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All Journal HUMANIKA Jurnal Ilmu Komunikasi JAS (Journal of ASEAN Studies) Rubikon: Journal of Transnational American Studies ATAVISME JURNAL ILMIAH KAJIAN SASTRA Masyarakat, Kebudayaan dan Politik Jurnal Studi Komunikasi CaLLs : Journal of Culture, Arts, Literature, and Linguistics Jurnal Representamen JURNAL EDUCATION AND DEVELOPMENT The Journal of Society and Media Jurnal Komunikasi Nusantara Jurnal Komunikasi Nusantara Jurnal Sosiologi Dialektika Calathu: Jurnal Ilmu Komunikasi Wacana : Jurnal Bahasa, Seni, dan Pengajaran JENTERA: Jurnal Kajian Sastra
Diah Ariani Arimbi
Universitas Airlangga, Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Aesthetic Clinic and Beauty Myths in Indonesia: Discourse Analysis of Beauty Representation in Instagram Accounts Refti Handini Listyani; Anggaunita Kiranantika; Diah Ariani Arimbi; Emy Susanti
The Journal of Society and Media Vol. 7 No. 2 (2023): Social Media Use for Decision Making
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v7n2.p514-545

Abstract

This study analyzed beauty myths on Instagram accounts of three aesthetic clinics in Indonesia using Sara Mills' critical discourse analysis. Results showed that First, the women were characterized as an object and became the victims, and beauty standards were reconstructed and reproduced by the subjects, namely the Instagram accounts of @dermaster_id, @ertosbeautyclinic, and @natashaskincare aesthetic clinics. Women objectification could not be separated from the existing beauty myth. Second, there were two categories of beauty representations formed in the three Instagram accounts, namely men's beauty representation that consisted of smooth faces, young looks, and firm jaws, and women's beauty representations that consisted of thin cheeks, firm jaw, firm skin, smooth, acne-free, attractive skin, glass skin, and slim, and halal beauty. The study is expected to enrich the repertoire of social science, especially sociology, and develop research on the sociology of the body, feminism study, and the sociology of gender and media.
Diaspora weavers: Collective memory and identity of Pagatan Weaving South Kalimantan Hidayah, Sri; Saptandari, Pinky; Arimbi, Diah Ariani
Jurnal Sosiologi Dialektika Vol. 19 No. 2 (2024): Jurnal Sosiologi Dialektika
Publisher : Department of Sociology, Faculty of Social and Political Sciences, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/jsd.v19i2.2024.153-166

Abstract

This study aims to analyze more deeply the collective memory of Bugis weaver community in Pagatan through the form of creating weavers’ works that are not only a residue of the past, but also as a representation of the memories collected for their sustainable cultural identity. This research is based on Bugis community in Pagatan as an illustration of diaspora community that continues to carry out its traditions from their ancestors. This research uses qualitative methods, namely observation, in-depth interviews, and FGD (Focus Group Discussion). The purposive technique is carried out to identify informants that have been determined based on the research objectives. This study was analyzed using Maurice Halbwachs’ collective memory theory which said that collective memory embedded in the collective mind of the community forms the story of the past as part of the social identity of the community. This research finds that the systematic sequence of the past is like a collection of threads that are intertwined at a certain time, woven into one and cannot be separated from the present point of view. This research concludes that weavers are also able to manage its collective memory by expressing it through forms of Pagatan Weaving motifs as a strategy to survive its identity.
Akurasi Visual Proklamasi Kemerdekaan Republik Indonesia di Mata Chat GPT Ambat, Yeremia Tulude; Khusyairi, Jhony Alfian; Arimbi, Diah Ariani
representamen Vol 11 No 01 (2025): Jurnal Representamen Volume 11 No 01 April 2025
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/representamen.v11i01.12781

