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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Texture : Art and Culture Journal Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Jurnal Pengabdian Masyarakat IPTEK Jurnal Hasil Pengabdian Masyarakat (JURIBMAS) Canthing
Amin Sulistiyowati
Universitas Tiga Serangkai
Arts Humanities Computer Science & IT Education Electrical & Electronics Engineering Engineering Social Sciences Other

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KOMPARASI ESTETIK BATIK FRAKTAL DENGAN BATIK NUSANTARA TRADISI Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

ABSTRACT Batik fractal is a modern batik made refer to the tradition motif combined with fractal visual in computational way. As an innovation in the arena batik Nusantara, batik fractal managed to integrate the digital technology with fractal visuality as a major milestone work design. It has produced a form of batik modern that play an important role in bringing batik Nusantara to face the global competition. This journal will discuss the relationship between batik fractal with batik tradition in the constellation batik Nusantara through the aesthetic comparative study. Keyword: Batik Fractal, Batik Nusantara, Comparative Study.
DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR Muchamad Bagus Iman; Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products. Keywords: Art wear, Batik, Destructive, Surreal
VARIOUS KINDS of TRADITIONAL CLOTHING INDIAN SOCIETY Khansa Luthfi Musyaffa; Fajar Prihati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Types of Indigenous Clothing of the Indian Society. India is one of the countries that is very influential in ancient Asian civilizations. Saree from India is one of the oldest clothing in the world. Many fashion clothes are inspired by Indian clothes and applied in a more modern style. Even though there are Western clothing styles that colonized India, India is still able to maintain the Saree as part of the characteristics of the Indian State.
KLASIFIKASI KARAKTERISTIK BUSANA TRADISIONAL CHINA Kisni Hangganingtyas; Dhea Putri Aguatina S,A; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
KLASIFIKASI KIMONO SEBAGAI BUSANA ADAT JEPANG Mila Fiska Indriana; Iffana Nafisa Saraswati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Classification of Kimono as Japanese Traditional Clothing. Japan is included in one of the developed countries, Japan as a country that still adheres to customs and culture is the main attraction, one of which is clothing. Almost everyone knows the traditional Japanese dress, namely the kimono. Clothing with various motifs and colors is well known throughout the world because it has become the identity of the country. Traditional Japanese kimono clothing is no longer monotonous because it has received several technological touches so that it looks more modern and can compete in the market.
EKSPLORASI ECOPRINT PADA BUSANA PESTA KIMONO MODERN DENGAN MOTIF MUSIM GUGUR JEPANG Shafa Kamila Choirunnisya; Amin Sulistiyowati; Aninda Dyah Hayu
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
Pendampingan Desain Batik Ciprat Pada Komunitas Batik Ciprat Difabel Gadingan Desa Jombor Bendosari Sukoharjo Salim Salim; Kustanto; Sutrisno; Dwi Remawati; Aninda Dyah Hayu P P; Amin Sulistiyowati; Usman Sabila Firdos
JURIBMAS : Jurnal Hasil Pengabdian Masyarakat Vol 5 No 1 (2026): Juli 2026
Publisher : LKP KARYA PRIMA KURSUS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62712/juribmas.v5i1.1065

Abstract

Splash batik is a form of batik innovation that has a unique visual character through a color splashing technique, resulting in abstract and artistic motifs. In addition to its cultural value, splash batik has also developed as a medium for creative economic empowerment, including for groups of people with disabilities. The Gadingan Disabled Batik Splash Community in Jombor Village, Bendosari District, Sukoharjo Regency, is a group of people with disabilities who actively produce splash batik to develop creativity and increase economic independence. However, in its implementation, several obstacles are still encountered, especially in aspects of motif design development, color combination exploration, and design variations that are not optimal, thus affecting the aesthetic value and competitiveness of the product. This community service activity aims to improve the ability of community members in developing splash batik designs through participatory design mentoring. The implementation method is carried out through several stages, namely observation and problem identification, program planning, splash batik design mentoring, design practice and exploration, and evaluation of activity results. The approach used emphasizes direct practice-based learning (learning by doing) so that participants can develop ideas and creativity independently. The results of the activity demonstrated an increase in community members' abilities in various design aspects. Evaluations showed an increase in motif creativity from 55% to 90%, color combination from 60% to 88%, design neatness from 65% to 87%, motif innovation from 50% to 85%, and creative confidence from 70% to 92% after the mentoring program. This activity had a positive impact on improving the aesthetic quality of ciprat batik products while also increasing the motivation of community members with disabilities to develop their creativity and produce more innovative works.
Kreativitas Remaja Mengeksplorasi Tren Visual Generasi Z pada Desain Batik Cap Handmade Amin Sulistiyowati; Intan Rofi’ah; Salim; Warda Sachiyya Ai M
Ornamen Vol. 22 No. 2 (2025): Desember
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Penelitian ini dilatarbelakangi oleh kesenjangan antara tren visual generasi Z yang cenderung dinamis, personal, dan berbasis budaya populer dengan desain batik konvensional yang sarat aturan simbolik dan pakem tradisi. Ketidaksinkronan ini berpengaruh pada minat remaja dalam menGenali dan mempraktikkan batik sebagai bagian dari identitas budaya. Penelitian ini bertujuan mengidentifikasi karakter visual Gen Z serta mengadaptasikannya ke dalam perancangan motif batik cap handmade di lingkungan pendidikan menengah. Metode yang digunakan adalah kualitatif deskriptif melalui wawancara, observasi proses workshop, dan dokumentasi karya siswa. Hasil penelitian menunjukkan bahwa remaja lebih tertarik pada motif sederhana, repetitif, dan berbasis bentuk simbolik yang dekat dengan keseharian, dengan penggunaan warna cerah atau pastel yang mencerminkan ekspresi diri. Adaptasi karakter visual Gen Z dalam batik terbukti mampu meningkatkan partisipasi, kreativitas, dan pemaknaan budaya pada siswa. Temuan ini memberikan implikasi terhadap pengembangan model pembelajaran batik yang lebih eksploratif, kontekstual, dan inovatif dalam mendukung pelestarian batik di kalangan generasi muda.
Transformasi Ekonomi Desa melalui Digital Marketing Pemuda Pelopor Desa Banyuanyar Kabupaten Boyolali Sutanto; Retno Tri Vulandari; Intan Rofiah; Fatin Fadila; Rahmatika; Amin Sulistiyowati
Jurnal Pengabdian Masyarakat IPTEK Vol. 6 No. 1 (2026): Edisi Januari 2026
Publisher : STMIK Triguna Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53513/abdi.v6i1.12230

