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PERAN PUSAT PELATIHAN SENI BUDAYA (PPSB) JAKARTA SELATAN DALAM REPRODUKSI KESENIAN GAMBANG KROMONG Suseno, Dava Widyanti; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5266

Abstract

Along with the development of the capital city, the Betawi people and their culture have faced various challenges related to their identity and existence as “natives”. This condition has had a lot of influence on the condition where traditional arts are no longer alive and developing, one of which is Gambang Kromong. The Provincial Government of DKI Jakarta with various other interests, then carried out cultural preservation through the Cultural Arts Training Center (PPSB). This study describes how the Gambang Kromong Training Program is organized by PPSB, through the ethnographic method which has been carried out since 2018, then by data collection techniques through observation, interviews, and literature review related to the research object. The results of the collected data are then analyzed through the perspective of the theory of cultural reproduction and the theory of hegemony. The PPSB Gambang Kromong Training Program in the 2016-2019 period has succeeded in forming an ideal cultural reproduction system. The stages of the program cover quite a lot of aspects and various factors that also support a cultural reproduction effort, especially for the Gambang Kromong traditional arts in DKI Jakarta. Unfortunately this program had to stop due to policies that forced restructuring. The role of PPSB, which is part of a political society, unfortunately has to lose in the hegemony game of the institution above it, and this also has an impact on civil society which includes art galleries, schools, traditional arts practitioners, and the Betawi community in general. Policies that show the government’s inconsistency in carrying out the preservation and reproduction of culture, eventually add to the question in terms of cultural programs to the interests of the institution alone.
HIERARKI ORGANISASI & TRANSMISI PENGETAHUAN HASIL PRODUKSI PERTUNJUKAN PADA MANAJEMEN YOGYAKARTA ROYAL ORCHESTRA (STUDI KASUS: PERTUNJUKAN RARÉ RUMPAKA YOGYAKARTA ROYAL ORCHESTRA) Setianjaya, Iwan; Dyah Fitriasari, Rr. Paramitha; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5704

Abstract

This research aims to reassemble the presence of hierarchical sketches in the work scheme that applies in the performance management of the Yogyakarta Royal Orchestra through a case study of the Raré Rumpaka 2023 performance. The study of performance management at the Yogyakarta Royal Orchestra is researched through the approach of management and bureaucracy. The effort was made to see the depth of the relationship that can be found between the orchestra’s performance governance and the royal bureaucracy. Another research focus is to see the extent to which knowledge transmission can be found from the journey of performance activities consisting of the preparation process, implementation to closing. This research uses a descriptive qualitative method to look at the phenomena of problems and events that occur in the research arena. The data was collected through interpersonal interview procedures with resource persons with research schemes including observation, field notes and processing of field documentation results. The data analysis process is carried out based on four stages, namely data collection, data reduction, data presentation and conclusion making. The results of the research attempt to reveal the openness of information in the implementation of the Raré Rumpaka performance, which focuses on the managerial management system of the Yogyakarta Royal Orchestra consisting of the existence of the royal bureaucratic system, the hierarchical work scheme that applies, and the results of knowledge transmission generated after the performance.
THE IMPACT OF MUSIC ON MOTOR DEVELOPMENT IN EARLY CHILDHOOD AT ALMA PAUD POS BAKALAN VILLAGE KALINYAMATAN DISTRICT JEPARA REGENCY Enggar Febriyanti , Monalisa; Rustandi Mulyana, Aton
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7648

Abstract

This research aims to explore and describe in depth the influence of music on motor development in early childhood at POS PAUD ALMA Bakalan Village, Kalinyamatan, Jepara. The research method used is qualitative with participatory techniques, interviews, and content analysis of the data collected. Research participants involved PAUD teachers and early childhood children at POS PAUD ALMA. Data was collected through direct observation of children's activities when exposed to music, interviews with children and PAUD teachers, as well as content analysis of children's responses to musical experiences in the classroom. Data analysis resulted in the finding that the use of music in the context of early childhood education at ALMA PAUD POS has a positive impact on children's motoric development. Through music, children show improved gross and fine motor skills, as well as motor coordination abilities. Apart from that, music also creates a fun environment and motivates children to develop their motor skills. This research contributes to understanding the role of music as an effective learning tool and can help improve the motor skills of young children. The implications of this research can be the basis for further development in the context of early childhood education at POS PAUD and provide guidance to educational practitioners to integrate music more effectively in the learning process.
Aesthetic Transformation of Javanese Wayang Performances in the Digital Era Sunardi, Sunardi; Saka, Putri Ananda; Sulastuti, Katarina Indah; Mulyana, Aton Rustandi; Ansari, Isa; Novianto, Wahyu; Kiswanto, Kiswanto; Putro , Renaldi Lestianto Utomo
Harmonia: Journal of Arts Research and Education Vol. 25 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v25i1.11320

