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SENSORY DESIGN PADA ARSITEKTUR SEKOLAH PLAYGROUP – TK JAGAD ALIT WALDORF, BANDUNG Kezia Angelina Anugrah ; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 4 No 04 (2020): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstrak- Manusia adalah subjek utama arsitektur, dan arsitektur hadir sebagai wadah untuk memenuhi kebutuhan akan ruang untuk beraktivitas. Dalam hal ini, manusia sebagai subjek arsitektur tidak hanya mencakup orang dewasa saja, tetapi juga anak-anak. Pada usia 3-5 tahun, anak-anak sedang dalam masa yang aktif dan berkembang. Mereka sedang dalam masa di mana rasa ingin tahu mereka besar, dan imajinasi mereka juga sedang berkembang. Karenanya, pengalaman multisensori merupakan sesuatu yang penting bagi mereka untuk berkembang baik secara fisik maupun mental. Pengalaman multisensori dapat dihadirkan melalui interaksi anak-anak dengan lingkungannya, baik di dalam maupun di luar ruangan didukung oleh desain sensorik. Salah satu lingkungan di mana anak-anak dapat berinteraksi dengan lingkungannya adalah sekolah. Sekolah Playgroup – TK Jagad Alit Waldorf Bandung adalah sekolah yang berbasis pendidikan multisensori yang didirikan sejak tahun 2015. Tujuan penelitian adalah untuk mengidentifikasi aspek arsitektural apa saja yang dapat menghadirkan pengalaman multisensori bagi anak dan apakah pengalaman multisensori anak sudah terpenuhi atau belum. Metode yang digunakan adalah metode deskriptif dengan pendekatan kualitatif, data diperoleh dari studi literatur, pengamatan langsung ke lapangan, serta dari wawancara terhadap guru-guru sekolah playgroup – TK Jagad Alit Waldorf Bandung. Diperoleh kesimpulan bahwa aspek arsitektural sekolah playgroup – TK Jagad Alit Waldorf Bandung memenuhi pengalaman multisensori anak, dengan sensori yang paling banyak terwadahi adalah sensori sentuhan. Terdapat empat sensori utama yang menjadi fokus pada kurikulum Waldorf, yaitu sentuhan, gerakan, keseimbangan, dan kehidupan. Pengalaman sensori itu dipenuhi lewat bentuk alat permainan yang menarik, serta penggunaan material yang cukup beragam. Penggunaan material tersebut tidak hanya menarik bagi indera peraba, tetapi juga bagi indera penglihatan. Tekstur material menjadi sesuatu yang menarik bagi anak-anak usia dini. Sensori lain yang berada dalam bagian empat sensori utama yang menjadi fokus anak-anak 0-7 tahun adalah gerakan anak-anak. Penyusunan furnitur membuat yang menciptakan ruang yang lapang menyediakan ruang yang cukup bagi anak-anak untuk bergerak dengan bebas.

TINJAUAN DESAIN SENSORI PADA MUSEUM BANK INDONESIA DALAM MENGAKOMODASI PENGUNJUNG PENYANDANG TUNANETRA Putri Nadhira Saraswati; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5297.320-333

Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design

EVALUASI AKSESIBILITAS BAGI TUNANETRA DI PLAZA TRANSIT STASIUN TANAH ABANG Tamara Bonita; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 6 No 01 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i01.5423.1-19

