Multiculturalism has become a prominent issue in media communication, serving as both a communication strategy and a form of awareness for creators, particularly in visual communication design media. Most of the previous findings on the study of multiculturalism in the media suggest that different cultural backgrounds must be considered for global brands to reach diverse markets since visual language is not universal. In addition, other studies explore the interpretation of multiculturalism ideas in the media and practice participatory design research to communicate multiculturalism value through visual communication media. Nevertheless, in Indonesia, the interpretation study of multiculturalism in designs, especially those created by women designers, as a manifestation of multiculturalism awareness seems to be underexplored. To narrow the gap, this study uses the visual semiotic theory of Roland Barthes to investigate the multicultural significance represented in visual images in the work of Indonesian women designers by outlining the levels of denotative and connotative meanings which develop into myth. This research reveals that the idea of multiculturalism in the design work of Nita Darsono and Sanchia Hamidjaja can provide other counter-knowledge in representing the diversity amongst the hegemony of a single and standardized body myth, such as white skin, ideal body, and race, in media. This approach better understands the audiences and appreciates cultural diversity. Overall, this study sheds light on the importance of multiculturalism in visual communication design media, particularly in representing diversity and challenging hegemonic norms. It highlights the need for more research in this area, particularly from underrepresented perspectives, such as women designers in Indonesia.

Experimentation and The Vanishing Point of Photography In Contemporary Art Deden Hendan Durahman; Yasraf Amir Piliang; Irma Damajanti; Armein Z. R. Langi
Asian Journal of Social and Humanities Vol. 3 No. 4 (2025): Asian Journal of Social and Humanities
Publisher : Pelopor Publikasi Akademika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59888/ajosh.v3i4.486

Photography has established itself as a dominant force in contemporary art, yet its boundaries are continuously challenged by experimental practices that merge traditional photographic principles with elements drawn from fine art traditions, such as painting. This presents a critical issue: how can photography evolve conceptually and aesthetically without losing its fundamental identity? This research aims to develop a framework for creating photographic artworks that explore the representational limits of the medium through bold experimentation while preserving its core principles. Employing G. Sullivan’s framework of interpretation, structure, and critical inquiry, the study examines how experimental practices transform photography into photographic imagery, pushing the medium to its conceptual and aesthetic vanishing points. The findings reveal that at these boundaries, photographic imagery transcends traditional representation and evolves into an ideological foundation, demonstrating the medium’s capacity for profound conceptual expression. Despite these transformations, the study concludes that experimentation does not compromise the essential nature of photography—its unique ability to evoke ostensibly truthful memories. By identifying and analyzing these dynamics, the research underscores the enduring relevance and adaptability of photography in contemporary art, highlighting its potential to navigate new creative frontiers while maintaining its intrinsic connection to reality.

Designing UI/UX App for Parents of ASD Children through Social Approach Anggis Rizky Wiyaringtyas; Irma Damajanti
JURNAL TEKNOLOGI DAN OPEN SOURCE Vol. 7 No. 2 (2024): Jurnal Teknologi dan Open Source, December 2024
Publisher : Universitas Islam Kuantan Singingi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36378/jtos.v7i2.3863

Compared to children’s parents with typical conditions, parents of children with autism spectrum disorder (ASD) experience higher levels of stress. As a result, parents may become more at risk of social stigma and become apart from those who seem can't understand their situation. Parents' stress levels can be reduced by experiencing a positive response like happiness and comfortable. One of the factors that makes parents of children happy and comfort with ASD is social support. In this study, researchers developed a smartphone application that can provide social support—such as groups, information, and emotional support—to parents who have children with ASD. The design thinking approach was implemented in this study, which involved collecting data via surveys, interviews, and observations to designing the UI/UX application during the ideation phase. According to the study's findings, parents nowadays need a parenting app that can make it easier for them to find social support.

DISCOURSE ON THE IMAGE OF VIRTUAL REALITY GRAFFITI ART: FROM PUBLIC SPACE TO VIRTUAL SPACE Zuhdi, Helmi; Damajanti, Irma; Adriati, Ira
Journal Albion : Journal of English Literature, Language, and Culture Vol 6, No 2 (2024): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v6i2.10525

Abstract. Current technological developments are characterized by various innovations, ranging from network speeds to artificial intelligence. These advancements have propelled the existence of modern technology, initially emerging as tools to assist humans in their daily lives. The use of Virtual Reality (VR) helps to display elements that do not exist in the real world, presenting them through digital media as if they were real. VR Graffiti has become a solution for artists who wish to create works without getting their hands dirty or disturbing public spaces. VR offers various conveniences by transcending physical and virtual realities. However, how do practitioners and the public view these developments? This research aims to understand the perspectives of both practitioners and the public towards VR graffiti using an imagological approach. The scope of graffiti objects analyzed in this study is limited to those that are legally present. By understanding various viewpoints of practitioners towards VR graffiti, this research can provide an overview of the discourse on how VR graffiti is perceived by the general public and practitioners alike.

Edukasi Tentang Zero Tolerance Kekerasan Seksual Pada Masyarakat Sekitar Kampus ITB Wikaningtyas, Pratiwi; Soemari, Herlien Dwiarti; Damajanti, Irma; Damayanti, Sylviana Maya; Purwaningrum, Rr. Diah Asih; Danial, Danial; Rupiani, Dewi; Handayani, Fanty; Hidavat, Agustini; Nugroho, Edwin Adi; Salsabilla, Zahra; Putri, Gaitsa Farah Zahira; Karenina, Melita Jenar; Tinton S, Bonifacius Perdana
Warta Pengabdian Andalas Vol 32 No 3 (2025)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jwa.32.3.400-407.2025

In alignment with the mandate of the Ministerial Regulation of Education, Culture, Research, and Technology (Permendikbudristek) No. 30 of 2021 on the Prevention and Handling of Sexual Violence (PPKS) and ITB's Strategic Plan for continuous transformation to achieve national and global recognition, this community service initiative is designed to establish a zero-tolerance policy toward sexual harassment. Sexual harassment is a significant barrier to achieving educational goals; therefore, more rigorous efforts are needed to disseminate anti-sexual violence awareness from the university to external stakeholders surrounding the campus environment, such as vendors, café owners, boarding house managers, online motorcycle taxi drivers, and students. The socialization given by PPKS task force team for those audiences. These output include publications in mass media, pocketbooks, and stickers. Among the 156 participants who attended, the largest proportion comprised students (46.2%; n=72), followed by campus business operators (45.5%; n=71), café managers (6.4%; n=10), boarding house managers (1.3%; n=2), and online drivers (0.6%; n=1). It is expected the collaborative involvement of all stakeholders will strengthen efforts to prevent sexual violence within the campus environment.

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