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Contact Name
Indri Astrina Fitria Indrarani
Contact Email
risetarsitektur@unpar.ac.id
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Journal Mail Official
risetarsitektur@unpar.ac.id
Editorial Address
Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia
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Kota bandung,
Jawa barat
INDONESIA
Jurnal RISA
ISSN : 25488074     EISSN : -     DOI : https://doi.org/10.26593/risa
Core Subject : Engineering,
Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.
Articles 430 Documents
ADAPTASI PENGHUNI DARI PERMUKIMAN KUMUH KE HUNIAN BERKONSEP RISHA STUDI KASUS: RUSUNAWA SUBKOMUNAL RISHA SEMANGGI DI SURAKARTA Audrey Mellinda Christy, Karel; Budiyuwono, Hartanto
Jurnal Riset Arsitektur Vol 8 No 03 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i03.8247.231-248

Abstract

Abstract - Syarif Burhanuddin, the Director of PUPR, has urged to individuals living in uninhabitable houses in slum areas to move to government-provided flats as soon as possible. Aside from being a nice place to live, the low cost apartment's construction aims to limit the use of residential land in urban areas. The migration of people from slums to low cost apartment will result in new ideas, difficulties, and changes in the condition and way of life of low-income people. The development of the Sub Communal Low-Cost Apartment in Semanggi region, based on the concept of a simple healthy immediate house (RISHA), is one strategy to eliminate slum settlements in Surakarta City. The RISHA Sub Communal Low-Cost Apartment's construction innovation is based on the necessity to speed up the provision of housing at a price that low-income people can afford, while keeping the building's quality and meeting the requirements for livable housing. By documenting the current situation of the RISHA Subcommunal Low-Cost Apartment and comparing it to the conditions of slum settlements in the Semanggi Area before 2018, the study utilized a descriptive method with a qualitative approach. Field observations, interviews, and literature studies were used to gather data on the Semanggi RISHA Sub-communal Low Cost Apartment. The goal of this research is to figure out how the physical and social adaptation of residents that lived in slums in the Semanggi Area before moving to the RISHA Sub-communal Low Cost Apartment. The study employs data analysis approaches such as data reduction, data presentation, and conclusion drafting. The findings of this study show that communities affected by relocation adjust their lifestyle in order to adapt to new environmental conditions as a result of the organization of slum settlements in Mojo Village. Physical and social adaptations take place in the residents of the RISHA Sub-communal Low Cost Apartment. Keywords: RISHA, slum settlement, relocation, adaptation, Semanggi.
POTENSI STASIUN KERETA API CIMAHI SEBAGAI LANDMARK KOTA CIMAHI Ramaniya Amanta, Nadindra; N. Sunartio, Anindhita
Jurnal Riset Arsitektur Vol 8 No 03 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i03.8248.249-266

Abstract

Abstract - Cimahi is known as a Military City with various historical legacies, especially from the era of Dutch colonialism. One of the Dutch colonial era legacies in Cimahi is the Cimahi Train Station (SKAC). SKAC has the potential to become a landmark of Cimahi based on its supportive historical context, unique function, and role for the city. Cimahi itself does not yet have a city identity or landmark that can represent its history and Military City image. With the potential of SKAC as a landmark for Cimahi, it is necessary to identify and explore the requirements of the city landmark's elements based on the criteria, characteristics, and types of landmark found in SKAC. Cimahi needs a city landmark because it requires an identity that represents its image as a Military City and a reference point or a landmark for human direction and location. This research used a qualitative descriptive approach with a historical research methodology to identify the criteria, characteristics, and types of landmark. The research was conducted at SKAC, located at Jl. Stasion No. 1, Baros Village, Cimahi Tengah District, Cimahi, West Java. This study identified landmark criteria according to Kevin Lynch's theory and landmark characteristics according to Donald Appleyard's theory at SKAC. The criteria and characteristics of landmarks were identified based on parameters and indicators from the researcher's observation, field observation, and literature review. Then, identifying the type of landmark according to Havva Alkan Balla's theory based on the researcher's perception and collective memory and the people of Cimahi. The results of this study indicate that SKAC has the potential to become a landmark of Cimahi. Additionally, SKAC falls into the landmark types of city memory-historical, daily life/city usage, and personal memory, supported by research in the form of interviews with Cimahi residents. These findings show that SKAC has an important role in the development of Cimahi and is worthy of becoming an icon or landmark of Cimahi. Keywords: Urban Landmark, Dutch Indich Colonial Building, Heritage Building, Railway Station Cimahi
KESELARASAN WUJUD INKULTURASI ORNAMEN SEBAGAI PEMBENTUK MAKNA SIMBOLIK GEREJA SANTA THERESIA LISIEUX BORO, KULON PROGO Malika Pribadi, Nyra; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8576.328-347

