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Istinbāṭh Hukum Dan Etika Penciptaan Dalam Film Frankenstein (2025): Analisis Ushul Fiqh Terhadap Fenomena Sains Kontemporer Rizal Nazarudin Firdaus; Muhamad Fuad Ramadhan; Yanwar Faturrahman; Tenny Sudjatnika
Jurnal Ilmu Sosial dan Humaniora Vol. 1 No. 4 (2025): OKTOBER-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/kt2qds41

Abstract

This study aims to analyse the issue of creation ethics in the film Frankenstein (2025) from the perspective of Islamic legal theory (Uṣūl al-Fiqh), particularly through the process of istinbāṭ al-ḥukm in addressing contemporary legal problems (al-nawāzil). The film portrays the creation of artificial life driven by scientific ambition while neglecting ethical considerations and moral responsibility. This research employs a qualitative approach using content analysis to examine key scenes and dialogues related to the act of creation, the creator–creature relationship, and the resulting social consequences. The analysis is conducted through the framework of maqāṣid al-sharī‘ah, including the principles of ḥifẓ al-nafs (protection of life), ḥifẓ al-‘aql (protection of intellect), ḥifẓ al-‘ird (protection of human dignity), sadd al-dharī‘ah (blocking the means to harm), ma’ālāt al-af‘āl (consideration of consequences), and al-ḍarar yuzāl (harm must be eliminated). The findings indicate that the act of creation depicted in Frankenstein (2025) cannot be normatively justified within Islamic law, as it fails to uphold public welfare, disregards the consequences of actions, and results in harm and social inequality. This study highlights the methodological relevance of Uṣūl al-Fiqh in addressing ethical challenges posed by modern science and technology, emphasizing the necessity of integrating scientific advancement with ethical responsibility and the objectives of Islamic law.  
A Study Of Spiritual Struggle In Muslim Diaspora Using The Maqāṣid Al-Sharī‘Ah Approach In Sami Yusuf’s Song Lyrics Wafiq Aziz Wardah; Tenny Sudjatnika; Nurholis
Jurnal Teologi Islam Vol. 1 No. 1 (2025): MEI 2025
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/48eygr86

Abstract

This study examines spiritual struggle and moral guidance among Muslim diaspora as represented in Sami Yusuf’s song lyrics using a qualitative descriptive method. As Bryman (2004:269) states, qualitative research prioritizes interpretation of textual meaning rather than quantification; therefore, this study analyzes selected lyric excerpts from Came To Me, Make Me Strong, and You through the framework of Maqāṣid al-Sharī‘ah, specifically ḥifẓ al-dīn (protection of faith), ḥifẓ al-nafs (protection of psychological well-being), and ḥifẓ al-‘aql (protection of intellect). In line with Wahid (2023), Maqāṣid provides a contextual ethical approach to contemporary challenges, while Auda emphasizes its orientation toward human welfare (maṣlaḥah). The findings show that Sami Yusuf’s lyrics portray faith restoration amid disorientation (ḥifẓ al-dīn), emotional resilience and inner healing under pressure (ḥifẓ al-nafs), and moral reasoning guided by divine orientation within ideological plurality (ḥifẓ al-‘aql). Overall, the songs function as contemporary Islamic literary texts that offer spiritual and moral guidance for Muslim diaspora navigating modern uncertainties.