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All Journal Jurnal Ilmu Sosial dan Humaniora Jurnal Pendidikan dan Kajian Seni Dinamisia: Jurnal Pengabdian Kepada Masyarakat JMM (Jurnal Masyarakat Mandiri) Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Pengabdian Masyarakat Borneo Besaung : Jurnal Seni Desain dan Budaya Tamumatra : Jurnal Seni Pertunjukan Visual Heritage: Jurnal Kreasi Seni dan Budaya Community Development Journal: Jurnal Pengabdian Masyarakat Journal of Management and Bussines (JOMB) G-Couns: Jurnal Bimbingan dan Konseling Pengabdian Kampus: Jurnal Informasi Kegiatan Pengabdian Pada Masyarakat Jurnal Pengabdian Masyarakat Indonesia (JPMI) Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Muhamad Romadoni
Universitas Palangka Raya
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Physics Public Health Social Sciences Other

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Ikan Hias Koki Sebagai Ide Dasar Penciptaan Karya Seni Keramik Fungsional Romadoni, Muhamad
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 7, No 3 (2025): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v7i3.13630

Abstract

Setiap jenis ikan hias memiliki karakter, keistimewaan, dan keunikan yang berbeda-beda, yang pada dasarnya memberikan nilai estetika melalui bentuk, susunan sisik, sirip, ekor, dan variasi warnanya. Selain memberikan kesan alami, nilai estetis sangat penting dalam proses penciptaan sebuah karya seni. Ikan hias koki menjadi sumber inspirasi dalam penciptaan karya seni keramik fungsional Penelitian ini menggunakan metode penelitian kreatif. Dalam penelitian ini, penciptaan karya seni dilakukan dengan merujuk pada permasalahan, teori, dan ide yang diwujudkan melalui kreasi karya-karya baru. Model yang digunakan dalam penelitian ini adalah model Gustami yang terdiri dari tiga tahap, diantaranya eksplorasi, Perancangan, dan perwujudan. Penelitian ini menghasilkan empat karya seni keramik fungsional yang terinspirasi oleh bentuk dan gaya ikan hias koki. Karya-karya tersebut meliputi satu set teko dan cangkir, lampu dinding dengan karakter dua ikan hias koki yang unik dan menarik. Selain itu, ada juga karya seni keramik dalam bentuk jam dinding dan vas bunga yang berbentuk ikan hias. Secara umum, karya keramik fungsional ini memiliki beberapa elemen yang menjadi spesifikasi dalam pembuatannya, yaitu aspek fungsi, bentuk, dan estetis. Karya ini mempunyai dua tujuan, diantarannya dijadikan barang untuk memenuhi kebutuhan sehari-hari (fungsional) dan dijadikan objek hiasan di dalam ruangan rumah (estetik fungsional).
Malihi sebagai Ide Dasar Penciptaan Tari Kreasi Khatarina, Febya; Astuti, Andi Arie; Romadoni, Muhamad
Tambuleng Vol 6 No 1 (2025): Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jt.v6i1.20781

Abstract

The preservation of Dayak Ngaju culture in Central Kalimantan is a strategic effort to protect ancestral heritage from the erosion caused by modernization and globalization. The Dayak Ngaju culture is rich in traditional ceremonies, dance arts, traditional music, local language, and indigenous values that reflect a harmonious relationship between humans, nature, and spirituality. The creation of the Malihi dance aims to preserve these cultural values through a tradition-based performing arts approach. The method used in the creative process is an artistic creation method, which includes stages of exploration, design, and realization. The creation of the Malihi dance seeks to preserve Dayak Ngaju culture through an innovative and creative performing arts approach. This work highlights the richness of local culture through traditional movement patterns, costumes, and music, which are then combined with contemporary dance elements to remain relevant in today’s performing arts context. The Malihi dance functions not only as a medium of artistic expression but also as a communicative means of cultural preservation and a way to introduce Dayak Ngaju values to broader audiences. For the creator, this work also serves as a means of personal development, academic fulfillment, and a strategic contribution to safeguarding cultural heritage that deserves support and appreciation.
Tari Wadian Dadas Bawo: Eksistensi dan Upaya Pelestarian di Generasi Milenial Clara, Titha Widya; Romadoni, Muhamad
Tambuleng Vol 6 No 1 (2025): Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jt.v6i1.20783