Abstract

Abstract - As the times progress, the Catholic Church is increasingly open to changes. The Second Vatican Council which was held in 1965 produced a new term, namely; inculturation, which means the encouragement of the Church to renew the Church by involving integration between local culture and Catholic teachings. Inculturation encourages the formation of a Church that continues to change with the times, by involving the active role of its people through a liturgy that can be more internalized by the community, thus forming a Church that is rooted in the local community and integration of faith experience with local breath can occur. Inculturation makes the Church part of the local culture and integrated identity of a community group. The purpose of this research is to document and reveal the embodiment and harmony of inculturation found in the architectural ornaments of the Santa Theresia Lisieux Boro Church in Kulon Progo. The choice of this object was made due to the lack of documentation of this church, even though it has a rich history and has been established since 1927. The Santa Theresia Lisieux Boro Church has strong influences from European architecture, especially the Netherlands because of its history, and over time has experienced changes influenced by Javanese culture. This research was conducted using qualitative methods in the form of descriptions, comparisons, analysis, and interpretations. The theory used is acculturation theory which is the basis of the inculturation process. The supporting theories used are the principles of Javanese locality, in the form of Javanese architectural ornamentation and colors, church zoning theory, and semiotic theory regarding historical, historicism, and material approaches. The object of study is divided into the scope of study from zoning in the Church which is divided according to its sacredness, namely the Narthex Zone, Nave Zone, and Sanctuary Zone, which is then divided again based on the scope of the building, namely the roof area, the wall area, and the floor area. The results of the study show that the inculturation of the Santa Theresia Lisieux Boro Church, Kulon Progo appears in its relationship with the sacred hierarchical zoning of the church, and the scope of the building as a manifestation of the insertion of Javanese culture into church architecture. Inculturation is manifested in the use of local decorative styles such as lung-lungan floral motives, gunungan wayang, and ornamental depiction styles. Material selection based on locality is also carried out by using stone paste and carved teak wood. The research also suggests that there is harmony between ornaments that are studied based on shape and meaning, color and material, and hierarchical placement has been realized, except for the ornaments in the Nave Zone. The benefits of this research can provide researchers, designers and readers with an understanding of inculturation and its harmony in the architectural ornamentation of the Santa Theresia Lisieux Boro Church in terms of form and meaning. An understanding of the importance of integrating local culture and values into buildings that become the identity of a region is also obtained. This research is expected to be an inspiration for designers to integrate and adopt local cultural elements that are in harmony in terms of form and meaning with the teachings and sacredness of the Catholic religion in church architecture as the identity of a region. Keywords: inculturation, ornament, form and meaning, church architecture, Java
OPTIMASI DESAIN FASAD KACA DAN RUANG DALAM TERHADAP PENCAHAYAAN ALAMI PADA KEGIATAN BELAJAR MENGAJAR DI RUANG KELAS UNIVERSITAS MUHAMMADIYAH, BANDUNG Fahrany, Farrah; Punama, Mimie
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8578.348-368

Abstract

Abstract - Indonesia is located in a tropical climate that receives much natural light from the reflection of sunlight. This abundant natural light can be used as an illumination in buildings and can save energy, especially in educational buildings such as Muhammadiyah University, Bandung is a building with an educational function where the facade uses glass on its sides with a function of space in it, namely classrooms. The classroom at the Muhammadiyah University Bandung Building has two class unit models with differences in the design of openings, resulting in strong differences in natural light in the two classroom models, there are rooms covered by 2 large-dimensional glass openings facing East, West, North, South. And then there's a classroom with openings facing south where the dimension of the openings is quite small. This study will be conducted in the form of a building exhibiting evaluation, how the glass facade and classroom enclosing elements in buildings affect the quantity and quality of natural lighting. Simulation results will be examined and design optimizations will be performed on glass facades and classroom enclosing elements with various architectural element configurations. The method used is quantitative with an experimental-simulation approach. The model of the building will be created with the SketchUp application and will then be simulated by Velux Daylight Visualizer Simulations were performed first to both existing classroom models. Results from the simulations show that there are problems in the quality and quantity of natural lighting in both classroom unit models that do not meet the standard. The design optimization of architectural elements is carried out to solve the problems of natural light quality including illumination and DF, and natural light quantities include lightness and glare contrast ratio. Class 1 units made furniture color modifications, opening modifications, light shelter additions, and incorporated all modifications. Class 2 units were glass modifications, furniture color modifications, and overall modifications. The optimization results show that the color modification of the fixing furniture has not reached the light quality standard and that the fixing has reached the light quantification standard of both classroom models. The modification of the opening dimension in the 1st class fixing unit has not reached the standard of light quality, and a slight fix to the fixing has not reached the standard of light quantification. The addition of light shelf to the class 1 unit model does not improve the quality of light and worsens to slightly improve the quantity of light. The glass modification in the 2nd class unit deteriorates the quality of light and does not improve the quantity of light. The incorporation of all modifications can improve the quality and quantity of light of both class unit models. . Keywords: quality, quantity of natural lighting, glass facade, design interior, classroom.
PEMANFAATAN RUANG OLEH ANAK PADA SETTING RUANG KAMPUNG PRAI IJING Mutiara, Ariqo; Pujianto, Franseno
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8579.369-387

