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Kode Semiotika Roland Barthes dalam Cerpen “Man Rabuka” Karya A.A. Navis Putra, Yoga Mestika; Amri, Ulil; Fitriah, Siti; Putri, Aprilia Kartika; Triandana, Anggi
Puitika Vol. 21 No. 2 (2025):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.734

Abstract

Penelitian ini bertujuan untuk mengungkap dan memahami penerapan lima kode semiotika Roland Barthes dalam cerpen A.A. Navis, “Man Rabuka”, yang dipilih karena kekayaannya akan tanda-tanda sosial dan simbol-simbol budaya. Penelitian kualitatif deskriptif ini menerapkan pendekatan objektif dalam menganalisis kata, frasa, dan klausa yang mengandung lima kode Barthes: hermeneutik, konotatif (semes), simbolik, aksian, dan budaya. Hasil analisis menunjukkan bahwa kode-kode tersebut beroperasi secara berlapis untuk membongkar makna tersembunyi dan kritik sosial narasi. Kode hermeneutik menciptakan misteri melalui pertanyaan tentang keheningan desa dan stigma pengkhianat. Kode konotatif mengungkapkan kekosongan spiritual karakter Jamain melalui ekspresi penderitaan batin dan atribusi ironis kualitas surgawi pada keburukan duniawi (opium, tuak). Kode simbolik menyajikan oposisi biner yang runtuh antara Pahlawan (sang kakak) dan narator (Aku), yang pada akhirnya ditiadakan oleh kekuatan Kelupaan. Kode aksian memetakan urutan peristiwa penting, terutama penyiksaan sang pahlawan dan tindakan satir Jamain menyuap Malaikat Kubur. Terakhir, Kode budaya diwujudkan melalui istilah agama dan Minangkabau seperti Tuanku, malin, dan frasa judul Man Rabuka. Kesimpulannya, pendekatan semiotika Barthes berhasil mendekonstruksi “Man Rabuka” sebagai sistem tanda yang kompleks, merefleksikan pandangan dunia penulis dan kritik sosial terhadap masyarakat yang terjebak dalam formalisme dan materialisme.
Narrative structures and platform influences in digital prose: A study of Gérard Genette’s structural narratology and Marie-Laure Ryan’s transmedial narratology Wulandari, Sovia; Fitriah, Siti; Triandana, Anggi; Putri, Aprilia Kartika; Rahariyoso, Dwi
BAHASTRA Vol. 46 No. 1 (2026): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v46i1.1741

Abstract

The main aim of this research is to elaborate the narrative structure of digital prose across various online platforms and examine how digital media characteristics influence storytelling forms. A qualitative approach and the integration of Gérard Genette’s structural narratology with Marie-Laure Ryan’s transmedial narratology are applied. The object of this research is the selected texts from Wattpad, Webtoon, Fizzo, and Karyakarsa. The findings of this research show that digital prose tends to apply linear yet accelerated and fragmented narrative structures, characterized by dominant internal focalization and homodiegetic narration to enhance reader engagement. Furthermore, each platform shapes narrative configuration differently. For example, Webtoon emphasizes multimodal and spatialized storytelling, Wattpad facilitates participatory, community-driven narrative; third, Fizzo promotes compressed, fast-paced storytelling; and fourth, Karyakarsa integrates a narrative production with social and economic interaction. These results reveal that digital prose is not simply an extension of printed literature, but it is a platform-dependent narrative form which is shaped by the interaction between textual strategies (narratology structure) and technological affordances (transmedial narratology). This study contributes to digital narratology by highlighting how platform features actively reconfigure narrative structures and reader–text relationships in contemporary storytelling.
Homonim dalam Bahasa Minangkabau di Nagari Tandikek: Kajian Semantik: Homonyms in the Minangkabau Language in the Nagari Tandikek: A Semantic Study Pratami, Isra Rizka; Kusmana, Ade; Fitriah, Siti
Pena : Jurnal Pendidikan Bahasa dan Sastra Vol. 16 No. 2 (2026): Pena: Jurnal Pendidikan Bahasa dan Sastra
Publisher : Program Studi Pendidikan Bahasa dan Sastra Fakultas Keguruan dan Ilmu Pendidikan Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/pena.v16i2.54564