Abstract

Indonesia is a country rich in cultural diversity, especially traditional arts that serve as the identity of each ethnic group. In Central Kalimantan, particularly East Barito Regency, there is a distinctive dance called Tari Wadian Dadas Bawo. This dance holds significant meaning and function in the life of the Dayak Ma’anyan community, especially in traditional healing rituals and customary ceremonies such as weddings. This study aims to examine the existence of Tari Wadian Dadas Bawo among the millennial generation and its preservation efforts. The research uses qualitative methods with a field study approach, observations, in-depth interviews with artists and community members, and document analysis. The results show that despite challenges posed by modernization and globalization, Tari Wadian Dadas Bawo remains existent and is continuously preserved through cultural festivals, art workshops, and dance studios. Support from local government plays a crucial role in attracting millennials to actively participate in preserving this cultural heritage. This study recommends continuing preservation efforts with cultural education strategies targeting young generations intensively.
Tubuh, Rupa, dan Busana: Eksplorasi Body Painting Dayak dalam Tata Rias dan Busana di Pendidikan Sendratasik UPR Girindraswari, Nawung Asmoro; Aulia Mayangsari, Marrisa; Andis, Muh.; Romadoni, Muhamad; Arie Astuti, Andi
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 10, No 1 (2025)
Publisher : Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/jpks.v10i1.31363

Abstract

Art learning within the Sendratasik Study Program, FKIP, University of Palangka Raya is designed to encourage student creativity with a local wisdom approach. One form of artistic expression developed is body painting, which is not only a means of visual exploration, but also supports the needs of drama, dance, and music performances. This research aims to explore the potential of body painting makeup art as an innovative learning method for Sendratasik students. The method used in this study uses a descriptive method with data collection techniques in the form of observation, literature study, aesthetic experience, and supporting documentation. The results of the study show that body painting works created by students have high aesthetic value and display creativity and innovation in visual form. A variety of visual motifs, such as Dayak ornaments, flora, and fauna are an important part of creating a unique and meaningful art form.
Development of Android-Based LIBRA (Layanan Dasar Klasikal Berbasis Android) at State Junior High School 3 Palangka Raya Sendayu, Fendahapsari Singgih; Romadoni, Muhamad; Dhani, Eka Rohma
G-Couns: Jurnal Bimbingan dan Konseling Vol. 10 No. 01 (2026): January 2026, G-Couns: Jurnal Bimbingan dan Konseling
Publisher : Universitas PGRI Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31316/g-couns.v10i01.6974

Abstract

The implementation of counseling services at State Junior High School 3 in Palangka Raya remains conventional. This affects students' interest in following the service. This research aims to develop an Android-based application named LIBRA. The research method used is Research and Development with the ADDIE development model. The LIBRA application was tested by one material expert, one media expert, and two expert practitioners. Data analysis techniques used for expert testing include Aiken's V formula, the Wilcoxon Test, and the Effect Size Test. The results of the feasibility test of the LIBRA application and its guidelines, accumulated from media experts, yield a coefficient value of 1.05; from material experts, 1.165; and from expert practitioners, 1.225. All experts showed a high level of relevance. The Wilcoxon test results give Asymp. Sig. Values. (2-tailed) with a score of 0.020. Meanwhile, the effectiveness test in small groups shows an effect size of 0.875, indicating that the LIBRA application has a strong effect on the implementation of basic classical guidance services. This has an impact on students' interest and on the quality of counseling services at school. Keywords: applications, classic basic services, guidance and counseling
PELATIHAN TARI BAHALAI SEBAGAI UPAYA OPTIMALISASI POTENSI CULTURAL TOURISM DI KELURAHAN SEI GOHONG Romadoni, Muhamad; Harinie, Luluk Tri; Girindraswari, Nawung Asmoro; Asang, Daniel Batuah Barajaki; F, Vitani Desy Derja
Community Development Journal : Jurnal Pengabdian Masyarakat Vol. 5 No. 6 (2024): Vol. 5 No. 6 Tahun 2024
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/cdj.v5i6.39495

