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Analisis Teknik Pengambilan Gambar One Shot Dalam Memvisualisasikan Perubahan Karakter Pada Film “Sabda Kekasih” Sutradara Azhari Zain Dwi Putri Mawar; Dani Manesah
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 1 No. 1 (2024): Maret: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i1.48

Abstract

The one shot shooting technique for showing character changes in the main character in the film Sabda Kekasih is packaged very interestingly. This research was conducted with the aim of analyzing the one shot shooting technique used to show character changes in the main character. This research uses a descriptive qualitative method to reveal changes in the character of the main character which is displayed using the one shot technique. These character changes can be seen from the dialogue, expressions and behavior displayed and will be dissected using Lajos Egri's characterization theory which discusses the dimensions of physiology, sociology and psychology. The result of this research is that the character experiences a change in character due to an accident he experiences that makes him blind. So it can be concluded that the character changes that occurred to the main character in the film Sabda Kekasih occurred because of the accident he experienced.
Analisis Teknik Visualisasi Budaya Lokal Medan Dalam Film Sang Prawira (2019) Sutradara Ponti Gea Dheviyani Dheviyani; Dani Manesah
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 1 No. 1 (2024): Maret: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i1.49

Abstract

The purpose of this article is to find out what cinematographic techniques are used in the movie entitled Sang Prawira by Ponti Gea with cinematographic techniques.This research uses qualitative descriptive research method. In this research, the researcher describes or constructs the theory that exists in the research subject. In this study, the aim is to know, the object of research is to analyze the cinematographic techniques used in the film Sang Prawira by Ponti Gea. The results of the research presented in this article show that cinematographic techniques are analyzed with the 5C camera angle formula, close-up/shot size, composition, continuity and cutting. There are 5 cinematographic techniques of Joseph V. Mascelli A.S.C which is also done by the MRG Film Team in the making of the movie sang prawira, namely camera angle, close up/shot size, composition, continuity, and cutting/editing.
Pelatihan Peningkatan Keterampilan Menggunakan Microsoft Acces Bagi Siswa SMK Pangeran Antasari Untuk Pengolahan Data Silvia Lestari; Dani Manesah; Suryanto Suryanto; Muhsin Lambok Ilvira; Leni Deli; Afandi Maulana; Lutfi Zaidi
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 2 No. 3 (2025): Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v2i3.880

Abstract

This training aims to enhance the skills of students at SMK Pangeran Antasari in using Microsoft Access as a tool for data processing. In today's digital era, mastering database software is a crucial competency, especially for vocational school students who are being prepared to enter the workforce. The training methods included lectures, demonstrations, and hands-on practice using a participatory approach. The materials covered an introduction to databases, table creation, relationships between tables, queries, forms, and basic reporting. The results of the training indicated an improvement in students' understanding and ability to process data using Microsoft Access. Through this program, students are expected to gain practical knowledge in managing data systematically and efficiently, as well as applying it in academic tasks and real-world industry settings.
Penerapan Teknik Objektive Camera Angle Dalam Membangkitkan Dramatis Film Pulang Ahmad Umar Dhany; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 1 (2024): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i1.50

Abstract

The film "Pulang" is a short drama genre film with a family style, This film was made as an entertainment medium that can provide information to audience about a family where Karin's mother has a an illness that made him forget his memory even of his own child, however The child is still trying to take care of and make the mother's memory return to normal. The final result that will be produced is a work of fiction film entitled "Pulang" the process of taking pictures uses the application of objective techniques camera angle by using the audience's point of view so that the audience can feel the same thing experienced by Karin as the main character in this film
Penerapan Gaya Penyutradaraan Dengan Penguatan Tokoh Menggunakan Pendekatan Reaslisme Dalam Film Genius Dari Syurga Witri Amanda; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 1 (2024): Januari : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i1.51

Abstract

The film Genius From Heaven tells the story of a child, he is depicted as very depressed about the conflict he is currently facing. The role of a father in children with autism who can educate the public. It is hoped that this process will provide education to the public about autism sufferers, especially regarding their care. Autism sufferers also have various unique characters and sometimes their emotions often change. With a realist approach, it is hoped that this film can depict in real terms the process and struggle experienced by the main character to prove that he has other abilities that his father did not know at all.
Analisis Id Ego dan Super Ego pada Iklan Televisi Gojek Mempersembahkan: Cerdikiawan Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 3 (2024): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i3.272

Abstract

This study analyzes the representation of the Id, Ego, and Superego in Gojek's television commercial titled "Gojek Presents: Cerdikiawan" using Sigmund Freud's psychoanalytic theory. The study aims to identify how these three components of personality are depicted in the advertisement's narrative and their impact on the audience. The research employs a qualitative case study design, with data collected through observation and content analysis. The results show that the advertisement successfully portrays the conflict between the Id, Ego, and Superego through characters and scenes reflecting primal urges, rational decisions, and moral values. The advertisement also demonstrates how the Ego balances the Id's urges and the Superego's demands, creating an engaging narrative with strong moral messages. This research contributes to theoretical and practical knowledge in film and television studies, particularly in marketing and advertising contexts.
Penerapan Struktur Delapan Sequence Sebagai Kerangka Penulisan Naskah pada Film “Dalam Bayang” Qiyaadah Zahra; Dani Manesah
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.3408

