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All Journal E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Kajian Bali MUDRA Jurnal Seni Budaya PRABANGKARA Segara Widya: Jurnal Penelitian Seni Jurnal Bahasa Rupa Panggung Semiotika: Jurnal Komunikasi Studi Budaya Nusantara PRATAMA WIDYA : JURNAL PENDIDIKAN ANAK USIA DINI Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Amarasi : Jurnal Desain Komunikasi Visual Abdi Widya: Jurnal Pengabdian Masyarakat Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Journal of Communication Studies and Society Panggung Jurnal Bahasa Rupa Jurnal Bahasa Rupa
Nuriarta, I Wayan
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Jurnal Bahasa Rupa

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Komunikasi Visual Kajang Dalam Upacara Ngaben di Bali Swandi, I Wayan; Nuriarta, I Wayan
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1313

Abstract

Kajang is one of the essential elements in Balinese death rites. Kajang, as a symbol, has visual communication because it is a representation of the meanings of life. This research aims to classify the Kajang's appearance and interpret the Kajang's rerajahan from a visual communication perspective as the ceremony's spirit. The benefit of this research is that it can be used as a reference in classifying the visual appearance of awnings and is useful for understanding the meaning of awnings, so that awnings can be widely recognized by the Balinese people. The research method used is a critical qualitative method with the point of view of cultural studies.The results show that in the Hindu tradition, especially in Bali, Kajang is written in the Modre script and the Swalalita script and then placed on the curvature of the person to be incised. The types of Kajang in the composition of Ulaka Warih Ida Bhatara Dalem Benculuk Tegeh Kori, namely; (1) Kajang Klasa Walaka, (2) Kajang Pemijilan Walaka, (3) Kajang Kawitan Walaka, (4) Kajang Recedana Walaka, and (5) Kajang Sari/ Siwa Walaka. Kajang in Balinese Hindu tradition is a symbol (pengawak) of the spiritual and physical bodies of people who have died. In visual communication, Kajang is an illustration that explains a narrative of life. Religiously, the Kajang is a religious symbol with the meanings of human life.
Visual Structure Construction Of Mahabharata Series Illustrated Stories By Herjaka In Postmodern Perspective Nuriarta, I Wayan; Ari, Ida Ayu Dwita Krisna
Jurnal Bahasa Rupa Vol. 8 No. 3 (2025): Jurnal Bahasa Rupa Agustus 2025
Publisher : Institut Bisnis dan Teknologi Indonesia

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Abstract

Picture stories are known as popular culture because of their mass production. In the view of modern art, picture stories are categorized as low-class work. However, with the presence of the literary heritage of the Mahabharata story in puppets, Herjaka's Mahabharata series becomes a paradox because the low-class and high-class cultures merge into one. This study aims to describe the construction of the visual structure of the Mahabharata series as a postmodern culture. This research method uses a qualitative design with data analysis using visual communication design theory, postmodern theory, representation theory, and hermeneutic theory. The results show that the construction of the visual structure of the Mahabharata series by Herjaka consists of modern and traditional visual appearances. This literary work is a postmodern cultural work because the fusion of boundaries between traditional and modern cultures and the loss of boundaries between literary heritage and popular culture marks it. The picture stories in the Mahabharata series show the birth of the re-creation of the picture stories and the presence of culture as a struggle for meaning in postmodern culture.
Co-Authors Alit Kumala Dewi Anak Agung Gde Bagus Udayana Ari, Ida Ayu Dwita Krisna Bayu Artha, I Gede Agus Indram Bianda Aprilia Rahardjo Gabriel Rico Adhitya I Bagus Wijna Bratanatyam I Gusti Agung Bagus Wimajaya I Made Arsa Krisnawan I Nyoman Darma Putra I Nyoman Larry Julianto I Nyoman Suarka I Wayan Swandi Ida Ayu Laksmita Sari Ida Bagus Ketut Trinawindu Janottama, I Putu Arya Krisna Ari, Ida Ayu Dwita Kumala, Alit Maria Christina Ongkowidjojo Muhammad Farhan Ashshiddiqie Natabuana, Nugraha Ni Luh Ayu Praba Intarini Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Putu Dhea Pramesti Pande Putu Sastra Wibawa Patrick Hendrata Putra Pramesti, Ni Putu Dhea Pranawa, I.G.A.Ngurah Bagus Rama Risvi Pangestu Sastra Wibawa, Pande Putu Sujayanthi, Ni Wayan Masyuni Sumbo Tinarbuko Suryadi Suryadi Suryawan, I Gde Wijna Bratanatyam, I Bagus Wirawan, I Gusti Ngurah