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All Journal Sabda: Jurnal Kajian Kebudayaan HUMANIKA Paramita: Historical Studies Journal Mozaik Humaniora Jurnal Sejarah Citra Lekha Jurnal Sejarah Tawarikh : Journal of Historical Studies HARMONI IHiS (Indonesian Historical Studies) Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Jurnal Kompilasi Hukum Jurnal Nusantara Raya
Dewi Yuliati
Diponegoro University
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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MENGUNGKAP SEJARAH DAN MOTIF BATIK SEMARANGAN Yuliati, Dewi
Paramita: Historical Studies Journal Vol 20, No 1 (2010)
Publisher : Paramita: Historical Studies Journal

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Abstract

Batik Semarang was born in line with the needs of the people of Hyderabad of the material with a new motif or style tailored to the taste, intention, and creativity of the craftsmen. Batik is a combination of several countries influence developing in Indonesian culture. Based on its shape, Batik designs can be divided into two major groups, namely geometric and non-Geometric. The development of Semarangan batik was due to the fact that certain motif of batik can only be worn by certain people, not for all group of people. Batik semarangan craftments are found in coastal regions. It displays the design composing of ornaments plucked from marine environment. Indonesian Batik develops not only to display a blending of court Batik designs with the coastal Batik technique, but also to incorporate other ornaments which come from many various ethnic groups in Indonesia.   Key words: batik, history, ornaments, marine environment, designs   Batik Semarang lahirkan sejalan dengan kebutuhan dari orang-orang dari Hyderabad akan bahan dengan motif atau gaya baru yang berdasarkan pada rasa, niat, dan kreatifitas dari pembuatnya. Batik merupakan perpaduan dari pengaruh beberapa negara yang berkembang dalam budaya Indonesia. Ditinjau dari desainnya, desain batik dapat dibagi menjadi dua kelompok utama, yakni geometrik dan nongeometrik. Pengembangan yang dilakukan terhadap batik semarangan disebabkan adanya beberapa motif batik yang hanya digunakan oleh kalangan tertentu, dan tidak boleh untuk kalangan umum. Pengrajin batik Semarangan berkembang di kawasan pesisir. Ia menampilkan desain yang terdiri atas berbagai ornamen yang menunjukkan ciri khas kemaritiman. Batik ini dikembangakan tidak hanya menampilkan desain batik khas pesisiran, tetapi juga memasukkan berbagai ornament dari beragam kelompok etnis di Indonesia.   Kata kunci: batik, sejarah, ragam hias, lingkungan pesisir, desain  
INDUSTRIALISASI DAN EKSISTENSI KOTA LANGSA PADA ERA KOLONIAL, 1907-1942 Muhajir, Ahmad; Yuliati, Dewi; Rochwulaningsih, Yety
Paramita: Historical Studies Journal Vol 27, No 1 (2017): PARAMITA
Publisher : History Department, Semarang State University and Historian Society of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/paramita.v27i1.7320