Abstract

Salah satu potensi yang dimiliki Kelurahan Sei Gohong untuk meningkatkan jumlah wisatawan sejatinya bisa didorong dengan kegiatan kesenian sebagai produk kebudayaan. Keberadaan cagar budaya yang sudah dibangun tidak jauh dari wisata kiranya menjadi daya tarik tersendiri. Tujuannya agar memanfaatkan potensi cagar budaya dalam memberdayakan masyarakat dapat meningkatkan jumlah wisatawan yang akan berkunjung. Metode yang dilakukan dalam pemberdayaan masyarakat menggunakan model pembelajaran kolaboratif. Dalam model ini, tim Pemberdayaan Kemitraan Masyarakat (PKM) menyampaikan materi melalui ceramah, sesi tanya jawab, serta metode demonstrasi dan drill. Intervensi yang diberikan kepada sasaran berupa tim PKM melakukan sosialisasi, pelatihan tari bahalai dilanjutkan dengan pertunjukan di depan cagar budaya sebagai upaya pengembangan potensi bentuk pariwisata. Pemberdayaan masyarakat melalui kegiatan pelatihan tari bahalai sebagai upaya optimalisasi wisata budaya menunujukan peserta mempunyai semangat tinggi dalam menangkap materi yang telah diajarkan oleh Tim PKM. Beberapa gerakan yang telah diajarkan mampu diperagakan di depan masyarakat umum sebagai bentuk pertunjukan yang mengasah mental para peserta. Kegiatan ini juga menjadikan Kelurahan Sei Gohong memiliki sumber daya manusia yang mumpuni dalam mengoptimalisasikan kelurahan cultural tourism.
Digital Cultural Tourism Promotion Training as a Pillar of Creative Economy Village in Sei Gohong Village, Palangka Raya City: Pelatihan Promosi Digital Cultural Tourism Sebagai Pilar Kelurahan Ekonomi Kreatif Di Kelurahan Sei Gohong, Kota Palangka Raya Romadoni, Muhamad; Harinie , Luluk Tri; Girindraswari, Nawung Asmoro; Asang, Daniel Batuah Barajaki; F, Vitani Desy Derja
Dinamisia : Jurnal Pengabdian Kepada Masyarakat Vol. 9 No. 2 (2025): Dinamisia: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/dinamisia.v9i2.23257

Abstract

Sei Gohong Village is a tourist area that has local potential to support creative economy programs through digital-based promotion. The goal is to develop Human Resources (HR) in implementing the use of technology in realizing the creative economy village pillar program through cultural tourism. The method used in community empowerment activities uses a collaborative learning model, including training in video content creation and digital promotion to introduce cultural tourism. The results of the activities showed an increase in community skills in creating video content and running digital promotions, with an 85% increase in participant understanding based on post-test results. This program proves the importance of digitalization in the development of culture-based tourism as a pillar of the creative economy. Further programs are needed to improve content creativity and expand the scope of promotion through digital platforms. The role of youth organizations and pokdarwis as the driving force in promoting tourism is evidence of the readiness of sustainable human resources in running the program
PEMBERDAYAAN PEMBUATAN RUMAH PRODUKSI SILOTUANG BERBASIS VIRTUAL STUDIO TECHNOLOGY DI BENGKAYANG Putra, Zakarias Aria Widyatama; Aditya, Mega Cantik Putri; Romadoni, Muhammad; Finsen, Finsen; Trisnawati, Trisnawati; Dewantara, Jagad Aditya
JMM (Jurnal Masyarakat Mandiri) Vol 9, No 6 (2025): Desember
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jmm.v9i6.35192

