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La Ode Marhini
Universitas Halu Oleo
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Tradisi Boke dalam Pesta Panen pada Masyarakat Kulisusu di Desa Lapandewa Kecamatan Kulisusu Barat Kabupaten Buton Utara Jusman Jusman; Rahmat Sewa Suraya; La Ode Marhini
LISANI: Jurnal Kelisanan, Sastra, dan Budaya Vol 6 No 2 (2023): Volume 6 No 2, Desember 2023
Publisher : Jurusan Tradisi Lisan, Fakultas Ilmu Budaya, Univeritas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/lisani.v6i2.2833

Abstract

This study aims to exmine the oral history of haroaano laa, the implementation process and the meanings of Bhoke in the boke tradition in the harvest festival in the community in Lapandewa Village, West Kulisusu District, North Buton Regency. The study used a qualitative descriptive method. The location of the study chosen was in Lapandewa Village, West Kulisusu District, North Buton Regency. Data collection techniques were carried out by direct observation, interviews with informants and documentation. Determination of informants using purposive techniques. Data were analyzed in four stages, namely; (1) data collection stage, (2) data reduction, (3) data presentation stage (4) conclusion drawing stage. The informants in the study numbered 5 people, Data collection in this study was carried out using observation, interview and documentation techniques which were then analyzed descriptively qualitatively. The results of this study are; (1) the harvest festival (haroano laa) is an annual tradition that has been carried out from ancient times to the present. The history of the harvest festival (haroano laa) when two people Labalubi and Labaura came to a place now called Lapandewa village. In this place there is a big river and is inhabited by many crocodiles, these two people also marked the place with a red flag and this flag is symbolized as a sign of danger. (2) The process of implementing Boke (a) Boke Preparation Stage (i) Determining a Good Day (ii) Time and place (iii) Tools and materials (iv) (b) Implementation stage (i) Pecking (Pompapecucu) (ii) Installing spurs (iii) Cockfighting (perumpa) (3). The meaning of Chicken in the Boke tradition in the Lapandewa Village community compares chickens to land that will be wagered where the chicken that wins the fight is considered land that has fertility and is free from disease outbreaks and disturbances from wild animals. The meaning of the Surabi and Bana spurs symbolizes harmony between communities.
Tradisi Metirangga pada Masyarakat Suku Tolaki di Kelurahan Nambo Kecamatan Nambo Kota Kendari lala andriani lestari; Rahmat Sewa Suraya; La Ode Marhini
LISANI: Jurnal Kelisanan, Sastra, dan Budaya Vol 6 No 2 (2023): Volume 6 No 2, Desember 2023
Publisher : Jurusan Tradisi Lisan, Fakultas Ilmu Budaya, Univeritas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/lisani.v6i2.2834

Abstract

The purpose of this study was to describe the implementation process and analyze the symbolic meaning of the tools and materials used in the implementation of the Metirangga tradition. The results of the study showed that the Metirangga tradition is still carried out now and the process of implementing the Metirangga tradition consists of (1) the preparation stage, the family first prepares the requirements for tools and materials such as pillows, seven sarongs, banana leaves, plates, henna leaves, powder, oil and water. and prepare the bride and groom by making them look beautiful and handsome. (2) the implementation stage, first; completing the Al-Quran, second; reciting the prophet Muhammad SAW, reciting the prophet's shalawat is also marked as the time when the Metirangga tradition ritual will be carried out, when the parents stand at that time the person appointed and trusted by the family will come forward to perform the Metirangga tradition ritual on the bride and groom. Fourth; the joint prayer that is combined after the reciting the bersanji is a form of joint prayer that is followed by the family and relatives. (3) the final stage is a joint meal and greetings to the bride and groom. The tools and materials used contain symbolic meanings: 1) pillows, in addition to functioning as a base in the first arrangement, also contain symbolic meanings, namely throne or honor. 2) seven sarongs) contain symbolic meanings, namely fortune. 3) banana leaves contain symbolic meanings, namely cold. 4) henna leaves contain symbolic meanings, namely harmony. 5) powder contains symbolic meanings, namely pure white. 6) oil contains symbolic meanings, namely slippery. 7) water contains symbolic meanings, namely cleansing. 8) plates contain symbolic meanings, namely respect.
Motif-Motif Tenun di Desa Mabolu Kecamataan Lohia Kabupaten Muna La Ode Kadir; La Ode Dirman; La Ode Marhini
LISANI: Jurnal Kelisanan, Sastra, dan Budaya Vol 6 No 1 (2023): Volume 6 No 1, Juni 2023
Publisher : Jurusan Tradisi Lisan, Fakultas Ilmu Budaya, Univeritas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/lisani.v6i1.2835

Abstract

                The objectives of this study were (1) to find out what knowledge is known by the community about woven cloth motifs ini mabolu Village. Lohia District, Muna Regenci. (2) To describe the function of Woven fabric of Motifs in Mabolu Village, Lohia District, Regenci. This research uses a qualitative descriptive method. The research location chosen was in mabolu Village. Lohia District, Muna Regency. Data collection techniques were carried out by direct  observation  (observation), interviewsto purposive. Data were analyzed in three stages, namely; (1) data editing, (2) data review, (3) drawing conclusions. Informants in this study amounted to 5 people, data collection in this study was carried out using observation techniques, interviews and documentation which were then analyzed descriptively qualitatively. The resultsof this study are; (1) knowledge the community regarding motives there are 12 motifs along with the groups that use them, namely the bhia-bhia motif for walaka, the samasili motif for kaomu, the lante-lante motif for maradika or small people, the kambeano bhontu motif for walaka, the bhotu motif for kaomu, the kambeano sirikaea motif for kaomu, bharalu motif for walaka, kambeano kuni motif for kaomu, manggo-manggopa motif for kaomu, mosituli motif for kaomu, ledha motif for walaka, kambeano bhanggai motif for kaomu, (20 There are 3 functions of the wuna woven sarong, namely for prayer, sleeping and for sacred events.
Co-Authors Agus Rihu Asniati Asniati farida Hazlan Jusman Jusman Khabiirun Khabiirun La Ando La Ando La Ode Ali Basri La Ode Dinda La Ode Dirman La Ode Kadir lala andriani lestari Nurtikawati Nurtikawati Pendais Hak Putri Yani Rahmat Sewa Suraya Shinta Arjunita Saputri Sindi Sindi Syahrun, Syahrun Taufiq Said Titin Hartini Wa Ode Salfia