Abstract

This study aimed to examine the existence of Langsa as a colonial city during the first half of the 20th century, which focused on development of capitalism in industrial sector and its relation with establishment of this city. Colonial government had to developed capitalism through industrialization and to accommodated the private interests. East Aceh previously had a traditional economic-base on pepper agriculture but this was devastated by war and then replaced by capitalism. Industrialization was implemented by the Dutch on transportation, communication, public services and rubber plantation industries. Then the private capitalists were dominated the rubber plantation and petroleum mining industries. Industrialization was the determinant factor of the growth of Langsa as the colonial city and impacted the major changes and development of urban space. Since 1907, Langsa became the third largest city in Aceh until the end of the Dutch colonialism in 1942. Studi ini bertujuan untuk mengkaji eksistensi Langsa sebagai kota kolonial pada paruh pertama abad ke-20, yang difokuskan pada perkembangan kapitalisme di sektor industri dan hubungannya dengan pembangunan kota tersebut. Pemerintah kolonial didorong untuk mengembangkan kapitalisme melalui industrialisasi untuk mengakomodir kepentingan kapitalis swasta. Dahulu Aceh Timur memiliki basis ekonomi tradisional pada pertanian lada namun hancur akibat perang dan kemudian digantikan oleh kapitalisme. Industrialisasi diimplementasikan oleh Belanda pada industri jasa transportasi, komunikasi, layanan umum dan perkebunan karet. Kemudian industri perkebunan karet dan pertambangan minyak bumi didominasi oleh kapitalis swasta. Industrialisasi merupakan faktor determinan pertumbuhan Langsa sebagai kota kolonial dan berdampak pada perubahan besar dan perkembangan ruang kota. Hanya satu dasawarsa (1907-1917), Langsa telah menjadi kota ketiga terbesar di Aceh hingga akhir kolonialisme Belanda pada tahun 1942. 
Frustration and Aggression as the Basic Factors of Workers’ Strike: A Case Study on Railway Workers’ Strike in Semarang, Central Java, in the Colonial Era Yuliati, Dewi
TAWARIKH Vol 1, No 2 (2010)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: This research aims to analyze the basic factors of the railway workers’ strike in Semarang, Central Java, in the Dutch colonial era. Historical method, that is finding and examining the historical records, was used to get authentic and credible facts. The historical analysis was supported by other relevant social sciences concepts, especially psychology, sociology, and politics to reach the objective construction of the history of railway workers’ strike in Semarang. The result of this research can be summarized as follows. Semarang, a city which has been industrialized since the middle of the 19th century, is a nutritious area for the growth and the development of industrial community which consists of employer and worker classes. In this industrial community, capitalism lacking of appreciation to the workers’ force led the workers to frustration. Frustration could make every human being or even animal aggressive. This research shows that “frustration and aggression” are the basic factors of the workers’ movement, among others in the form of strike. KEY WORDS: workers’ strike and movement, frustration and aggression, Semarang city, and colonial era in Indonesia.About the Author: Dr. Dewi Yuliati is a Lecturer at the Department of History, Faculty of Cultural Sciences UNDIP (Diponegoro University) in Semarang, Central Java, Indonesia. She can be reached at: dewi_yulliati@yahoo.co.idHow to cite this article? Yuliati, Dewi. (2010). “Frustration and Aggression as the Basic Factors of Workers’ Strike: A Case Study on Railway Workers’ Strike in Semarang, Central Java, in the Colonial Era” in TAWARIKH: International Journal for Historical Studies, Vol.1(2) April, pp.179-200. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia], ISSN 2085-0980. Chronicle of the article: Accepted (February 7, 2010); Revised (March 11, 2010); and Published (April 28, 2010).
Semaoen, Serikat Buruh dan Pers Bumiputera dalam Pergerakan Kemerdekaan (1914-1923) Yuliati, Dewi
Jurnal Sejarah Vol 5 (1994): TENTANG MEMPERJUANGKAN NASIB BURUH
Publisher : Masyarakat Sejarawan Indonesia

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Abstract

MENGUNGKAP SEJARAH DAN MOTIF BATIK SEMARANGAN Yuliati, Dewi
Paramita: Historical Studies Journal Vol 20, No 1 (2010)
Publisher : History Department, Semarang State University and Historian Society of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/paramita.v20i1.1055