Abstract - Visual impairment is a term given to someone who does not have healthy vision. To fulfill their daily life needs, people with visual impairment tend to depend on the facilities in public open spaces. Accessibility that should support people with visual impairment in using public transportation facilities is often poorly maintained. This kind of condition could lead to fatal consequences to the safety of persons with disabilities. Options linked to accessing public open spaces for people with visual impairment become limited due to the lack of facilities. The refurbishment has been done at Tanah Abang Station by providing a transit plaza for users that is connected to various public transportation facilities, which enables easy and comfortable navigation. This has become an opportunity, to build better public facilities that are accessible to all users, including for people with visual impairment. Through this effort, the transit plaza should be able to serve as a public space that is beneficial for people with visual impairment, so there are more possibilities to ensure their quality of life. The purpose of this study is to determine the extent to which the transit plaza can provide accessibility for people with visual impairment. The method used is qualitative and data collection was carried out through literature studies, field surveys as well as interviews and simulations with people with visual impairment. The results conclude that the accessibility value referring to technical requirements indicates that the transit plaza sufficiently complies with accessibility standards regarding public open spaces. This value is compared to the experience of people with visual impairment . This study found that there are some differences from the aspect of convenience according to the people with visual impairment's point of view. The mobility in the transit plaza is considered easy and safe by people with visual impairment. When they had to determine direction or orientation, people with visual impairment who were not familiar with transit plaza still had difficulties to navigate independently. When facing these situations, blind people adapted by relying on abilities other than their sight as an alternative. Transit plaza could provide universal convenience for users by accommodate accessibility that can not only encourage the independence of the people with visual impairment, but also support comfort and safety of individuals without visual impairment. Keywords: Visual impairment, accessibility, transit plaza

How Well Can Architecture Students Comprehend the Site as Design Context without Performing On-site Observation? Aldyfra Luhulima Lukman; Sahid Sahid
International Journal of Built Environment and Scientific Research Vol 5, No 2 (2021): International Journal of Built Environment and Scientific Research
Publisher : Department of Architecture Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/ijbesr.5.2.63-74

The Covid-19 pandemic has forced daily activities, including educational activities, to prevent or minimize the transmission or spread of the disease caused by a coronavirus. Online architecture education demands significant adjustments in the embedded learning methods, especially those that entail architecture design studio. An architecture design studio that commonly involves direct interaction in physical spaces should be performed through online media and computer screens. Architecture students' comprehension of site or design contexts is usually formed by collecting information through on-site observation. In an online architecture design studio, an on-site survey is replaced by observing visual representation of the site. This study aims to identify how well architecture students in architecture design studios can comprehend the site when they have to rely on data acquired from virtual observation and/or on secondary data and how beneficial the comprehension to their design process is. Students' understanding of the site was measured with thirteen attributes of the site. It can be concluded that when architecture students depend on mere audio and/or visual data collected from the internet and/or other people, without visiting the site, they tend to have partial comprehension regarding the site as context. Contextual and responsive design demands a comprehensive understanding of all attributes of the site. The architecture design studio should incorporate on-site observation concerning the site according to the health protocol, so that the architecture students involved in the studio can have a better understanding of the site and create more contextual and responsive designs

PENGARUH BUKAAN RUANG TERHADAP SENSE OF SACRED SPACE JEMAAT (OBJEK STUDI: GEREJA ST. GABRIEL BANDUNG) Dian Novita; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6360.31-48

Abstract - St. Gabriel's Church is the house of God and a place for Catholics to worship Him. St. Gabriel Catholic Church has a concept that prioritizes the relationship between human and God; between human and other people; and between human and the environment. Spatial comfort is an important factor in supporting the atmosphere of worship, therefore St. Gabriel Church strengthens the concepts with the application of passive and ecological design. The concept is applied through transparency and openness of large church buildings to the environment, to optimize natural lighting and air conditioning. This makes the physical form of St. Gabriel Church looks different from the Catholic Church in general, which is relatively closed with limited openings, to minimize noise disturbances from outside in order to form a more sacred atmosphere of worship. The experience of the room in the church will affect the atmosphere of worship and the experience of spirituality of the congregation when carrying out worship activities. The atmosphere and use of space are not only perceived through visual sense, but also through auditory and olfactory sense. Therefore, this research is interesting to be conducted, in order to understand how a design opening in a sacred building can effecting the congregation’s sense of sacred space. This study applies qualitative – descriptive approaches. The data was collected by field observation, literature studies, and disseminating questionnaires to church congregations. The data is analyzed in accordance with the theoretical studies used and also from the results of questionnaires regarding the sense of sacred space of the congregation concerning the design of openings at St. Gabriel's Church. The results showed that the sense of sacred space of the congregation can be formed, with a calm and conducive atmosphere of worship space. The building openings have an important role in shaping that atmosphere. Therefore, it can be concluded that the visual and audial quality resulting from the openings, whereas their role as role as an audio – visuals buffer are greater than the role as a light filter, will create congregations’ sense of sacred space in the St. Gabriel’s Church. Keywords: Building Openings, Catholic Church, Sense of Sacred Space.

