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All Journal Poetika: Jurnal Ilmu Sastra English and Literature Journal Kandai ETNOREFLIKA: Jurnal Sosial dan Budaya Journal of Language and Literature Telaga Bahasa : Jurnal Ilmiah Kebahasaan dan Kesastraan Jurnal Sinestesia ADMA: Jurnal Pengabdian dan Pemberdayaan Masyarakat Journal Of Khairun Community Services Jurnal Altifani Penelitian dan Pengabdian kepada Masyarakat COMMENT: Journal of Community Empowerment Al Lughawiyaat Studies in English Language and Education Seshiski: Southeast Journal of Language and Literary Studies
Ramis Rauf
Universitas Khairun
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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INDONESIAN LITERATURE’S DEPICTIONS OF PANDEMICS: FROM THE CLASSIC TO THE CONTEMPORARY (Gambaran Pandemi dalam Sastra Indonesia: Klasik dan Kontemporer) Rauf, Ramis; Rachman, Azhariah; Sapan, Yulius Tandi; Ulya, Afriani
Kandai Vol 19, No 2 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i2.5340

Abstract

Dunia saat ini sedang menghadapi epidemi besar-besaran. Wabah ini dikenal dengan COVID-19. COVID-19 telah berdampak signifikan pada semua aspek kehidupan masyarakat, termasuk pendidikan, kesehatan, dan ekonomi. COVID-19, tidak seperti pandemi lainnya, disebabkan oleh virus SARS-Cov-2, yang membatasi semua aktivitas masyarakat. Segalanya dilakukan dari rumah. Makalah ini berfokus pada isu pandemik yang dinarasikan dalam karya sastra mulai dari masa lampau hingga masa kini (kontemporer). Oleh karena itu, permasalahan dalam makalah ini dirumuskan ke dalam bentuk pertanyaan: “Bagaimana pandemi digambarkan dalam sastra Indonesia klasik dan sastra Indonesia kontemporer? Kajian ini menggunakan pendekatan kritik sastra M.H. Abrams “The Mirror and the Lamps”. Kritik sastra Abrams mengejawantahkan tiga fungsi karya sastra: sastra sebagai cermin, sastra sebagai lampu, dan sastra sebagai medium. Hasil temuan menunjukkan bahwa pandemi telah menjadi subjek karya sastra Indonesia, baik zaman klasik maupun zaman kontemporer. The world is currently facing a massive epidemic. This outbreak is known as COVID-19. COVID-19 has had a significant impact on all aspects of people’s lives, including education, health and the economy. COVID-19, unlike other pandemics, is caused by the SARS-Cov-2 virus, which limits all community activities. Everything is done from home. This paper focuses on pandemic issues that are narrated in literary works from the past to the present. Therefore, the problem in this paper is formulated in the form of a question: “How is the pandemic described in classical Indonesian literature and contemporary Indonesian literature? This study uses the literary criticism approach of M.H. Abrams “The Mirror and the Lamps”. Abrams’ literary criticism manifests three functions of literature: literature as a mirror, literature as a lamp, and literature as a medium. The findings show that the pandemic has become the subject of Indonesian literary works, both in classical and contemporary times.
HOW DOES THE BUGINESE WOMAN IMAGE IN KETIKA SAATNYA? (POSTCOLONIAL STUDIES AND ISLAMIC PERSPECTIVE) Rauf, Ramis; Junaid, Syahruni; Ulya, Afriani; Panjaitan, Indra Purnawan; Widhyah Saputri, Dhini Yustia; Lintang Gritantin, Lucia Arter
Elite : English and Literature Journal Vol 11 No 2 (2024): December : Literature
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/elite.v11i2.52584

Abstract

The anthology of short stories “Ketika Saatnya” is one of the literary works depicting the Buginese woman image written by Darmawati Majid, a Bugis woman. The problem with this article is how the literature illustrates the Buginese woman’s image based on Spivak’s idea of the subaltern and Islamic perspectives on women’s behaviours. This qualitative method, such as postcolonial discourse analysis, involves classifying data according to certain attributes and elements pertinent to the research aims to acquire research outcomes. It categorizes women as a subordinate demographic within society, politics, and geography, subject to the authority of a dominant group, particularly men. Buginese tradition signifies the supremacy of one male faction over another. This research indicates that Bugis women have consistently been placed in subordinate positions. The marginalized minority is portrayed as endeavouring to articulate their viewpoints and attain acknowledgement despite being labelled as “women of underprivileged areas” caught between conventional and Muslim ideologies.
Discourse on gender: A linguistic analysis of body autonomy and patriarchal narratives in Wa Ndiu-Diu Rauf, Ramis; Muslimin, Muhammad Fadli; Ulya, Afriani; Gritantin, Lucia Arter Lintang
Studies in English Language and Education Vol 12, No 1 (2025)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v12i1.38267