Abstract

This study aims to identify and analyze the semantic relationships of homonyms in the Minangkabau language as spoken in the village of Tandikek. The study employs a qualitative descriptive approach, focusing on the understanding of meaning, context, and language use among native speakers. Data were collected through observation and interviews, then analyzed using the distribution method and the equivalence method to determine word classes and meanings based on their contextual usage. The results indicate that there are ten homonymous words that share the same form but have distinct meanings and are not interrelated. These words are classified into four categories: noun–noun, noun–adjective, noun–verb, and verb. These findings suggest that homonymy does not occur solely within a single word class but can also involve shifts in grammatical function across word classes. Furthermore, this study confirms that context plays a crucial role in determining meaning, as identical word forms can potentially lead to ambiguity without the support of a clear speech situation. The novelty of this study lies in the use of linguistic data sourced directly from community speech in Nagari Tandikek, an area that has not been extensively studied. This study is expected to contribute to semantic research, particularly regarding semantic relations in regional languages, and to serve as a reference for the development of more contextually relevant language teaching materials.
The Myth of the Modern Woman: A Semiotic Analysis of Linguistic Anchorage in Post-Feminist Cosmetic Advertisements Yoga Mestika Putra; Ulil Amri; Siti Fitriah; Aprilia Kartika Putri; Anggi Triandana
Sintaks: Jurnal Bahasa & Sastra Indonesia Vol. 6 No. 1 (2026)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57251/sin.v6i1.2107

Abstract

This study investigates how linguistic anchorage constructs post-feminist identities in cosmetic advertising by examining advertisements from three prominent cosmetic brands selected for their extensive market influence, strong digital visibility, and consistent representation of contemporary feminine ideals. Employing a qualitative semiotic approach grounded in Barthes’ theory of anchorage and post-feminist perspectives, the study analyzes verbal and visual elements embedded in selected advertisements from these brands. Data were collected through documentation techniques and examined using descriptive-interpretative analysis to identify the interaction between linguistic messages and visual signs in shaping meanings of femininity, empowerment, and self-representation. The findings reveal that linguistic anchorage strategically directs audience interpretation toward particular post-feminist discourses that emphasize individual agency, self-confidence, autonomy, and beauty as forms of empowerment while simultaneously reinforcing consumerist ideals. The study further demonstrates that advertising narratives negotiate traditional and contemporary gender expectations through carefully constructed verbal cues. These findings contribute to semiotic and post-feminist advertising scholarship by extending the application of linguistic anchorage to the analysis of contemporary beauty advertisements and by providing a deeper understanding of how commercial discourses participate in the construction of post-feminist subjectivities.
Idiolect in Digital Communication: A Sociolinguistic Study of the Instagram Account @adindafala Anggi Triandana; Siti Fitriah; Aprilia Kartika Putri; Yoga Mestika Putra; Ulil Amri
Journal of English Language and Education Vol 11, No 4 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v11i4.2605

