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All Journal Jurnal Mahasiswa Jurusan Arsitektur Journal of Innovation and Applied Technology Jurnal Ruas (Review of Urbanism and Architectural Studies) EMARA : Indonesian Journal of Architecture ARTEKS : Jurnal Teknik Arsitektur LANGKAU BETANG: JURNAL ARSITEKTUR IJEAS (International Journal of Environment, Architecture, and Societies) Envirotek : Jurnal Ilmiah Teknik Lingkungan DIMENSI: Journal of Architecture and Built Environment Journal of Architecture and Human Experience
Yusfan Adeputera Yusran Yusran
Department Of Architecture, Faculty Of Engineering, Universitas Brawijaya
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Social Sciences

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ENVISIONING OPEN-AIR MUSEUM FOR INDONESIAN Yusfan Adeputera Yusran
Dimensi: Journal of Architecture and Built Environment Vol. 45 No. 1 (2018): JULY 2018
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (762.162 KB) | DOI: 10.9744/dimensi.45.1.63-72

Abstract

The founding of Skansen in the early of the 19th century was a milestone behind the phenomenon of Open-air museums all over the world. Although late, this phenomenon began to emerge in Indonesia since 1972 marked by the establishment of Taman Mini Indonesia Indah (TMII). Behind all the controversy on its establishment, TMII has been recognized as one of the nation pride as well as the first instituted open-air museum in the country. Ahead, this noble purpose should be further envisaged as an opportunity for Indonesian to take a part in rescuing remaining vernacular houses as the provision for future generations recognize their identity. By observing TB Silalahi Center in Balige and Taman Nusa in Gianyar, this paper describes that the opportunity for Indonesian to conserve ex-situ their neglected vernacular houses also definitely could be realized. From the analysis, some constraint found in terms of management, specifically in financial issue, but proven does not make a significant barrier in making these both museums keep running. Need collaboration from related parties since there is no proper translocation procedure done and also the weaknesses of tangled documentation. This concern aroused in order to prospecting ex-situ conservation for Indonesian vernacular houses properly implemented as an Open-air museum.
UTILIZATION PATTERN OF RESIDENTIAL TERRACE AS A TRADING PLACE IN KAMPUNG TRIDI JODIPAN MALANG Adita Ronarizkia; Yusfan Adeputera Yusran
Dimensi: Journal of Architecture and Built Environment Vol. 46 No. 1 (2019): JULY 2019
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (972.399 KB) | DOI: 10.9744/dimensi.46.1.51-58

Abstract

Kampung Tridi, Jodipan Malang, which was initially a slum residential area has transformed now into a colorful area with a concept of colorful order, arranged linearly according to the houses pattern. This setting is positively effective to attract tourist interest to come and success in changing the aspect of social, culture and economy of the residents. The aspect which has been through adequate significant change is the economy, which is indicated from the number of residents who take benefit from their house's terrace that initially used as a conventional family area, now turn into an area of trading. This change is conducted to be economic support in order to fulfill their life needs. This research aims to identify the pattern of terrace utilization as the place where the trading activity takes place in Kampung Tridi Jodipan Malang. This research exerts the method of descriptive qualitative which identifies the pattern of terrace utilization through field survey, interview, and literature studies, while the method of analysis used behavior mapping. This research finding shows that the utilization pattern of the residential terrace as the trading spot is located exactly in the front part of the house, that is the terrace. The houses that using the terrace as the trading spot are mostly located in the front of the main path which leads to the Jembatan Kaca (Glass bridge) that connects Kampung Tridi with Kampung Warna-warni in the south.
Exploring Translocation of Omah Java in Pawon Garden, Bogor: A Case Study of Ex-situ Architectural Conservation Anassya Calistha Dewani; Yusfan Adeputera Yusran
International Journal of Environment, Architecture, and Societies Vol. 2 No. 02 (2022): Digital Conservation and Urban Patterns to Preserve the Environment, Architect
Publisher : Institute of Research and Community Services of Universitas Tanjungpura and Center of Southeast Asian Ethnicities, Cultures and Societies (Joint collaboration between Universitas Tanjungpura and National Taitung University)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijeas.2022.2.02.100-108