Abstract

In today's era, Artificial Intelligence is increasingly entering into the layers of society, including the historical aspect. This study aims to analyze the accuracy of the illustration of the Proclamation of Indonesian Independence 1945 produced by ChatGPT using a qualitative research approach with Ferdinand de Saussure's semiotic analysis research method. This study found that the illustrations produced by AI were historically inaccurate, both in the depiction of the proclaimer, clothing, crowds, and main symbols such as the red and white flag. In addition, although some aspects, such as people's clothing, are close to the facts, most of the illustrations show deficiencies in conveying the true meaning of history. This distortion creates hyperreality, where the resulting visual elements reflect the algorithm's interpretation more than historical facts. This study also highlights that the inaccuracy is due to the limitations of AI in understanding cultural and historical contexts in depth. AI illustrations tend to function as symbolic metaphors rather than factual representations, obscuring the original meaning of events. That makes AI categorized as popular culture, which makes it inauthentic and unoriginal. It shows that AI still requires human intervention to ensure cultural and historical accuracy. This study concludes that the use of AI in representing historical events requires critical oversight to prevent the spread of biased or misleading information. The study emphasizes the need for collaboration between technology and human interpretation to maintain the accuracy of historical information.
The Semiotics of Online Loans in the Representation Discourse of Women on Instagram @herstory.co.id Puspitasari, Sendy Krisna; Arimbi, Diah Ariani; Srimulyani, Nunuk Endah
Wacana : Jurnal Bahasa, Seni, dan Pengajaran Vol 9 No 2 (2025): Oktober 2025
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/jbsp.v9i2.9

Abstract

News coverage regarding illegal online loans (Pinjaman Online or Pinjol) targeting women is a frequent topic encountered on the Instagram social media platform. This study discusses the discourse of online loans in the news coverage presented by the Instagram account @herstory.co.id. The research focuses on analyzing: (1) how Instagram @herstory.co.id presents the representation of women within the text, and (2) describing the textual strategies used to feature women in the interpretation of online loans within the media coverage. This is a qualitative study utilizing the Sara Mills Discourse Analysis method. The research subject is the social media account Instagram @herstory.co.id, and the research object is women entangled in online loans. The findings indicate that Instagram @herstory.co.id has not yet prioritized women in its news texts. The news writers at @herstory.co.id tend to position women in the text as objects, and there is a tendency for the author to position themselves from the perspective of the dominant power. The strategy for featuring women in the interpretation of online loans in @herstory.co.id's coverage is executed in three ways: character, focalization, and schemata. Overall, the Instagram social media account @herstory.co.id still largely represents the image of women in accordance with general patriarchal culture.
REPRESENTASI PEREMPUAN DALAM IKLAN SUNSILK HIJAB ANTI KETOMBE: ANALISIS WACANA KRITIS SARA MILLS Ratnaduhita, Cintya; Arimbi, Diah Ariani; Srimulyani, Nunuk Endah
Jurnal Education and Development Vol 13 No 3 (2025): Vol 13 No 3 September 2025
Publisher : Institut Pendidikan Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37081/ed.v13i3.7354

Abstract

Penelitian ini bertujuan untuk mengungkap representasi perempuan dalam iklan Sunsilk Hijab Anti Ketombe dengan menggunakan pendekatan kualitatif deskriptif dan teori analisis wacana kritis Sara Mills. Fokus kajian ini meliputi posisi subjek, objek, dan pembaca dalam wacana iklan serta bagaimana bahasa dan visual membentuk citra perempuan. Data penelitian berupa video iklan Sunsilk Hijab Anti Ketombe yang diambil dari kanal YouTube resmi Sunsilk Indonesia. Teknik pengumpulan data dilakukan melalui observasi, yaitu menonton, mencatat, dan mengidentifikasi elemen visual dan verbal yang relevan. Analisis data menggunakan teori Sara Mills, dengan menelaah hubungan antara teks dan gambar untuk mengungkap makna ideologis yang terkandung. Hasil penelitian menunjukkan bahwa iklan ini merepresentasikan perempuan berhijab sebagai subjek aktif yang tetap dinamis meski menghadapi masalah ketombe. Produk Sunsilk diposisikan sebagai solusi yang menghormati identitas mereka dan memberikan kenyamanan. Pembaca diposisikan sebagai individu yang mencari solusi praktis atas masalah ketombe, khususnya bagi perempuan berhijab. Kesimpulannya, iklan ini tidak hanya menawarkan produk, tetapi juga membentuk wacana mengenai peran dan identitas perempuan berhijab dalam ruang publik, serta membangun citra perempuan modern yang tetap aktif, bersih, dan percaya diri.
THE FEMININE LABEL, THE MASCULINE VOICE: BADDIECORE AND THE RACIALIZED GENDER CONSTRUCTION OF GENRE IN DIGITAL METAL COMMUNITIES Belia, Athaya Prita; Meyrasyawati, Dewi; Arimbi, Diah Ariani
Rubikon : Journal of Transnational American Studies Vol 12, No 2 (2025)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v12i2.109142

