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All Journal Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Pantun: Jurnal Ilmiah Seni Budaya Jurnal Penelitan Mahasiswa Indonesia Jurnal Kajian Seni Jurnal Ilmiah Kampus Mengajar Journal of Aesthetics, Creativity and Art Management Bhumidevi : Journal Of Fashion Design Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Jurnal Riset Rumpun Ilmu Pendidikan (JURRIPEN) Journal of Aesthetics, Design, and Art Management Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Global Art Creativity Conference
Wayan Karja
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Pembelajaran Teknik Dasar Tari Bali Putri Menggunakan Media Audio Visual di SMP Negeri 6 Denpasar Paramaditya, Putu Vinka; Karja, I Wayan; Sustiawati, Ni Luh
Jurnal Penelitian Mahasiswa Indonesia Vol. 4 No. 4 (2024): November
Publisher : STKIP AGAMA HINDU SINGARAJA

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Abstract

Pembelajaran seni tari merupakan upaya penting untuk melestarikan budaya Bali, namun di SMP Negeri 6 Denpasar, pemahaman siswa terhadap teknik dasar tari Bali masih kurang. Untuk mengatasi masalah ini, media audio visual diharapkan dapat menjembatani kesenjangan tersebut dengan memberikan contoh gerakan dan ekspresi yang benar. Penelitian ini menggunakan metode gabungan kuantitatif dan kualitatif dengan desain Weak Experimental Design (Pre-experimental) melalui One-Group Pretest-Posttest Design. Hasil menunjukkan bahwa penggunaan video pembelajaran meningkatkan nilai rata-rata siswa dari 59,50 menjadi 76,50. Proses pembelajaran meliputi penyampaian tujuan, demonstrasi, dan diskusi. Uji-r menunjukkan korelasi positif signifikan antara penggunaan video dan hasil belajar siswa. Faktor pendukung termasuk teknologi dan fasilitas sekolah, sedangkan penghambatnya adalah pemadaman listrik dan ruang praktik yang terbatas akibat pembangunan gedung aula. Dengan demikian, penerapan media audio visual dalam pembelajaran teknik dasar Tari Bali Putri tidak hanya efektif dalam meningkatkan hasil belajar, tetapi juga memberikan kontribusi signifikan terhadap pelestarian budaya melalui pendidikan seni tari di sekolah. Penelitian ini membuka peluang untuk pengembangan lebih lanjut dalam penggunaan media pembelajaran yang inovatif di masa depan.
MAKNA SAKRAL DAN FUNGSI SIMBOL KERAMIK PORSELIN MOTIF WAYANG KAMASAN SEBAGAI ORNAMEN DI PURA PETITENGET KEROBOKAN BADUNG Sunarini, Ni Made Rai; Muka, I Ketut; Karja, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Pura sebagai tempat pemujaan umat Hindu Dharma merupakan bagian dari Arsitektur Tradisional Bali, memiliki keunikan dan hirarki makna yang paling utama. Pura Petitenget memiliki budaya lokal dengan memakai keramik porselin motif wayang kamasan sebagai ornamen dengan konsep Tri Angga. Pura Petitenget sebagai Cagar Budaya Lokal Kabupaten Badung No 26 Tahun 2013 Pasal 32. Pura Petitenget berdiri sejak abad ke-16 masehi yang diempon oleh masyarakat Desa Adat Kerobokan. Tujuan penelitian ini, yaitu untuk mengetahui makna yang melandasi keramik porselin motif Wayang Kamasan. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pengambilan data snowballing dan purposive sampling. Teori yang digunakan adalah teori semiotika dan teori hermenutika. Hasil penelitian menunjukan, makna keramik porselin motif wayang kamasan dengan konsep Tri Angga menerapkan berbagai motif wayang kamasan mulai dari motif Acintya, Dewa-Dewi, tokoh-tokoh Ramayana, dan motif binatang serta motif tumbuh-tumbuhan. Makna keramik porselin motif wayang kamasan yang diaplikasikan ke dalam piring keramik porselin di Pura Petitenget mengandung makna sakral dan fungsi simbol (pada tingkatan Utamaning Angga, Madyaning Angga, dan Nistaning Angga), makna sosial, makna budaya, dan makna ekonomi. Makna yang terkandung memiliki nilai kebaruan yang unik dan berkarakter. Dapat melestarikan nilai-nilai seni budaya dan kearifan lokal dibidang keramik Bali agar tidak hilang karena tergerus oleh modernisasi.
HARMONI DIRI DAN SEMESTA: KONSEP ENERGI KOSMIS DALAM CIPTA SENI LUKIS KONTEMPORER Karja, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Artikel ini bertujuan mengeksplorasi hubungan antara manusia dan semesta melalui konsep energi kosmis dalam cipta seni lukis kontemporer. Metode pendekatan kualitatif interpretatif dan art-based research digunakan 12 gambar sebagai objek studi untuk menegaskan pembahasan. Fokus utama penelitian adalah pada konsep energi kosmis, estetika simbolik, dan elemen-elemen spiritual yang tercermin dalam bentuk, warna, dan komposisi karya seni. Penelitian ini menggali bagaimana simbol visual dalam lukisan dapat dijadikan penghubung dimensi kehidupan fisik dan spiritual, serta menjelaskan peran seni lukis sebagai medium untuk membangun harmoni antara manusia dan alam semesta. Hasil penelitian menunjukkan bahwa karya seni tidak hanya berfungsi sebagai ekspresi estetis, tetapi juga sebagai sarana transformasi batin yang dapat memperkuat dan meningkatkan kesadaran energi kosmis. Artikel ini memberikan kontribusi signifikan baik secara praktis maupun akademis, dengan menawarkan wawasan baru tentang energi kosmis dalam seni lukis kontemporer dan memperkaya perspektif estetis, artistik, serta spiritual dalam studi seni.
Visual Contemporary Painting Based on The Visual Appropriation of Abhimanyu’s Death Bayutha, Ida Bagus Rekha; Karja, I Wayan; Mudana, I Wayan
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3470

