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All Journal Journal of Scientific Research, Education, and Technology Ezra Science Bulletin Psychosocia : Journal of Applied Psychology and Social Psychology
Rustim
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Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Medicine & Pharmacology Social Sciences Other

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Traditional Art in Minangkabau Culture Rustim; Irwan; Ernawita; Yusnelli
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 2 No. 4 (2023): Vol. 2 No.4 2023
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v2i4.282

Abstract

Minangkabau society adheres to philosophies as conceptions that are implied into its culture, one of which is the presence of art. Art in Minangkabau culture lives and develops with the passage of time and the creativity of the people is dynamic. This research is a type of qualitative research by observing the arts, especially those related to traditions in the culture of the Minangkabau people using the Hermeneutic approach and literature study. The research was conducted by observing the forms of Minangkabau traditional art, especially traditional music and its development in Minangkabau society. The results and discussion of this research include; forms of Minangkabau traditional art and art in Minangkabau culture.
Interpretation of Tantri’s Nonverbal Dialogue in Kamila Andini’s Film The Seen And Unseen Ilfilia, Amanda Tiara; Rustim
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 4 (2025): Vol. 4 No. 4 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i4.942

Abstract

This study analyzes the nonverbal dialogue of the character Tantri in Kamila Andini’s The Seen and Unseen through Roland Barthes’s semiotic framework (denotation, connotation, myth) and Konstantin Stanislavski’s acting system (given circumstances, inner action, physical action). The research focuses on bodily gestures, facial expressions, artistic settings, symbolic properties (such as eggs, children in white shirts, cockfight dance), and ambient soundscapes that signify the transition between the sekala niskala (seen unseen) realms. Primary data include the film itself and key sequences, supported by literature, interviews, and cultural sources on Balinese cosmology. The findings show that the egg serves as a symbolic sequence representing the world and Tantri and Tantra’s twin bond, the cockfight and “chicken dance” metaphorically express the life death tension, children in white shirts represent catur sanak, the unseen siblings who guide Tantra’s departure, physical actions in performance embody genuine emotion without reliance on spoken dialogue. This film situates body language and cultural symbolism as primary narrative instruments for expressing grief and separation.
Co-Authors Al Hafiz, Ahmad Choiru Pradhono Desti Rahmadhini Dynia Fitri Edy Suisno Ernawita Fadhillah Camaylia Yeffri Dewi Fernando, Nico FX. Yatno Karyadi Haditya, Reksa Hamzaini Ilfilia, Amanda Tiara Irwan Maisaratun Najmi Pratama, Ferli Mulianto Raudhatul Fitri Rizki Wahyu Arif Hidayatulloh Sri Yosfia, Nadia Syukri, Alfi Yusnelli Zainal Abidin