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All Journal Abjad : Journal of Humanities & Education Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Budiarta, I Dewa Putu Gede
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Religion Arts Humanities Languange, Linguistic, Communication & Media

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Handmade Painting on an Oversized T-shirt with Balinese Motif Ornaments at the Agung Bali Collection Putra, Fachri Permana; Budiarta, I Dewa Putu Gede; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2993

Abstract

The thesis with the title Handmade painting on an oversized t-shirt with Balinese motif ornaments at the Agung Bali Collection is motivated by the start-up world which is increasingly rampant in society. The author has hopes in the future to become an artist and also have a business. By conducting research at the Agung Bali Collection, the authors gain entrepreneurial knowledge such as management science, marketing science, capital and so on. By having this entrepreneurial knowledge, the author has an idea to market his work. Because it's not enough just to make a work, you also have to know how to market and manage it. The stages in conducting this research are exploration, interviews and analysis. The author conducts exploration first, looking for research on knowledge developed by partners. After that, interviews were conducted with the aim of collecting data and research documentation. Finally, analysis is carried out by analyzing the research and documentation obtained and then adjusting it to the tastes of the market and society. An oversized painted t-shirt was formed. oversized t-shirts are chosen because they are on the rise in society. The capital obtained is approximately one million rupiah. The author also has his own branding, namely Fach handmade painting. Fach is taken from the author's name "Fachri". In the MBKM TA, the author created six works with surface designs from the Agung Bali Collection. Marketing used through the social media platform Instagram and dissemination.
Figures of Classic Kamasan Painting as Inspiration for the Creation of Modern Painting Neode, Haris Candra; Tjokropramono, I Gede Yosef; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2994

Abstract

The classic painting of Wayang Kamasan began when the Modara puppet painting, made by I Gede Mersadi was favored by the king of Klungkung. Then he was given the nickname Modara according to the puppet figure he painted. By king Klungkung Modara was sent to work on many projects so that his puppet painting style spread and until now it is known as Classical Painting Wayang Kamasan. The characteristic of this painting can be seen from the coloring technique that uses the sigar warna and sigar mangsi techniques. (Ni Wayan Sri Wedari, 2022:9). Broadly speaking, the forms of wayang can be distinguished through the shape of the face, body shape or abdomen and coils as well as detailed parts of the eyes, eyebrows, nose, mouth, mustache, and other detailed shapes. (I Made Yasana, Menggambar Wayang Klasik Bali 1). Gede Modara who created the Kamasan Wayang style inspired the author to create puppets with a new style through the figures in the Kamasan Classical Puppet. This creation process aims to preserve the Kamasan Classical Puppet and develop it into a modern painting without eliminating the existing packages. The paintings created are expected to be able to become the characteristics of the author.
Barong Landung as Inspiration for the Creation of Painting Works Prayoga, I Made Adi Putra; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3002

Abstract

The classic painting art of Wayang Kamasan has a distinctive depiction of figures, coloring techniques and complementary ornaments so that it has been preserved and maintained until now. In Bali there is also Barong Landung which has a historical background and interesting characteristics. The creation of this work and writing aims to find the author's unique painting style which is inspired by the figure of Wayang Kamasan by raising the topic of Barong Landung. The method used in the process of creating this work of art is the method of writing by Hawkins, which includes the stages of exploration, improvisation, and forming. The results of this activity are in accordance with the stages carried out, namely (1) during the exploration stage, ideas and relevant studies are generated regarding the works created; (2) the improvisation stage resulted in a sketch on a sketchbook; and (3) the formation stage produced six paintings according to the plot or history of Barong Landung
Sang Hyang Semara Ratih as The Creation of Painting Ninggrat, I Dewa Gede Wisnu Jaya; Budiarta, I Dewa Putu Gede; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3003

Abstract

This independent project thesis raises the title Sang Hyang Semara Ratih as the creation of a painting. In the Hindu mythological story Sang Hyang Semara Ratih, which is the lamp of the gods and goddesses as a symbol of love full of desire and loyalty and sacrifice. The story is told in Lontar Cundamani II. In this quote, it is told that heaven is being attacked by the giant Nilarudraka, a powerful giant who wants to rule over heaven. The gods were all defeated, none of them could fight him. Finally the gods came to Bhagawan Wraspati to ask and predict who would be able to beat the giant. Finally the results of the prediction showed that the giant Nilarudraka would only be defeated by the elephant-headed children of Lord Shiva. From the contents of this thesis, the author also reveals the creation of works of art, which the author creates and shows, namely the visuals of the Hindu Mythological object Sang Hyang Semara Ratih which contain many philosophical meanings in it. The conclusion of Sang Hyang Semara Ratih's thesis as the creation of this painting aims to provide an understanding for readers to recognize the meaning of the symbols contained in Sang Hyang Semara Ratih.
Tampiog Dance Tradition as a Source of Inspiration for Painting Works Yana, I Wayan Wirta; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3008

