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TIPOLOGI WAJAH BANGUNAN KOLONIAL GEREJA KATOLIK ROMA DI SEMARANG Gregorius Gravido Praha Prayogo; Edward Endrianto Pandelaki; Bangun Indrakusumo Radityo Harsritanto
Jurnal Arsitektur ARCADE Vol 7 No 3 (2023): Jurnal Arsitektur ARCADE September 2023
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v7i3.3169

Abstract

Abstract: The Roman Catholic Church in Semarang has interesting things as an object of research because it has own uniqueness as one of the Cultural Heritage buildings that has a connection with the history of the city of Semarang, on the other hand various problems about socially, economically and culturally. As time progresses, the Gedangan Church and the Cathedral Church began to experience improvements due to the climate and the situation in the city of Semarang. The typology or characteristics of the two churches has several changes based on field studies of the two churches. Field studies and grouping of the characteristics of the buildings were carried out to answer the research, with the hope that the characteristics of the two churches can be preserved amidst cultural developments.Keyword: Architectural Typology, Roman Catholic Church, Cultural Heritage Abstrak: Gereja Katolik Roma di Semarang memiliki hal yang menarik untuk dijadikan obyek penelitian karena memiliki keunikan tersendiri sebagai salah satu bangunan Cagar Budaya yang memiliki keterkaitan dengan sejarah kota Semarang, disisi lain muncul berbagai permasalahan baik secara sosial, ekonomi dan budaya. Seiringnya berkembangnya waktu, Gereja Gedangan dan Gereja Katedral mulai megalami perbaikan akibat iklim serta situasi di kota Semarang. Tipologi atau karateristik dari kedua Gereja tersebut mengalamai beberapa perubahan berdasarkan studi lapangan pada kedua Gereja tersebut. Studi lapangan dan pengelompokkan karakteristik dari bangunan dilakukan untuk menjawab penelitian, dengan harapan karakteristik dari kedua Gereja tersebut dapat dilestarikan di tengah perkembangan budaya.Kata Kunci: Tipologi Arsitektur, Gereja Katolik Roma, Cagar Budaya
TIPOLOGI PERUBAHAN POLA TATA LETAK RUANG RUMAH PANGGUNG DIATAS SUNGAI KARANG MUMUS KOTA SAMARINDA Adventsa Novitasari; Edward Endrianto Pandelaki
Jurnal Arsitektur ARCADE Vol 7 No 4 (2023): Jurnal Arsitektur ARCADE Desember 2023
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v7i4.3814

Abstract

Abstract: Settlements on the river are unique because the physical properties of homes adjust to the conditions and surroundings of the upper river. The island of Borneo is divided by a large river that divides the city of samarinda, causing settlements on the river. The gulf of mumus was the smooth stream of mastership flowing in the city of samarinda. The settlements in the town of samarinda are unique as they face the river, but today as the settlements adjust to the environment, giving rise to new customs of living and living overlooking the river. The stilted house on the mumus river was meant to be a home where a settlement on the water provided a merging identity between the physical and the social life of its people. As the cultural age advanced across the river, a change in the layout pattern resulting from a change in the orientation of the stage home. The method used is qualitative desensitization with a typology approach using a sampling. The purpose of this article was to know the typology of the layout of the living space on the mumus river in view of the development pattern.Keyword: Typology, the Settlements Above the River, Karang Mumus Abstrak: Permukiman diatas sungai memiliki keunikan dikarenakan fisik bangunan rumah menyesuaikan dengan kondisi dan lingkungan di daerah diatas sungai. Pulau Kalimantan dibelah oleh sungai besar yang membelah kota Samarinda, dan menyebabkan adanya permukiman diatas sungai. Sungai Karang Mumus merupakan anak Sungai Mahakam yang mengalir di Kota Samarinda. Persebaran permukiman di Kota Samarinda memiliki keunikan berorientasi menghadap kearah sungai, namun saat ini seiring perkembangan permukiman menyesuaikan dengan lingkungan sehingga menimbulkan adanya kebiasaan baru untuk bertempat tinggal dan hidup menghadap sungai.  Rumah panggung diatas Sungai Karang Mumus merupakan rumah panggung yang memiliki makna suatu permukiman diatas air yang memberikan identitas yang menyatu antara wujud fisik dan kehidupan sosial budaya masyarakatnya. Seiring perkembangan zaman budaya berumah panggung disepanjang Sungai mengalami perubahan pada pola tata letak ruang yang diakibatkan oleh adanya perubahan orientasi rumah panggung. Metode yang digunakan adalah metode Deskriptof Kualitatif dengan pendekatan tipologi menggunakan purposive sampling. Tujuan penulisan artikel ini untuk mengetahui tipologi pola perubahan tata letak ruang rumah panggung diatas Sungai Karang Mumus ditinjau dari pola perkembangannya.Kata Kunci: Tipologi, Permukiman diatas Sungai, Sungai Karang Mumus.
Tingkat Kesesuaian Konfigurasi Lanskap Berdasarkan Faktor Kepuasan Konfigurasi Area Aktivitas Primer Muhammad Widad Bayuadi; Budi Sudarwanto; Edward Endrianto Pandelaki
Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Vol 20, No 1 (2022): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v20i1.57652

Abstract

This study aims to obtain the formulation of research results related to the grade of satisfaction and the dominant satisfaction variable in the primary activity area of Nganjuk City Park. Qualitative descriptive research was used in this study, then the data was processed by qualitative data methods and processed using an Importance Performance Analysis (IPA) diagram which is then described using multiple linear regression analysis. The population survey used is city park users with a sample of 100 users. The sampling technique uses a sampling method based on certain characteristics (purposive sampling). In the results of the Importance Performance Analysis, it can be seen that in quadrants I to 4, there are priorities that must be hastened by changes or maintains configuration aspects so that the value of the satisfaction level of the configuration area can be maximized. Sequentially the priority changes that can be made are from the sports activity area (very dissatisfied) with the x;y quadrant points (9.68; 8.92); tours and stopovers (not satisfied) with quadrant points x; y (8.55; 10.84) and (9.11; 9.92); the learning area category (satisfied) with the x;y quadrant point (5.68;8.36), and the trading area category (very satisfied) with the x;y quadrant point (7.34; 10.03).
Identifikasi perubahan fisik rumah masyarakat Samin Blora berdasarkan teori Habraken Badrut Anggara Putra; Agung Budi Sarjono; Edward Endrianto Pandelaki
ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 3 (2021): ARTEKS : Jurnal Teknik Arsitektur | September 2021 ~ Desember 2021
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v6i3.714

Abstract

Cultural transformation is one of the Habraken Architectural theories, which involves three categories of change, namely physical, spatial, and cultural. The development of modern culture in the residential area of the Samin community in Blora Regency has an impact on the emergence of physical changes in the shelter. Hence, this study aimed to identify the physical changes and the aspects affecting them. There are six basic aspects in the theory of physical change proposed by Habraken, namely Body & Utensils, Furniture, Partitioning, building elements, roads, and Major Artery. A deductive rationalistic approach and qualitative descriptive methods were used in this study for collecting data through interviews with the Samin community in Blora Regency, for field observations, and analyzing the physical changes of the object. This analysis refers to the concept of changing the cultural structure of Habraken. Consequently, the conclusion showed that the people in Blora still adhere to the teachings of samin. Among the six objects, only two modern materials were used, namely glass and ceramic floors. Moreover, body utensils and building elements were the aspects that mostly influence the changes that occurred.