Abstract

The concept of visual appropriation involves using elements borrowed from others to create a work of art. In this research, appropriation entails utilizing images and narrative context from various sources to depict Abhimanyu’s death on the 13th day of the Bharatayuda war. This article explains the method for creating the visual appropriation of Abhimanyu. The process of creating visual appropriation is based on exploring, designing, and realizing craft arts, incorporating digital sketching, manipulation, media and technique discovery, imprimatura, collage, cropping, coloring, and finishing. The creation process involves identifying visual forms and their relationship to current phenomena and adding new meanings that alter the original context. The aim of creating contemporary painting is to make young people aware of the challenges or obstacles of the current situation and the need to develop strategies to deal with them. Resulting works aim to juxtapose visual references to provoke thought and reinterpretation of their meaning for the audience.  
BALI PAINTING MARKET: A BRIEF HISTORY AND EXPLORATION OF VARIOUS FACTORS AFFECTING ITS DEVELOPMENT Karja, I Wayan; Lei, Tai
Jurnal Kajian Seni Vol 11, No 1 (2024): Jurnal Kajian Seni Vol 11 No 1 November 2024
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.99799

Abstract

This article presents a brief history of the art market in Bali and explores the various factors that have influenced its development. We also examine how local culture, the tourist market, village networks, government policies, and the global art market have shaped the trajectory of Balinese art. These forces include the assumption of local culture to art, the commercialization along with the opening of the tourist market, the local network based on village lives, the state policy to promote Balinese art and culture, and the effects brought by the booming of the global art market dominated by financial capital. Local concepts with cultural specificity are pivotal in our analysis, for example, the role culture plays in art practice nowadays and before, and what influence it brings to the transformation from art for religious purposes to cultural products for commerce. In conclusion, we highlight that the Balinese art market stands apart from other local art markets worldwide due to its close connection with Bali's reputation as a renowned tourist destination. The interplay of dynamic forces has shaped the market's growth, structure, and uniqueness over the years.
Manajemen Pembelajaran Batik untuk Mengembangkan Karakter Siswa Melalui Pendekatan Karakter di SMK Negeri 4 Palangkaraya Ni Wayan Ratih Wahyuriani; Ni Luh Sustiawati; I Gede Mawan; I Wayan Karja
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 4 (2024): Desember : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i4.484