Abstract

Pemanfaatan digital marketing di kalangan pemuda desa masih terbatas karena kurangnya pengetahuan dan keterampilan dalam branding serta pengelolaan media sosial. Padahal, Desa Banyuanyar, Kabupaten Boyolali memiliki potensi usaha lokal yang dapat berkembang melalui pemasaran digital yang tepat. Oleh karena itu, program pengabdian ini penting untuk meningkatkan kapasitas pemuda pelopor dalam mengoptimalkan strategi pemasaran digital guna mendukung pengembangan ekonomi desa secara berkelanjutan. Program pengabdian dilaksanakan melalui empat tahap: (1) Identifikasi Permasalahan melalui survei awal untuk mengetahui kendala peserta; (2) Pelatihan dan Workshop tentang konsep digital marketing, branding, strategi media sosial, dan penggunaan marketplace; (3) Pendampingan dan Implementasi strategi pada usaha masing-masing peserta; serta (4) Evaluasi Hasil untuk mengukur dampak program. Hasil kegiatan menunjukkan peningkatan signifikan dalam pemahaman digital marketing, pengelolaan akun bisnis digital, dan kenaikan omzet pada beberapa usaha peserta. Terbentuk pula komunitas digital marketing lokal untuk mendukung keberlanjutan program. Dengan demikian, kegiatan ini terbukti efektif dalam memberdayakan pemuda pelopor melalui penerapan strategi pemasaran digital yang tepat, sekaligus memperkuat pengembangan ekonomi desa.
Application Of Traditional Javanese Ornaments In Historic Buildings: A Case Study of Ndalem Kalitan In Surakarta Salim; Amin Sulistiyowati; Heriyanto Atmojo
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.7805

Abstract

Ndalem Kalitan in Surakarta is a historic building rich in cultural and historical value, reflected in the carved ornaments that adorn the doors, windows, pillars, and interior elements. This study aims to identify the form, meaning, and historical value of the ornaments and carvings on Ndalem Kalitan and analyze their potential as a source for historical learning. The study employed a qualitative descriptive method, collecting data through observation, documentation, and interviews with informants familiar with the history of Ndalem Kalitan and traditional Javanese carving. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. The results indicate that the carvings on Ndalem Kalitan contain historical values ​​related to the Javanese philosophy of life, symbols of social status, and the influence of cultural acculturation. These values ​​are relevant as a learning resource, particularly for local ornaments, to foster awareness and appreciation for regional cultural heritage.
Co-Authors Ambarsari, Ruth Andri Nur Cahyo Aninda Dyah Hayu Aninda Dyah Hayu Aninda Dyah Hayu P P Aninda Dyah Hayu Pinasti Putri Asri Puspitasari Aulia, Fina Deviana, Ojiezenia Della Dhea Putri Aguatina S,A Dhea Putri Aguatina S,A Dian Kurniasari Dwi Remawati Eksiyana, Melda Fajar Prihati Fatin Fadila Fina Aulia Fionarizoca, Avierry Hasna Khoirunisa Heriyanto Atmojo Iffana Nafisa Saraswati Iffana Nafisa Saraswati Intan Rofiah Intan Rofi’ah Iqbal Lina Rimawati Khansa Luthfi Musyaffa Khoirunisa, Hasna Kisni Hangganingtyas Kisni Hangganingtyas Kustanto Lutfiyah Melda Eksiyana Melda Eksiyana Mila Fiska Indriana Mila Fiska Indriana Muchamad Bagus Iman Muchamad Bagus Iman Mursidah Mursidah Ojiezenia Della Deviana Rahmatika Retno Tri Vulandari Ruth Ambarsari Ruth Ambarsari Salim Salim Salim Salim Salim Salim Salim Salim, Salim Shafa Kamila Choirunnisya Sutanto Sutanto Sutrisno Usman Sabila Firdos Warda Sachiyya Ai M