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All Journal JURNAL PENDIDIKAN TAMBUSAI Jurnal Pembelajaran Bahasa dan Sastra
Purba, Roma Hotni Uhur
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Illocutionary Speech Acts in the Tobus Huning Ceremony of the Batak Simalungun Ethnic Group and the Regional Language Lesson Plan Tampubolon, Flansius; Purba, Roma Hotni Uhur; Tambunan, Abel Rotua; Hutagalung, Adreas; Pandiangan, Johannes
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 4 (2025): Juli 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i4.766

Abstract

This study aims to describe and analyze the types of illocutionary speech acts that emerge during the Tobus Huning ritual in the Batak Simalungun community. Tobus Huning is a sacred rite within the traditional wedding ceremony that holds symbolic meaning as a form of respect and gratitude to parents—particularly the mother—for their sacrifices in raising a child until marriage. This ritual functions not only as a customary formal procedure but also serves as a medium for emotional expression and the intergenerational transmission of cultural values. This research employs a descriptive qualitative approach, with data collected through participatory observation of the ritual, audiovisual documentation, and in-depth interviews with traditional leaders, the families of the bride and groom, and local cultural stakeholders. Data analysis was carried out in three stages: data reduction, data display, and conclusion drawing through an inductive process. The findings indicate the presence of four dominant types of illocutionary acts: (1) Assertives, used to convey information and symbolic interpretations of each ritual stage; (2) Directives, functioning as instructions or requests to ensure the ceremony proceeds according to customary norms; (3) Expressives, articulating emotions such as gratitude, reverence, and heartfelt sentiments among family members; and (4) Commissives, which contain promises and moral commitments made by the bride and groom to their parents and extended families. These findings affirm that speech acts in the Tobus Huning ritual not only serve pragmatic functions of communicative intent but also act as an essential medium for preserving cultural identity, transmitting spiritual values, and reinforcing social solidarity within the Batak Simalungun community.  
The Padashon Demban Tradition of 'Delivering Betel' in the Batak Simalungun Community: A Study of Local Wisdom Purba, Roma Hotni Uhur; Simarmata, Tioara Monika; Silaban, Ridho Wahyu Cristian; Hutagalung, Andreas Alessandro; Sibarani, Tomson
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 5 (2025): September 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i5.918

