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All Journal IJCCS (Indonesian Journal of Computing and Cybernetics Systems) E-Journal Of Cultural Studies MUDRA Jurnal Seni Budaya PRABANGKARA Segara Widya: Jurnal Penelitian Seni Jurnal Bahasa Rupa Panggung Pantun: Jurnal Ilmiah Seni Budaya Jurnal Ilmiah Wahana Pendidikan International Journal of Social Science Amarasi : Jurnal Desain Komunikasi Visual Jurnal: International Journal of Engineering and Computer Science Applications (IJECSA) Jurnal Bahasa Rupa Global Art Creativity Conference Jurnal Bahasa Rupa
Anak Agung Gde Bagus Udayana
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Control & Systems Engineering Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Other

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Estetika Sejarah Desa Jimbaran Dalam Sajian Film Eksperimental Mahardika, I Wayan Agus; Suardina, I Nyoman; Udayana3, Anak Agung Gde Bagus
Jurnal Ilmiah Wahana Pendidikan Vol 9 No 22 (2023): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10118160

Abstract

The story of Sri Dalem Batu Putih and Sri Dalem Batu Ireng told the history of the formation of Jimbaran Village. This story was presented in the form of an experimental film. The purpose of making this film was to introduce a new nuanced film by bringing elements of local culture and history of an area to the public. This work used the concept of an experimental film so that it could stimulate the minds of the audience and easily understand the flow and meaning conveyed from the historical film of Jimbaran Village. It used experimental theory from Himawan Prasista. The production used the method of pre-production, production and post-production creation. The film was supported by videographic composition techniques, two-dimensional animation, conventional shooting with cameras and aerial shots (shooting with drones). The visual presentation is also supported by the selection of gold and green as the dominant colors in the animation section. The gold color symbolized the wiser character, while the green color symbolized grandeur and prosperity that balanced emotions and tranquility which contained in the historical story of Jimbaran Village
Integrating Learning Management System and Clasification Learning Media Based On Two Dimension Animation Suarya Putra, I Nyoman Agus; Sustiawati, Ni Luh; Udayana, Anak Agung Gde Bagus; Suardana, I Wayan
IJCCS (Indonesian Journal of Computing and Cybernetics Systems) Vol 18, No 2 (2024): April
Publisher : IndoCEISS in colaboration with Universitas Gadjah Mada, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ijccs.94981

Abstract

This research aims to combine the advantages of LMS technology with the potential of two-dimensional animated learning media in an educational context. This research explores the basic concept of a Learning Management System (LMS) and its advantages in providing a structured platform for delivering learning material, student-teacher interaction, and evaluating learning progress. LMS offers broad accessibility, student progress tracking, and the ability to facilitate collaborative learning. The research focus shifted to the potential of two-dimensional animation-based classification learning media. Two-dimensional animation offers interesting and engaging visualizations and can help students understand complex concepts better. In this context, this research integrates the visual power of animation with the learning structure provided by the LMS. This integration is expected to increase student engagement, facilitate a deeper understanding of concepts, and increase information retention. In addition, this combination is also expected to improve the overall quality of teaching by enabling the use of more innovative and interactive teaching methods. This research aims to contribute to our understanding of how learning technology can be integrated effectively to improve student's learning experiences. Thus, it is hoped that the results of this research can provide valuable insight into the development of better learning practices.
Pengolahan Limbah Gawai Menjadi Produk Dengan Nilai Sentimental Dalam Pendirian Usaha Rintisan Bingkai Jadoel Project Pradnya Ananda, I Made Mardawa; Swandi, I Wayan; Bagus udayana, Anak Agung Gde
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

