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All Journal Publika Budaya LITERASI: Jurnal Ilmu-Ilmu Humaniora UNEJ e-Proceeding Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Semiotika Community Development Journal: Jurnal Pengabdian Masyarakat Jurnal Abdidas Leksema: Jurnal Bahasa dan Sastra PAPUMA: Journal of Comunnity Services Social Sciences and Humanities Reviews
Titik Maslikatin
Fakultas Ilmu Budaya Universitas Jember
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Journal : Semiotika

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KAJIAN EKSPRESIF TERHADAP NOVEL KEMARAU KARYA A.A. NAVIS Galang Garda Sanubari; Titik Maslikatin; Heru S.P. Saputra
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 1 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i1.19214

Abstract

The Drought Novel by A.A. Navis is the object of this research. Tells the life of a middle-aged man who lives in a village. His desire to change the way people around him think about work and make sense of life is hampered by their nature and personal past. Explicitly this novel is like discussing the life of the main character. The reality behind it, culture, innuendo, and religious observance neatly packaged in it. Therefore from that novel that is able to load content in the form of reality and expression of the author, the researcher chooses Dynamic Structuralism as the study theory. Will be achieved in this article the approach used only from the perspective of the expressive approach. The method used is reading, recording, watching, recording data on film sources, and processing data. The results of this study resulted in the study of extrasic (expressive) Sasra works, criticism of the authors of the work on human behavior, the introduction of several Minangkabau cultures, and personal experiences of A.A. Navis
REPRESENTASI KEARIFAN LOKAL DARI NOVEL KE FILM RAKSASA DARI JOGJA: KAJIAN EKRANISASI Ajeng Yuditya Siswara; Heru S.P. Saputra; Titik Maslikatin
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 2 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i2.17464

Abstract

This article analyzes the ecranization pattern between the novel Raksasa Dari Yogya and the adapted film. Filmize novel usually changes the story text's content because not all novel story text content can be moved on the screen. This study aims to get the changes that occur in the novel's adaptation pattern to the form of a film medium, and the shape of representations existed in the two works. This study uses an ecranization perspective. The methodology used in this study is qualitative because the data are in the form of narrative text in novels and visual texts which are the results of the film captured Raksasa Dari Yogya. The data collection method was collected by reading, taking notes, watching, recording film source data, and processing it. Data analysis is in the form of interpretation of data obtained from novel texts and films. The study results show that there are changes: reducing, adding, or varying modifications in terms of the content of the story text. It is caused by the difference between the media used between novels and films. Books and movies reveal Yogyakarta local wisdom representations in the form of arts and tourism. The local wisdom depicted in novels and movies reflects Yogyakarta culture's richness, strengthening a region's identity. The changes can make the film more attractive without changing the substance of the novel as a whole.
Pemertahanan Eksistensi Diri dalam Drama Delailah Tak Ingin Pulang dari Pesta: Kajian Psikologi Humanistik Titik Maslikatin
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 1 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v14i1.30107

Abstract

Delailah Tang Ingin Pulang dari Pesta is a drama that is able to read the events around him. Incessanttelevision that catapulted figure kewaria-warian make genuine transvestite want to demand their rights.Delailah singer and dancer whose members who wanted to maintain the "nature" and want to berecognized as human beings with a variety of mental suffering. Be the preferred method ofpsychological analysis to uncover conflicts incest figure in maintaining the existence itself. Melalauistudy of humanistic psychology can be interpreted that Delailah maintain his existence withachievements not sell "face" or selling yourself. The existence of one supreme self Delaila member tobecome a famous artist is achieved due to the hard work and creativity.
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
DIMENSI METAVERSE DALAM NOVEL DAN SERIAL ANIME SWORD ART ONLINE: KAJIAN EKRANISASI Adi Suryo Nugroho; Titik Maslikatin; Sunarti Mustamar; Zahratul Umniyyah
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 2 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i2.41068

Abstract

Reki Kawahara's Sword Art Online novels have been ecranized into a television anime series, going from four volume novels to 25 episodes. However, in this article the material object is a twovolume novel which is ecranized into 14 episodes. This research using qualitative method aims to understand the changes that occur from the novel version to the television series version by using the theory of ecranization. The results of the study show that in the ecranization process there are three changes, namely shrinking, adding, and varying changes. These three changes had positive impacts, including the sequencing of episodes which made it easier for viewers who had not read the novel version to understand, and the television series version could be enjoyed by more viewers. The novels and television series Sword Art Online provide an overview of the metaverse technology created by Mark Zuckerberg by combining the real and virtual worlds. The work has affinities with metaverse concepts such as 3D virtual space, avatars, and full immersion. However, the sophistication of this technology has received criticism because it has the potential to cause addiction to the virtual world.
NOVEL SUSU DAN TELUR KARYA MIEKO KAWAKAMI TERJEMAHAN ASRI PRATIWI WULANDARI: KAJIAN FEMINISME RADIKAL Arlilianda, Wahyu Gaesesita; Maslikatin, Titik; Umniyyah, Zahratul; Angelina, Dewi; Muhamad, Abu Bakar Ramadhan
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 25 No 1 (2024): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v25i1.45656

Abstract

The topic of feminism in Japan is something that society has not yet fully accepted. This is the reason why researchers chose the novel Susu and Eggs to be used as the object of study. The discrimination that occurs against female characters in the novel leads to extreme actions and thoughts regarding women's freedom regarding their rights. Therefore, the novel Susu and Eggs is studied using radical feminism theory. The aim of this research is to describe the structural analysis and aspects of radical feminism in the object of study. Data discovery was carried out using the library study method, namely reading the novel in its entirety. The description of the data is carried out through qualitative descriptive methods. The research results show that there is a relationship between the title, theme and characterization in the novel. The title relates to the major theme which is supported by the minor theme. The theme is depicted through events that support the characters' characters. On the other hand, the aspects of radical feminism found are divided into five parts, namely: (1) women and their bodies which are related to Midoriko and Natsuko. Midoriko as a teenager who hates the nature of women, then Natsuko as a single woman who cannot find pleasure in sex, but wants to have children through a sperm donor; (2) the inequality of roles in the household which is depicted through the character Yusa Rika who hates her ex-husband; (3) women's beauty standards which include women's body shape and nipple color; (4) stereotypes about women's bodies that discuss women's instincts to get pregnant and societal stigma that prioritizes the penis over the vagina; (5) and sexual violence which includes the act of rape against the character Zen Yuriko.
Co-Authors Abu Bakar Ramadhan Muhamad Adi Suryo Nugroho Agus Sariono Ajeng Yuditya Siswara Arlilianda, Wahyu Gaesesita B. M. Sri Suwarni Rahayu B. M. Sri Suwarni Rahayu, B. M. Sri Suwarni Bambang Aris Kartika, Bambang Aris Dewi Angelina Didik Suharijadi Dominikus Rato Edy Hariyadi Friesca Ardi Martha Prahayu Friesca Ardi Martha Prahayu, Friesca Ardi Martha Galang Garda Sanubari Heru S.P. Saputra Heru S.P. Saputra Heru S.P. Saputra Heru SP Saputra Heru SP Saputra Ilham, Mochamad Kartikasari Ratih Lilis Yuliati Maharani Sri Devi Metha Armis Metha Armis, Metha Muhammad Zamroni Novi Anoegrajekti S Siswanto Setyari, Agustina Dewi Siswanto Siti Fatimah Sri Mariati Sudartomo Macaryus Sunarti Mustamar Syamsul Arifin umniyyah, zahratul Wardani SWW, L. Dyah Purwita Zahratul Umniyyah Zeni Ernawati