Abstract

This study examines the Padashon Demban tradition, also known as the tradition of giving betel to the Batak Simalungun people. This tradition is a cultural heritage that still lives on today. This study aims to identify the symbolic meaning, social function, and cultural values contained in the practice of giving betel as part of the Simalungun community’s way of life. This study employed a qualitative methodology and a descriptive approach. Data were collected through observation, interviews with traditional leaders and community members, and through literature research on various written sources on Simalungun traditions and culture. The study shows that Padashon Demban has various presentation forms, including Batu ni Demban, Demban Tugah-Tugah, Demban Tasakan, and Demban Gunringan. Each form has a unique purpose and meaning. This tradition embodies social, ethical, aesthetic, and spiritual values that emphasize the importance of respect, politeness, balance, and togetherness in community life. Betel is a symbol of goodwill, appreciation, and a way to strengthen social relationships and resolve problems peacefully. The Padashon Demban tradition demonstrates the strong cultural and moral values of the Batak Simalungun people. It is crucial to preserve this tradition so that future generations can recognize and practice the noble values that shape social harmony and the nation’s cultural identity.
Upacara Adat Mambere Tungkot Pakon Duda-Duda Etnik Simalungun : Wacana Kritis Sinulingga, Jekmen; Purba, Roma Hotni Uhur; Simatupang, Nori Marta M Br.
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Peneliti mengambil sebuah kajian yang berjudul Upacara Adat Mambere Tungkot Pakon Duda-duda Etnik Simalungun. Masalah yang diteliti adalah tahapan menjalankan upacara adat mambere tungkot pakon duda-duda, faktor yang mempengaruhi perubahan upacara adat mambere tungkot pakon duda-duda, serta modal sosial didalam acara. Metode yang dipakai pada kajian ini adalah deskriptif kualitatif teori Vand Dijk. Metode pengumpulan data (1) Observasi (2) Wawancara langsung (3) Dokumentasi. Berkenaan dengan hasil yang didapat dari penelitian ini adalah tahapan pada upacara mambere tungkot pakon duda-duda pada masyarakat Simalungun yaitu: (1) marpangir (2) ibadah singkat (3) memberikan simalum-malum (4) menyerahkan tungkot pakon duda-duda (5) makan bersama . Adapun dampak dalam upacara ini adalah memberikan dampak positif bagi masyarakat Simalungun. Yang disebut mambere tungkot pakon duda-duda yaitu memberikan ucapan syukur terhadap kedua orang tua yang sudah membesarkan anak-anak nya sebagai bukti rasa hormat mereka. Upacara mambere tungkot adalah suatu hal yang didambakan setiap orang tua dari anak-anak nya. Masyarakat Simalungun melaksanakan upacara adat mambere tungkot pakon duda-duda telah membentuk kultur dari bebuyutan serta dilakukan oleh masyarakat Simalungun di Desa Merek Raya Kabupaten Simalungun.
Fungsi dan Makna Tombuan dalam Upacara Adat Marhajabuan Etnik Simalungun: Kajian Semiotika Sinulingga, Jekmen; Purba, Roma Hotni Uhur; Simatupang, Nori Marta M Br.
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini memfokuskan tentang fungsi dan makna tombuan dalam upacara adat marhajabuan etnik simalungun. Tujuan penelitian adalah untuk mendeskripsikan tahapan pelaksanaan, bentuk, fungsi, dan makna tombuan dalam upacara adat marhajabuan etnik simalungun. Teori yang digunakan untuk menganalisis data adalah teori semiotika yaitu fungsi dan makna yang dikemukakan oleh Charles Sanders Pierce. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan metode pengumpulan data yakni: (1) Observasi (2) Wawancara langsung dengan informan (3) Dokumentasi. Adapun hasil yang diperoleh dari penelitian ini adalah terdapat tahapan pelaksanaan yaitu (1) Pra-pelaksanaan adat dan pelaksanaan adat, terdapat fungsi dan makna tombuan dalam upacara adat marhajabuan untuk memenuhi syarat dalam pelaksanaan upacara marhajabuan dan sebagai tanda kehormatan dalam adat Simalungun.
Analisis Tokoh dalam Cerita Batu Umang Etnik Batak Karo Karya Ikwanuddin Nasution Kajian Psikosastra Hutauruk, Febri Ola; Purba, Roma Hotni Uhur; Sinulingga, Jekmen
Jurnal Pendidikan Tambusai Vol. 8 No. 3 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini merupakan kajian psikologi sastra terhadap buku yang berjudul Batu Umang karya Ikwanuddin Nasution. Tujuan dalam penelitian ini adalah menganalisis unsur-unsur intrinsik dan mendeskripsikan aspek id, ego, superego serta menganalisis nilai-nilai sosial masyarakat pada cerita Batu Umang. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan mendeskripsikan hasil analisis data dengan cara studi pustaka. Penelitian ini menggunakan teori psikologi sastra struktur kepribadian Sigmund Freud. Penelitian ini dapat disimpulkan bahwa cerita Batu Umang menceritakan tentang makhluk gaib yang berada di Desa Durian tani. Oleh Sebab itu Penelitian ini dapat membantu dan memahami serta memperkaya nilai-nilai sosial masyarakat hingga pengkajian unsur intrinsik dan id, ego, superego dalam cerita Batu Umang.
Analisis Legenda Gunung Tinggi Raja Etnik Batak Simalunggun Kajian: Sosiologi Sastra Purba, Roma Hotni Uhur; Hutauruk, Febri Ola; Halimatussakdiah, Halimatussakdiah
Jurnal Pendidikan Tambusai Vol. 8 No. 3 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini menganalisis Legenda Gunung Tinggi Raja karya M.B. Rahimsyah, A.R melalui kajian sosiologi sastra untuk mengungkap unsur intrinsik, pandangan masyarakat Simalungun, dan nilai-nilai sosial yang terkandung di dalamnya. Metode yang digunakan adalah studi pustaka dengan teknik baca-catat, melalui analisis mendalam terhadap teks legenda dan literatur terkait budaya Batak Simalungun. Hasil penelitian menunjukkan bahwa legenda ini memiliki tema konflik keluarga kerajaan dan penghormatan terhadap adat, dengan penokohan yang mencerminkan hierarki sosial. Latar tempat menonjolkan keindahan alam Simalungun, disampaikan melalui sudut pandang orang ketiga serba tahu. Gaya bahasa yang sederhana namun kaya makna memperkuat amanat tentang pentingnya keadilan, kasih sayang, dan menghormati tradisi. Legenda ini juga mencerminkan pandangan masyarakat Simalungun sebagai warisan budaya yang memperkuat identitas mereka. Nilai-nilai sosial yang ditemukan meliputi kepercayaan (Trinitas), peran marga sebagai identitas, hierarki adat (tolu sahundulan lima saodoran), dan penghormatan terhadap hubungan kekerabatan. Selain itu, legenda ini juga merepresentasikan karya budaya seperti rumah adat dan tarian tradisional. Kesimpulan penelitian menegaskan bahwa legenda ini tidak hanya sebagai cerita rakyat tetapi juga media pelestarian budaya dan pengajaran nilai-nilai sosial bagi masyarakat Simalungun.
The Function and Symbolic Meaning of Pinar Uloni Horbo, the Bolon House of the Simalungun Batak Ethnic Group: A Semiotic Study: Purba, Roma Hotni Uhur; Silaban, Immanuel; Manullang, Bunga Sarido N.; Silaban, Ridho Wahyu C.
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.919

