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All Journal Jurnal Dunia Pendidikan Jurnal Pengabdian Masyarakat Indonesia (JPMI) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Pengabdian Masyarakat dan Riset Pendidikan Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Ardhi: Jurnal Pengabdian dalam Negri Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Ekspresi: Publikasi Kegiatan Pengabdian Indonesia
Dani Manesah
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Penerapan Teknik Expository dalam Penyutradaraan Film Dokumenter “Museum Perkebunan Indonesia” Karya Fabio Fahrezi Canavaro Pratiwi Pratiwi; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 2 (2025): Maret : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.529

Abstract

The documentary film "Museum Perkebunan Indonesia" by Fabio Fahrezi Canavaro uses the expository technique to present the history of plantations in Indonesia in a factual and educational manner. This technique emphasizes the clear delivery of information through authoritative narration, visual archives, and expert interviews, providing the audience with a deeper understanding. The documentary is structured in a chronological narrative, starting with the early history of plantations during the colonial era, the post-independence developments, and the relevance of plantations in the modern era. Observations of the film reveal the use of visual archives, such as old plantation photos, historical documents, and colonial maps, as well as interviews with historians and plantation practitioners, enriching the narrative. The combination of clear verbal narration and visual evidence strengthens the presented information, making it easier to comprehend. The expository technique successfully changes the perception of plantation history, which was previously considered monotonous, into something more engaging and relevant. This documentary not only serves as a medium for historical education but also provides a fresh perspective on the role of plantations as a key pillar of Indonesia’s economy. Through this approach, the film serves as an effective example of expository technique in historical documentary filmmaking in Indonesia, encouraging the audience to explore often-overlooked history.
Penerapan Teknik Panning untuk Menciptakan Ketegangan dari Segi Visual pada Film Tarung Sarung Darwatan Derajat; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 2 (2025): Maret : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i2.540

Abstract

This study analyzes the role of the panning technique in creating visual tension in the film “Tarung Sarung” (2020), an Indonesian action-adventure film that blends action with the local culture of Makassar. The panning technique, which involves the horizontal movement of the camera to follow the subject or expand the space, is used strategically in key scenes such as fight sequences, chases, and character interactions to enhance the dynamics and intensity of the story. A qualitative approach with descriptive analysis methods was used to explore how this technique influences the audience's perception and supports the film's narrative. The analysis reveals that panning not only clarifies movement in action scenes but also adds emotional depth and showcases the beauty of Indonesian culture and landscapes. This technique is effective in creating tension and directing the audience's attention to important elements of the story. This study is expected to contribute to a deeper understanding of the use of cinematographic techniques in enriching the movie-watching experience, particularly in action and locally rooted genres.
Analisis Penerapan Struktur Tiga Babak Teori Aristoteles dalam Skenario Film “Key” untuk Meningkatkan Suspense Amanda Bayu Fadhilah; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 2 (2025): Maret : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i2.541

Abstract

This study examines the application of the three-act structure based on Aristotle's theory in the screenplay of the film “Key” to effectively build suspense. The three-act structure—comprising setup, conflict development, and resolution—is a classical narrative framework widely used in filmmaking. The research employs a descriptive-qualitative approach with a case study on the screenplay of “Key.” This study contributes to the development of screenwriting techniques, particularly for genres that prioritize suspense, and provides practical guidance for screenwriters in crafting stories capable of influencing the audience's emotions. The analysis results show that the application of Aristotle's elements in the three-act structure creates a progressive storyline, strengthens the emotional connection between the audience and the characters, and delivers a climactic emotional peak.
Penerapan Teknik Realisme pada Film The Platform Sutradara Galder Gaztelu-Urrutia Putri Ramadhani; Dani Manesah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 1 (2025): Maret : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i1.530

Abstract

The film The Platform (El Hoyo) tells the story of a vertical prison with a food distribution system that creates social and moral conflict among the prisoners. The creation of this film raises social issues such as injustice, greed and the struggle for survival with a realism approach, which seeks to present life as it is without manipulation. The creation method is based on the ideas of André Bazin, utilizing long takes, deep focus, detailed set design, natural acting and dim lighting to create an authentic atmosphere. This approach produces an immersive cinematic experience, presenting relevant and realistic symbolism for the viewer.
Ekranisasi Novel pada Film Mariposa Sutradara Fajar Bustomi Rizki Rahmadi; Dani Manesah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 1 (2025): Maret : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i1.531