Abstract

Penciptaan naskah film membutuhkan kerangka struktur yang mampu menjaga kesinambungan alur serta menegaskan perkembangan emosi tokoh. Karya ini bertujuan menciptakan naskah film Dalam Bayang dengan menggunakan pendekatan Eight Sequence Structure, yaitu pengembangan dari model tiga babak yang membagi cerita ke dalam delapan unit naratif. Proses penciptaan dilakukan dengan menerapkan teori sequence pada perancangan alur, karakter, dan konflik. Setiap sequence disusun untuk memuat fungsi dramatik tertentu, mulai dari pengenalan tokoh, pengembangan konflik, titik balik, hingga resolusi. Penerapan struktur ini membantu penulis menjaga ritme cerita sekaligus memastikan bahwa setiap adegan berperan signifikan terhadap keseluruhan narasi. Hasil penciptaan berupa naskah film Dalam Bayang berdurasi sekitar 30 menit yang mengisahkan Ryan, mahasiswa dengan cinta terpendam kepada sahabatnya, Rara. Melalui delapan sequence, konflik emosional keduanya berkembang secara bertahap hingga mencapai resolusi. Penerapan Eight Sequence Structure terbukti efektif dalam menghadirkan cerita yang padat, terarah, dan emosional, sekaligus menegaskan transformasi karakter sebagai inti pesan cerita.
Penerapan Suara Diegetik Dan Non Diegetik Dalam Penguatan Karakter Utama Dan Konflik Pada Film “Lisan” Jenny Fransiska Br.Batuara; Dani Manesah
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.3440

Abstract

Karya penciptaan film Lisan menekankan peran suara sebagai medium utama dalam menyampaikan emosi dan konflik batin tokoh utama, Lani. Karakter Lani yang cenderung memendam perasaan menuntut pendekatan suara yang mampu menghadirkan tekanan emosional, ketegangan, dan nuansa psikologis tanpa hanya bergantung pada dialog atau visual. Proses penciptaan melibatkan perancangan suara diegetic, seperti langkah kaki, gesekan kain, pintu, dan ambience ruangan, yang direkam dan diolah untuk menciptakan realisme dan kedalaman dramatis. Musik dan efek non-diegetic digunakan untuk memperkuat kondisi batin tokoh dan membangun atmosfer emosional dalam adegan. Setiap elemen suara dipilih melalui eksperimen teknis dan kreatif, termasuk pengaturan mikrofon, perekaman berbagai sumber suara, dan pascaproduksi untuk menciptakan ruang audio yang mendukung narasi. Hasil karya ini menunjukkan bahwa suara dalam film tidak sekadar pendukung visual, tetapi menjadi elemen ekspresif yang menyalurkan emosi karakter, memperkuat alur cerita, dan meningkatkan keterlibatan penonton. Dengan demikian, film Lisan memperlihatkan bagaimana desain suara diegetic dan non-diegetic dapat menjadi alat artistik strategis dalam penciptaan pengalaman sinematik yang imersif.
Penerapan Penceritaan Terbatas Menggunakan Pendekatan Psychological Realisme Pada Film “Side” Pratiwi; Dani Manesah; Joko Bintarto
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.3508

Abstract

Objek penciptaan karya seni ini adalah film fiksi berjudul Side yang menceritakan tentang pergulatan identitas dan konflik batin seorang tokoh bernama Banu. Cerita berkembang melalui interaksi Banu dengan sosok misterius bernama Radit, yang sesungguhnya merupakan representasi dari sisi gelap dirinya. Penciptaan film ini menggunakan penerapan penceritaan terbatas dengan membatasi alur narasi hanya pada sudut pandang Banu. Dengan teknik tersebut, penonton memperoleh informasi yang sama seperti tokoh utama, sehingga tercipta keterlibatan emosional yang lebih intens. Untuk memperkuat pengalaman batin tokoh, pendekatan psychological realisme diterapkan melalui penekanan pada ekspresi wajah, bahasa tubuh, serta detail reaksi emosional. Kamera digunakan secara dekat untuk menangkap perubahan halus dalam ekspresi Banu, sehingga dunia batin tokoh lebih terasa nyata. Melalui penggabungan penceritaan terbatas dan psychological realisme, film Side berusaha menyajikan pengalaman menonton yang imersif sekaligus menyoroti isu identitas diri dan tekanan psikologis.
Pelatihan Pemanfaatan Media Audiovisual sebagai Sarana Pembinaan Remaja Masjid di Barisan Mujahid Matita Dani Manesah; Silvia Lestari; Suryanto, Suryanto; Leni Deli; Emi Masyitah; M. Irfan Aldy Nasution; Tara Dwi Shapira; Petra Putri Sari Buulolo; Soeheri Soeheri
ARDHI : Jurnal Pengabdian Dalam Negri Vol. 3 No. 6 (2025): December: ARDHI : Jurnal Pengabdian Dalam Negri
Publisher : Asosiasi Riset Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/ardhi.v3i6.1725

Abstract

The development of digital technology has brought significant changes to the delivery of da'wah messages to young people. Audiovisual media has become an effective means of attracting interest, enhancing understanding, and increasing the participation of mosque youth in development activities. This service aims to analyze the use of audiovisual media as a means of developing mosque youth at Barisan Mujahid Matita (BMM), Medan. The method used is a qualitative approach through observation and audiovisual production training, which can improve the skills of young people in creating da'wah content, strengthen understanding of development material, and boost enthusiasm in participating in mosque activities. In addition, audiovisual media has proven to help BMM enhance the quality of documentation and publication of activities. In conclusion, audiovisual media is an effective instrument in the development of young people, especially in the context of creative digital da'wah. Digital Mosque Youth