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All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Panggung Proceeding of International Conference on Art, Language, and Culture Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Aksara: Jurnal Ilmu Pendidikan Nonformal Visual Heritage: Jurnal Kreasi Seni dan Budaya Narada : Jurnal Desain dan Seni Melayu Arts and Performance Journal ARTISTIC : International Journal of Creation and Innovation Journal of Research in Social Science and Humanities Jurnal Kajian Seni Srawung: Journal of Social Sciences and Humanities Terob : Jurnal Pengkajian dan Penciptaan Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Social Science Academic Panggung
Pande Made Sukerta
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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“ALONE” REINTERPRETASI FENOMENA DEPRESI DALAM KOMPOSISI MUSIK Agung Wira Setika Cahya; Pande Made Sukerta
SELONDING Vol 19, No 1 (2023): : Maret 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v19i1.7806

Abstract

Depresi adalah satu di antara keadaan emosi dimana kondisi psikologis, ditandai dengan banyak rasa kehilangan dan kekecewaan yang terjadi selama masa hidup normal. Fenomena depresi ini yang menjadi riset komposisi musik melalui suatu pemikiran, sehingga karya yang diberikan sesuai dengan sumber sebagai acuan utama dan keinginan pengkarya dalam memperkenalkan karya melalui dua media karya musik sebagai estetika dan wahana artikulasi dalam karya seni. Reinterpretasi pengkarya atas fenomena depresi menghasilkan karya berbentuk instrumen artifisial yang diberi nama Qalaba dan karya pertunjukan musik dengan judul Alone. Penciptaan dan penyusunan karya Alone dilakukan dengan tahapan observasi pembuatan instrumen dan observasi aspek musikal yang berikutnya dipraktekan dengan metode psikologis. Dalam penyusunan karya musik Alone, pengkarya menerjemahkan fenomena depresi ke dalam musik, menjadikan karya “Alone” sebagai cara alternatif dalam penyusunan instrumen dan elemen musik. Pengkarya menerjemahkan fenomena depresi ini ke dalam improvisasi bebas dan terkonsep, dengan mengeksplorasi nada instrumen menggunakan teknik modifikasi.
ABSTRAKSI AIR PADA KARYA SENI GRAFIS Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Air mempunyai kegunaan bermacam-macam yang tidak ada duanya. Air memberikan kita kenikmatan dan kehidupan. Dibalik hal tersebut ternyata air ternyata menarik untuk dijadikan objek visual dalam penciptaan karya seni grafis. Air dapat divisualkan secara realistis maupun secara abstraksi. Bentuk-bentuk abstraksi menimbulkan berbagai pertanyaan maupun penuh misteri dan filosofi. Seni grafis konvensional mempunyai empat teknik dasar yaitu cetak tinggi, cetak dalam, cetak saring dan cetak datar. Untuk metode penelitian ini menggunakan metode penciptaan seni proses kreasi artistik yang meliputi eksperimen, perenungan dan pembentukan karya. Metode tersebut bagus dikarenakan penelitian ini lebih ke penciptaan seni. Hasil dan solusi dari penelitian dengan metode penciptaan seni ini menghasilkan karya seni grafis dengan objek abstraksi air. Pengkaryaan seni grafis terutama yang menggunakan abstraksi air sebagai objek penciptaan seni grafis.
PHILOSOPHICAL MEANING OF KLANA UDENG MASK MOVIE Harahap, Rina Yanti; Sukerta, Pande Made; Soewarlan, Santosa
Srawung: Journal of Social Sciences and Humanities Vol. 2 Issue 3 (2023)
Publisher : jfpublisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56943/jssh.v2i3.382

Abstract

Nowadays, the traditional art of masks from Indramayu can still be found in various art forms, such as mask dance and mask puppetry. In its development, the art of mask tradition was adapted to the medium of film. When adapted into the medium of film, the mask dance performance art changes its function to become part of the educational media and part of the cultural tourism promotion in fulfilling the need to maintain the existence of the traditional art of masks to remain sustainable. This research aims to see the changes that occur and the meanings that arise from the traditional art adapted from mask dance into a movie entitled Klana Udeng Mask and identify the philosophical meanings in the movie. To comprehend the changes and meanings from the traditional art adapted from mask dance into a movie entitled Klana Udeng Mask, the researcher uses qualitative research using visual semiotics. In this research, the movie Klana Udeng Mask is interpreted with a semiotic approach from Roland Barthes. The movie Klana Udeng Mask has a philosophical meaning about gratitude and maintaining the relationship between humans and God Almighty. This philosophical meaning is evident in the opening scene of the mask dancers praying to God Almighty and the closing scene of them performing grateful praying movements to God Almighty. Changes in semiotic meaning in the Klana Udeng Mask movie affect the visual signs of the elements in the movie.
“BE YOURSELF” (The Creation of a Music Composition) Asep Saepul Haris; Rahayu Supanggah; Pande Made Sukerta; Bambang Sunarto
PANGGUNG Vol 27 No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Con
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i4.287

Abstract

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. God's destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work 
Fungsi dan Peran Api dalam Seni dan Kehidupan Masyarakat Bali I Gusti Ngurah Sudibya; Pande Made Sukerta; Sardono Waluyo Kusumo; Eko Supriyanto
PANGGUNG Vol 28 No 2 (2018): Dinamika Keilmuan Seni Budaya dalam Inovasi Bentuk dan Fungsi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i2.520

