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All Journal E-Journal Of Cultural Studies Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Al-Ulum Gondang: Jurnal Seni dan Budaya Evangelikal: Jurnal Teologi Injili dan Pembinaan Warga Jemaat Journal of Education, Humaniora and Social Sciences (JEHSS) International Journal of Cultural and Art Studies (IJCAS) International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET)
Pulumun Peterus Ginting
Universitas Negeri Medan
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences

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Efektivitas Media Sosial Tiktok Pada Musikalitas Anak Remaja Di Kelurahan Kenangan Baru Medan Hutabarat, Cindy Angelia; Ginting, Pulumun P
Grenek: Jurnal Seni Musik Vol. 10 No. 2 (2021): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i2.28560

Abstract

Tujuan dari penelitian ini adalah untuk mengetahui bagaimana efektivitas, dampak dan manfaat media sosial tiktok bagi musikalitas remaja di Kelurahan Kenangan Baru Medan. Penelitian ini menggunakan pendekatan kualitatif yaitu deskriptif kualitatif dengan pengumpulan data berupa angket/kuesioner. Teknik analisis data yang digunakan adalah statistik deskriptif. Pengolahan data menggunakan aplikasi Microsoft Excel 2010. Hasil penelitian ini menunjukkan bahwasannya berdasarkan data yang disebar kepada 50 responden melalui angket/kuesioner, kemudian data tersebut diolah dan memperoleh hasil sebesar 82% dan dinyatakan media sosial tiktok efektif untuk meningkatkan musikalitas remaja di Kelurahan Kenangan Baru Medan. Dampak yang ditimbulkan dari media sosial tiktok adalah meningkatkan keaktifan dan kreatifitas remaja sehingga mampu menguasai Teknologi.
Music Transformation of Gondrang Sipitu-pitu in Simalungun Community Nelson, Ricky; Purba, Mauly; Ginting, Pulumun Peterus
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15410

Abstract

This study investigates the transformation and adaptation processes of gondrang sipitu-pitu music within Simalungun society in response to social, cultural, and technological dynamics. Originally serving as a medium for ritual and spiritual communication in the context of Simalungun customs, gondrang sipitu-pitu has undergone significant changes in its musical structure, social function, and performance style due to the influence of religion, modernization, and external cultural forces. The research employs a descriptive qualitative method with a phenomenological approach, drawing upon Margaret Kartomi theory of transformation and adaptation, Jeff Todd Titon theory of musical style, and William F. Ogburn theory of socio-cultural change. The findings reveal that although modern instruments have begun to challenge the dominance of traditional ones, key musical elements such as rhythm, sarunei melodies, and ensemble structure remain preserved. The emerging musical style reflects the creative adaptation of traditional artists to contemporary performance contexts. However, this transformation is also accompanied by critical issues, including the erosion of sacred meaning, the influence of modern aesthetic pressures, and the commodification of local culture. The shift from sacred ritual to popular entertainment raises concerns regarding the authenticity and sustainability of cultural values. Thus, this transformation must be understood not merely as an adaptive process, but as a contested arena of meaning, identity, and cultural power within Simalungun society.
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Pangaribuan, Ezra Susilawaty; Purba, Mauly; Ginting, Pulumun Peterus
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
ACCULTURATION OF HADRAH WITH TRADITIONAL MALAY PERCUSSION IN ARBAIN'S MAULID ACTIVITIES IN MEDAN Ridho, Muhammad Habibur; Sebayang, Vanesia Amelia; Ginting, Pulumun P
JUPIIS: JURNAL PENDIDIKAN ILMU-ILMU SOSIAL Vol. 17 No. 2 (2025): JUPIIS (JURNAL PENDIDIKAN ILMU-ILMU SOSIAL) DECEMBER
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jupiis.v17i2.71484

Abstract

This research is entitled "Acculturation of Hadrah with Traditional Malay Percussion in Maulid Arbain Activities in Medan City". The main purpose of this study is to identify the form of Hadrah performance in Maulid Arbain activities, analyze the Hadrah playing technique that is acculturated with traditional Malay music, and examine the acculturation process as a whole. This study uses a descriptive qualitative approach with data collection techniques through observation, interviews, and documentation, and is analyzed based on acculturation theory. The object of the research was focused on the performance of Hadrah in the Maulid Arbain activity at the Darul Ibtihaj Islamic Boarding School, Medan City. The results of the study show that there is an acculturation process between Hadrah and traditional Malay percussion music, as seen in the similarity of musical instruments such as tambourine and marwas to Malay drums. Acculturation is also reflected in interlocking-based game techniques that combine Hadrah rhythmic patterns with the peculiarities of Malay rhythms. In addition, the involvement of participants from various backgrounds, such as entrepreneurs, students, and Malay percussion music practitioners who study Hadrah, shows that this acculturation process also forms a dynamic and inclusive space for culturalinteraction in the community. This research found that Hadrah performance art during the Maulid Arbain celebrations in Medan City has undergone a significant acculturation process with traditional Malay music. This process is evident not only in the use of instruments such as the tambourine, bass hadrah, and marwas, but also in the playing techniques, which feature rampak and interlocking rhythmic patterns synonymous with Malay percussion music. Furthermore, the involvement of participants from diverse backgrounds, including the general public, demonstrates that Hadrah has become a platform for inclusive cultural expression. This acculturation enriches the aesthetic and spiritual values ​​of Hadrah performances, without diminishing the Islamic religious identity that underpins the performances. The acculturation of Hadrah with Malay music occurs not only musically but also socially—uniting Islamic boarding schools and the community within a single, dynamic cultural space. The polyrhythms created by the interlocking techniques serve as a musical symbol of the meeting of two major traditions that complement and enrich each other. This research provides several suggestions that can serve as a foundation for various parties to support the continuity and development of Hadrah art, which has undergone a process of acculturation with local culture, particularly in Medan City. This recommendation is aimed at further researchers, artists, educational and cultural institutions, and local governments that have a strategic role in preserving cultural and religious values.  Keywords: hadrah, acculturation, Malay music, interlocking, Maulid Arbain, Medan
DIVERSITY OF MUSIC GENRES IN SUNDAY SERVICES OF HKBP CHURCH IN MEDAN CITY: THEOLOGICAL, CULTURAL, AND MUSIC MANAGEMENT PERSPECTIVES Elfrida Yuliana Simamora; Mauly Purba; Pulumun P. Ginting; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 5 No. 2 (2026): JANUARY
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18764671