Abstract

Abstrak: Sanggar Gawia Sowa’ merupakan sanggar yang bergerak di bidang seni pertunjukan tradisional khususnya Silotuang. Permasalahan pihak mitra adalah pada aspek manajemen yakni belum memahami tata kelola rumah produksi Silotuang berbasis Virtual Studio Technology dan aspek sosial kemasyarakatan yakni belum memahami manajemen kelompok seni yang mandiri, efektif dan efisien. Oleh karena itu, pihak tim menawarkan solusi dengan materi rumah produksi alat musik tradisoinal Silotuang berbasis Virtual Studio Technology. Tujuannya adalah melakukan pemberdayaan langsung kepada pihak sanggar dalam meningkatkan pengetahuan dan keterampilan untuk membuat rumah produksi Silotuang secara mandiri, efektif, dan berbasis teknologi. Metode yang digunakan berupa sosialisasi, pelatihan dan penerapan teknologi. Peserta dari anggota sanggar adalah 10 orang dengan evaluasi berupa pengisian post dan pre test, pembuatan iringan musik dan pembuatan Silotuang. Hasilnya adalah 10 peserta sanggar mengalami peningkatan pengetahuan dan keterampilan secara langsung yakni memahami pembuatan rumah produski Silotuang berbasis Virtual Studio Technology dibuktikan dengan peningkatan nilai keterpahaman dari 80 ke 90, 5 iringan musik Silotuang, dan 3 alat musik Silotuang.Abstract: Sanggar Gawia Sowa' is an art studio engaged in traditional performing arts, particularly Silotuang. The partner's problems lie in the areas of management, namely a lack of understanding of Silotuang production house management based on Virtual Studio Technology, and social aspects, namely a lack of understanding of independent, effective, and efficient arts group management. Therefore, the team offers a solution in the form of a Silotuang traditional musical instrument production house based on Virtual Studio Technology. The aim is to directly empower the studio in improving their knowledge and skills to create a Silotuang production house independently, effectively, and based on technology. The methods used are socialization, training, and technology application. There were 10 participants from the studio, and the evaluation consisted of pre- and post-tests, the creation of musical accompaniments, and the creation of Silotuang instruments. The results showed that the 10 studio participants experienced a direct increase in knowledge and skills, namely an understanding of how to create a Silotuang production house based on Virtual Studio Technology, as evidenced by an increase in comprehension scores from 80 to 90, 5 Silotuang musical accompaniments, and 3 Silotuang musical instruments.
Balanga sebagai Artefak Keramik Warisan Budaya dalam Perspektif Budaya Material Masyarakat Dayak Palangka Raya Romadoni, Muhamad; Hidayatullah, Muh. Andis; Girindraswari, Nawung Asmoro
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 1 (2026): Besaung: Desember 2025-Maret 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i1.6728

Abstract

Balanga is a traditional ceramic artifact that plays an important role in the social and cultural life of the Dayak people of Palangka Raya, Central Kalimantan. However, studies of traditional ceramics in Indonesia have so far focused more on aspects of technology, style, and history, so that understanding of Balanga as an active cultural agent in the perspective of material culture is still limited. This condition has implications for the marginalization of the role of artifacts in shaping social relations, visual meaning production, and cultural identity dynamics in material culture, design, and visual anthropology studies in Indonesia. This study aims to reveal the relationship between the material aspects, social functions, and symbolic meanings of Balanga as cultural heritage artifacts in the daily practices of the Dayak community. This study uses a qualitative approach based on material culture theory, supported by artifact analysis and semiotic interpretation. Data were collected through field observations, in-depth interviews with traditional leaders and cultural practitioners, as well as documentation of Balanga owned by the community and museum collections. The results of the study show that Balanga not only functions as a utilitarian ceramic container, but also as a ritual object, family heirloom, and a marker of social identity and collective memory. The material characteristics of Balanga reflect a mature mastery of traditional ceramic technology, while its decorative motifs, especially the dragon motif, represent symbolic meanings that are formed through negotiations between
Co-Authors Aditya, Mega Cantik Putri Andis, Muh. Anggela, Fridha Maya Arie Astuti, Andi Asang, Daniel Batuah Barajaki Astuti, Andi Arie AULIA MAYANGSARI, MARRISA Cahyo Wahyu Darmawan Clara, Titha Widya Dewantara, Jagad Aditya Dhani, Eka Rohma F, Vitani Desy Derja Finsen, Finsen Gepeng Girindraswari, Nawung Asmoro Girindraswari, Nawung Asmoro Harinie , Luluk Tri Harinie, Luluk Tri Hasan, Putri Julyesti Hidayatullah, Muh. Andis Hizkia, Uria Septiani Iwan Pranoto Jastin, Erik Jimy O Andin John Budiman Bancin Khatarina, Febya Luluk Tri Harinie M Agus Burhan Meylinda Sukmani Muh. Andis Hidayatullah Muh.Andis Hidayatullah Nawung Asmoro Girindraswari Nawung Asmoro Girindraswari Olala, Numeri Beny Permana, Kefas Satriya Ramadhani, Sylvia Putri Malik Sendayu, Fendahapsari Singgih Trisnawati Trisnawati Utari Yolla Sundari Utari Yolla Sundari Yuliati Eka Asi Zakarias Aria Widyatama Putra