Abstract

Batik Semarang was born in line with the needs of the people of Hyderabad of the material with a new motif or style tailored to the taste, intention, and creativity of the craftsmen. Batik is a combination of several countries influence developing in Indonesian culture. Based on its shape, Batik designs can be divided into two major groups, namely geometric and non-Geometric. The development of Semarangan batik was due to the fact that certain motif of batik can only be worn by certain people, not for all group of people. Batik semarangan craftments are found in coastal regions. It displays the design composing of ornaments plucked from marine environment. Indonesian Batik develops not only to display a blending of court Batik designs with the coastal Batik technique, but also to incorporate other ornaments which come from many various ethnic groups in Indonesia.   Key words: batik, history, ornaments, marine environment, designs   Batik Semarang lahirkan sejalan dengan kebutuhan dari orang-orang dari Hyderabad akan bahan dengan motif atau gaya baru yang berdasarkan pada rasa, niat, dan kreatifitas dari pembuatnya. Batik merupakan perpaduan dari pengaruh beberapa negara yang berkembang dalam budaya Indonesia. Ditinjau dari desainnya, desain batik dapat dibagi menjadi dua kelompok utama, yakni geometrik dan nongeometrik. Pengembangan yang dilakukan terhadap batik semarangan disebabkan adanya beberapa motif batik yang hanya digunakan oleh kalangan tertentu, dan tidak boleh untuk kalangan umum. Pengrajin batik Semarangan berkembang di kawasan pesisir. Ia menampilkan desain yang terdiri atas berbagai ornamen yang menunjukkan ciri khas kemaritiman. Batik ini dikembangakan tidak hanya menampilkan desain batik khas pesisiran, tetapi juga memasukkan berbagai ornament dari beragam kelompok etnis di Indonesia.   Kata kunci: batik, sejarah, ragam hias, lingkungan pesisir, desain  
KARTINI: SANG PENYIBAK FAJAR NASIONALISME INDONESIA Yuliati, Dewi
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 1: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (406.217 KB) | DOI: 10.14710/sabda.12.1.17-27

Abstract

This aticle presents the discussion on Kartini as an Indonesian nationalist heroine who is still becoming public debate. It is very important to trace the historical records of Kartini’s activities in connection with her dreams to promote the life quality of her nation. It can be stated that Kartini has an important role to open the first gate for the rising Indonesian consciousness through her competence as a cultural diplomat by proposing her letters which were sent to her friends in the Netherlands. Finally, her dream came true when “Kartini Schools” were opened in Semarang, Bogor, Batavia, and Madiun in 1913-1914, and her ideas became the inspiring ideology of the Indonesian nationalism movements which arose after Kartini died on 17th September 1904.
NASIONALISME BURUH DALAM SEJARAH INDONESIA Yuliati, Dewi
HUMANIKA Vol 16, No 9: Desember 2012
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (291.052 KB) | DOI: 10.14710/humanika.16.9.

Abstract

ABSTRACT The state and the workers have close relationship, because the state is a political unity between the folks (includes the workers) and the government as the states’ administrator. In the context of industrial relationship, there often takes place interest differences between the state and the workers, and this condition can rises conflict between these two parties. Generally, the workers are judged as the marginal party who struggle only for the economical reasons, without any thinking of political stability. This research shows that this point of view is not exactly true, because the workers really dare to search justice and prosperity for the folks. This research concludes that the workers movement can be the inspiration to strengthen the Indonesian nationalism. Keywords: labour nationalism, Sarekat Islam Semarang, Internationale
MEWASPADAI PROPAGANDA MELALUI KAJIAN SEJARAH (STUDI ATAS SISTEM PROPAGANDA JEPANG DI JAWA 1942-1945) Yuliati, Dewi
HUMANIKA Vol 15, No 9: Juni 2012
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (214.118 KB) | DOI: 10.14710/humanika.15.9.

Abstract

This article describes the Japanese propaganda system in Java during its occupation (1942-1945). Before its invasion in Java the Japanese had already prepared the propaganda system intensively. The goal of the propaganda was to mobilize the commitment of the Indonesian people to support the Japanese military government to become the winner in the Greater East Asia war against the Allies. The system of the Japanese propaganda in Java includes institutions, methods, packages of propaganda, and control systems. The most important package of the Japanese propaganda was art, especially poetry, prose, drama, and songs. Because of its entertaining values, the Indonesian people could easily absorbed the propaganda substances without awareness that they were indoctrinated. Keywords: Japanese propaganda, Japanese control system
RETRACTED: STRENGTHENING INDONESIAN NATIONAL IDENTITY THROUGH HISTORY SEMARANG AS A MARITIME CITY: A MEDIUM OF UNITY IN DIVERSITY Yuliati, Dewi
HUMANIKA Vol 18, No 2: Desember 2013
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (749.19 KB) | DOI: 10.14710/humanika.18.2.