Abstract

ABSTRACTFire is made up of three elements, such as heat, combustible materials and oxygen. A fire has heat and light. Fire is used in real life in various human life from cooking, to marriage and to burning dead bodies. Fire is available in space, on earth, and in oneself. Symbolically the fire is employed as a symbol of spirit, a sanctification, a destruction, enlightenment, heating temperatures, fire of romance, and fire of revenge. Overheated is possible when one ignores norms, ethics, and rules. Library studies, interviews, observations, and experiments are the methods used in this compilation. Fire both as symbol and text, functioned according to the capacity/role of each, both in and outside themselves, the use of it must be controlled for the harmony of the macrocosms and microcosms, when is the right time is to use small, medium and large fire, because all of them is important.Keywords: function, fire, symbol, harmonic.ABSTRAKApi terbentuk dari tiga elemen yakni, panas, bahan mudah terbakar dan oksigen. Api memiliki panas dan cahaya. Api digunakan dalam kehidupan manusia dari memasak, penerangan, perkawinan sampai pembakaran jenazah. Api terletak di angkasa, di bumi, dalam diri. Api dijadikan simbol semangat, penyucian, peleburan, pencerahan, api asmara, api dendam. Terjadi over heated/panas berlebih yang tidak lagi mengindahkan norma, etika, aturan. Studi kepustakaan, wawancara, observasi, dan percobaan merupakan metode yang digunakan dalam penyusunan ini. Seyogyanya api baik sebagai simbol maupun teks, difungsikan sesuai kapasitas/perannya masing-masing, baik dalam diri maupun diluar diri, semua itu harus dikendalikan penggunaannya, agar keharmonisan bhuana alit dan bhuana agung dapat terwujud, kapan menggunakan api kecil, sedang maupun besar, karena semuanya penting.Kata kunci: fungsi, api, simbol, harmonis.
Teknik Cetak Tinggi Sebagai Media Duplikasi Pada Poster Kritik Lingkungan (RETRACTION) Adi, Sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 5, No 1 (2022): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v5i1.4035

Abstract

Artikel ini ditarik kembali karena telah terbit di jurnal lain, dapat dicek melalui pranala berikuthttps://jurnal.isi-ska.ac.id/index.php/TXT/article/view/4222/0
PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL Adi, sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3824

Abstract

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. 
APLIKASI LIMBAH KAYU SEBAGAI MATRIK/ ACUAN PADA PENCIPTAAN KARYA SENI GRAFIS TEKNIK CETAK TINGGI BERBASIS FALSAFAH JAWA adi, sigit purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4367

Abstract

Relief print is a printmaking technique that is quite well known among the public. Relief print is considered static. This creation research aims to produce novelty by combining wood waste, references/matrixes in woodcut and Aja Dumeh's Javanese philosophy with artistic creation process methods: experimentation, reflection and creation of works. The creation of this matrix or reference is expected to be able to combine wood waste, reference/matrix in Relief print with Aja Dumeh's Javanese philosophy so that the resulting work is able to campaign about the importance of protecting the environment and also preserving culture, especially Javanese culture, so that it is expected to be able to compete in the international world. The results of this creation research have creations and innovations in the form of references/matrixes used in woodcut which come from Javanese philosophy conceptually and wood waste materially
WATER, FIRE, WIND, AND SOIL AS THE IDEAS OF CREATION OF GRAPHIC ART WORK adi, sigit purnomo; Sukerta, Pande Made; Marianto, M. Dwi; Hadi, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 1 No. 2 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v1i2.3200

Abstract

The creation of this graphic work considers the reciprocal relationship between art and the environment as well as its preservation with an Eco Art perspective. The creation of this Eco-Graphic work uses the Artistic Creation approach which includes experimentation, reflection, and formation (art structure). This Eco Graphic work is inspired by the stimulation of creating water, fire, wind and soil in Javanese philosophy which is then processed in such a way that it becomes a graphic art work in an eco art perspective. Through inner research or inner wandering, the creator is able to visualize the work of Eco Graphic after discovering triangles, circles and lines as the main motive with the abstract expressionism model.
EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA Adi, Sigit Purnomo; Sukerta, Pande Made; Marianto, M. Dwi; Hadi, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 1 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3634

Abstract

 Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity 
Co-Authors Abizar Algifari Saiful Agung Wira Setika Cahya Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Andar Indra Sastra Ariesa Pandanwangi Asep Saepul Haris, Asep Saepul Bambang Sunarto Bani Sudardi Eko Supriyanto Eko Supriyanto Fredy, Catur Fuad Safrudin Hananto, Paulus Dwi Harahap, Rina Yanti I Nyoman Sukerna, I Nyoman I Wayan Setem, I Wayan Indra Gunara Rochyat Indrasastra, Andar Kusumo, Sardono Waluyo M. Dwi Marianto M. Yogi Riyantama Isjoni Nurul Hidayati Peni Candra Rini Rahayu Supanggah Rahayu Supanggah, Rahayu Rini, Peni Candra Ronaldi Ronaldi Rozalvino, Rozalvino Saiful, Abizar Algifari Sardono W Kusomo Sardono Waluyo Kusumo sigit purnomo adi Sigit Purnomo Adi Silvester Pamardi, Silvester Soewarlan, Santosa Sri Hadi Sri Hadi Sri Hadi Sri Hadi Sudibya, I Gusti Ngurah Sugihartono, Ranang Agung Sunarmi Sunarmi Syamsul Barry T Slamet Suparno Titis Srimuda Pitana Yandi, Adri Yanuar Danan Jaya