Abstract

On 18 August 2023, “Baddiecore” emerged as a fan-coined label described as “metalcore with enough pop music crossover and sex appeal that normie hot people like it,” according to a viral X post by Craig Reynolds. Although bands like Sleep Token, Bad Omens, and Spiritbox were initially associated with the term, “Baddie” itself is rooted in Black American digital and feminist culture. This creates a tension when the genre is visually and sonically dominated by white male artists. This study examines how Baddiecore reflects the gendered construction of genre in digital metal communities, using the framework of postfeminist sensibility. Employing content analysis, the study draws 108 public posts on X between August 2023 and December 2024, using keywords like “Baddiecore” and associated band names. Findings show that Baddiecore was initially met with contestation due to its feminized tone but later gained acceptance, particularly among women fans engaging through merchandise and aesthetic participation. However, genre ownership remains centered around white male artists, with only two solo women and one female-fronted band visibly linked to the term. Ultimately, Baddiecore reveals how genre can operate as a site of aestheticized neoliberal femininity, shaped yet remains a space historically dominated by white, male voices.
Us Against Them, Analisis Wacana Kritis Fairclough dalam Poster Suporter Indonesia di Laga Kualifikasi PD 2026 versus Bahrain Tristiawan, Diar Candra; Srimulyani, Nunuk Endah; Arimbi, Diah Ariani
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 11, No 2 (2025): CaLLs, December 2025
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i2.20854

Abstract

Artikel ini membahas kritik terhadap federasi sepak bola (PSSI) dan pemerintah (Indonesia) oleh salah satu kelompok masyarakat. Melalui Analisis Wacana Kritis (AWK) menggunakan pendekatan Norman Fairclough artikel ini membedah tiga dimensi utama, yaitu teks, praktik diskursif, dan praktik sosial. Penelitian ini mengungkapkan bagaimana frasa Federation Destroyed Our Football, Government Destroyed Our Country yang ada di poster suporter Indonesia dan tersebar di media sosial mencerminkan relasi kekuasaan, ideologi, dan dinamika sosial-politik. 
Analisis Resepsi Gen Z Terhadap Komentar Stigma Curanmor di Surabaya Muhamad, Gunawan; Arimbi, Diah Ariani; Meyrasyawati, Dewi
Jurnal Komunikasi Nusantara Vol 7 No 2 (2025)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v7i2.2425