Abstract

This study examines the forms and functions of idiolect on the Instagram account @adindafala from a sociolinguistic perspective. The focus of the study is directed toward the use of distinctive language that reflects the speaker’s identity in digital communication. This research employs a qualitative descriptive method, with data sources consisting of captions and stories posted on the Instagram account @adindafala. The data were collected through observation and documentation techniques, then analysed by identifying the forms of idiolect and the language functions used by the speaker. The results of the study indicate that the idiolect found on the Instagram account @adindafala is manifested through the use of code-mixing, phonological changes, regional language interference, slang, abbreviations, language play, and graphological variations. These forms demonstrate a tendency toward the use of creative and communicative nonstandard language in social media. In addition, personal and representational functions were identified in the speaker’s language use. The personal function is reflected through the use of humorous, expressive, casual, and nonstandard language to describe the speaker’s daily experiences, while the representational function is used to convey information related to the speaker’s activities and situations. The findings of this study show that idiolect on social media serves as a form of linguistic expression influenced by digital communication culture and interlanguage interaction.
Perbandingan Konstruksi Kalimat Aktif Verbatif dalam Bahasa Indonesia, Inggris, Arab, dan Korea: Kajian Linguistik Kontrastif Amri, Ulil; Putri, Aprilia Kartika; Fitriah, Siti; Ramadhani, Syafitri; Husna, Lailatul; zubaidah, Zubaidah
Puitika Vol. 22 No. 1 (2026):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v22i1.860

Abstract

Penguasaan kalimat aktif verbatif merupakan fondasi krusial bagi penutur asli bahasa Indonesia dalam mencapai kemahiran berkomunikasi di kancah global. Namun, perbedaan tipologis antarbahasa sering kali memicu hambatan akuisisi akibat interferensi struktur bahasa ibu. Penelitian ini bertujuan untuk mengidentifikasi persamaan dan perbedaan fungsional serta struktural pada konstruksi kalimat aktif verbatif dalam bahasa Indonesia, Inggris, Arab, dan Korea melalui kerangka Systemic Functional Linguistics (SFL). Dengan menggunakan pendekatan kualitatif-komparatif, data penelitian berupa constructed parallel data yang dianalisis menggunakan metode padan translasional dan metode distribusional untuk membedah sistem transitivitas (process, participant, circumstance). Hasil penelitian menunjukkan adanya kesamaan fungsi semantis yang universal pada pola actor–process: material–goal pada keempat bahasa. Perbedaan signifikan ditemukan pada tingkat realisasi gramatikal: bahasa Indonesia dan Inggris cenderung mengandalkan strategi linear (SVO), sedangkan bahasa Arab dan Korea bergantung pada strategi morfologis melalui infleksi (VSO/SVO) dan partikel kasus (SOV). Temuan ini menegaskan bahwa fleksibilitas distribusi unsur kalimat sangat dipengaruhi oleh kekuatan penandaan morfologis masing-masing bahasa. Secara praktis, penelitian ini memberikan landasan bagi pendidik bahasa untuk mengembangkan strategi pembelajaran berbasis kesadaran kontrastif guna memitigasi kesalahan struktur pada pembelajar bahasa asing.
POSITIVE DISCOURSE STRUCTURE IN JOKO WIDODO`S SPEECH AT THE BLOOMBERG NEW ECONOMY FORUM IN SINGAPORE Fitriah, Siti; Putri, Aprilia Kartika; Triandana, Anggi; Putra, Yoga Mestika; Amri, Ulil
EDUCATION AND LINGUISTICS KNOWLEDGE JOURNAL Vol 8 No 1 (2026): Education and Linguistics Knowledge Journal (Edulink)
Publisher : Fakultas Keguruan dan Ilmu Pendidikan Universitas Islam Kadiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32503/edulink.v8i1.8765

Abstract

This study aims to analyze the structure of positive discourse in the speech delivered by Joko Widodo at the Bloomberg New Economy Forum in Singapore. This research employs a qualitative approach using the discourse analysis framework of Teun A. van Dijk, which includes macrostructure, superstructure, and microstructure, combined with the Positive Discourse Analysis approach. The findings reveal that the structure of positive discourse can be identified through macrostructure, superstructure, and microstructure. At the macrostructure level, the speech presents a main theme of Indonesia’s economic transformation toward a data- and technology-based intelligence economy. At the superstructure level, the speech is systematically organized into three main parts—introduction, body, and conclusion—forming a logical and persuasive flow. Meanwhile, at the microstructure level, the analysis covers semantic, syntactic, stylistic, and rhetorical aspects that function to reinforce positive messages such as optimism, progress, and readiness for the future. Therefore, the speech is not only informative but also persuasive and inspirational in constructing a positive image of Indonesia on the global stage.
Peningkatan Kemampuan Menulis Puisi Dengan Pendekatan Semiotika Berbasis Kearifan Lokal Bagi Siswa Smp N 17 Tanjung Jabung Timur Mestika Putra, Yoga; Triandana, Anggi; Kartika Putri, Aprilia; Fitriah, Siti; Amri, Ulil; Wulandari, Sovia
Estungkara: Jurnal Pengabdian Pendidikan Sejarah Vol. 5 No. 1 (2026): Estungkaran: Jurnal Pengabdian Masyarakat
Publisher : Pendidikan Sejarah FKIP Universitas JAMBI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/est.v5i1.54721

