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All Journal HUMANIS Parole: Journal of Linguistics and Education RETORIKA: Jurnal Ilmu Bahasa Jurnal Kajian Bali LINGUAL: Journal of Language and Culture Journal of Language and Literature Linguistik Indonesia Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Journal of Language and Literature Udayana Journal of Social Sciences and Humanities (UJoSSH) International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics J-CEKI Ulil Albab
Gede Primahadi Wijaya Rajeg
Universitas Udayana
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Analisis Gaya Bahasa Pada Film Hunger Games Febriana, Putu Adelia; Sri Rahayuni, Ni Ketut; Primahadi Wijaya Rajeg, Gede
Humanis Vol 28 No 3 (2024)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2023.v28.i03.p05

Abstract

This study analyzes the language style used in the utterances of the main characters (i.e., Katniss Everdeen and Peeta Mellark) in The Hunger Games Movie. The relevant data was obtained using a qualitative method, especially the documentation method. This study also presents the language style most often used by the main characters, focusing on the five language style features and functions proposed by Martin Joos (1976): formal style, consultative style, casual style, intimate style and frozen style. Overall, we found that the casual style is more often used than the other language styles. More specifically, there are 70 data that convey particular language styles, the distribution of which is as follows: 1 frozen style data, 18 formal style data, 10 consultative style data, 27 casual style data, and 14 intimate style data.
Multimodal Metaphor Approach to the Meaning-Making of the United Nations' Posters Putu Dea Indah Kartini; Gede Primahadi Wijaya Rajeg; I Made Netra
J-CEKI : Jurnal Cendekia Ilmiah Vol. 3 No. 5: Agustus 2024
Publisher : CV. ULIL ALBAB CORP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jceki.v3i5.4281

Abstract

This study aims to identify the metaphors used in the images and textual elements of selected United Nations (UN) posters, analyze how these metaphors convey meaning, and understand the functions of the messages delivered. The data was sourced from the official Instagram account of the UN, @unitednations. The data were analyzed using a descriptive-qualitative approach with the application of multimodal metaphor theory by Forceville (2009) and visual grammar theory by Kress and Van Leeuwen (2020). The results indicate that the visual and verbal processes in these posters are complementary and work together to provide a cohesive message to the audience. The analysis reveals that the metaphors used in the posters serve to enhance the communication of complex global issues by making abstract concepts more relatable and understandable. This study contributes to the understanding of how multimodal metaphors in posters can be effectively used for global communication.
Presupposition Used by The Characters in Uncharted Movie I Gede Ngurah Priyatna Oka Putra; Gede Primahadi Wijaya Rajeg; Novita Mulyana
J-CEKI : Jurnal Cendekia Ilmiah Vol. 3 No. 5: Agustus 2024
Publisher : CV. ULIL ALBAB CORP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jceki.v3i5.4398

Abstract

This study aims to identify the types of presupposition and reveal the meaning of each presupposition found in the Uncharted movie. The data for this study was taken from the dialogs spoken by the characters in the Uncharted movie. In this study, the qualitative research method was used to analyze the data. This study applied Yule's (1996) presupposition theory and supported by the theory of meaning by Thomas (1995). The results showed that all of the six types of presupposition were found in the characters' utterances from the Uncharted movie. These six types were existential presupposition, factive presupposition, lexical presupposition, structural presupposition, non factive presupposition, and counterfactual presupposition. The analysis also revealed a variety of meanings of all the presuppositions found, where each of the meaning was influenced by the contextual aspects when the utterance is spoken; this made every meaning of the presupposition uttered by the speaker can be understood by the interlocutor by observing the context of the utterance. This study enhances the comprehension of how presupposition is used in conversation and its impact on listeners' interpretation.
Language Style Used in Darkest Hour Movie Gede Bagus Kalpa Wisesa; I Nengah Sudipa; Gede Primahadi Wijaya Rajeg
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 3 No. 8: Juli 2024
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v3i8.4405

Abstract

This study examines the sociolinguistics of the language style used in the 2017 movie Darkest Hour, directed by Joe Wright and written by Anthony McCarten. The study focuses on two main research inquiries: (1) What language styles are utilised in the movie Darkest Hour (2) What variables influence the predominant language style utilised in the movie Darkest Hour. The study aims to identify and describe the language styles in the movie using Mandell and Kirszner's (2005) theory, which categorises language styles as frozen, formal, consultative, casual, and intimate. Furthermore, Holmes' (2013) theory is utilised to examine the aspects that impact the primary language style found in the movie. The study focuses on analysing characters' speech in Darkest Hour to reveal language patterns and analyse the sociolinguistic dynamics shown in the movie. This research delves into how language styles and contextual elements interact to enhance our understanding of how language is used for characterisation, narrative development, and historical representation in movie discourse.
Exploring Grammatical and Semantic Profiles of Angry and Mad: A Corpus-Based Study Saskara Tranggana Suari, Ida Ayu; Rajeg, Gede Primahadi Wijaya; Sudipa, I Nengah
EJI (English Journal of Indragiri): Studies in Education, Literature, and Linguistics Vol. 8 No. 2 (2024): EJI (English Journal of Indragiri): Studies in Education, Literature, and Lingu
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61672/eji.v8i2.2749

