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Display Of Cultural Objects Collection At Kotagede Museum Intro Living Museum Kanisa Triyundari Arselant; Mikke Susanto; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13110

Abstract

Kotagede Intro Living Museum is a museum with local nuances inaugurated in 2021. The museum has three categories of collection assets and is divisible into four space clusters. Each space is notable by theme based on type and collection information. Thus, many people can now access and enjoy buildings used only to store cultural objects. This study aims to discover things related to the display pattern of the cultural objects collection at Kotagede Museum. The research method used is qualitative with a museum display theory approach. Non-participatory direct observation methods, semistructured interviews and literature studies collected data. The results of the study revealed matters related to the display of museum collections, including supporting elements and aspects arranged in the form of type of space, spacefloor design, work material, storyline, exhibition text and labeling of works, visitor circulation, air circulation, lighting and supporting facilities and visual elements.Based on the study's results, it can conclude that the collection display at Kotagede Museum uses rules for the use of cultural heritage buildings. This consideration of building intervention and space adaptation is applied to present the collection.
KUSTOMFEST 2024: A Curatorial Study Through the Approach of the Creative Economy I Made Agus Tresna Tanaya; Muhammad Agil; R. Nur Fathoni Ahmadi; Mikke Susanto
TUMATA: Journal of Arts and Cultural Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15756

Abstract

The rapid development of the creative economy in Indonesia has fostered the emergence of diverse cultural practices that integrate both aesthetic expression and economic potential. Among these, festivals have become strategic arenas for showcasing creative works while simultaneously generating cultural and commercial value. One notable example is Kustomfest, an annual custom automotive festival held in Yogyakarta, which functions not only as an exhibition space but also as a vital node within the local and regional creative economy ecosystem. This study aims to examine the curatorial strategies employed in Kustomfest 2024 and to assess their contribution to value creation in the creative economy sector. Using a qualitative case study approach, data were collected through in-depth interviews, participant observation, and document analysis involving festival curators, creative practitioners, local business actors, and audiences. The findings reveal that curatorial practices in Kustomfest encompass rigorous selection based on originality, a scrutineering process that ensures functionality and safety, professional documentation for archival and promotional purposes, and independent judging guided by international standards. Furthermore, curators are instrumental in shaping narrative frameworks, enhancing visitor engagement, and connecting creators with market opportunities. Beyond artistic curation, Kustomfest generates significant economic impact, particularly in supporting the growth of MSMEs in the surrounding area. This case illustrates how curatorship can serve as a multidimensional tool for cultural production, audience development, and sustainable economic advancement within Indonesia’s creative industries.
Maa Ledungga Expression of Social Resistance Through the Preservation of Intangible Cultural Heritage in Gorontalo Province Dwi Anggelita Hamzah; Dian Nugroho; Mikke Susanto; Agus Rochiyardi
TUMATA: Journal of Arts and Cultural Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15807

Abstract

This paper examines the masterplan planning of Maa Ledungga Rice Harvest Art Festival in South Huntu Village, Bone Bolango Regency, Gorontalo. This festival is a response to modernization and land use change that threatens local agrarian traditions. Through revitalization by the Huntu Art District community, the festival functions as a harvest gratitude ritual and a space for cultural expression and strengthening of community identity. The research used literature study, participatory observation, and narrative analysis to understand the role of cultural narratives and community participation as a strategy of social resistance and culture-based creative economic development. The results show that the festival strengthens social solidarity, builds networks between farmers, artists, MSMEs and youth, and creates new economic opportunities. The festival is also a model of cultural heritage management that is relevant to contemporary needs and strengthens food security and green open spaces through the creative economy. The findings contribute to the study of culture-based creative economy and recommendations for the government and creative industry players in cultural preservation and sustainable local economic development.