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Kode Semiotika Roland Barthes dalam Cerpen “Man Rabuka” Karya A.A. Navis Putra, Yoga Mestika; Amri, Ulil; Fitriah, Siti; Putri, Aprilia Kartika; Triandana, Anggi
Puitika Vol. 21 No. 2 (2025):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.734

Abstract

Penelitian ini bertujuan untuk mengungkap dan memahami penerapan lima kode semiotika Roland Barthes dalam cerpen A.A. Navis, “Man Rabuka”, yang dipilih karena kekayaannya akan tanda-tanda sosial dan simbol-simbol budaya. Penelitian kualitatif deskriptif ini menerapkan pendekatan objektif dalam menganalisis kata, frasa, dan klausa yang mengandung lima kode Barthes: hermeneutik, konotatif (semes), simbolik, aksian, dan budaya. Hasil analisis menunjukkan bahwa kode-kode tersebut beroperasi secara berlapis untuk membongkar makna tersembunyi dan kritik sosial narasi. Kode hermeneutik menciptakan misteri melalui pertanyaan tentang keheningan desa dan stigma pengkhianat. Kode konotatif mengungkapkan kekosongan spiritual karakter Jamain melalui ekspresi penderitaan batin dan atribusi ironis kualitas surgawi pada keburukan duniawi (opium, tuak). Kode simbolik menyajikan oposisi biner yang runtuh antara Pahlawan (sang kakak) dan narator (Aku), yang pada akhirnya ditiadakan oleh kekuatan Kelupaan. Kode aksian memetakan urutan peristiwa penting, terutama penyiksaan sang pahlawan dan tindakan satir Jamain menyuap Malaikat Kubur. Terakhir, Kode budaya diwujudkan melalui istilah agama dan Minangkabau seperti Tuanku, malin, dan frasa judul Man Rabuka. Kesimpulannya, pendekatan semiotika Barthes berhasil mendekonstruksi “Man Rabuka” sebagai sistem tanda yang kompleks, merefleksikan pandangan dunia penulis dan kritik sosial terhadap masyarakat yang terjebak dalam formalisme dan materialisme.
Narrative structures and platform influences in digital prose: A study of Gérard Genette’s structural narratology and Marie-Laure Ryan’s transmedial narratology Wulandari, Sovia; Fitriah, Siti; Triandana, Anggi; Putri, Aprilia Kartika; Rahariyoso, Dwi
BAHASTRA Vol. 46 No. 1 (2026): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v46i1.1741

Abstract

The main aim of this research is to elaborate the narrative structure of digital prose across various online platforms and examine how digital media characteristics influence storytelling forms. A qualitative approach and the integration of Gérard Genette’s structural narratology with Marie-Laure Ryan’s transmedial narratology are applied. The object of this research is the selected texts from Wattpad, Webtoon, Fizzo, and Karyakarsa. The findings of this research show that digital prose tends to apply linear yet accelerated and fragmented narrative structures, characterized by dominant internal focalization and homodiegetic narration to enhance reader engagement. Furthermore, each platform shapes narrative configuration differently. For example, Webtoon emphasizes multimodal and spatialized storytelling, Wattpad facilitates participatory, community-driven narrative; third, Fizzo promotes compressed, fast-paced storytelling; and fourth, Karyakarsa integrates a narrative production with social and economic interaction. These results reveal that digital prose is not simply an extension of printed literature, but it is a platform-dependent narrative form which is shaped by the interaction between textual strategies (narratology structure) and technological affordances (transmedial narratology). This study contributes to digital narratology by highlighting how platform features actively reconfigure narrative structures and reader–text relationships in contemporary storytelling.
Homonim dalam Bahasa Minangkabau di Nagari Tandikek: Kajian Semantik: Homonyms in the Minangkabau Language in the Nagari Tandikek: A Semantic Study Pratami, Isra Rizka; Kusmana, Ade; Fitriah, Siti
Pena : Jurnal Pendidikan Bahasa dan Sastra Vol. 16 No. 2 (2026): Pena: Jurnal Pendidikan Bahasa dan Sastra
Publisher : Program Studi Pendidikan Bahasa dan Sastra Fakultas Keguruan dan Ilmu Pendidikan Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/pena.v16i2.54564

Abstract

This study aims to identify and analyze the semantic relationships of homonyms in the Minangkabau language as spoken in the village of Tandikek. The study employs a qualitative descriptive approach, focusing on the understanding of meaning, context, and language use among native speakers. Data were collected through observation and interviews, then analyzed using the distribution method and the equivalence method to determine word classes and meanings based on their contextual usage. The results indicate that there are ten homonymous words that share the same form but have distinct meanings and are not interrelated. These words are classified into four categories: noun–noun, noun–adjective, noun–verb, and verb. These findings suggest that homonymy does not occur solely within a single word class but can also involve shifts in grammatical function across word classes. Furthermore, this study confirms that context plays a crucial role in determining meaning, as identical word forms can potentially lead to ambiguity without the support of a clear speech situation. The novelty of this study lies in the use of linguistic data sourced directly from community speech in Nagari Tandikek, an area that has not been extensively studied. This study is expected to contribute to semantic research, particularly regarding semantic relations in regional languages, and to serve as a reference for the development of more contextually relevant language teaching materials.