Abstract

The adaptation of a novel into a film, known as ekranisasi, is a challenging process due to the differences between the two mediums, namely literature and visual storytelling. This study examines the ekranisasi process of the novel Mariposa by Luluk Hadiya Fauzia, directed by Fajar Bustomi. The purpose of this research is to analyze the extent to which the Mariposa film retains the core narrative of the novel and how cinematographic elements are used to replace the internal narration found in the literary work. Through a qualitative approach and literature study, the research reveals that, despite significant changes in character development and plot structure, the main themes of teenage love, perseverance, and self-growth are preserved. The film employs cinematographic techniques, such as lighting, color, and shot composition, to more directly depict the emotions and internal conflicts of the main characters. Additionally, symbolism, such as the butterfly representing transformation, strengthens the themes and moral messages conveyed. The findings of this study show that the Mariposa film successfully offers a new experience for the audience and demonstrates that novel-to-film adaptations can succeed, even with changes in storytelling methods, as long as the essence of the literary work is maintained.
Analisis Color Grading dalam Menampilkan Adegan Flashback pada Film “Bebas” Putri Nabila Tanjung; Dani Manesah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 1 (2025): Maret : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i1.537

Abstract

The analysis of the application of color grading in portraying flashback scenes in the film “Bebas”, focusing on how this technique influences viewers' perception of temporality and mood within the narrative. Color grading, as a process of manipulating colors in post-production, plays a significant role in distinguishing time periods and moods in a film. Through a qualitative approach, this study analyzes several scenes that use color grading to signify flashback moments in the film“Bebas”. The analysis involves identifying the color palettes used, the techniques applied, and their impact on the audience's experience. Color theory and the psychology of color serve as the foundation for understanding how colors affect emotions and temporal perception in films. This study aims to explore how this technique contributes to character development and the delivery of emotional messages. The findings indicate that the effective use of color grading in flashback scenes can create a clear distinction between the present and the past while evoking specific emotions aligned with the narrative context in the film “Bebas”.
Penerapan Teknik Camera Angle pada Film Kang Mak Indonesia Karya Herwin Novianto Fabio Fahrezi Canavaro; Dani Manesah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 1 (2025): Maret : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i1.538

Abstract

The Indonesian film Kang Mak, directed by Herwin Novianto, effectively utilizes camera angle techniques to support the narrative and depict emotional dynamics as well as local culture. This article aims to analyze the application of various camera angle techniques, including close-up, low angle, high angle, and wide shot, in enhancing characterization, conflict, and cultural themes presented in the film. The close-up technique is used to highlight the characters' emotions, while low and high angles strategically depict dominance, power, and vulnerability of the main characters. Additionally, the use of wide shots allows the audience to appreciate the beauty of local culture and the social setting that shapes the story. This study demonstrates how cinematographic techniques, particularly camera angles, can enrich the film's narrative, deepen character development, and reinforce cultural messages. The analysis provides insights into the significance of cinematography in creating an authentic and emotional visual experience in contemporary Indonesian cinema.
Analisis Teknik Camera Movement pada Film The Big 4 Karya Timo Tjahjanto Eka Pebrianto Saputra; Dani Manesah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 1 (2025): Maret : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i1.539

Abstract

The film The Big 4 by Timo Tjahjanto highlights the expertise in utilizing camera movement techniques that effectively support visual storytelling. This study aims to analyze various camera movement techniques, such as tracking shots, panning, and handheld shots, as well as how the combination of these techniques contributes to building the narrative, atmosphere, and emotion in the film. Through a qualitative approach using literature review, the study reveals that tracking shots are used to maintain visual continuity and enhance the intensity of action scenes, while panning helps frame the environment and provide spatial orientation to the audience. Additionally, the use of handheld shots heightens tension and realism, particularly in close combat scenes. The combination of these techniques creates a dynamic and complex visual narrative, which becomes an essential element in establishing the rhythm and mood of the story. This study concludes that the success of cinematography in The Big 4 not only delivers an engaging visual experience but also deepens the audience's emotional involvement with the characters and story. This analysis is relevant to understanding the role of cinematography in narrative development and provides insights for Indonesian filmmakers to enhance the visual and narrative quality of films.
Pelatihan Penulisan Karya Jurnalistik dan Menjadi Presenter Berita Handal di SMA Budi Agung Medan Suryanto Suryanto; Dani Manesah; Silvia Lestari; Athaya Khairani Ningtyas; M. Fariz Rizantha
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 2 No. 2 (2025): Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v2i2.533

