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All Journal Tabsyir: Jurnal Dakwah Dan Sosial Humaniora Al-Tarbiyah: Jurnal Ilmu Pendidikan Islam ARIMA : Jurnal Sosial Dan Humaniora Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Ilmu Sosial dan Humaniora Sujud: Jurnal Agama, Sosial dan Budaya Jurnal Teologi Islam Journal of Literature Review
Tenny Sudjatnika
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Religion Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Kontribusi Perempuan dalam dakwah Islam di Era Moderen Freya Darin Aprilia; Tenny Sudjatnika
Jurnal Teologi Islam Vol. 1 No. 2 (2025): NOVEMBER (in progress)
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/75sgfq15

Abstract

Penelitian ini bertujuan untuk mengeksplorasi peran dan kontribusi perempuan dalam dakwah Islam di era modern, khususnya di tengah perkembangan teknologi dan perubahan sosial yang pesat. Perempuan tidak lagi hanya menjadi objek dalam kegiatan dakwah, tetapi telah bertransformasi menjadi subjek aktif yang memanfaatkan berbagai platform, termasuk media sosial, untuk menyampaikan nilai-nilai Islam. Dengan menggunakan pendekatan kualitatif deskriptif dan metode studi pustaka, kajian ini menemukan bahwa perempuan memainkan peran strategis dalam menjangkau audiens yang lebih luas, terutama generasi muda, melalui pendekatan yang komunikatif, empatik, dan relevan dengan kehidupan sehari-hari. Meskipun demikian, perempuan masih menghadapi tantangan seperti stereotip gender, pembatasan budaya, serta beban peran domestik. Namun, perempuan tetap mampu menciptakan ruang dakwah yang inklusif dan responsif melalui komunitas, pengajian, serta konten dakwah digital yang adaptif terhadap isu-isu kontemporer. Kontribusi ini menunjukkan bahwa perempuan memiliki posisi penting dalam keberlanjutan dakwah Islam dan pembangunan masyarakat yang religius serta berkeadaban.
Dampak Perang Salib terhadap Baitul Maal: Studi Kasus Penaklukan Jerusalem (1099) Hannifa Rojwa Thalib; Tenny Sudjatnika
Journal of Literature Review Vol. 1 No. 2 (2025): JULI-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/w11ya302

Abstract

Studi ini meneliti dampak Perang Salib, khususnya penaklukan Jerusalem oleh tentara Salib pada tahun 1099, terhadap institusi keuangan Islam, yaitu Baitul Maal. Dengan menggunakan pendekatan kajian literatur dan analisis historiografi terhadap kronik Latin dan Arab, serta data arkeologi, artikel ini menunjukkan bahwa meskipun tidak terdapat bukti eksplisit mengenai pembakaran Baitul Maal, pola penjarahan sistemik terhadap aset-aset administrasi negara mengindikasikan terjadinya kerusakan yang signifikan. Temuan ini mengungkap bagaimana konflik militer merusak stabilitas fiskal dan ekonomi pemerintahan Muslim lokal, sekaligus memberikan wawasan penting bagi kajian sejarah konflik dan institusi ekonomi Islam.
Representasi Penerapan Hukum Islam Dalam Kehidupan Perempuan Iran: Analisis Komik Persepolis Salma Fitriyani; Fauzaan Taufiqurrahman; Sarah Novian; Yusthalya Nurfitri; Tenny Sudjatnika
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 1 (2026): JANUARI
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/88ezzh81

Abstract

This study discusses the representation of Islamic law in the lives of Iranian women through an analysis of Marjane Satrapi's autobiographical comic Persepolis. The background of this study stems from the socio-political changes following the 1979 Islamic Revolution in Iran, which made Islamic law the basis of state policy through the Wilāyat al-Faqīh system. This policy had a significant impact on the regulation of women's bodies, public spaces, and identities, particularly through dress codes, moral control, and social restrictions. This study uses a descriptive qualitative approach with literature study and visual text analysis methods. Persepolis is analyzed as a cultural text using gender theory, Stuart Hall's theory of representation, and contemporary fiqh and maqāṣid al-syarī‘ah perspectives. The results show that Persepolis represents the application of Islamic law in Iran more as an instrument of patriarchal political power than as a contextual and welfare-oriented practice of sharia. This comic depicts how women's bodies and lives become objects of state surveillance through the enforcement of the hijab, the segregation of social spaces, and the criminalization of behavior deemed deviant from the state's official morality. These findings reveal a gap between the normative principles of Islamic law, which emphasize justice and human dignity, and the state's repressive legal practices against women. Thus, Persepolis serves as a cultural critique of the rigid application of Islamic law and its insensitivity to gender experiences.
Istinbāṭh Hukum Dan Etika Penciptaan Dalam Film Frankenstein (2025): Analisis Ushul Fiqh Terhadap Fenomena Sains Kontemporer Rizal Nazarudin Firdaus; Muhamad Fuad Ramadhan; Yanwar Faturrahman; Tenny Sudjatnika
Jurnal Ilmu Sosial dan Humaniora Vol. 1 No. 4 (2025): OKTOBER-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/kt2qds41