Abstract

: This research is driven by the low poetry writing skills among students at SMP N 17 Tanjung Jabung Timur. The primary challenges identified include difficulties in generating ideas and utilizing meaningful diction. The objective of this study is to describe the improvement in students' poetry writing abilities through the application of a semiotic approach based on local wisdom. The implementation methods consisted of preparation, training, content production practice, as well as monitoring and evaluation. The research subjects involved 7th and 8th-grade students of SMP N 17 Tanjung Jabung Timur. Data collection techniques included poetry writing tests, classroom activity observations, and documentation. Data analysis was conducted using both descriptive qualitative and quantitative methods. The results indicate a significant increase in the average scores of students' poetry writing abilities. Qualitatively, students were able to transform local cultural signs—such as coastal community traditions and the mangrove ecosystem—into profound poetic metaphors through the analysis of icons, indices, and symbols. The study concludes that a semiotic approach based on local wisdom is effective in improving the quality of students' poetry while simultaneously strengthening local cultural literacy.
Konflik Batin Tokoh Ade Dalam Novel Cerita Ade Karya Nia Ramadhani; Kajian Psikologi Sastra Jesica Trisna Levia Sagala; Yundi Fitrah; Siti Fitriah
Indonesian Journal of Innovation Multidisipliner Research Vol. 4 No. 3 (2026): Juli - September
Publisher : Institute of Advanced Knowledge and Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69693/ijim.v4i3.1664

Abstract

Penelitian ini mengkaji konflik batin yang dialami tokoh utama bernama Ade dalam novel semi-autobiografis berjudul Cerita Ade karya Nia Ramadhani. Masalah utama dalam penelitian ini berpusat pada benturan psikologis tokoh Ade yang menghadapi trauma masa kecil akibat perceraian orang tua serta jerat adiksi narkoba. Tujuan penelitian ini adalah mengidentifikasi dan menjelaskan bentuk-bentuk konflik batin tokoh Ade menggunakan pendekatan psikologi sastra berdasarkan teori Psikologi Individual Alfred Adler. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Data berupa kutipan kata, frasa, dan kalimat yang mencerminkan gejolak emosional tokoh diperoleh melalui teknik simak dan catat, yang kemudian diuji keabsahannya menggunakan triangulasi teori serta dianalisis melalui tahap reduksi, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa kepribadian dan konflik batin tokoh Ade terwujud melalui enam prinsip utama psikologi individual Adler. Perasaan rendah diri tokoh Ade muncul dari kecemasan sosial, rasa bersalah atas adiksi, serta stigma hukum. Tokoh Ade kemudian membangun finalisme semu dan gaya hidup menghindar untuk melarikan diri dari realitas. Namun, melalui prinsip diri kreatif yang optimal saat menjalani rehabilitasi serta didukung oleh minat sosial yang sehat berupa empati dari keluarga, tokoh Ade mampu mentransformasikan penderitaannya. Kesimpulan penelitian ini menegaskan bahwa tokoh Ade berhasil melakukan kompensasi positif menuju prinsip perjuangan superioritas yang sehat. Ia mampu mengatasi keterpurukan masa lalu, menerima identitas dirinya apa adanya, dan menata kembali kehidupan baru yang adaptif serta bermakna.