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Dini Yanuarmi
Fakultas Seni Rupa Dan Disain Institut Seni Indonesia Padang Panjang
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Journal : Style : Journal of Fashion Design

 1 
KREASI DAUN PISANG PADA BAJU KURUNG BASIBA Tastail Amelia; Dini Yanuarmi; Taufik Akbar; Mega Kencana
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3269

Abstract

The banana plant is a fruit plant consisting of roots, stems, leaves, a banana heart and fruit. Banana leaves are often used to wrap food. Banana leaves consist of a petiole, leaf blade and midrib in the middle of the leaf. Banana leaves were created as a motif in the creation of the kuruang basiba shirt. The concept of creating a banana leaf shape creation through a study of the shape of a banana leaf which is realized in the design of textile craft works as a kuruang basiba shirt. The creation method begins with the exploration stage, the planning stage, and the embodiment stage. The creation of artwork uses the theoretical basis of form, function, aesthetics, creation, motif, and colour. This work is done with Mayang embroidery techniques and ribbon and thread embroidery, which is used to unite all pieces of cloth into a kuruang basiba shirt with the motif applied to the work, namely the creation of a banana leaf shape. The result of the product of embroidery work with the motif of the banana leaf shape is manifested on the kuruang basiba shirt.
MOTIF TANAMAN KOPI PADA BAJU TALUAK BALANGO Indah Erda Ningsih; Dini Yanuarmi; Rahmad Washinton; Mirda Aryadi; Fadri Rahmat
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3267

Abstract

The coffee plant has a taproot, straight down, short and strong. The taproot is approximately 45-50 cm long, which basically has 4-8 side roots that descend down 23 cm. Coffee leaves are long, striped to the sides, wavy, dark green, and tapered at the ends. Leaves grow and are arranged side by side in the armpits of the stems, branches and twigs. A pair of leaves located in the same plane and branches that grow horizontally.The shape of the coffee plant that has been described, the creators make it as a source of ideas as an ornamental motif. The coffee plants that are used as motifs are the flower parts, leaves, fruit, and twigs that are applied to the balango taluak. Taluak balango is clothing for men in Minangkabau, the hallmark of the taluak balango shirt is using seams on the side of the shirt where there is a siba with a length below the waist, a round neck without a collar and slightly slit to the chest. The balango taluak shirt is usually worn with a trouser suit, worn in events, traditional ceremonies, religious and other formal events. The method used in the creation of this work is the method of exploration, design and embodiment with an aesthetic approach. This work is expected to be able to contribute to the wider community, by introducing the depiction of coffee plant motifs on balango taluak. The balango taluak used and used in the Minangkabau area does not have specific provisions related to its decorative motifs.
KREASI BURUNG BEO NIAS SEBAGAI MOTIF KEMEJA BATIK Anisa Giantari; Dini Yanuarmi; Taufik Akbar; Wirma Surya
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3268

Abstract

The Nias parrot is an endangered species native to Nias, North Sumatra. The body of the Nias parrot is black, a little white on the wings, earlobes and legs are yellow. The distinctive features of the Nias parrot with other parrots are its larger body size and united earlobes. The concept of the creation of the Nias parrot is taken from the life of this animal, in the form of freedom to fly in nature because many Nias parrots are caught, this concept also tells about the activity of tree branches. The production process of this work uses a theoretical basis that includes form, function, motif, creation and colour. The process of producing this work goes through three stages which are the exploration stage which is finding sources of ideas through library sources or interviews, designing which is pouring ideas into alternative sketches which then become the chosen design, the embodiment stage which is the process. the embodiment of the work that has been designed, the technique used is the batik technique, with silk cotton fabric and using reactive dyes, after the batik process is completed, the material is sewn into men's clothes.
JAKET PULLOVER HOODIE DENGAN MOTIF ISTANA SIAK RIAU Rahmayani Rahmayani; Dini Yanuarmi; Hendratno Hendratno
Style : Journal of Fashion Design Vol 2, No 2 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3719