With the rapid development and innovation in the world of Indonesian gadgets, manufacturers are starting to present a selection of cheap gadgets with modern specifications that can easily attract consumers' attention in Indonesia. However, this is often a reason for consumers to replace their devices when the latest variant is released to the public, either because they feel bored or the device they are using is old/outdated, or because the cheap price means the device cannot last long. This creates quite a serious problem because only a small portion of old gadgets can be reused and most of these gadgets end up as waste which can be dangerous to health because of the chemicals contained in the waste gadgets. However, the problem of gadget waste also presents several business opportunities, especially for those who pursue business in the creative industry. One form of product produced from processing this waste is the Teardown Frame. How this type of product can become a business opportunity in building a start-up business is the main priority of this research, a qualitative approach method is used to collect the necessary data and information, through Observation, Literature, Interviews, and Participants which helps the author in determining what business model is appropriate for this business as well as the production flow of the Teardown Frame product. Through this approach method, it can be concluded that this type of business has a fairly narrow market segment with a focus on the group/community of old-school goods enthusiasts as the main market segment, where the main quality offered is the nostalgic feeling of the product.
Unveiling HEREDIAQUA: An Exploration of Association Picture Storytelling in Documentary Filmmaking Markadi, Bhimo Wicaksono; Swandi, I Wayan; Udayana, Anak Agung Gde Bagus
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3269

Abstract

This study explores the application of the association picture story genre in documentary filmmaking, particularly focusing on the film Herediaqua, to effectively communicate water sustainability issues. The research employs a three-stage methodology: exploration (field research, observation, interviews, and collection of visual materials), experimentation (applying association picture story techniques in short film formats and testing with audiences), and creation (synthesizing findings to produce a cohesive and impactful film).Results indicate that Herediaqua successfully uses strong visual symbolism and narrative to convey messages about the interconnectedness between humans and nature, effectively enhancing audience awareness and understanding of water sustainability issues. The film employs powerful visual language to communicate its environmental message, evoking emotional responses from viewers. Positive audience feedback confirms the films success in communicating its message, demonstrating the effectiveness of the association picture story technique in visual narration. The conclusion asserts that the association picture story technique is a powerful tool for conveying environmental messages through visual storytelling. Herediaqua serves not only as a viewing experience but also as an educational medium and a catalyst for inspiring environmental conservation efforts. By leveraging compelling visual narration and engaging storytelling, the film promotes awareness and encourages concrete actions for sustaining the planets life. This research contributes to advancing documentary filmmaking by highlighting the effectiveness of combining visual symbolism with strong narrative techniques.
E-INVITATION SEBAGAI PELUANG BISNIS ERA INDUSTRI 4.0 DI BALI Wina Pertiwi Putri Wardani; Anak Agung Gde Bagus Udayana
Jurnal Bahasa Rupa Vol. 5 No. 1 (2021): Jurnal Bahasa Rupa Oktober 2021
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i1.873

Abstract

In the 4.0 era, everything uses technology, including the dissemination of information such as wedding invitations. It can be said that in Bali the use of e-invitation is not as popular as in Southeast Sulawesi, South Sulawesi, Aceh, West Sumatra and Central Java. This study aims to describe the potential of e-invitation in the new era, especially in Bali. Qualitative descriptive method was used in this study to explore information about the importance of using e-invitation in the pandemic era and could be a business opportunity. This paper uses high concept theory and high touch and visual elements as supporting theory in data analysis method. From the research results, it is known that e-invitation has wide-open business potential in Bali. The use of e-invitation has many advantages both from an economic and environmental point of view, it's just that few people know where the e-invitation design can be made.
Unveiling ‘HEREDIAQUA’: An Exploration of Association Picture Storytelling in Documentary Filmmaking Markadi, Bhimo Wicaksono; Swandi, I Wayan; Udayana, Anak Agung Gde Bagus
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3269

