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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts calaccitra: jurnal film dan televisi Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Putra, Ida Bagus Hari Kayana
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Arts Humanities

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THE EXISTENCE OF “NGINANG” AS A SOCIAL AND THEOLOGICAL STUDY OF PUPPETRY IN BALI Widnyana, I Kadek; Sadevi, Luh Wina; Widyarto, Rinto; Shahab, Fauziah; Putra, Ida Bagus Hari Kayana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.576

Abstract

Nginang is the habit of chewing betel leaves and other herbs, such as lime, gambier, areca nut, and tobacco. Nginang has been practiced by people in Southeast Asian countries and parts of Southern China since the 15th century AD. Currently, nginang habit in Indonesia has decreased, which can be caused by many factors. The custom of nginang in Indonesia, especially in Bali, has meaning in various rituals, such as in Balinese puppetry. Nginang functions as a social and theological means of Balinese Dharma Pewayangan Bali. The purpose of this study is to explore the social-theological meaning and existence of the nginang custom for puppeteer in Bali. This is a qualitative study, where primary data is obtained through interviews and observations, while secondary data is obtained through literature review. The conclusion from this study is that nginang is a theological symbol that unites spiritual and social aspects in the life of Balinese puppeteers who must master various arts and the Dharma of Balinese puppetry. Nginang can control words, actions, peace, and harmony during the performance and daily life of the dalang. Nginang should continue to the young generations of puppeteers in order to master the various arts and Dharma of Balinese puppetry.
PENERAPAN GAYA PENYUTRADARAAN MIKE LEIGH DALAM MEMBANTU PENGUATAN KARAKTER PENOKOHAN PADA FILM FIKSI “TROLL“ Putra, Wayan Ari Pramana; Putra, Ida Bagus Hari Kayana; Prabhawita, Gede Basuyoga
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Film is a complex medium that combines visual, audio, and narrative elements to convey messages to the audience. In the world of filmmaking, the director plays a crucial role as the creative leader who translates the script into a visual work. This research aims to apply the directing style of Mike Leigh, known for his improvisational approach and deep character development, to enhance characterization in the short fiction film titled TROLL. The film addresses the social issue of toxic masculinity, which often has a negative impact on men’s mental health. The research methodology consists of three main stages: pre-production, production, and post-production. During the pre-production phase, extensive research, casting, and vision alignment among the production team are conducted. The production phase focuses on character exploration and realist cinematography techniques. The post-production phase involves visual and audio editing to ensure the final product aligns with the intended vision. The result is a 15-minute short film that successfully portrays the destructive effects of toxic masculinity through an emotional narrative and realistic characters. In conclusion, Mike Leigh’s approach proves effective in creating authentic characters and delivering a profound social message to the audience.
PENERAPAN GAYA EKSPOSITORI PADA FILM DOKUMENTER COSMIC ENERGY I KETUT BUDIANA Suardewanti, Ni Kadek Asri; Puriartha, I Kadek; Putra, Ida Bagus Hari Kayana
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Documentary films are a development according to non-fiction films where documentary films contain information & contain the subjectivity of the makers. This means that what is recorded is based on existing facts (Nugroho, 2007). According to Chandra Tansil (2010:5), the stages of making a documentary film are divided into six parts, namely Building ideas, Research, Composing a storyline, Composing production design, Filming, Editing images and sound on the editing table. Expository Documentary Films or Documentaries that focus on presenting facts and information with clear and objective narratives. Expository documentaries are one type of documentary film that aims to convey information, facts, or knowledge to the audience objectively and informatively. The production of the documentary film "Cosmic Energy I Ketut Budiana" raises the story of artist I Ketut Budiana which shows how the creative process of artist I Ketut Budiana in creating his work where the artist explores the basic concepts of cosmos life, namely concepts that are actually universal, born from the appreciation of Balinese spiritual values. This documentary aims to show the results of cultural art works created by a maestro who is very creative and innovative in his work. The process of creating the documentary film “Cosmic Energy I Ketut Budiana” involved partners and supervising lecturers who have helped to create a work that has continued benefits until the work is quickly completed.
PENERAPAN STRUKTUR 8 BABAK PADA NASKAH FILM RERANTIG SENJA DI RUMAH PRODUKSI CV. LUAR KOTAK AUDIOVISUAL Effendi, Daffa Nabawi; Prabhawita, Gede Basuyoga; Putra, Ida Bagus Hari Kayana
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Kampus Merdeka is a policy initiated by the Indonesian Ministry of Education and Culture that allows students to develop interdisciplinary skills, one of which is through the Merdeka Belajar Kampus Merdeka (MBKM) program. In this final report, the author collaborated with Luar Kotak Audiovisual to develop an independent project in the form of a fictional film script titled RERANTING SENJA. This final project discusses the process of creating a fictional film script entitled Reranting Senja, which highlights themes of self-recovery after loss, emotional pressure, and identity exploration. The story centers on the main character, Raka, a photographer experiencing an existential crisis following the death of his father and the emotional strain in his relationship with his partner, Laras. The project adopts the Eight-Sequence Structure (Elizabeth Lutters) as the narrative framework. This structure is used to shape the emotional transitions of the character gradually and dynamically, from the initial set-up, internal conflict, to a resolution that touches both psychological and spiritual aspects. The creative process began with the exploration of themes such as grief and relational tension, which were visualized through elements like photography, silent spaces, and symbols of familial memory. The scriptwriting adopts a character-driven approach, where the narrative development is shaped by the protagonist’s internal conflicts. Elements such as reflective dialogues, still visuals, and dramatic rhythm are used to deepen the atmosphere and evoke emotional responses from the audience. The final result is a fictional script with a duration of approximately 90 minutes, consisting of 28 major scenes that represent the transformative chapters of Raka’s journey. Through Reranting Senja, the author attempts to portray that healing is not about returning to who we once were, but about becoming someone new. This work aims to reflect on mental health issues and the importance of healthy relationships in one’s life, while also contributing to the development of more psychologically and emotionally nuanced screenplay writing.
Co-Authors Effendi, Daffa Nabawi Gede Basuyoga Prabhawita I Kadek Widnyana, I Kadek I Made Denny Chrisna Putra I NYOMAN PAYUYASA . Ida Ayu Gede Sasrani Widyastuti Kadek Dwiyani Lawranta, Gangga Novian, Ramadhan Dwi Payuyasa , I Nyoman Peradantha, Ida Bagus Gede Surya Prayudi, Kadek Denika Indra Puriartha, I Kadek Putra, Wayan Ari Pramana Rinto Widyarto Sadevi, Luh Wina Setiawati, Fadila Sita Shahab, Fauziah Suardewanti, Ni Kadek Asri Suciartini, Ni Nyoman Ayu Utamia, Dewa Gede Satya Adi Maha