Abstract

Effective learning management is very important to support the development of student character in Vocational High Schools (SMK). The output that is the goal of this writing is to explore the management of batik learning in SMK in an effort to instill student character values through a local wisdom approach.This study uses a case study methodology combined with a qualitative descriptive method. Analysis of learning documents, teacher and student interviews, and observations are used to collect data. The subjects of this study were grade XI students of the Batik and Textile Creative Crafts Program at SMK Negeri 4 Palangkaraya with an emphasis on batik subjects. The results of the study indicate that batik learning in SMK has the potential to develop student character, such as responsibility, patience, creativity, and love for local culture. Good learning management includes the planning, implementation, and evaluation stages that are integrated with local wisdom values. It is hoped that this approach will become a culture-based learning model that can be applied in various schools.
The Ancient Tantric in Balinese Contemporary Art I Wayan Karja; Roni Feldman
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 2 (2024): Reclaiming Cultural Heritage
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i02.p02

Abstract

In recent years, artists from various cultures have increasingly drawn on the spiritual and philosophical principles of ancient tantra. This article explores the influence of ancient tantric traditions on contemporary Balinese arts. It employed an innovative art-based research methodology utilizing qualitative, interpretive, and practice-based research methods. These included observation, interviews, and document analysis while integrating theoretical frameworks, symbolic perspectives, and theo-aesthetic considerations. The research reveals how artists transform and reinterpret tantric themes in their work, highlighting the complex relationship between modern expressions and ancient inspirations. Balinese art, as the study shows, achieves beauty by blending opposites, such as masculine and feminine qualities, through the concept of lanang-wadon. By examining this topic, the research provides valuable insights into the evolving relationship between spirituality, creativity, and cultural exchange in Bali and the interconnected world. This study underscores the dynamic interplay between ancient traditions and contemporary artistic practices, showcasing a unique fusion that enriches both the art and its cultural context.
English English Makhrozi Y, Arief; Karja, I Wayan; Suryadinata T.Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4537

Abstract

Art is basically created through experience, whether personal experience, other people's, socio-cultural environment, politics or religion. Art becomes a medium for artists to express ideas, concepts, from experiences felt, which are manifested in a beautiful and meaningful work of art. Along with the development of the times, art also develops. This means that the development of art is something that cannot be avoided. Likewise in the Jagratara installation artwork, with the use of technology, this Jagratara installation artwork is present as a new color in the world of art. This installation artwork is inseparable from the results of several methods carried out by the creator, including the recycle method and the exploration method. The Recycle method is a process of turning used materials into new materials with the aim of preventing waste that can actually be something of artistic value, while the media exploration method is a method as a medium to express the potential and creativity of the compiler. Basically, this method is used as an ability to find, create, redesign, and combine new or old things or ideas into new combinations of various mediums, techniques, ideas and personal interpretations in depicting the reality chosen to be visualized. Jagratara comes from Sanskrit which means always alert. The word always be alert is often heard when signs of danger begin to appear. Always be alert is a reminder sentence that is often said when danger is coming. This installation artwork is present with the aim of being a reminder and reflection on the negative impacts of plastic use, especially for marine ecosystems.
COLOR HEALING: THE BALINESE MANDALA COLOR IN PAINTING PRACTICE wayan Karja
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 1 (2021): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Abstract Color is very essential in life; it is hard to imagine this world without color or only black and white. All colors appear between black and white because they exist due to the effects of light and energy. This article focuses on how to use color as a medium of healing. The color of the Balinese mandala in form of the circle color wheel, each direction has its color, meaning, gods, place in the body, day, and number. The color is related to balance human emotion and healing psychology. Psychology is part of the field of science and applied science about human behavior, mental function, and mental processes. At first, color healing is only considered as a discourse in the development of visual art, but over time, gradually the understanding of using color healing began to develop. Painting becomes a pleasure that is very useful in developing and exploring various layers of life, both physically, mentally, emotionally, and spiritually. The main methods of using color as healing are play, flow, and freedom. There are several steps I used to practice using color healing; (1) study the psychological level of feelings of the participant; (2) classify the problem and search for the methods of expression; (3) interpretation and analysis of the artworks produced by participants; and (4) interpreting the colors and interviewing according to the participant's needs. In this case, the aspects of generating internal awareness and high sensitivity within the participant become the main focus. Keywords: painting, color, and healing.
CAMPUHAN RIVER UBUD AS AN INSPIRATION FOR THE ARTISTS I Wayan Karja
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