Abstract

This study explores the application of the “association picture story” genre in documentary filmmaking, particularly focusing on the film “Herediaqua,” to effectively communicate water sustainability issues. The research employs a three-stage methodology: exploration (field research, observation, interviews, and collection of visual materials), experimentation (applying association picture story techniques in short film formats and testing with audiences), and creation (synthesizing findings to produce a cohesive and impactful film).Results indicate that “Herediaqua” successfully uses strong visual symbolism and narrative to convey messages about the interconnectedness between humans and nature, effectively enhancing audience awareness and understanding of water sustainability issues. The film employs powerful visual language to communicate its environmental message, evoking emotional responses from viewers. Positive audience feedback confirms the film’s success in communicating its message, demonstrating the effectiveness of the association picture story technique in visual narration. The conclusion asserts that the “association picture story” technique is a powerful tool for conveying environmental messages through visual storytelling. “Herediaqua” serves not only as a viewing experience but also as an educational medium and a catalyst for inspiring environmental conservation efforts. By leveraging compelling visual narration and engaging storytelling, the film promotes awareness and encourages concrete actions for sustaining the planet’s life. This research contributes to advancing documentary filmmaking by highlighting the effectiveness of combining visual symbolism with strong narrative techniques.
CONCEPT OF PRESERVING SAṂSKṚTI RAKṢAṆA CULTURE Sunardy Kasim; I Made Gede Arimbawa; Udayana, Anak Agung Gde Bagus; Sujana, I Wayan
International Journal of Social Science Vol. 4 No. 4: December 2024
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v4i4.9742

Abstract

Draft Saṃskṛti Rakṣaṇa offers a multidimensional approach to preserving traditional culture, which integrates three main elements, namely Kala (Art), Tantra (System or Method), and Adhyayana Mārga (Way of Learning). The synergy between these three elements creates a framework that is systematic, structured and adaptive to changing times, with the aim of strengthening cultural preservation and sustainability. Art, as a medium for cultural expression, not only documents but also celebrates diverse cultural values ​​through various forms of traditional art. Tantra provides the methodological basis necessary to preserve and disseminate cultural elements, including the development of scientifically accessible archives, curricula, and ethnographic techniques. Meanwhile, Adhyayana Mārga emphasized the importance of inclusive and flexible learning methods, accommodating various learning styles and utilizing digital technology in disseminating cultural knowledge. These three elements work synergistically to build a holistic cultural preservation ecosystem, which is not only relevant to the contemporary context but is also able to respond to the challenges of the times, guarantee sustainable preservation, and ensure the transfer of cultural knowledge to future generations. Thus, Saṃskṛti Rakṣaṇa provides an integrated approach in responding to the challenges of cultural preservation in the ever-developing modern
PERANCANGAN MEDIA EDUKASI PUBLIK TENTANG FUNGSI DAN LAYANAN PERUM BULOG KANTOR WILAYAH BALI SEBAGAI PERUSAHAAN LOGISTIK PANGAN Permatahati, Ayu Leony Mahadewi Putri; Swandi, I Wayan; Udayana, Anak Agung Gde Bagus
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 6 No 1 (2025): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/amarasi.v6i1.4740

Abstract

Public education media plays an important role in conveying information to the public effectively, especially regarding government agency and company services that have a direct impact on public welfare. Perum Bulog Kanwil Bali as a food logistics company has a strategic function in maintaining the availability and stability of food prices in the Bali region. However, the lack of public understanding of Bulog's role and services creates a need for educational media that can convey information clearly and attractively. This study aims to design public education media that educates the public about the functions and services of Perum Bulog Kanwil Bali, especially in the management of food logistics such as procurement, distribution, and storage of staple foods. The methods used in designing this media include analyzing the information needs of the community, reviewing literature, and applying the principles of visual communication design. The resulting media include infographics, animated videos, and digital campaigns that can be accessed through various platforms.
Computational Aesthetics in Improving Regional Election Mascot Branding Using Hue Saturation Value Method Hasbullah, Hasbullah; Swandi, I Wayan; Udayana, Anak Agung Gde Bagus; Dewi, Alit Kumala
International Journal of Engineering and Computer Science Applications (IJECSA) Vol. 4 No. 2 (2025): September 2025
Publisher : Universitas Bumigora Mataram-Lombok