Abstract

The criminal cases of motorcycle theft in Surabaya in 2024 are becoming increasingly rampant and worrying. Throughout 2024, 444 cases of motorcycle theft were recorded in Surabaya. The increasing cases of motorcycle theft in Surabaya have an impact on the many news reports about motorcycle theft cases in Surabaya, one of which is on Instagram. One of the Instagram accounts that always reports on motorcycle theft cases is Suara Surabaya, recorded in 2024, the Suara Surabaya Instagram account reported 94 motorcycle theft cases. In the uploads of these motorcycle theft cases, they are always followed by various comments from netizens. One of the comment patterns that is often found in the motorcycle theft news uploads is the stigma of the perpetrators of motorcycle theft which is directed at the Madurese ethnic group. This study tries to analyze the impact of comments on the stigma of motorcycle theft on Gen Z's reception. This study uses Stuart Hall's reception theory as a basis with a random sampling method on Gen Z in Surabaya who actively use Instagram social media with observation and interview data collection techniques. This study states that educational background and audience experience factors play an important role in the process of decoding a text. The higher the level of education of the audience, the more rationality is shown in interpreting a text. Good and bad experiences of a phenomenon also play an important role in the audience's perspective in interpreting a text. Abstrak Kasus kriminal curanmor di Surabaya tahun 2024 menjadi semakin marak dan mengkhawatirkan. Sepanjang tahun 2024 tercatat 444 kasus curanmor di Surabaya. Meningkatnya kasus curanmor di Surabaya berdampak pada banyaknya pemberitaan tentang pemberitaan kasus curanmor di Surabaya, salah satunya di Instagram. Salah satu akun instagram yang selalu memberitakan tentang kasus curanmor adalah Suara Surabaya, tercatat pada tahun 2024, akun instagram Suara Surabaya memberitakan kasus curanmor sebanyak 94 unggahan. Pada unggahan kasus curanmor tersebut, selalu diikuti dengan berbagai komentar dari warganet. Salah satunya pola komentar yang sering dijumpai pada unggahan berita curanmor tersebut adalah adanya stigma pelaku curanmor yang tertuju pada etnis Madura. Penelitian ini mencoba menganalisis dampak dari komentar stigma curanmor terhadap resepsi Gen Z. Penelitian ini menggunakan landasan teori resepsi karya Stuart Hall dengan metode random sampling terhadap gen Z di Surabaya yang aktif menggunakan sosial media Instagram dengan teknik pengumpulan data observasi dan wawancara. Pada penelitian ini mengemukakan bahwa faktor latar belakang pendidikan dan pengalaman audiens berperan penting terhadap proses decoding sebuah teks. Semakin tinggi latar belakang pendidikan audiens, maka semakin menunjukkan rasionalitas dalam memaknai sebuah teks. Pengalaman baik dan buruk terhadap sebuah fenomena juga berperan penting terhadap sudut pandang audiens dalam memaknai sebuah teks.
Analisis Resepsi Gen Z Terhadap Komentar Stigma Curanmor di Surabaya Muhamad, Gunawan; Arimbi, Diah Ariani; Meyrasyawati, Dewi
Jurnal Komunikasi Nusantara Vol 7 No 2 (2025)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v7i2.2425