The Dynamics of Interpersonal Space in Congregational Prayers in Salman Mosque Bandung During Covid Pandemic Aldyfra Luhulima Lukman; Indri Astrina Wirakusumah; Sahid Sahid; Edward Vinsensius Gunawan
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.18103

The Covid-19 pandemic has caused drastic changes in everyday life in Indonesia, including Muslim religious activities facilitated by mosques. A mosque is intended to accommodate all worshipping activities that can provide benefits not only for congregants performing activities within, but also for communities and the environment around the mosque. One thing that remains constant in terms of the main functions of mosques is the accommodation of praying (salat) activities. In the times of Covid-19 pandemic, the implementation of rules concerning compulsory congregational prayers should be adjusted according to health protocols to minimize the spread of the coronavirus, especially the parts related to interpersonal space between individuals. This study intends to capture the dynamics of perception regarding interpersonal spaces according to congregants performing congregational prayers in the mosque. This study applies behavior mapping and questionnaire to collect data concerning the dynamics of perception regarding interpersonal spaces from Salman Mosque in Bandung. This study identifies the difference, in terms of congregational prayers, between how congregants perceive their interpersonal space differs from how they apply interpersonal distance. The difference is mostly influenced by self-interpretation concerning religious and/or government rules rather than total compliance to religious leaders and/or government instructions.

PERANCANGAN MASJID BERBASIS PRINSIP KEBERLANJUTAN SEBAGAI UPAYA PEMENUHAN KEBUTUHAN MASYARAKAT AKAN FASILITAS IBADAH YANG LAYAK Lukman, Aldyfra Luhulima; Sahid, Sahid; Sunartio, Anindhita Nugroho; Wirakusumah, Indri Astrina; Ramadhan, Adam; Fadillah, Diara Putra
Jurnal Pengabdian Masyarakat Teknik Vol 7, No 1 (2024): Jurnal Pengabdian Masyarakat Teknik (JPMT)
Publisher : Fakultas Teknik Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/jpmt.7.1.19-28

Masjid sebagai wadah aktivitas ibadah umat Islam yang multi-dimensional, harus mampu memenuhi persyaratan bangunan demi keamanan dan kenyamanan penggunanya sekaligus menanggapi dan menjaga kualitas lingkungan sekitarnya. Kegiatan pengabdian kepada masyarakat ini mencakup perencanaan masjid Al-Hikmah di Kampung Cisauheun, Desa Sukahaji, Kecamatan Cipendeuy, Kabupaten Bandung Barat, Provinsi Jawa Barat, Indonesia. Masjid Al-Hikmah saat ini dianggap tidak mampu lagi mewadahi aktivitas shalat berjamaah secara memadai dan mendukung keamanan, kesehatan dan kenyamanan aktivitas jemaah di dalamnya. Sebagai solusi, perancangan Masjid Al-Hikmah yang baru, mengimplementasikan pendekatan berkelanjutan yang mencakup: :1) strategi desain pasif; 2) konsep bangunan sehat sederhana tahan gempa; 3) pemenuhan standar teknis bangunan gedung; 4) kapasitas lebih besar dengan fleksibilitas tinggi; 5) Akomodasi unsur lokal serta kebutuhan dan keinginan masyarakat Desa Sukahaji terkait aktivitas ritual dan sosial. Luaran kegiatan pengabdian ini adalah Dokumen Gambar Pra-Rencana, Gambar Kerja dan Rencana Anggaran Biaya (RAB) yang digunakan dalam proses perizinan Persetujuan Bangunan Gedung, serta pendanaan dan pelaksanaan konstruksi Masjid Al-Hikmah yang baru.