Abstract

This study explores the diversity of musical genres is a multidimensional phenomenon in the realm of musical arts that reflects the systematic heterogeneity of musical styles, forms, and practices that develop in various cultural, historical, and social contexts. In a theoretical-musical perspective, this diversity is reflected through the differentiation of basic elements of music: such as melody, harmony, rhythm, timbre, texture, form, and dynamics that form the idiomatic characteristics of each genre. This study aims to examine the diversity of HKBP church music genres used in performing songs in Sunday services, to examine the choice of musical genres used in church services in HKBP and to examine church policies towards HKBP church music. The method used is descriptive qualitative with a phenomenological approach, supported by observation, in-depth interviews, and documentation. The theories used include the Theory of Music Diversity, the Theory of Cultural Contact and the Theory of Music Management. The results of the study show that the diversity of musical genres has undergone significant changes in the musical structure of each HKBP church, the use of modern instruments, but still maintains traditional elements such as hymn music (organ). The new music style (genre) that was formed was the result of Cultural Contact of HKBP church musicians with the demands of the times, the tastes of musicians or congregations and contemporary performance spaces. The music policy in each HKBP church is different because the musicians in each church are not trained and practices in the field are different, the leadership of the Pastor in the church does not all understand HKBP church music. For musicians accompanying Sunday services in HKBP churches, knowing the many music genres is due to the freedom to appreciate playing music because there is no written HKBP music policy but the policy exists through Oral Tradition. This study contributes to the development of HKBP church music policies that are adaptive to cultural and generational contexts, while preserving the roots of Lutheran liturgical tradition.
The meaning of the oral tradition Penganjak Kuda Sitajur in the accompaniment of kulcapi within the Karo community Sinulingga, Ramanta; Purba, Mauly; Ginting, Pulumun Peterus
International Journal of Culture and Art Studies Vol. 10 No. 1 (2026): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v10i1.24508

Abstract

The study examines the oral tradition of "Penganjak Kuda Sitajur," prevalent in the Karo community, focusing on the semiotics of narrative and the role of the kulcapi, a musical instrument, as a supporting medium in storytelling. This tradition reflects the cultural, social, and religious values of the Karo community through the heroic tales of the Sitajur character, narrated musically. Using a qualitative approach with ethnographic methods, the research relies on primary data from interviews, observations, and field documentation. The semiotic theories of Jacques Derrida and Roland Barthes are employed to decode denotative, connotative, and mythical meanings conveyed in this tradition. Meanwhile, Derrida’s theory will reveal a deeper meaning, or what is known as the theory of deconstruction, regarding the story of the Sitajur horse. The findings reveal that "Penganjak Kuda Sitajur" is not merely an oral narrative but a cultural expression imbued with values of character education and local wisdom. The kulcapi plays a vital role in enhancing emotional depth and narrative structure, making this tradition unique among oral traditions. The study highlights that despite changes in form and medium, the essence and moral messages of the tradition remain preserved and continuously revitalized by the Karo society.
Co-Authors Bella Cindy Juwita Simanjuntak Cindy Angelia Hutabarat Elfrida Yuliana Simamora Elisa Br Ginting Ezra Susilawaty Pangaribuan HERNA HIRZA Hutabarat, Cindy Angelia I Made Suastika I Nyoman Kutha Ratna I Wayan Dibia Dibia, I Wayan Dibia Inggit Prastiawan Junita Batubara, Junita Liber Siagian Mauly Purba Mauly Purba Mauly Purba, Mauly Mukhlis Ndona, Yakobus Octaviana Br. Tobing Pangaribuan, Ezra Susilawaty Panji Suroso Ricky Nelson, Ricky Ridho, Muhammad Habibur Ruth Olivia Sirait Sebayang, Vanesia Amelia Sihombing, Lamhot Sinulingga, Ramanta Situmeang, Kasri Tarigan, Furnita Giovani Wiflihani Wiflihani Yakobus Ndona