Abstract

       Siak Palace is a sturdy rectangular building, decorated at the gate with a pair of hawks striking with sharp eyes and consists of two floors. Siak Palace is located in the city of Siak Sri Indrapura, Riau Province. The creation of this work was inspired by the beautiful visual form of the Siak Palace and then created at each end of the pillars of the building. The form of work created is in the form of an L-sized jacket using a written batik technique. The function of this jacket is outerwear that is used to protect from cold weather or fashion. The creation method in this work goes through three stages, namely the exploration stage which is field observation activities, source excavation and data collection. Exploration begins with going to the field to see and observe the shape of the Siak Palace. The design stage is pouring ideas through several alternative sketches, then from several alternative sketches it is determined to be the selected design as a reference in the process of making works. The embodiment stage uses a written batik technique with reactive coloring which is applied to a pullover hoodie jacket. The creation of works uses a theoretical basis of form, function, color, motif, creation and aesthetics. The results of the process of making this work created the Siak Palace motif in the form of five works with the titles "Kenyamanan", "Gugur" and "Bangkit".
Busana Pesta dan Kasual Terinspirasi dari Buah Sawit Aini, Nur; Kencana, Mega; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4216

Abstract

The work report entitled "Party and Casual Clothing Inspired by Palm Fruit Colors" is in the form of party and casual clothing. This work is sourced from the colors found in palm fruit and combined with palm oil batik motifs. The creation of clothing with a combination of palm-oil batik motifs and unique creativity aims to introduce to the public that anything around us can be a source of ideas for making clothing designs. The shape and color of the palm fruit are unique, featuring color gradations such as yellow, tiger, cherry, crimson, and wine. In creating this work, the craftsman went through three stages: the exploration stage, which involved seeking information about palm oil in West Pasaman; the design stage, which included viewing reference images, compiling the creation concept, mood boards, and making designs; and the embodiment stage, which involved cutting patterns, sewing, and finally presenting the clothing in a fashion show. The works produced include party and casual clothing, namely ready-to-wear clothing 1, ready-to-wear clothing 2, ready-to-wear clothing 3, ready-to-wear deluxe 1 clothing, ready-to-wear deluxe 2 clothing, and haute couture.
EKSPLORASI BUSANA KASUAL INSPIRASI SIRIP IKAN KOKI TAMBAHAN TEKNIK RUFFLE PADA READY TO WEAR DELUXE Sativa, Allia; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 5, No 1 (2025): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v5i1.6272

Abstract

Busana ready-to-wear deluxe merupakan kategori pakaian siap pakai yang diproduksi dengan standar kualitas superior serta perhatian mendalam terhadap detail konstruksi, sehingga menempati posisi yang lebih eksklusif dibandingkan busana siap pakai pada umumnya. Dalam pengembangan karya ini, konsep tersebut diimplementasikan ke dalam busana casual yang dirancang khusus untuk memberikan kenyamanan maksimal serta kesan santai bagi pemakainya dalam dinamika aktivitas sehari-hari. Inspirasi utama diambil dari estetika sirip ikan koki yang memiliki bentuk menjuntai dan warna-warna menawan, sebagai representasi dari keunikan serta keindahan alam yang tak terbatas. Melalui eksplorasi ini, pengkarya bertujuan menghadirkan sebuah kreasi yang inovatif dan terkini, sekaligus menawarkan alternatif mode yang distingtif bagi pasar busana kontemporer.untuk memperkuat visualisasi tersebut, diaplikasikan teknik ruffles atau teknik manipulasi kain melalui pembuatan lipatan dan kerutan yang presisi untuk menghasilkan tampilan berumbai yang berlapis serta dinamis. Sebagai tahap akhir dari proses kreatif, pengkarya memilih untuk mempresentasikan hasil karyanya melalui peragaan busana. Pertunjukan ini berfungsi sebagai medium formal dan artistik untuk memperkenalkan serta mendemonstrasikan identitas mode tersebut kepada khalayak luas, dengan tujuan menyampaikan pesan estetis serta nilai fungsional yang terkandung di dalam setiap detail jahitan secara komprehensif.
FEMININE ROMANTIC STYLE DENGAN TEKNIK RUFFLE DAN SMOCK PADA BUSANA PESTA Rahma, Hafifah; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 5, No 1 (2025): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v5i1.6273