Abstract

Wandiu-diu is a folktale from the Wolio community in Southeast Sulawesi, Indonesia, that depicts a family with two children, where the husband is a fisherman and the wife is a housewife. The husbands role is crucial, as his occupation and actions contribute to the construction of gender roles and power. This article argues that this folktale serves as a mechanism of control over womens bodies, underpinning patriarchal structures through three roles: married women, mothers, and independent women. Using Simone de Beauvoirs gender framework, this study categorizes the data into these three roles and analyzes relevant narratives from the tale. Beauvoirs gender theory critiques the Othering of women, highlighting their historical subordination to men in social, cultural, and political spheres. The findings reveal that Wandiu-dius transformation into a mermaid symbolizes patriarchal control over womens bodies. Marriage binds women to their husbands, motherhood renders them vulnerable through self-sacrifice, and seeking independence makes them objects of societal ridicule. The mermaid figure, rather than signifying freedom, eventually represents patriarchal constraints. Hence, the linguistic choices in Wandiu-diu reinforce patriarchal power, shaping portrayals of womens roles and struggles. Through lexical selection, narrative structure, and dialogue, the tale depicts women as subordinate, their autonomy met with resistance and punishment. Male speech, marked by imperative verbs and possessive pronouns, asserts dominance, while the mothers indirect speech reflects constrained autonomy. While appearing to symbolize female liberation, the tale eventually fortifies patriarchal oppression in the Wolio community of Southeast Sulawesi.
The Utilization of Ternate Oral Tradition for The Identification of Potential Disasters Rahma Do Subuh; Ramis Rauf; Farida Maricar; Afriani Ulya
ETNOREFLIKA: Jurnal Sosial dan Budaya Vol 13 No 1 (2024): Volume 13 Issue 1, February 2024
Publisher : Laboratory of Anthropology Department of Cultural Science Faculty of Halu Oleo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/etnoreflika.v13i1.2374

Abstract

Oral traditions, as an integral part of a society's belief system, not only serve as a guide for society in daily life, such as interactions between members of society and other people, and even with nature or the environment, but they also serve as recorders of history and culture, including natural events. This paper aims to describe the oral traditions of Ternate to identify potential natural disasters that hit Ternate City in particular and North Maluku in general. Therefore, the author uses the theory of myth function to embody the main research problem. The approach used in this paper is semiotics, especially in interpreting natural disasters that occurred in the past through codes contained in oral stories or legends. The research results show that the people of Ternate can only explain a few natural events in the past. Then, it is ontologically digested into myth to symbolise the cosmic-mystical realm of thought. Apart from that, the results of this reflection are related to cause-and-effect events, give rise to rules of behaviour, and become local intellectual ideals. However, records of natural phenomena or past events in myths or legends can, in theory, be linked to the truth and thus make cycles of disaster predictable. On the other hand, in a formal educational setting, this legend can be used to teach about mitigation. Legends about the mysterious origins of certain lakes are thought to include aspects of disaster or mitigation in Ternate.
SILENCE-A FABLE: GOTHIC AS WORLDVIEW Rauf, Ramis
Seshiski: Southeast Journal of Language and Literary Studies Vol 5 No 1 (2025): Volume 5 Issue 1 June 2025
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v5i1.83

Abstract

This study aims to illuminate the gothic in the Romantic era through Edgar Allan Poe's A Fable. It seeks to answer the question: How does gothic express the worldview in Edgar Allan Poe's A Fable? This study employs the theory of genetic structuralism of Lucien Goldmann, who views literary works as a reflection of scholarly works, including their interrelationship with the social environment, which is the response of the collective subject (trans-individual subject). It occurs due to the shared taste and thought between authors as literary writers and readers in understanding literature as a human factor. The study's significant findings reveal that Gothic in Edgar Allan Poe's A Fable critiques the upheaval stemming from the Enlightenment era, leading to environmental degradation. It is depicted in prose narratives that mention a specific location, the Libyan region, which borders the Zaire River. The river is tainted by saffron. The title of this prose, Silence-A Fable, perfectly captures the silence of the environment, yet it also conveys a sense of restlessness, loneliness, solitude, mystery, tension, and horror. These features collectively embody the essence of the Gothic genre.
The Study of Derrida’s Deconstruction in the Short Story “Kembang Dewaretna” by Yanusa Nugroho Rauf, Ramis; Ulya, Afriani
AL LUGHAWIYAAT Vol. 6 No. 1 (2025): April
Publisher : IAIN KENDARI

