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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Komunikasi Communicatus: Jurnal Ilmu Komunikasi Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Bricolage : Jurnal Magister Ilmu Komunikasi SULUH: Jurnal Abdimas MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Tuturlogi: Journal of Southeast Asian Communication Jurnal Kajian Ilmiah KomunikA Journal of Finance, Economics, and Business Science and Education Journal Jambura Jurnal Ilmu Komunikasi GeoEco Lex Scientia Law Review
Noval Sufriyanto Talani
Universitas Negeri Gorontalo
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Kekerasan Simbolik Pada Teks Pemberitaan COVID-19 Di Media Daring Gorontalo Julianur Rajak Husain; Noval Sufriyanto Talani; Yowan Tamu
Jurnal Kajian Ilmiah Vol. 23 No. 2 (2023): May 2023
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Publikasi (LPPMP)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31599/jb3nry97

Abstract

The COVID-19 pandemic has become a momentum for global and local mass media to compete to present news about the surge in cases of transmission of coronavirus diseases, including Gorontalo's local online media, Gopos.id. This research was raised from the problem of how the news text of COVID-19 in online media such as Gopos.id is displayed. The purpose of this research is to find out about the discourse on COVID-19 and to identify and find hidden signs of symbolic violence in the news text of COVID-19 on the online media Gopos.id through the use of certain words, phrases, or sentences. News texts are analyzed using qualitative methods with a knife of analysis using semiotics from M.A.K Halliday, which includes (a) the field of discourse, (b) the tenor of discourse, and (c) the mode of discourse. Based on the research results, symbolic violence in COVID-19 reporting texts in the online media Gopos.id tends to appear in discourse fields and discourse modes or language styles and is implicitly presented to the discourse participants. Because symbolic violence is invisible or hidden, victims tend not to realize it.
Rasa Percaya Mahasiswa Pada Polisi (Studi Eksperimen Pada Tweet Dengan tagar #1Hari1Oknum) Gita Juniarti; Citra Fransisca Lestari Dano Putri; Noval Sufriyanto Talani
Jurnal Kajian Ilmiah Vol. 22 No. 3 (2022): September 2022
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Publikasi (LPPMP)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31599/z80h5q38

Abstract

The aims of this study to conduct experimental study on student’ at Department of Communication Science, State University of Gorontalo regarding information that relate to police. Police have negative image in society’ perspective, especially on Generation Z. On Twitter, netizen criticize police with hashtag #1hari1oknum. The hashtag shows news from several mass media about the nasty and cruel behavior from several police. In addition, the hashtag also an attempt by public to criticize the police on Twitter. The police institution also created Twitter account, @divhumas_polri to improve their image. This research analyzes the management of information of students who given information from @divhumas_polri account and news with the hashtag #1hari1oknum. This research used positivistic paradigm, quantitative approach, and questionnaire distribution. The amount of population was 120 students, who were divided into experimental and control groups. Furthermore, 60 students were further divided into three groups base on their academic years, 2021, 2020, and 2019. The results of this study showed that students did not have high trust towards police, especially students from experimental group who received treatment to read news with hashtag #1hari1oknum. The findings also show that students manage information through central route. They are considered critical in responding to information. As generation Z who depend on gadgets, students do not believe new information from @divhumas_polri and news with hashtag #1hari1oknum immediately. Students need supporting information from other sources, find out the information about account that spreads information, and pay attention to hashtags that used.
Kategorisasi Media Siber Hulondalo.Id dalam Framing Pemberitaan Kekerasan Dalam Rumah Tangga Di Gorontalo Noval Sufriyanto Talani; Rahmatiah Rahmatiah; Ferdinand Kerebungu; Dondick Wicaksono Wiroto
Communicatus: Jurnal Ilmu komunikasi Vol. 7 No. 1. June (2023): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v7i1.19946