Abstract

The Tampiog Dance tradition literally means kicking fire in its implementation involving the youths, undagi and stakeholders as participants and witnessed directly by village krama around the village of Manukaya Let. This shows that the Tampiog organizational culture that is formed in a system called Pekraman village is able to move each other to make the implementation of its activities successful. The Tampiog Dance Tradition (Kicking Fire) is a mythology that has been accepted as an inheritance by the people of Manukaya Let Village for generations. This tradition sounds and looks unique and rare, simply not found anywhere else. After carrying out a joint prayer at the Balai Agung Temple or the Village Temple, the village. So in the evening the Tampiog Dance tradition was immediately carried out. This tradition was carried out by the Pemangku who started this ceremony and was continued by the Banjar youth Manukaya Let. In carrying out this tradition, all residents were expected to be able to think cleanly, speak the truth and do what was noble. In this independent project, the author displays a tradition that stands out in the Tampiog tradition that is highlighted, namely the tradition of kicking a fire.
Product Development Start Up Roumy (Shoes Blend Painting And Patchwork) Abdini, Ni Gusti Ayu Arum; Gulendra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3297

Abstract

Implementation of MBKM Entrepreneurship Final Project with Mitra Agung Bali Collection which is engaged in the fashion industry on the development of weaving designs for weaving feed or endek fabrics with characteristics of air brus technique and surface design. In the development of surface design, Agung Bali Collection prioritizes creativity and innovation as well as artistic skills in gold, silver, pearl and glitter colors with massage canting techniques. During the MBKM process of the Entrepreneurship Final Project, the author developed a painting shoe product with a combination of patchwork. Different old and new product stitching techniques are intended to create an impression of different aesthetic values in the shoes chosen as a medium. The marketing that the author does is based offline and online, with promotions through whatsapp, Instagram, and shopee. The types of research methods used are included in quantitative research and observation as data collection methods. The results obtained were 9 shoe products combining patchwork endek with the titles Roro, Water Waves, Ginkgo Leaves, Viewpoint, Whale, Galaxy, My Cat, Koi Place and Ladybug.
Fourmoon Start-Up Management Development Start-Up Fourmoon (Multifunctional Painted Shawl) Nisa, Apriliana Putri Khairun; Budiarta, I Dewa Putu Gede; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3640

Abstract

The Multifunctional Painted Shawl is a special product from Fourmoon that prioritizes functionality and beauty. Based on Wikipedia, a shawl is traditional Indonesian clothing in the form of a long cloth and it is usually worn by women. This scarf is specially designed to have multiple functions in just one item. In addition, the multiple function of Fourmoon Shawl also has aesthetic value on its surface design and additional prada. The aims of this text are, 1). To Find out the Transfer of Entrepreneurial Knowledge to the Agung Bali Collection for the development of fourmoon start-up management (multifunctional Painted Shawls). 2). Finding out about the transfer of entrepreneurial skills to the Agung Bali Collection for the development of fourmoon start-up management (Painted multifunctional shawl). 3). Finding out about the transfer of Marketing Knowledge and Technology to the Agung Bali Collection. This type of research includes quantitative research and observation as a data collection method. The results of this MBKM are, 1). There are 9 functions of painted shawl products produced by fourmoon 2). The marketing that the writer does is offline and online way such as Instagram. The writer also applies a custom-order system 3). Developing insight such as prada adding with the canting massage technique.
“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game Putra, I Made Pande Agus Cahyadi; Budiarta, I Dewa Putu Gede; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3641

Abstract

Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.
Co-Authors Abdini, Ni Gusti Ayu Arum Adiguna, Made Hendra Buana, Anak Agung Ngurah Gede Surya BUDIAPRILLIANA, LUH Dharma, I Made Agus Wira Gulendra, I Wayan I Gusti Ngurah Putra Jodog, I Made Kondra, I Wayan Mustika, I Ketut Neode, Haris Candra Ninggrat, I Dewa Gede Wisnu Jaya Nisa, Apriliana Putri Khairun Prayoga, I Made Prayoga, I Made Adi Putra Putra, Fachri Permana Putra, I Gede Jaya Putra, I Made Pande Agus Cahyadi Sastrawan, Dewa Ayu Eka Savitri Sihombing, Richard Rogate Supriyatini, Sri Tjokropramono, I Gede Yosef Udghitasari, Ni Made Yana, I Wayan Wirta Yugus, A.A Gede