The purpose of this research is to open awareness about the significant history of the Campuhan River in terms of aesthetic, the prosperity of the people's lives, both physically and spiritually. This qualitative research method took place in Campuhan Ubud, due to the limited sources of written data and art artifacts. Data collection was mostly done through direct interviews, books, and the internet. Furthermore, an analysis that focuses on the significance of the Campuhan River as an inspiration for the artists is carried out. Artists with high awareness capture the vibrations of natural energy by creating various styles of painting. Campuhan River has a certain vibration so that many artists are inspired to create paintings in various styles such as the Pita Maha style, Young Artist, impressionism, and expressionism. The implications of the Campuhan River civilization as inspiration are an asset for the surrounding area.
Co-Authors A.A. Ngr. Anom Mayun K. Tenaya Anak Agung Ayu Oka, Saraswati Artawan, Cokorda Alit Ayana, I Wayan Deo BAYU PRAMANA, I MADE Bayutha, Ida Bagus Rekha Budiana, I Putu BUDIAPRILLIANA, LUH Dewi, Ni Putu Rahayu Mas Ruscita Drs. I Wayan Mudana,M.Si. . Dwi Kartika, I Gusti Kade Ega Arsana, I Wayan Febrianti, Ni Luh Nila Giri Nugraha Gusti Ayu Erma Yunita Dewi I Dewa Putu Ari Kresna Artha Negara I Gede Mawan I Gusti Ayu Mas Nari Wulan I Ketut Muka I Komang Arba Wirawan I Made Bendi Yudha, I Made Bendi I Wayan Adnyana I Wayan Adnyana I Wayan Mudra, I Wayan I Wayan Setem, I Wayan I Wayan Swandi Ida Ayu Trisnawati, Ida Ayu Jati Putra, Komang Guntur Jayadwiana, I Made Julionita, Ni Komang Kadek Dwiyani Lei, Tai Lestari, Kadek Ditha Oktaviani Makhrozi Y, Arief Ni Kadek Intan Cahyani Artayasa Ni Luh Sustiawati Ni Made Arshiniwati Ni Made Rai Sunarini, Ni Made Rai Ni Wayan Ardini, Ni Wayan Ni Wayan Ratih Wahyuriani Oka, Ni Putu Putri Ditha Sumaridewi Paramaditya, Putu Vinka Putra Artawan, I Made Raharja, I Gusti Nyoman Rai, Sunarini Roni Feldman Ruta, I Made Sari Apriliani, Sari Setiawan, I Komang Fergi Shafa, Naura Taqyna Sukendy, Thania Aprila Sukmadewi, Ida Ayu Kade Sri Supriyatini, Sri Suryadinata T. Y., Anak Agung Gde Trisna Telaumbanua, Calvin Galileo Tjokropramono, I Gede Yosef Utami, Ni Made Purnami