Abstract

The criminal cases of motorcycle theft in Surabaya in 2024 are becoming increasingly rampant and worrying. Throughout 2024, 444 cases of motorcycle theft were recorded in Surabaya. The increasing cases of motorcycle theft in Surabaya have an impact on the many news reports about motorcycle theft cases in Surabaya, one of which is on Instagram. One of the Instagram accounts that always reports on motorcycle theft cases is Suara Surabaya, recorded in 2024, the Suara Surabaya Instagram account reported 94 motorcycle theft cases. In the uploads of these motorcycle theft cases, they are always followed by various comments from netizens. One of the comment patterns that is often found in the motorcycle theft news uploads is the stigma of the perpetrators of motorcycle theft which is directed at the Madurese ethnic group. This study tries to analyze the impact of comments on the stigma of motorcycle theft on Gen Z's reception. This study uses Stuart Hall's reception theory as a basis with a random sampling method on Gen Z in Surabaya who actively use Instagram social media with observation and interview data collection techniques. This study states that educational background and audience experience factors play an important role in the process of decoding a text. The higher the level of education of the audience, the more rationality is shown in interpreting a text. Good and bad experiences of a phenomenon also play an important role in the audience's perspective in interpreting a text. Abstrak Kasus kriminal curanmor di Surabaya tahun 2024 menjadi semakin marak dan mengkhawatirkan. Sepanjang tahun 2024 tercatat 444 kasus curanmor di Surabaya. Meningkatnya kasus curanmor di Surabaya berdampak pada banyaknya pemberitaan tentang pemberitaan kasus curanmor di Surabaya, salah satunya di Instagram. Salah satu akun instagram yang selalu memberitakan tentang kasus curanmor adalah Suara Surabaya, tercatat pada tahun 2024, akun instagram Suara Surabaya memberitakan kasus curanmor sebanyak 94 unggahan. Pada unggahan kasus curanmor tersebut, selalu diikuti dengan berbagai komentar dari warganet. Salah satunya pola komentar yang sering dijumpai pada unggahan berita curanmor tersebut adalah adanya stigma pelaku curanmor yang tertuju pada etnis Madura. Penelitian ini mencoba menganalisis dampak dari komentar stigma curanmor terhadap resepsi Gen Z. Penelitian ini menggunakan landasan teori resepsi karya Stuart Hall dengan metode random sampling terhadap gen Z di Surabaya yang aktif menggunakan sosial media Instagram dengan teknik pengumpulan data observasi dan wawancara. Pada penelitian ini mengemukakan bahwa faktor latar belakang pendidikan dan pengalaman audiens berperan penting terhadap proses decoding sebuah teks. Semakin tinggi latar belakang pendidikan audiens, maka semakin menunjukkan rasionalitas dalam memaknai sebuah teks. Pengalaman baik dan buruk terhadap sebuah fenomena juga berperan penting terhadap sudut pandang audiens dalam memaknai sebuah teks.
Dangdut Rakyat Melawan Hegemoni Keraton: Dekonstruksi Pertarungan Ideologis dalam Film Ambyar Mak Byar Ilham Baskoro; Dimas Septo Nugroho; Diah Ariani Arimbi; Johny Alfian Khusyairi
HUMANIKA Vol 33, No 1 (2026): April
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v33i1.83481

Abstract

This study critically examines Ambyar Mak Byar as ideological contestation between people’s dangdut culture and the hegemonic authority of the Javanese Keraton through Jacques Derrida’s deconstructive framework. Focusing on logosentrism, binary oppositions, différance, and narrative deconstruction, this research analyses how this movie represents commoner–aristocracy relationship as an unstable, continuously negotiated construction, albeit wrapped in comedic form. The findings indicate that dangdut is framed as a symbol of spontaneity and egalitarianism, while the keraton is portrayed as a fragile center of authority undergoing image modernization. The cross-class romance narrative functions to normalize Javanese noble–commoner relations while simultaneously concealing the keraton’s internal structural tensions in a manner reminiscent of cultural propaganda. The analysis demonstrates that this film deploys strategies of depoliticization and cultural soft-power to positioning keraton as a progressive institution, thereby destabilizing established symbolic hierarchies. This study contributes new perspectives to understanding cultural representation politics in contemporary Javanese society within Indonesian cinema.
Co-Authors Adji, Alberta Natasia Alberta Natasia Adji Ambat, Yeremia Tulude Anggaunita Kiranantika Belia, Athaya Prita Cintya Ratnaduhita Daniel Susilo Dewi Meyrasyawati Dimas Septo Nugroho Dwi Prasetyo Dwi Retnani Srinarwati Emy Susanti Hidayah, Sri Ilham Baskoro Johny Alfian Khusyairi Khusyairi, Jhony Alfian Kukuh Yudha Karnanta Mein Woei Suen Muhamad, Gunawan Myrtati Dyah Artaria Nunuk Endah Srimulyani Nur Wulan Nur Wulan, Nur Pinky Saptandari, Pinky Puspitasari, Sendy Krisna Rahma Sugihartati Ratnaduhita, Cintya REFTI HANDINI LISTYANI Saptandari EP, Pinky Setijowati, Adi Sharyn Graham Davies Sugihartati, Rahma Tristiawan, Diar Candra