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All Journal Gorga : Jurnal Seni Rupa Journal of Urban Society´s Arts Jurnal Gramatika Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Puitika Besaung : Jurnal Seni Desain dan Budaya Jurnal Abdimas Mandiri Melayu Arts and Performance Journal Creativity And Research Theatre Journal Jurnal Kajian Seni Bercadik: Jurnal Pengkajian dan Penciptaan Seni Jurnal Gramatika: Jurnal Penelitian Pendidikan Bahasa dan Sastra Indonesia International Journal of Applied Sciences in Tourism and Events Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Menulis: Jurnal Penelitian Nusantara
Dede Pramayoza
Program Studi Seni Teater, Fakultas Seni Pertunjukan, Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Dari Studi Drama Klasik ke Ekodramaturgi: Transformasi Teater Potlot Palembang dalam Pencarian Ekspresi Teater dan Lingkungan Putra, Fajar Eka; Carnelis, Helvi; Pramayoza, Dede
Creativity And Research Theatre Journal Vol 7, No 2 (2025): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v7i2.6316

Abstract

Artikel ini mengkaji tentang transformasi Teater Potlot Palembang, dari kelompok studi dramaturgi klasik menjadi praktisi ekodramaturgi. Fokus penelitian adalah proses transformasi, untuk menganalisis alasan-alasan konseptual di balik implementasi ekodramaturgi oleh Teater Potlot, dengan pertunjukan Rawa Gambut sebagai suatu studi kasus. Penelitian didasarkan pada teori ekodramaturgi sebagai kerangka analisis atas karya teater, yang dipandang mengintegrasikan isu-isu ekologi ke dalam proses dramaturgi. Karya semacam itu diyakini memiliki watak realisme sosial, yaitu pendekatan artistik yang merepresentasikan masalah-masalah sosial dan lingkungan, di mana teater bertransformasi menjadi agen perubahan sosial dan menjadi medium dari advokasi lingkungan. Menggunakan metode penelitian kualitatif, dengan teknik pengumpulan data studi dokumentasi, studi pustaka dan wawancara, penelitian ini menghasilkan pemahaman bahwa Teater Potlot telah berhasil mengembangkan ekodramaturgi khas mereka. Ekodramaturgi Teater Potlot itu dihasilkan melalui proses riset mendalam, mendorong partisipasi komunitas dan menciptakan kolaborasi lintas sektor. Melalui penerapan ekodramaturgi, pertunjukan Teater Potlot berfungsi sebagai alat advokasi, edukasi dan refleksi kritis terhadap kerusakan lahan gambut. Lebih jauh, Teater Potlot berhasil membangun jejaring strategis dengan ekodramaturgi, antara lain dengan LSM, akademisi, media dan juga komunitas lokal, untuk memperkuat dampak sosial dan lingkungan dari karya teater mereka.
Aesthetics of the Babuai Dance and the Transformation of Tradition at the Singo Barantai Traditional Arts Institute, Padang Yosi Nofa; Yuliarni Yuliarni; Afrizal Harun; Asril Asril; Dede Pramayoza
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5886

Abstract

Babuai dance is one of the traditional Minangkabau dances that developed at the Singo Barantai Padang Traditional Arts School. This dance is one of the unique traditional dances. Because the movements of this dance depict agility, softness, firmness and sharpness. In every movement is full of accents (movement jerks) besides that there is also acceleration and deceleration. This dance is used for body exercise for a silat athlete before they carry out silat training. The object of this research uses Dance as its formal object, "Babuai Dance" as its material object. This research uses a qualitative method with a descriptive analytical approach. This research was conducted at a silat school, namely the Singo Barantai Padang City Traditional Arts School, which is located in Lubuk Leetah, Kuranji District, Padang. Singo Barantai Traditional Arts College is one of the non-formal educational institutions engaged in the field of arts and culture, where the activities or materials taught at this College include traditional martial arts with the SilekPauh flow, randai, traditional dance, traditional Minangkabau music, and traditional pasambahan speeches. This journal examines the tradition of challenging change in the study of dance aesthetics. Babuai dance is viewed using aesthetic studies with the aim of revealing and exploring in depth everything related to the beauty of the Babuai Dance and changes in the development of the babuai dance at the Singo Barantai Traditional Arts College. In this study, the author was actively involved in the Singo Barantai Traditional Arts College, namely as a participant observer, which means that the author directly enters and is involved in the membership of the Singo Barantai College
Co-Authors Afrizal H Afrizal Harun Aldo, Yoni Artika, Yulia Asril Asril Asril Carnelis, Helvi Dedi Novaldi Emri, Emri Fajar Eka Putra Fatriza, Dinda Fresti Yuliza G.R. Lono Lastoro Simatupang G.R. Lono Lastoro Simatupang GANGGA LAWRANTA Gusrizal Gusrizal H, Afrizal Hasnah Sy Hendarti Darmawan HR, Hafif Leni Efendi Maharani Saputri Meria Eliza Mustika, Novia Pandu Birowo Panjaitan, Sri Wahyuni Putra, Fajar Eka Riki Pratama Rina Armeniza Aziz Roza Muliati Rusdeen Suboh Saduddin Saaduddin Sal Murgiyanto Sal Murgiyanto, Sal Sena, Alvi Sherli Novalinda Susas Rita Loravianti Visaka Saeui Wendy HS Yosi Nofa Yuliarni Yuliarni Yusril, Yusril Zuharmando Ghaffara, Muhammad