Abstract

Feminine romantic style merupakan salah satu basic fashion style yang identik dengan kesan lembut, manis, anggun, serta menonjolkan garis desain yang halus. Warna-warna yang digunakan cenderung soft dan pastel dengan pemilihan material yang ringan dan jatuh seperti chiffon, tulle, satin, dan silk. Untuk mewujudkan karakter feminine romantic pada busana pesta, diperlukan eksplorasi teknik manipulasi kain yang mampu memperkuat nilai estetika serta menghadirkan visual yang dinamis. Teknik fabric manipulation yang diterapkan dalam perancangan ini adalah ruffle dan smocking. Ruffle merupakan teknik kerut yang menghasilkan efek bergelombang dan volume, sedangkan smocking adalah teknik surface design yang membentuk tekstur timbul melalui jahitan tangan. Tujuan penciptaan karya ini adalah merancang busana pesta dengan konsep feminine romantic style melalui penerapan teknik ruffle dan smocking pada busana ready to wear deluxe. Metode penciptaan yang digunakan meliputi tahap eksplorasi, perancangan, dan perwujudan. Hasil dari penciptaan ini berupa satu karya busana pesta feminine romantic style yang menampilkan kesan elegan, romantis, dan bernilai estetika tinggi
PENCIPTAAN READY TO WEAR DELUXE BUSANA PESTA MALAM DENGAN TEKNIK SULAM PAYET SriFatwa, Dinda; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 5, No 1 (2025): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v5i1.6274

Abstract

Penciptaan ini memiliki tujuan untuk merancang busana pesta acara malam yang menggabungkan teknik sulam payet dengan elemen estetika budaya tiongkok, terutama yang terinspirasi dari perayaan imlek. Perayaan imlek identik dengan nuansa ceria, simbol-simbol keberuntungan, dan ornamen khas yang serat dengan makna budaya. Teknik sulam payet dipilih untuk menonjolkan kemewahan serta keanggunan busana,sekaligus meningkatkan nilai artistik dan visual yang sesuai untuk acara malam. Proses perancangan melibatkan eksplorasi motif khas imlek seperti, bunga plum yang kemudian diterapkan dalam bentuk sulam payet menjuntai pada bagian busana. Sulam Payet terdapat di bagian lengan kiri dan kanan, serta berada di vest batik depan dan belakang. Rancangan ini menunjukkan bahwa penggabungan antara elemen tradisional dan teknik modern dapat menghasilkan busana yang tidak hanya menarik secara visual tetapi juga memiliki nilai budaya yang tinggi. Busana yang diciptakan mampu mencerminkan semangat perayaan imlek dalam konteks mode terkini, sekaligus memberikan alternatif gaya untuk busana malam yang unik dan bernuansa etnik.Hasil dari penciptaan ini adalah satu set busana pesta malam ready to wear deluxe yang didominasi oleh warna merah maroon, dengan siluet yang anggun, lengan berbentuk seperti lampion, serta hiasan sulam payet yang menggantung di bagian lengan dan vest
Co-Authors Anggara, Egi Anin Ditto Anisa Giantari Desra Imelda Desra Imelda Dinda Atthia Maharani Lubis Fadri Rahmat Harahap, Mai Yusnanda Hendratno Hendratno Humaera, Ririn Imelda, Desra Indah Erda Ningsih Irja Izan Qomarats Kencana, Mega Mega Kencana Mirda Aryadi Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Novesar, Muhammad Refki Nur Aini Prastawa, Wisnu Putri, Geby Mareta Rahma, Hafifah Rahmayani Rahmayani Salsabila Sephiani Sativa, Allia Selvi Kasman SriFatwa, Dinda sudiani, yoni Sundari, Sri Suryani, Rias Wita Tastail Amelia Taufik Akbar Washinton, Rahmad Widdiyanti Widdiyanti Widdiyanti, Widdiyanti Wirma Surya Yetty Oktayanty Yulia Fitri Yunis Muler