Abstract

This study examines how technological advancements have transformed the aesthetics of wayang performances in Java. Data collection methods include observations of wayang performances, interviews, literature reviews, and internet searches to capture the aesthetic transformation of wayang performances in the digital age. Given the existing literature’s tendency to discuss wayang performances within a limited scope, this research provides a more comprehensive contribution by positioning wayang performances as an integrated entity encompassing dalang creativity and audience response. Through the analysis of diverse wayang performances, the study demonstrates that aesthetic transformation is evidenced by the dalang’s hybrid presentation techniques, the emergence of novel story repertoires, and increased audience engagement. Significant findings from this study include the growth of dalang’s creative and adaptive capabilities, enhanced interpretative approaches in composing wayang stories, and the audience’s influence in shaping mass aesthetic trends. This study provides important contributions to the pedalangan (puppetry) and the relations of wayang, dalang, audience, and technology. Furthermore, this study contributes to the academic discourse on cultural adaptation in the digital age and provides pragmatic resources for the artistic development of Javanese puppetry.
The ethical dimensions of Mong Kinemong in music performance in catholic worship: a phenomenological analysis of first Friday night eucharist musicians at Ganjuran Church Rosidy, Tony Anwar; Rustandi Mulyana, Aton; Suryo Prabandari, Yayi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 18 No. 2 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i2.4723

Abstract

In the context of Catholic worship at Ganjuran Church, music and musicians play vital roles in enhancing the spiritual experience of worshippers. This research employs a qualitative and phenomenological approach to explore the ethical aspects related to musical performances during the First Friday Night Eucharist. Through careful observation, interviews, and documentation, the study analyzes the musicians' practices using Marc Benamou's theory of Rasa and Keontjoroningrat's insights on religious emotion. The findings reveal that musicians at Ganjuran Church embody the ethical principle of 'Mong Kinemong,' demonstrating a profound ethos of mutual care deeply embedded in their musical practice. This ethical commitment is bolstered by the musicians' intense experience of religious emotion, evoking feelings of majesty and serenity among choir members. Additionally, instrumentalists, referred to as 'pengrawit,' express heightened veneration, describing their peak moments as 'semu' (joyful), 'nges' (serene and good), and 'dados' (fulfilling expectations). Importantly, this 'Mong Kinemong' ethos harmoniously integrates with musical elements, enhancing the overall worship experience. This study contributes to a deeper understanding of ethics in musical performance within the Catholic liturgy context, shedding light on the significance of mutual care, emotional resonance, and harmonious musical expression in enriching the spiritual dimension of worship.
Pengelolaan Risiko pada Pertunjukan Pepe-Pepeka ri Makka Gunawan, Agim; Mulyana, Aton Rustandi; Simatupang, Gabriel Roosmargo Lono Lastoro
PANGGUNG Vol 35 No 4 (2025): Transformasi, Simbolisme, dan Kreativitas dalam Ekspresi Budaya Nusantara: Studi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i4.3638

Abstract

Pepe-Pepeka ri Makka merupakan kesenian tradisional yang berasal dari Makassar, Sulawesi Selatan. Dalam pertunjukannya, kesenian Pepe-Pepeka ri Makka menyajikan penari yang berinteraksi dengan api. Penelitian ini bertujuan untuk mengkaji bagaimana risiko-risiko yang terlibat dalam pertunjukan Pepe-Pepeka ri Makka, dikelola oleh para penampil. Metode kualitatif dan pendekatan performance studies digunakan dalam penelitian ini, guna mengeksplorasi dua dimensi dalam pengelolaan risiko, yaitu dimensi teknis dan nonteknis. Dimensi teknis mencakup keterampilan dan kecakapan penari, sementara dimensi nonteknis melibatkan penggunaan doa, ritual, dan kepercayaan spiritual. Hasil penelitian ini menunjukkan bahwa pengelolaan risiko tidak hanya bergantung pada keterampilan teknis penampil, namun juga dipengaruhi oleh keyakinan spiritual. Oleh karenanya, kombinasi antar kedua dimensi ini sangat berpengaruh terhadap keselamatan para penampil.