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Pengembangan Kerajinan Sangkar Burung Kelurahan Kadipiro, Surakarta, Jawa Tengah Aan Sudarwanto; Rahayu Adi Prabowo; Ari Supriyanto
Abdi Seni Vol 10, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

AbstrakKriya mempunyai cakupan yang sangat luas salah satunya adalah kriya kayu, dimana konsentrasi penggunaan bahan baku utamanya didominasi bahan baku kayu. Diantara keragaman produk kriya kayu adalah produk kerajian sangkar burung. Dari data yang ada diketahui bahwa dalam 10 tahun terakhir telah mengalami booming. Hal ini karena banyaknya muncul peternak burung sebagai komoditi perdagangan maupun banyaknya komunitas-komunitas pecinta burung baik dari kalangan masyarakat ekonomi lemah hingga masyarakat menengah dan atas. Kebutuhan sangkar burung meningkat dengan pesat hampir merata di setiap daerah dan berdampak pula muncul sentra kerajinan sangkar burung sebagai kantong penghasil sangkar burung. Salah satunya sentra kerajinan sangkar burung di kalurahan Kadipiro, Banjarsari, Surakarta. Terdapat beberapa permasalahan yang menjadikendala di sentra kerajinan sangkar burung di kalurahan Kadipiro Surakarta, diantaranya adalah; Tidak mampu memproduksi dalam waktu yang singkat, tidak adanya standarisasi produk fungsional, kurangnya tenaga kerja trampil dalam mengembangkan produk. Tidak ada produk dengan branded tertentu sehingga mudah ditiru. Berpijak dari permasalahan dan kondisi di sentra kerajinan sangkar burung Kadipiro maka dilakukan kegiatan peningkatan pengembangan produk sangkar burung melalui program PPM, dengan target pengusaha bernama Yudi Haryadi yang saat ini sedang merintis kerajinan sangkar burung bernama “Carisa Sangkar” . Fokus dari kegiatan PPM ini lebih diarahkan pada pada aspek peningkatan kualitas produk karya kriya kayu khususnya sangkar burung dengan pembuatan desain yang baik sampai menjadi prototype. Kemudian dilakukan penguatan sumber daya manusia, melalui pendampingan lapangan, yang diharapkan dapat meningkatkan penjualan dan sekaligus secara tidak langsung dapat meningkatan kesejahteraan masyarakat.Kata kunci : Kriya, kreativitas, sangkar burung, sistem produksi AbstractCraft has a very broad scope one of which is wood craft, where the concentration of the use of raw materials is mainly dominated by wood raw materials. Among the wood craft products are bird cage. It is known that in the last 10 years becoming the peak season. This is due to the large number of bird breeders emerging as trade commodities as well as the many bird-loving communities from among the economically weak to the middle and upper classes. The need for bird cages is rapidly increasing almost evenly in every area and the impact is also emerging centers of bird cage crafts as bird cage producers. One is a bird cage craft center in Kadipiro , Banjarsari, Surakarta. There are a number of problems that have become obstacles in the bird cage handicraft center in Kadipiro Surakarta, including not able to produce in a short time, there is no standardization of functional products, lack of skilled workforce in developing products. There is no specific branded product so it is easy to imitate. Based on the problems and conditions in the Kadipiro bird cage craft, activities to improve the development of bird cage products through the community service , with the target of a businessman named Yudi Haryadi who is currently pioneering a bird cage craft called “Carisa Cage”. Improving the quality of wood craft products, especially birdcages by making good designs to become prototypes. Then do strengthening human resources, through field assistance, which is expected to increase sales and at the same time indirectly improve community welfare.Keywords: crafts, creativity, bird cage, production system

PELATIHAN LUKIS KACA SEBAGAI PEMBERDAYAAN POTENSI KREASI SENI KRIYA DI DESA BANARAN KECAMATAN GEMAWANG KABUPATEN TEMANGGUNG PROPINSI JAWA TENGAH Rahayu Adi Prabowo
Abdi Seni Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Thematic community service titled “Glass Painting Training as an Empowerment for the Potential of Creative Arts Creation in Banaran Village Gemawang District Temanggung Regency Central Java Province” This focus is on increasing the potential of craft arts in Banaran Village Gemawang District Temanggung District Central Java Province, namely with a series of glass painting making training as an alternative to the development of craft art creations in Banaran Village. This is important to do because so far the technique of glass painting is more widely known in the arts academics environment without much involving the role of the community in its development. This dedication activity besides introducing one of the painting techniques to the glass media, is also broadly aimed as a foothold in the framework of empowering the creative economy in rural communities. After attending this training, it is expected that emerging creative economic development talents that can uplift the economy of rural communities starting from the movement of the individuals involved will then be predicted to emerge MSMEs (Micro and Small and Medium Enterprises) based on the potential of craft art. The method used in this activity is intensive training which is held for several weeks. The training itself will be divided into 5 stages of work namely; general introduction to theory, introduction to media and glass painting techniques, design practice, application of color tone applications to glass media, and finishing and evaluation.Keywords: craft art, glass painting, creative economy.