Abstract

Pawon Garden is a building complex located in Parung, Bogor, consisting of several translocated Javanese vernacular (Omah) buildings. This study aims to determine the process of translocation of Javanese Omah in Pawon Garden Parung in a narrative manner, resulting in knowledge about the translocation of Javanese vernacular buildings as an effort of ex-situ conservation in architectural terms. This study uses a qualitative descriptive approach to show the translocation process of Javanese vernacular buildings, starting from technical specifications, elements, and materials. The building translocation process discussed in this study is divided into three stages: the dismantling process, the translocation process, and the reconstruction process. Several changes to the building occur as a form of adjustment of the building to its new environment and functions. The changes reduce the authenticity of the building. However, most of the elements and structures in the translocated Javanese Omah are still the original components of the original building.
Tipologi pada Fasad Rumah Tradisional Minahasa di Desa Reksonegoro Kabupaten Gorontalo Bian Reksa Abrian Triono; Yusfan Adeputera Yusran
Jurnal Mahasiswa Jurusan Arsitektur Vol. 10 No. 3 (2022)
Publisher : Jurnal Mahasiswa Jurusan Arsitektur

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Desa Reksonegoro merupakan warisan budaya suku Minahasa yang berada di Provinsi Gorontalo yang didirikan oleh orang-orang keturunan suku Jawa yang diasingkan ke Minahasa pada perang Diponegoro. Saat ini Desa Reksonegoro memiliki 66 rumah vernakular panggung diantaranya telah mengalami kerusakan yang disebabkan oleh berbagai faktor menyebabkan banyak rumah vernakular panggung yang ada di Desa Reksonegoro mengalami perubahan terhadap wujud fisiknya. Penelitian ini dilakukan dengan tujuan untuk mengklasifikasikan elemen-elemen pembentuk fasad sehingga dapat ditemukan rumah vernakular Minahasa Desa Reksonegoro yang masih mempertahankan keasliannya. Metode yang digunakan adalah metode deskriptif kualitatif. Analisis yang digunakan yaitu dengan cara klasifikasi fasad pada elemen bangunan terkait dengan antropologi tubuh manusia seperti Kepala Bangunan (atap), Badan Bangunan (pintu, jendela, ventilasi, railing, dan dinding), dan Kaki Bangunan (tangga, kolom, dan pondasi).
Penguatan identitas tempat melalui pemetaan budaya, Studi kasus: Kampung Madura Pendalungan di Baran Buring, Malang Ema Yunita Titisari; Yusfan Adeputera Yusran; Lisa Dwi Wulandari
ARTEKS : Jurnal Teknik Arsitektur Vol 8 No 1 (2023): ARTEKS : Jurnal Teknik Arsitektur | Januari 2023 ~ April 2023
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v8i1.1917

Abstract

The place identity needs to be resurfaced visual-architecturally through place-making and community engagement. From participatory identification of tangible and intangible cultural assets, cultural mapping can increase awareness of cultural assets and a sense of belonging, facilitate network development and collaboration, and prepare village development programs according to local potential. This study aims to compile the potential and resources of Kampung Baran in a participatory manner, and then present it as significant cultural character data in shaping the identity of the place. The research was conducted qualitatively through asset mapping and community identity mapping. Asset mapping is related to the physical resources, while community identity mapping identifies intangible resources. Physical data recording is done through field observation. The on-site data mapping is triangulated through focus group discussions and in-community conversation to identify the intangible resources. Furthermore, the data were categorised, and the relations were analysed to compile the cultural mapping. The results showed that the unity between architectural elements (recontextualization of Omah Gejug), communal space according to the taneyan pattern of Kampung Baran, typical plants, local culinary, traditional arts and language, as well as socio-cultural systems and structures can be visualized to support the revitalization of place identity.
DARI REALITA MENJADI WACANA: REPRESENTASI PANOPTISISME PADA PERENCANAAN KOTA PROBOLINGGO Sayyidah Shabri; Susilo Kusdiwanggo; Yusfan Adeputera Yusran
LANGKAU BETANG: JURNAL ARSITEKTUR Vol 10, No 1 (2023): April
Publisher : Department of Architecture, Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/lantang.v10i1.55858