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper reveals the main problem regarding the author's efforts in presenting the reversal of the hierarchy of the character Danaraja who experiences defeat in the short story "Kembang Dewaretna". To answer this problem, this study uses Jacques Derrida's deconstruction theory. Deconstruction is a theory in literary research that rejects the view that language has a definite, certain, and constant meaning as in the classical structuralist view. This rejection occurs because of the separation of space between the signifier and the signified which is considered absolute in the form of traces behind the traces. The method used in this study is deconstruction. This method explains that deconstructing a discourse or literary text shows the collapse of the underlying philosophy or is in hierarchical opposition (binary opposition) to something that is its basis through the identification of operational forms of rhetoric in the text. The results of the study reveal that deconstruction in the short story "Kembang Dewaratna" is a reversal of the hierarchy between the characters Rahwana and Danaraja. The character Rahwana is always narrated as the winner in every battle, while Danaraja is a character who always experiences defeat. In the short story "Kembang Dewaretna", the reversal of the hierarchy is shown by showing the victory of the figure of Danaraja in the fight against Rahwana. Thus, it is concluded that the form of Danaraja's victory is a deconstruction of the elimination of the figure of Rahwana as the center who always appears with his victory.
What Happened in Talaga Biru? A Study of Ecological Literature Rauf, Ramis; Magfirah, Sulmi; Ridwan, Ridwan; Ulya, Afriani
Humanitatis : Journal of Language and Literature Vol. 10 No. 2 (2024): Humanitatis: Journal of Language and Literature
Publisher : LPPM Universitas Bumigora Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30812/humanitatis.v10i2.4079

Abstract

This work aims to provide a detailed account of the moral teachings conveyed in the North Halmahera Talaga Biru Folklore. This method of this study employs qualitative research. The data collection technique employs interviews, audio recordings, and a comprehensive review of relevant literature. On the other hand, analyzing data involves multiple steps, including data reduction, display, verification, and conclusion. The research results reveal two overarching messages: positive and negative. The good messages encompassed in the text are as follows: 1) hope, 2) struggle, 3) sacrifice, 4) loyalty, 5) cooperation, 6) cultural values, 7) patience, 8) friendship, and 9) religious values. On the other hand, the contrasting message conveys a sense of sorrow. Sadness is a negative emotion due to the excessive and unreasonable sadness depicted in the Talaga Biru mythology. The depicted grief revolves around the character Majojaru, who experiences profound sorrow and sheds tears for a continuous duration of three days and three nights, ultimately resulting in their demise. In addition, it is anticipated that this will contribute to the development of theoretical knowledge about the moral themes found in folklore from North Halmahera. Moreover, it can serve as a valuable resource for managing culturally and literarily oriented tourism. Furthermore, this study is anticipated to make a valuable contribution to endeavours aimed at enhancing public consciousness regarding the significance of conserving the adjacent natural environment as a habitat for all global ecosystems.
Sosialisasi dan Pendampingan Pendaftaran Beasiswa Doktoral Bagi Dosen Fakultas Ilmu Budaya Universitas Khairun Rauf, Ramis; Gritantin, Lucia Arter Lintang; Saputri, Dhini Yustia Widhyah; Panjaitan, Indra Purnawan
Journal Of Khairun Community Services Vol 5, No 2 (2025): Journal Of Khairun Community Services
Publisher : Universitas Khairun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33387/jkc.v5i2.10898

Abstract

Kegiatan pengabdian kepada masyarakat ini bertujuan untuk meningkatkan literasi beasiswa dan kesiapan akademik dosen Fakultas Ilmu Budaya (FIB) Universitas Khairun dalam mendaftar program beasiswa doktoral, baik di dalam maupun luar negeri. Permasalahan utama yang dihadapi dosen adalah rendahnya minat studi lanjut akibat keterbatasan informasi, kendala administratif, serta hambatan finansial. Kegiatan dilaksanakan melalui sosialisasi dan pendampingan yang melibatkan komunitas Mata Garuda Maluku Utara sebagai mitra pelaksana. Metode pelaksanaan meliputi studi pustaka, survei lapangan, wawancara, dan analisis deskriptif kualitatif terhadap kondisi dosen sasaran. Hasil kegiatan menunjukkan peningkatan signifikan pada pemahaman peserta mengenai jenis beasiswa, mekanisme pendaftaran, dan teknik penulisan esai kontribusi. Selain itu, partisipasi dosen dalam mengakses informasi beasiswa melalui kanal resmi meningkat dari 30% menjadi 75%. Terbentuk pula komunitas belajar internal dosen FIB sebagai tindak lanjut pendampingan. Luaran kegiatan meliputi publikasi artikel ilmiah, poster sosialisasi, video dokumentasi, serta panduan internal pendampingan beasiswa. Program ini berhasil mendorong 40% peserta untuk mendaftar beasiswa LPDP dan BPI pada periode berikutnya. Secara keseluruhan, kegiatan ini berkontribusi terhadap peningkatan motivasi studi lanjut dan kapasitas akademik dosen, serta mendukung upaya peningkatan kualitas sumber daya manusia dan reputasi institusi perguruan tinggi.
Co-Authors Afriani Ulya Akmal Jaya Azhariah Rachman Bakhtiar Majid Dhini Yustia Widhyah Duwila, Ety Eko Harianto Gritantin, Lucia Arter Lintang Lucia Arter Lintang Gritantin Maricar, Farida Maricar, Farida Muhammad Fadli Muslimin Panjaitan, Indra Purnawan Rahma Djumati Rahma Do Subuh RIDWAN . Ridwan, Ridwan Risma Santi Rauf Sapan, Yulius Tandi Saputri, Dhini Yustia Widhyah Subuh, Rahma Do Sulmi Magfirah Sulmi Magfirah, Sulmi Syahruni Junaid, Syahruni Ulya, Afriani