Amin Sulistiyowati
Universitas Tiga Serangkai

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CUBISM “TWO FACE OF THE GIRLS” Melda Eksiyana; Ruth Ambarsari; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The fashion design in this Final Project aims to create a special party fashion design that combines the source of ideas and selected fashion styles. The source of the idea for this design is Cubism "Two Face of the Girls" itself is poured into clothing with the application of pacth wrok and using traditional lurik material, while the fashion style is Harajuku Style using original clothing from Japan such as Yukata and Kimono. The type of clothing chosen is a special themed party dress.The material used in this design is linen cotton and hemp cotton for the Cubism motif. The colors of the material in this design use secondary colors.Keyword : Cubism ( Two face of the girls )
MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
KOMPARASI ESTETIK BATIK FRAKTAL DENGAN BATIK NUSANTARA TRADISI Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRACT Batik fractal is a modern batik made refer to the tradition motif combined with fractal visual in computational way. As an innovation in the arena batik Nusantara, batik fractal managed to integrate the digital technology with fractal visuality as a major milestone work design. It has produced a form of batik modern that play an important role in bringing batik Nusantara to face the global competition. This journal will discuss the relationship between batik fractal with batik tradition in the constellation batik Nusantara through the aesthetic comparative study. Keyword: Batik Fractal, Batik Nusantara, Comparative Study.
DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR Muchamad Bagus Iman; Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products. Keywords: Art wear, Batik, Destructive, Surreal
VARIOUS KINDS of TRADITIONAL CLOTHING INDIAN SOCIETY Khansa Luthfi Musyaffa; Fajar Prihati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Types of Indigenous Clothing of the Indian Society. India is one of the countries that is very influential in ancient Asian civilizations. Saree from India is one of the oldest clothing in the world. Many fashion clothes are inspired by Indian clothes and applied in a more modern style. Even though there are Western clothing styles that colonized India, India is still able to maintain the Saree as part of the characteristics of the Indian State.
KLASIFIKASI KARAKTERISTIK BUSANA TRADISIONAL CHINA Kisni Hangganingtyas; Dhea Putri Aguatina S,A; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
KLASIFIKASI KIMONO SEBAGAI BUSANA ADAT JEPANG Mila Fiska Indriana; Iffana Nafisa Saraswati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Classification of Kimono as Japanese Traditional Clothing. Japan is included in one of the developed countries, Japan as a country that still adheres to customs and culture is the main attraction, one of which is clothing. Almost everyone knows the traditional Japanese dress, namely the kimono. Clothing with various motifs and colors is well known throughout the world because it has become the identity of the country. Traditional Japanese kimono clothing is no longer monotonous because it has received several technological touches so that it looks more modern and can compete in the market.
EKSPLORASI ECOPRINT PADA BUSANA PESTA KIMONO MODERN DENGAN MOTIF MUSIM GUGUR JEPANG Shafa Kamila Choirunnisya; Amin Sulistiyowati; Aninda Dyah Hayu
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style