A COMPARATIVE EVALUATION ON SENSE OF COMMUNITY AND STUDENT SATISFACTION IN ONLINE AND OFFLINE ARCHITECTURAL DESIGN STUDIOS Lukman, Aldyfra Luhulima; Mochtar, Sahid
LANGKAU BETANG: JURNAL ARSITEKTUR Vol. 11 No. 2 (2024): October
Publisher : Architecture Program Department of Architecture, Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/lantang.v11i2.76346

Architectural education, which include design studio normally involving physical interaction, in the times of Covid-19 pandemic, needs to be conducted in an online or hybrid format. Online or hybrid format was commonly applied to prevent or minimize the spread of coronavirus. This study intends to identify differences and correlation between sense of community and satisfaction regarding learning process by comparing architecture students participating in offline and online studio. This study measures and compares architecture student performance in offline/ physical design studio and online/ virtual design studio. Sense of community and student satisfaction are operational variables used to measure and compare student performance in this study. Sense of community and satisfaction were chosen because the study focuses on student performance from the students' perspective. Data were collected through an online questionnaire applying Likert scale to architecture students involved in a hybrid design studio and then analyzed by applying statistical method. The analysis results do not show significant differences on sense of community and satisfaction regarding learning process, between students participating in offline studio and those of online studio. However, this study identifies that sense of community correlates with the satisfaction regarding learning process, in offline and online architectural design studios. The correlation indicates that sense of community and student satisfaction can be used to signify students"™ performance in offline, online or hybrid architectural design studios. This study recommends offline or hybrid mode of learning as the optimum format for architecture design studio in the post-Covid-19 era.

Assessing Social Sustainability in Mosque as Religious Building, Case Study: Al-Lathiif Mosque, Bandung-West Java, Indonesia Indrarani, Indri Astrina Fitria; Sari, Shaufa Salsabila; Lukman, Aldyfra Luhulima; Sahid, Sahid
Journal of Islamic Architecture Vol 8, No 3 (2025): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i3.26570

A mosque is a place of worship for Muslims that emphasizes the concept of Rahmatan Lil Alamin, meaning to bring blessings to all people. Based on this statement, a mosque serves as a safe and comfortable space for performing ritual prayers and as a venue for accommodating social activities for its congregants. The function of mosques evolves, especially during the month of Ramadan. It becomes more active and serves various purposes beyond prayers, including religious, political, economic, educational, commercial, social, and cultural activities. All of these activities aim to foster social interaction among Muslim communities. This research aims to uncover the behavior and movements of worshippers during both Salat ritual and non-Salat activities within mosque spaces. The study focuses on Al-Lathiif Mosque in Bandung, known for its vibrant young community, which engages in diverse and active activities. The steps taken to achieve the research objectives are as follows: (1) Identifying the indicators to reveal social sustainability through literature studies; (2) Mapping the behavior of congregants and the utilization of mosque spaces during Salat activities; (3) Mapping the behavior of congregants and the utilization of mosque spaces during non-Salat activities; (4) Distributing questionnaires related to social sustainability indicators regarding space utilization in the mosque; (4) Concluding the application of social sustainability concepts in mosque spaces. The analysis results reveal that social sustainability is optimally achieved in the flexibility of spaces in a mosque.

TINJAUAN DESAIN SENSORI PADA MUSEUM BANK INDONESIA DALAM MENGAKOMODASI PENGUNJUNG PENYANDANG TUNANETRA Saraswati, Putri Nadhira; L. Lukman, Aldyfra
Jurnal Riset Arsitektur Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5297.320-333

Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design

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