Abstract

 Artikel  ini telah ditarik dari jurnal Humanika Vol. 18  No 2 tahun 2012.Silakan merujuk artikel STRENGTHENING INDONESIAN NATIONAL IDENTITY THROUGH HISTORY SEMARANG AS A MARITIME CITY: A MEDIUM OF UNITY IN DIVERSITY  pada link berikut: https://globaljournals.org/item/2992-strengthening-indonesian-national-identity-through-history-semarang-as-a-maritime-city-a-medium-of-unity-in-diversity 
The Ups and Downs of Rattan Handicraft Industrial Centers in Tegalwangi Village 1973-2017 Islamy, Vina Agustine; Yuliati, Dewi
Paramita: Historical Studies Journal Vol 31, No 1 (2021): Maritime and Socio-Economic History of Indonesia
Publisher : History Department, Semarang State University and Historian Society of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/paramita.v31i1.23327

Abstract

Abstract: This article discusses the ups and downs of the rattan handicraft industrial centers in Tegalwangi Village in 1973-2017. This study outlines matters related to the rattan handicraft industry and the influence of the existence of the rattan handicraft industry on the socio-economic life of the residents of Tegalwangi Village. The writing of this study used a historical method consisting of four methods; which is: heuristic (source collection), which consist of primary and secondary sources, critical source, interpretation source, and historiography. Rattan handicraft products in Tegalwangi Village are the excellent commodity of Cirebon Regency. The ups and downs of the rattan handicraft industry can be seen from the ups and downs of the number of business units and laborers. Rattan handicraft industry has existed in Tegalwangi Village since the 1930s, which was first established by one of its residents named Semaun. The new rattan handicraft industry began to develop in the 1970s, marked by the establishment of the Tegalwangi rattan handicraft coop in 1973, which also influenced the development of rattan handicraft industry centers in this village. Abstrak: Artikel ini mengkaji tentang pasang surut sentra industri kerajinanrotan di DesaTegalwangi tahun 1973-2017. Penelitian ini menguraikan hal-hal yang berkaitan dengan industri kerajinan rotan dan pengaruh keberadaan industri kerajinan rotan bagi kehidupan social ekonomi penduduk Desa Tegalwangi. Penelitian ini menggunakan metode sejarah kritis yang mencakup empat langkah, heuristik (pengumpulan sumber) yang terdiri dari sumber primer dan sekunder, kritik sumber, dan historiografi. Produk industri kerajinan rotan di Desa Tegalwangi merupakan komoditi unggulan Kabupaten Cirebon. Pasang surut industri kerajinan rotan dapat dilihat dari naik-turunnya jumlah unit usaha dan tenaga kerja. Industri kerajinan rotan sudah ada di Desa Tegalwangi sejak tahun 1930-an yang didirikan pertama kali oleh salah satu penduduknya yang bernama Semaun. Industri kerajinan rotan baru mulai berkembang sejak tahun 1970-an ditandai dengan berdirinya Koperasi kerajinan rotan Tegalwangi pada tahun 1973 yang turut mempengarui perkembangan sentra industri kerajinan rotan di desa ini. 
Co-Authors Aditiya, Wisnu Rega Ahmad Muhajir Alamsyah - Alfharezi, M. Salman Budiarto, Gema Dhanang Respati Puguh Dhanang Respati Puguh Endang Susilowati Islamy, Vina Agustine Kautsar, Nadafia Mahmud Mahmud MUHAMMAD ULIN NUHA Nur Utomo, Ilham Rahayuningrum, Hesti Siti Maziyah Sri Indrahti Sugiyatno, Feri Sulistya Putri Yety Rochwulaningsih