Abstract

As an event that grabs the public's attention, domestic violence (KDRT) is still making headlines in various mass media lines, including cyber media. This study aims to identify cases of domestic violence reported by the cyber media Hulondalo.Id and describe the categorization patterns made by the media to frame domestic violence events in Gorontalo. The method used in this study is a qualitative method with a framing analysis tool from Murray Edelman. The results showed that the cases of domestic violence published by the cyber media Hulondalo.Id were quite diverse. In the news, certain categorizations are formed for perpetrators and victims of domestic violence. This form of categorization becomes a pattern of media framing of cases of domestic violence that occurred in Gorontalo. The pattern made by Hulondalo.Id places the perpetrators as coercive, drunken, sadistic, barbaric, and persecuting figures. Meanwhile, the victim is positioned as a helpless figure, a patient young wife, and a poor woman. Ideologically the media position themselves as siding with the victim. But the textual facts prove that the Hulondalo.Id cyber media tends to exploit the identity of the victim rather than the identity of the perpetrators of domestic violence.
Representasi Identitas Papua Dalam Film “Kaka Boss” (Analisis Semiotika Roland Barthes) Hasna Arsyad; Noval Sufriyanto Talani; Syahrir Soleman; Sumarjo Sumarjo; Muhammad Akram Mursalim
Science and Education Journal (SICEDU) Vol 5 No 2 (2026): Science and Education Journal 2026
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/sicedu.v5i2.859

Abstract

Penelitian ini menganalisis representasi identitas Papua dalam film Kaka Boss (2024) karya Arie Kriting dengan menggunakan pendekatan semiotika Roland Barthes yang mencakup makna denotatif, konotatif, dan mitos. Selama ini, representasi masyarakat Papua dalam media massa dan film Indonesia cenderung didominasi stereotip negatif yang mengaitkan Papua dengan kekerasan, keterbelakangan, dan marginalisasi. Film Kaka Boss hadir sebagai upaya dekonstruksi dengan menampilkan tokoh Papua dalam konteks kehidupan urban yang lebih kompleks dan humanis. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan teknik pengumpulan data melalui dokumentasi dan observasi terhadap empat scene terpilih yang merepresentasikan identitas sosial, stigma profesi, framing media, dan penerimaan sosial. Hasil penelitian menunjukkan bahwa pada tingkat denotatif, film menampilkan kehidupan sehari-hari tokoh Papua dalam keluarga, pekerjaan, dan interaksi sosial. Pada tingkat konotatif, terlihat pengalaman marginalisasi, stigma, serta negosiasi identitas. Pada tingkat mitos, film ini tidak hanya mereproduksi mitos kekerasan dan premanisme, tetapi juga menghadirkan mitos tandingan melalui sosok Kaka Boss sebagai ayah yang penyayang, pekerja keras, dan bertanggung jawab. Berdasarkan teori representasi Stuart Hall dan teori identitas sosial Tajfel, disimpulkan bahwa film ini menghadirkan representasi yang lebih inklusif, beragam, dan humanis terhadap identitas Papua dalam sinema Indonesia.
Co-Authors Amin, Nur Izatul Ana Čović Ariella, Jihan Bagu, Fitrah Ramadanti Citra Fransisca Lestari Dano Putri Dondick Wicaksono Wiroto, Dondick Wicaksono Feni Mariana ferdinand kerebungu Harto Malik Hasna Arsyad Jasin, Mutiara Nabila Julianur Rajak Husain Juniarti, Gita Lisnawaty W. Badu Maryati, Sri Mellisa Towadi Muhammad Akram Mursalim Munirah Tuli Musdalifa Mutia Cherawaty Thalib Nurnadela Rahmat Putrib, Citra Fransisca Indah Lestari Dano Rahmatiah Rahmatiah Salahudin Olii Siti Mayasari Pakaya Sri Meylan Mantali Sri Meylan Mantali Sukarman Kamuli Sumarjo Syahrir Soleman Usu, Novi R Yahya, Nur Alifah Z. Yasraf Amir Piliang Yowan Tamu Ziat Hasan Zulkifli Tanipu