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30812/ijecsa.v4i2.5159

Abstract

The digital era has a visual appeal that plays a crucial role in strengthening identity and public involvement in political campaigns, particularly in the election of the regional head of Mataram City. The role of visual mascots is important in attracting public attention. Through the intensity of color in digital media, it can attract attention and persuade the public to like it, thus building trust in the branding of the Mataram city election. However, the deviation value from the dominant color intensity in the Mataram City election mascot on the computer screen remains unclear. The core issue lies in identifying the exact value of the color intensity in the mascot design, which serves as a digital aesthetic element in strengthening the branding identity of the Mataram City election. This study aims to analyze the color intensity of the mascot design as a reflective attraction in the regional political campaign in Mataram City. The method used is Hue, Saturation, Value (HSV), with cultural and psychological color analysis image processing techniques to attract public participation and perception. The results of the study indicate that the color intensity based on HSV segmentation increases. The average color Hue has a deviation of 0.0319, Saturation has a deviation of 0.0255, and Value has a deviation of 0.9409, all of which are attributed to the dominant color in the mascot design on the computer screen. The HSV color intensity in the design of the Mataram city election mascot, especially on the screen, has an average value that intersects with each other, resulting in unity and forming an aesthetically pleasing visual. In conclusion, the brightness of the dominant color is a crucial aspect of creating aesthetic elements that capture the audience's attention. The implications of the study's results serve as a basic reference for creating graphic designs using computer technology. 
The Third Space in Postcolonial Architecture: Hybridity and Cultural Resistance in Singaraja Pande, I Made Artadi; Bagus Udayana, Anak Agung Gde; Wasista, I Putu Udiyana
PANGGUNG Vol 35 No 3 (2025): Estetika, Identitas, dan Digitalisasi: Praktik Seni dan Budaya Nusantara dalam P
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i3.3894

Abstract

Situated within the contested terrain of colonial architectural inheritance, this article interrogates domestic hybridity in Singaraja, Bali, as a site of spatial negotiation and epistemic dissent. Mobilizing Homi Bhabha's third space as both an analytic and a method, it explores how local undagi engage neoclassical forms not as passive recipients but as strategic agents of cultural rearticulation. Drawing on ethnographic immersion, architectural typology analysis, and dialogic interviews, ten heritage houses are examined as performative loci where mimicry and subversion intertwine. The study reveals that architectural hybridity emerges less as visual synthesis and more as a tactical disruption of colonial order, a vernacular counter-script enacted through space, symbolism, and ritual. In reframing architecture as a site of indigenous theorizing, the discussion foregrounds postcolonial spatiality not as peripheral to heritage discourse but central to its decolonial reorientation.
Co-Authors Alit Kumala Dewi Aritama, Anak Agung Ngurah Artadi, I Made Pande Artawan, Cokorda Alit Bayu Artha, I Gede Agus Indram Fabia Zahra Gede Arimbawa, I Made Hasbullah Hasbullah I Dewa Gede Agung Diasana Putra I Dewa Gede Agung Putra I Gede Adi Sudi Anggara I Gusti Agung Bagus Wimajaya I Made Adhika I Nyoman Bayu Bhargawa I Nyoman Dhana I Nyoman, suardina I Putu Tony Aditya I Wayan Adnyana I Wayan Nuriarta I Wayan Suardana I Wayan Sujana I Wayan Swandi Krisna Ari, Ida Ayu Dwita Mahardika, I Wayan Agus Markadi, Bhimo Wicaksono Nengah Bawa Atmadja Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Luh Sustiawati Nova Agung Rama, Wijaya Permatahati, Ayu Leony Mahadewi Putri Pradnya Ananda, I Made Mardawa Prayanto Widyo Harsanto Putu Yuna Adinata Santosa, Hendra Suarya Putra, I Nyoman Agus Sunardy Kasim Wardani, Wina Pertiwi Putri Wasista, I Putu Udiyana Wina Pertiwi Putri Wardani