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Penerapan Teknik Reportase Wawancara (People Trail) Dalam Produksi Video Feature “Seventeen Menginspirasi, Carat Berkontribusi” Aisyah Islamiati; Rinda Aunillah Sirait; Iwan Koswara
Jurnal Pengabdian kepada Masyarakat Indonesia (JPKMI) Vol. 6 No. 1 (2026): April: Jurnal Pengabdian Kepada Masyarakat Indonesia (JPKMI) 
Publisher : AMIK Veteran Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jpkmi.v6i1.10300

Abstract

In recent years, Korean Pop (K-Pop) culture has expanded beyond entertainment to form fan communities with strong identities and social activities. One of the largest K-Pop fandoms in Indonesia is CARAT, the fan community of the South Korean group SEVENTEEN, which is actively involved in various social and humanitarian initiatives. However, limited media coverage has caused these activities to be overlooked, reinforcing negative stereotypes toward K-Pop fandoms. This study aims to highlight the social activities of the CARAT Bandung community through a human-interest feature video entitled “SEVENTEEN Inspires, CARAT Contributes”. The methods employed include journalistic reporting techniques consisting of research, observation, and interviews with community members and professional sources. The findings indicate that CARAT Bandung not only focuses on entertainment-related activities but also builds social relationships, solidarity, and meaningful social contributions. The feature video demonstrates that K-Pop fandoms can function as positive social agents and serve as relevant journalistic media for shaping public perspectives on fan communities in Indonesia.
Strategi Penulisan Ekspositoris dengan Pendekatan Reflektif dalam Produksi Film Dokumenter “2000 Untuk Parkir : Fenomena Juru Parkir Liar di Jatinangor” Gilang Rian Syahputra; Iwan Koswara; Jimi Narotama Mahameruaji
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 1 (2026): Januari: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i1.1066

Abstract

This study examines the strategy of writing an expository narrative using a reflective approach in the production of the documentary film "2000 Untuk Parkir: Fenomena Juru Parkir Liar di Jatinangor" Using descriptive qualitative methods through participant observation, in-depth interviews, and data triangulation, this 15-minute film presents a three-act plot that integrates empirical facts (such as a daily income of Rp50,000 from a Rp2,000 per vehicle rate) with the filmmaker's critical reflections on the dynamics of the informal economy and urbanization in educational areas. Results of an effectiveness test on 20 student respondents showed an 85% comprehension rate and a 90% increase in critical awareness, demonstrating the superiority of this hybrid approach in building empathy without excessive subjectivity. The discussion confirms the strategy's contribution to the discourse of Indonesian documentary production, with implications for advocacy for inclusive parking policies.
Strategi Sinematografi dalam Menentukan Visual Kreatif pada Film Dokumenter ”2000 Untuk Parkir“ Sanditya Zufar Buwono; Iwan Koswara; Jimi Narotama Mahameruaji
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 1 (2026): Januari: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i1.1067

Abstract

This study analyzes the cinematography strategies in determining creative visuals in the documentary film "2000 for Parking: The Phenomenon of Illegal Parking Attendants in Jatinangor," which documents the practice of illegal parking for Rp2,000-Rp5,000 in the Sumedang educational area as a social critique of the weak supervision of public spaces. Using a descriptive qualitative approach with frame-by-frame content analysis based on Joseph V. Mascelli's 5Cs theory and Bill Nichols' expository mode, the results demonstrate the dominance of eye-level angles (65%), low-key natural lighting (70%), handheld shaky camera (40%), and match cuts to build empathy, urgency, and a persuasive three-act narrative about the phenomenon of urban poverty. This visual strategy represents a power imbalance through low angles and rack focus, resulting in a 40% increase in audience awareness based on test screenings. Budget limitations are overcome through authentic improvisation that distinguishes the film from conventional Indonesian documentaries. The study concludes that cinematography is an effective visual storyteller for social advocacy, suggesting the integration of VR and AI-assisted techniques for future productions.