Abstract

Rumah Bolon Pematang Purba is a traditional house that is a legacy of the Simalungun kingdom that keeps the cultural values and philosophy of its people’s lives. One of the most prominent elements in this building is the uluni horbo ornament, which is an ornament that resembles a buffalo head or horn located on the ridge of the roof of the house. This ornament not only functions as a decorative element, but also loaded with symbolic meanings that reflect the belief system and view of life of the Simalungun people. This research aims to examine the function and meaning of uluni horbo ornaments in the Bolon Pematang Purba House by using a semiotic approach. The research method used is qualitative descriptive through field observation, interviews with traditional figures, visual documentation, and literature analysis related to architecture and Simalungun cultural symbols. Research results show that uluni horbo ornaments have a social and religious function, namely as a symbol of power and king status, protection against the influence of evil spirits, as well as a representation of the value of courage, strength, and human harmony with nature and ancestors. In the framework of semiotics, uluni horbo plays a role as a visual sign (marker) that has a sign in the form of the meaning of power, legitimacy, and cultural identity. This study confirms that the ornaments in the Simalungun traditional house cannot be separated from the symbolic system of its community, because every shape and position has a meaning that connects aesthetic, spiritual, and social aspects. Thus, the preservation of ornaments such as uluni horbo becomes important to maintain the continuity of cultural values and ethnic identity of Simalungun.
Politeness in the Mamongkot Traditional Ceremony of the Bayu House of the Simalungun Batak Ethnic Group: A Normative Study: Tampubolon, Flansius; Sinaga, Lastiur; Sijabat, Anggun Yuni Sarah; Purba, Roma Hotni Uhur; Silaban, Ridho Wahyu C.; Marpaung, Jonathan Halomoan
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 2 (2026): Maret 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i2.1040

Abstract

This study examines the values of politeness and courtesy in the Mamongkot Rumah Bayu traditional ceremony of the Batak Simalungun community in North Sumatra. This ceremony is held as an expression of gratitude and a request for blessings from God when someone moves into a new house. This tradition not only has spiritual significance but is also imbued with social and moral norms that guide community behavior. This study used a qualitative approach with a normative-descriptive method, conducted through observation, interviews with traditional leaders, and literature review to understand the symbolic meaning and function of traditional values in social life. The results show that politeness is reflected in polite speech, modest dress, and respect for traditional elders. Politeness is seen as a behavioral guideline that maintains social harmony and demonstrates respect for others. Meanwhile, politeness is evident in the form of mutual cooperation, caring, and the provision of food or ulos (traditional clothing) to guests as a symbol of love and blessings. These values not only serve to strengthen social relationships but also serve as a form of spiritual devotion to God and ancestors. The Mamongkot Rumah Bayu ceremony plays a crucial role as a character education tool, instilling values of respect, empathy, and solidarity in the younger generation. Amidst the tide of modernization, the values of politeness and courtesy remain relevant as a moral foundation for building an ethical, harmonious, and civilized society.
Co-Authors Flansius Tampubolon Halimatussakdiah Halimatussakdiah Hutagalung, Adreas Hutagalung, Andreas Alessandro Hutauruk, Febri Ola Jekmen Sinulingga Manullang, Bunga Sarido N. Marpaung, Jonathan Halomoan Pandiangan, Johannes Sijabat, Anggun Yuni Sarah Silaban, Immanuel Silaban, Ridho Wahyu C. Silaban, Ridho Wahyu Cristian Simarmata, Tioara Monika Simatupang, Nori Marta M Br. Sinaga, Lastiur Tambunan, Abel Rotua Tomson Sibarani