Abstract

This training aims to enhance the skills of students at SMA Budi Agung Medan in journalistic writing and becoming skilled news presenters. The method employed includes a participatory approach through intensive training, group discussions, and hands-on practice. The program provides an in-depth understanding of journalistic writing techniques, mastery of news language, as well as confidence and techniques for on-camera presentations. The training results show a significant improvement in participants' abilities, both in writing news articles according to journalistic standards and delivering news professionally. This training has a positive impact on students' communication skills while preparing them to face the challenges of the mass media industry.
Penerapan Plot Linear Dalam Membangun Suspense Pada Film “Sosok” Menggunakan Struktur 3 Babak Aryananda Putra; Dani Manesah
Jurnal Dunia Pendidikan Vol 5 No 4 (2025): Jurnal Dunia Pendidikan
Publisher : LPPM Sekolah Tinggi Olahraga dan Kesehatan Bina Guna

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55081/jurdip.v5i4.3527

Abstract

Skenario berfungsi untuk menuangkan ide cerita, sebagai pedoman dalam produksi. Skenario film adalah susunan-susunan adegan yang mengandung unsur naratif disampaikan melalui media film. Plot linear yang diciptakan menggunakan struktur tiga babak disusun melalui tiga tahap yaitu babak 1, babak 2, dan babak 3. Pengkarya menciptakan skenario film “Sosok” dengan menggunakan pola linear dengan tujuan untuk membangun suspense agar cerita yang disampaikan lebih menarik dan penonton dapat menikmati jalan ceritanya. Pengkarya menata suspense dalan setiap babak, sehingga pembaca bisa merasakan ketegangan pada babak 1, 2, dan 3. Skenario film “Sosok” ini berkisah tentang Rama seorang mahasiswa yang memiliki wajah tampan, karena ketampanannya ia cukup terkenal di kampus dan sering mendapat tawaran untuk mempromosikan sebuah produk di sosial media. Walau begitu Rama bukan mahasiswa yang sombong, ia mau bergaul tanpa pandang bulu kepada siapapun sehingga ia memiliki banyak teman di kampus dan di sekitar tempat tinggalnya. Namun ketenaran dan ketampanan yang dimiliki Rama tidak selamanya berdampak positif. Rama yang tinggal sendirian di rumah yang ia kontrak kerap diteror oleh seseorang yang tidak ia kenal dan diyakini sebagai stalker. Dengan ide ini pengkarya membangun jalan cerita dengan menciptakan suspense disetiap babak agar ceita yang ingin disampaikan pengkarya lebih menarik dan penonton ikut merasakan teror yang dialami oleh tokoh utama Rama.
Co-Authors Afandi Maulana Ahmad Umar Dhany Aji Purnomo Amanda Bayu Fadhilah Aryananda Putra Athaya Khairani Ningtyas Darwatan Derajat Desi Ariyani S Dheviyani Dheviyani Dwi Putri Mawar Eka Pebrianto Saputra Emi Masyitah Fabio Fahrezi Canavaro Febry Ayu Retno Irham Setiawan Jenny Fransiska Jenny Fransiska Br.Batuara Joko Bintarto Leni Deli Lutfi Zaidi M Hendy Farrell M M. Fajar Aditya M. Fariz Rizantha M. Irfan Aldy Nasution Muhammad Fauzan Abdillah Muhammad Rafli Sajali Muhsin Lambok Ilvira Nabilla Afiya Rizka Nazarruddin Nazarruddin Nurul A’ini Nurul Khasanah Petra Putri Sari Buulolo Pratiwi Pratiwi Pratiwi Putri Aulia Putri Nabila Tanjung Putri Ramadhani Qiyaadah Zahra Rizki Rahmadi Ruhi Annyza Khanum Haris Ryan Fadhil Firmansyah Silvia Lestari Soeheri Soeheri Suryanto Suryanto Suryanto Suryanto Tara Dwi Shapira Teruna Satria Putra Witri Amanda