Abstract

This paper investigates how two near-synonymous emotion words (i.e., ANGRY and MAD) would differ in their grammatical (i.e., morphological) and semantic profiles based on data from the Corpus of Contemporary American English (COCA). Morphologically, we analyzed the distribution of verbal inflectional morphologies of these words overall and across different text types/genres in COCA. Semantically, we explored the preferred semantic category of the Experiencer and Stimulus collocates of ANGRY and MAD. In that way, we adopted both quantitative and qualitative methods. We showed that the base verbal form anger is very prominent across genres compared to the base form madden. Similarly, the -ed and third-person singular -s forms are more predominant for ANGER than for MADDEN. In contrast, the -ing form of maddening is far more common than angering. Semantically, angry predominantly collocates with Kinship-based Experiencer than mad. Both adjectives attract distinct types of Experiencer nouns from the social and political relation fields. In terms of the stimulus, mad attracts collocates from the semantic field of emotion and values more predominantly than angry. In sum, corpus analyses help reveal grammatical and semantic differences between near-synonyms such as ANGRY and MAD.
Language Shifts in Folkative Instagram Comments Koemba, Fitriani Putri; Rajeg, Gede Primahadi Wijay; Ediwan, I Nyoman Tri
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/sfvxk443

Abstract

Social media nowadays presents a venue for speakers to convey messages in different languages. This study aims at identifying the factors of language shift in social media comments for bilingual, multimodal content posted on an Instagram account, called Folkatives. The analysis was based on two data types, namely verbal (English) and visual (Indonesia) data from the post and questionnaire data. They are analyzed with reference to Holmes’ (2001) theory on the factors of language shift. The results of this study indicate there are three factors of language shift in the two comments with the most likes in every six Folkative posts on April 30, 2022. Based on the analysis of the data (comments) and the results of the questionnaire on twelve Folkative followers, it was found that a language shift occurred due to social factors, the economy, and demography. his can be reviewed further because social media is a form of internet communication that continues to grow and will not die in the social world. Keywords: Language shift, Instagram, Folkative, Verbal, Visual
Connotative Meanings in English Song Lyrics of Flying Solo Album by Pamungkas Kurniawan, Deka Dwi; Netra, I Made; Rajeg, Gede Primahadi Wijaya
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/jzft1224

Abstract

Song lyrics are literary works created by musicians to convey their ideas, feelings, and emotions. In making song lyrics, the writer is free to choose the words they will use to express their ideas or feelings and the meaning they want to convey. Generally, in making song lyrics, musicians use implied meanings so that the songs are more interesting to listen to. The phenomenon that often occurs is that there are still many people who misinterpret the meaning to be conveyed, especially the implied meaning (connotative meaning). Based on the phenomenon that often occurs, the purpose of this study is to find out the types of connotative meanings in song lyrics. The documentation method and note-taking technique were used in this study. The data source is taken from the song lyrics of Pamungkas' Flying Solo album. The song lyrics in the album are downloaded via the website. Then, understand the lyrics that have been downloaded while collecting the words or phrases that are thought to have connotative meaning. Furthermore, classifying and explaining messages from the data that has been collected. The data in this study were analyzed based on the theories of types of connotative meaning proposed by Hook and denotative and connotative meaning proposed by Leech. The result of this study shows that the song lyrics on this album contain three types of connotative meaning, which are positive, negative, and neutral connotative. Keywords: Song Lyric, Phenomena, Types of Connotative Meaning
Co-Authors Alice Gaby Ben Ambridge Erna Elya Ningrum Febri Aspitasari Febriana, Putu Adelia Gede Bagus Kalpa Wisesa I Gede Ngurah Priyatna Oka Putra I Gede Semara Dharma Putra I Ketut Artawa I Made Budiarsa I Made Luis Harta I Made Netra I Made Netra I MADE RAJEG I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan Imelva Angely Silalahi Kadek Gita Arya Cahyaningrum Karlina Denistia Koemba, Fitriani Putri Kurniawan, Deka Dwi Luh Putu Laksminy Made Buadiarsa Ni Ketut Sri Rahayuni Ni Ketut Sri Rahayuni, Ni Ketut Ni Putu Diahtari Ariestiawati Ni Wayan Nari Ratih Novita Mulyana Poppy Siahaan Putu Dea Indah Kartini Salsabila Husna Ramadhani Amara Saskara Tranggana Suari, Ida Ayu Suciani Dewi, Ida Ayu Putu Utei Charaleghy Pamphila