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Journal : Catharsis

Palembang Songket Fabric Visual Motif Wijayanti, Fitri; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36035

Abstract

Palembang songket fabric visually has various aesthetic forms that are always changing, but always maintain the value of local wisdom. The purpose of this study was to analyze the visual motifs of the Palembang Songket fabric. The method used is a qualitative method with a phenomenological research design. Data collection techniques include observation, interview and document study. The validity of the data in this study uses triangulation, while the data analysis procedure is carried out by collecting data, reducing, presenting, and drawing conclusions. This study was analyzed using De Witt H. Parker's aesthetic theory. The results showed that Palembang Songket visually contained two forms of visual classical motifs and modern visual motifs. Visual classical motifs have characteristics; (1) animal and tumpal motifs, (2) material used is silk thread and gold-plated thread, (3) the colors used are predominantly dark red and gold. While modern visual motifs have characteristics, (1) motifs are more on plants and geometric but do not leave tumapal motifs, (2) materials used are silk thread and copper-coated silk thread, (3) colors used are more diverse, like red, pink, blue, green, and purple. Specifically, the subject of this research was the visual motifs of Palembang's Songket fabric, which experienced continuous visual changes in motifs.
Palembang Songket Fabric Visual Motif Wijayanti, Fitri; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36035

Abstract

Palembang songket fabric visually has various aesthetic forms that are always changing, but always maintain the value of local wisdom. The purpose of this study was to analyze the visual motifs of the Palembang Songket fabric. The method used is a qualitative method with a phenomenological research design. Data collection techniques include observation, interview and document study. The validity of the data in this study uses triangulation, while the data analysis procedure is carried out by collecting data, reducing, presenting, and drawing conclusions. This study was analyzed using De Witt H. Parker's aesthetic theory. The results showed that Palembang Songket visually contained two forms of visual classical motifs and modern visual motifs. Visual classical motifs have characteristics; (1) animal and tumpal motifs, (2) material used is silk thread and gold-plated thread, (3) the colors used are predominantly dark red and gold. While modern visual motifs have characteristics, (1) motifs are more on plants and geometric but do not leave tumapal motifs, (2) materials used are silk thread and copper-coated silk thread, (3) colors used are more diverse, like red, pink, blue, green, and purple. Specifically, the subject of this research was the visual motifs of Palembang's Songket fabric, which experienced continuous visual changes in motifs.
Co-Authors Aditya, Haidar Fari Agus Setia Budi, Agus Setia Andriansyah, Muhammad Afifi Aprilliana, Amanda Diva Aprilliana Ariani, Septi Asep Apriana, Asep Bakti Wisnu Widjajani Bella, Dewi Shasa Candra Damis Widiawaty, Candra Damis Chosa Zahro Fatiha Dadan Irwan Daffa, Muhammad Darmawan, Muhammad Aliefian Dewi, Rini Sartiya Dinna Hadi Sholikah Dwi Fajar Maulana, Yudhi Ekayuliana, Arifia Ekayuliana, Arifia Ernando, Arnol Wibi Febrianto, Muhammad Rafi Heni Puji Wahyuningsih Hesty Widyasih Holyo, Mohamad Rafael Bintang Indra Indra Intan Purnama, Aisah Iwan Kresna Setiadi Kristanti, Nasya Ari Lestari, Safira Riska Lestari, Safira Rizka M. Ghufron Chakim Maghfiroh, Ainur Risma Miftakhul Maharani, Nabilla Putry Mahendra Kusuma, Ramadhani Maroeto Maroeto Miqawati, Alfi Hidayatu Moch. Arifin Nila Susanti Nur Supriyadi, Yudi Pramono, Sigid Eko Puji Astuti Puji Lestari Tarigan Purnomo Edi Sasongko Putri Putri, Putri Rahmawati Wahab, Aliya Ramadhani Mahendra Kusuma Ramadhani, Winih Sekaringtyas Ranny Priyatna, Aulia Rifki Shihab , Muhammad Rohendi Rohidi, Tjetjep Saputro, Maryam Eyka Dijono Sasongko, Edi Purnomo Sembiring, Yoga Gregorius Siti Aisyah Soemarno Soemarno Sondang Sumbawati, Meini Sri Saptuti Wahyuningsih, Sri Saptuti Sri Wiyatiningsih Subhan, Aprellia Sofiatul Susi Endrawati Swari Mahardika, Mainar Titik Ismailia, Titik Wafiqah, Hidayatul Wahyu Santoso Wanti Mindari Wijaya, Riko Setya Wijayantiningsih, Sri Winarko, Sigitpuji Windriyanti, Wiwin Yunita, Yosi Yuwono, Shelsie Malini Putri Zuhro, Cholimatus