PELATIHAN BATIK DENGAN MOTIF JAGAD PACITAN SEBAGAI UPAYA PENGEMBANGAN EKONOMI KREATIF DI DUSUN NGETEP DESA NGROMO KECAMATAN NAWANGAN KABUPATEN PACITAN Nugroho, Prima; Rahayu Adi Prabowo
Abdi Seni Vol. 15 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v15i1.5377

Community service activities with the title "Batik Training with Jagad Pacitan Motifs as an Effort to Develop Creative Economy in Ngetep Hamlet, Ngromo Village, Nawangan District, Pacitan Regency" this activity focuses on improving the skills of the Ngetep Hamlet community through training in the field of fine arts. The program was carried out in order to develop the creative economy in Ngetep Hamlet. This activity is also an effort to present artistic activities which can build the brand image of Ngetep Hamlet. Besides being an effort to improve skills, batik training also aims to grow the love of the community, especially the younger generation, for one of Indonesia's cultural heritages, namely batik. With this training, it is expected that the emergence of artistic activities carried out by the community and can develop into a source of community income in the field of fine arts. The method used in this batik training activity is the lecturing plus method, demonstration, practice, and also combines with the art creation method where participants are invited to be creative in the motifs to be made into batik. This training was carried out with 5 stages of work, namely the introduction of tools and materials, presentation of material about batik, demonstration of the batik making process, practice of motif design creation, and practice of making batik

PEMBEKALAN TEKNIK UKIR KAYU BAGI PEMUDA DESA SERENAN SEBAGAI UPAYA REGENERASI AHLI KAYU YANG KIAN LANGKA -, Chici Yuliana Nadi; Rahayu Adi Prabowo; Kuntadi Wasi Darmojo
Abdi Seni Vol. 16 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i1.6503

The village of Serenan hosts over 200 small-scale household furniture businesses, producing various wooden furniture items such as tables, chairs, cabinets, wall decorations, and more. In the past, the village thrived and was known as a renowned wood carving center. However, its prominence has gradually declined. The current generation of young wood craftsmen in Serenan focuses primarily on simple carving designs, which are easier to produce. This limited approach, combined with increasing competition from larger furniture industries, has hindered their growth. Furthermore, their conventional sales methods contribute to a downward trend in income. Today, Serenan’s young wood craftsmen recognize the importance of adding “value” to their wooden products by incorporating high-aesthetic wood carving elements. However, they face significant challenges due to limited carving skills, while the village’s master carvers are no longer physically able to provide comprehensive training due to their advanced age. Therefore, this Community Empowerment Program (PKM) is designed to provide insights and training in wood carving, covering the entire process from design and carving to finishing. In addition, online marketing training through social media is offered to help them overcome the low sales volume caused by a narrow target market, resulting from conventional sales practices.

PELATIHAN BATIK DENGAN MOTIF JAGAD PACITAN SEBAGAI UPAYA PENGEMBANGAN EKONOMI KREATIF DI DUSUN NGETEP DESA NGROMO KECAMATAN NAWANGAN KABUPATEN PACITAN Nugroho, Prima; Rahayu Adi Prabowo
Abdi Seni Vol. 15 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v15i1.5377

Community service activities with the title "Batik Training with Jagad Pacitan Motifs as an Effort to Develop Creative Economy in Ngetep Hamlet, Ngromo Village, Nawangan District, Pacitan Regency" this activity focuses on improving the skills of the Ngetep Hamlet community through training in the field of fine arts. The program was carried out in order to develop the creative economy in Ngetep Hamlet. This activity is also an effort to present artistic activities which can build the brand image of Ngetep Hamlet. Besides being an effort to improve skills, batik training also aims to grow the love of the community, especially the younger generation, for one of Indonesia's cultural heritages, namely batik. With this training, it is expected that the emergence of artistic activities carried out by the community and can develop into a source of community income in the field of fine arts. The method used in this batik training activity is the lecturing plus method, demonstration, practice, and also combines with the art creation method where participants are invited to be creative in the motifs to be made into batik. This training was carried out with 5 stages of work, namely the introduction of tools and materials, presentation of material about batik, demonstration of the batik making process, practice of motif design creation, and practice of making batik

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