Abstract

This study aims to analyse the issue of creation ethics in the film Frankenstein (2025) from the perspective of Islamic legal theory (Uṣūl al-Fiqh), particularly through the process of istinbāṭ al-ḥukm in addressing contemporary legal problems (al-nawāzil). The film portrays the creation of artificial life driven by scientific ambition while neglecting ethical considerations and moral responsibility. This research employs a qualitative approach using content analysis to examine key scenes and dialogues related to the act of creation, the creator–creature relationship, and the resulting social consequences. The analysis is conducted through the framework of maqāṣid al-sharī‘ah, including the principles of ḥifẓ al-nafs (protection of life), ḥifẓ al-‘aql (protection of intellect), ḥifẓ al-‘ird (protection of human dignity), sadd al-dharī‘ah (blocking the means to harm), ma’ālāt al-af‘āl (consideration of consequences), and al-ḍarar yuzāl (harm must be eliminated). The findings indicate that the act of creation depicted in Frankenstein (2025) cannot be normatively justified within Islamic law, as it fails to uphold public welfare, disregards the consequences of actions, and results in harm and social inequality. This study highlights the methodological relevance of Uṣūl al-Fiqh in addressing ethical challenges posed by modern science and technology, emphasizing the necessity of integrating scientific advancement with ethical responsibility and the objectives of Islamic law.  
A Study Of Spiritual Struggle In Muslim Diaspora Using The Maqāṣid Al-Sharī‘Ah Approach In Sami Yusuf’s Song Lyrics Wafiq Aziz Wardah; Tenny Sudjatnika; Nurholis
Jurnal Teologi Islam Vol. 1 No. 1 (2025): MEI 2025
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/48eygr86

Abstract

This study examines spiritual struggle and moral guidance among Muslim diaspora as represented in Sami Yusuf’s song lyrics using a qualitative descriptive method. As Bryman (2004:269) states, qualitative research prioritizes interpretation of textual meaning rather than quantification; therefore, this study analyzes selected lyric excerpts from Came To Me, Make Me Strong, and You through the framework of Maqāṣid al-Sharī‘ah, specifically ḥifẓ al-dīn (protection of faith), ḥifẓ al-nafs (protection of psychological well-being), and ḥifẓ al-‘aql (protection of intellect). In line with Wahid (2023), Maqāṣid provides a contextual ethical approach to contemporary challenges, while Auda emphasizes its orientation toward human welfare (maṣlaḥah). The findings show that Sami Yusuf’s lyrics portray faith restoration amid disorientation (ḥifẓ al-dīn), emotional resilience and inner healing under pressure (ḥifẓ al-nafs), and moral reasoning guided by divine orientation within ideological plurality (ḥifẓ al-‘aql). Overall, the songs function as contemporary Islamic literary texts that offer spiritual and moral guidance for Muslim diaspora navigating modern uncertainties.
Resepsi Estetik Jauss terhadap Ayat-Ayat Jilbab: Studi Komparatif Sastra Tafsir Kemenag VS. Narasi Hijab Fashion di TikTok Davin Zachary Yasa; Siti Hanifah Amaliah; Zahira Sufyan; Zahra Mawaddah; Tenny Sudjatnika
Jurnal Teologi Islam Vol. 2 No. 1 (2026): DESEMBER 2025 - MEI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jy8de722

Abstract

The hijab phenomenon in Indonesia has undergone a radical transformation from a static theological signifier to a dynamic visual commodity in the digital era. This research aims to analyze the shift in religious authority and the interpretation of hijab verses (Surah Al-Ahzab: 59 and Surah An-Nur: 31) by comparing the official narrative of the Ministry of Religious Affairs (Kemenag) and the hijab fashion narratives on TikTok. Using Hans Robert Jauss’s Aesthetic of Reception theory, specifically the concepts of "horizon of expectation" and "aesthetic distance," the study employs a comparative analysis on diachronic and synchronic axes. The findings reveal a sharp divergence in reception: Kemenag builds a normative-institutional horizon focusing on legal compliance and moral protection, whereas TikTok constructs an aesthetic-digital horizon driven by algorithmic logic, visibility, and consumerism. This shift demonstrates a radical decentralization of religious authority, where digital influencers act as new interpreters prioritizing "visual orthopraxy" over traditional orthodoxy. Consequently, aesthetics has become a new regime of truth for the younger generation. This study concludes that religious institutions must adopt visual literacy and new interpretive approaches to remain relevant within modern visual culture.
Co-Authors Abdul Latief Alya Hasya Azqia Amanda Maharani Sandrina Andini Marizka Siregar Azkia Rahma Davin Zachary Yasa Farid Nur Fauzan Naufala Fauzaan Taufiqurrahman Freya Darin Aprilia Gina Aulia Fadilla Hannifa Rojwa Thalib Iqbal, Muhammad Raka Iqbal Fadil Muharom Muhamad Fuad Ramadhan Muhammad Rafif Athallah Nurholis Raihan Syach Bustami Harahap Rizal Nazarudin Firdaus Salma Fitriyani Sarah Novian Siti Hanifah Amaliah Wafiq Aziz Wardah Yanwar Faturrahman Yusthalya Nurfitri Zahira Sufyan Zahra Mawaddah