Abstract

Kota Probolinggo merupakan salah satu kota peninggalan zaman penjajahan Belanda. Menurut Hidayat & Widriyakara (2018), Kota Probolinggo menerapkan bentuk pengawasan panoptikon. Namun definisi panopticon tersebut tidak sepenuhnya terepresentasikan secara fisik pada tata Kota Probolinggo. Penelitian ini bertujuan untuk mengungkapkan bahwa Kota Probolinggo tidak hanya merupakan bentuk kota yang menerapkan pengawasan fisik tetapi juga menggambarkan panoptisisme. Dengan menggunakan analisis deskriptif sinkronis-diakronis, penelitian ini mendeskripsikan sejarah perkembangan Kota Probolinggo sebelum tahun 1743, 1743-1850, 1850-1880an, dan 1880an-1940 untuk menggambarkan bentuk kekuasaan dan kendali panoptisisme pada masa itu dan kaitannya dengan morfologi Kota Probolinggo saat ini.FROM REALITY TO DISCOURSE: REPRESENTATION OF PANOPTICISM IN PROBOLINGGO CITY’S PLANNING Probolinggo City is one of the heritage cities of the Dutch colonial era. According to Hidayat & Widriyakara (2018), the City of Probolinggo represents a form of panopticon surveillance. However, the definition of the panopticon only partially means physically in the form of Probolinggo City. This research aims to reveal that the City of Probolinggo is not only a form of city that applied physical surveillance but also portrays panopticism. Using synchronic-diachronic descriptive analysis, this study describes the history of the development of Probolinggo City before 1743, 1743-1850, 1850-the 1880s, and 1880s-1940 to describe the form of power and control of panopticism at that time and its relation to the morphology of Probolinggo City today.
RUANG KITA DAN RESILIENSINYA KINI DI TENGAH PANDEMI Yusfan Adeputera Yusran
Envirotek : Jurnal Ilmiah Teknik Lingkungan Vol. 13 No. 1 (2021): Envirotek: Jurnal Ilmiah Teknik Lingkungan
Publisher : Universitas Pembangunan Nasional Veteran Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/envirotek.v13i1.137

Abstract

Pandemi saat ini telah membuat kita harus meredifinisi arti kata me-ruang. Banyak hal yang membuat kita harus merubah cara pandang terhadap cara kita berkehidupan sehari-hari. Dari cara berpakaian, beribadah, makan di restoran, antri membeli tiket, rapat, makan, hingga saat kita pulang ke rumah selepas beraktivitas di luar rumah. Makalah ini bertujuan memberikan gambaran krisis yang terjadi saat ini terkait dengan pengalaman meruang dengan mengulas isu terkini tentang pengaruh pandemi terhadap aspek arsitektural dan urbanisme. Secara deskriptif, kajian interdisipliner terkait pandemi didiskusikan dan disandingkan dengan melihat beberapa topik resiliensi lokalitas di nusantara. Masyarakat nusantara memiliki berbagai cara untuk bertahan namun tampaknya pandemi mengharuskan kita untuk merubah pola pikir tentang bagaimana perencanaan arsitektur maupun kota yang mengutamakan faktor kesehatan dan tangguh terhadap kondisi seperti sekarang ini, karena ini bukan yang pertama kali dan (sepertinya) akan berulang kembali. Dan arsitektur tidak bisa menjawab ini sendirian.
Penilaian Keaslian Bangunan Candra Naya Jakarta Konservasi Menggunakan Instrumen Nara Grid Farah Athaya Salsabilani; Yusfan Adeputera Yusran; Joko Triwinarto Santoso
ARCHIHUMANUM Vol 1 No 2 (2023): October
Publisher : CV. Gio Architect

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59810/archimane.v1i2.13

Abstract

Candra Naya is a Chinese style heritage building that has been standing since the 19th century. During its journey, this building has undergone several conversions from being a residence to now becoming a museum. After being conserved adaptively into a museum and new buildings construction arose around it, many adjustments to the Candra Naya building were made. This study was conducted to assess the authenticity of the post-conservation of Candra Naya using the Nara Grid instrument. This research using an exploratory mixed method, a combination of qualitative and quantitative study. The results of both research methods were analyzed into six aspects and four dimensions of the Nara Grid. The evaluation results indicate that the authenticity of the Candra Naya building is in the proper category. The building elements, in visually, spatially, and structurally terms, are still following the original, where some materials are only polished for maintenance. Some of the changes made are non-destructive and only as an adjustment to the new building built around the site.
Co-Authors Adita Ronarizkia Adita Ronarizkia Anassya Calistha Dewani Antariksa Sudikno Atsar Yaisy Muhammad Ayu Ratna Pitaloka Bian Reksa Abrian Triono Dhara Adyuta Sasikirana Ema Yunita Titisari Faisal Bahar Farah Athaya Salsabilani Fenny Widiana Fenti Nur Addina Joko Triwinarto Santoso Kusdiwanggo, Susilo Lisa Dwi Wulandari Mangku Purnomo Mutiara Indah Puspitasari Ridjal, Abraham Mohammad Sayyidah Shabri Sebastian Hadinata Sri Utami Surjono Surjono Tatiek Koerniawati Andajani Yohanes Vincent Mahendar Bagaskara