Abstract

Abstract - Unlike adults, children perceive their spatial surroundings differently. Such perception then triggers specific ways of using space. The local children of Prai Ijing village utilise their environment to accommodate their activities and spatial needs—often incorporating creativity— in their daily, and traditional settings. This study aims to learn children’s perceptions of using their surrounding space in a traditional village. Specifically, this research explores local Prai Ijing children's perception of the village's unique cultural setting. Prai Ijing—a traditional village—located in Tebara village (Waikabubak, West Sumba, East Nusa Tenggara) is an award-winning tourist destination from the Ministry of Tourism and Creative Economy. The data were compiled through observations and interviews in the daily lives of the Prai Ijing’s local children. The data were then analyzed using qualitative-descriptive methods to describe children’s perceptions of spatial use. Thus, this paper concludes with two points. Firstly, the court in between the housing complex as the Open Space, and the house terrace are the most significant settings for the children of Prai Ijing.. Secondly, the different variables in the settings bring out the specific ways Prai Ijing children can use the space. Keywords: Children’s perception, behavior in using space, Traditional Village, Prai Ijing Village
PENEMPATAN TURBIN ANGIN OPTIMAL UNTUK GEDUNG PUSAT PEMBELAJARAN ARNTZ-GEISE 2 UNIVERSITAS KATOLIK PARAHYANGAN, BANDUNG UNTUK MENGHASILKAN ENERGI BERSIH SEPANJANG TAHUN Gideon, Samuel; Purnama, Mimie
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8586.388-405

Abstract

Abstract-In today’s climate condition, green building technologi is no longer a luxury but a necessity. Wind is one of the natural resources that we can harvest using wind turbines to generate clean energy. Unfortunately, winds that blows in cities on tropical countries tends to have less speed than ones that blows in other climates and areas. Fortunately, winds speed can be manipulated through building orientation and forms to produce high speed winds that can be used by wind turbines to generate clean energy. There are many wind phenomenons that occurs due to building orientation and form, some of these phenomenons are: Wind Tunnel Effect, Cumulative Effect, and winds on the peaks of buildings. Other than that, buildings that have sharp edges tend to produce higher wind speeds than those that have curved edges. Pusat Pembelajaran Arntz-Geise 2 (PPAG 2) UNPAR, Bandung is a building that can produce these 4 phenomenons in order to generate high speed winds through its form and orientation. This evaluative research will analyze PPAG 2’s form againts winds that it will experience and evaluate where in the building are optimal spots to install wind turbines. The wind datas that will be used is a daily data throughout 2021. Those data will then be used as a base for wind simulations using the Computational Fluid Dynamics (CFD) Software. The results from the simulation will be analyzed to determine the optimal placements of wind turbines in order for PPAG 2 to generate clean energy year-round. The result of this research says that all outer edges of PPAG 2 is suitable for wind turbine placements, along with the top of both towers and the bridge connecting the northern and souther tower. Keywords: Wind Turbine, PPAG 2, placement, year-round, clean energy
STUDI KARAKTERISTIK ARSITEKTUR PERCANDIAN ERA SINGOSARI-MAJAPAHIT (DITINJAU DARI SINKRETISME ARSITEKTURAL SECARA SOSOK, TATA RUANG, DAN TEKTONIKA) Fabrian Gulla, Marcellino; P. Herwindo, Rahadhian
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8587.406-422

Abstract

Abstract - Hinduism and Buddhism were introduced to Nusantara society in the 5th century, when maritime trading routes that connected India in the west and China in the east thrived in the region. In its development, Hinduism and Buddhism experienced significant progress in the Island of Java which one of them marked by the construction of Hindu and Buddhist temples that now Indonesians call as Candi at the beginning of the 8th century in the era of Ancient Mataram Kingdom. Candi itself are ancient temple buildings that has religious functions and originated from the Hindu-Buddha era in Nusantara. As time goes by, the glory of Ancient Mataram Kingdom started to fade, along with the move of the government to the east. The fading Ancient Mataram Kingdom gave birth to newly established kingdoms, from Kediri Kingdom, which followed by Tumapel Kingdom or popularly known as Singosari and up to Majapahit Empire. In this period of time, a form of syncretism arose from Hindu-Buddhist beliefs that had existed into a concept calls Shiva-Buddhism, with influences from Tantrism, and the revival of native Nusantara beliefs. The syncretism that happened gave influence to architectural composition of Cnadi that was built in this period with its own characteristics that is distinct form its predecessors. Study about Singosari-Majapahit era Temples that have existed have not fathomed about syncretism from its architectural side, therefore it needs further studies through this research. This research is conducted using a qualitative approach with the aim of understanding the characteristics of Singosari-Majapahit era temples, also to find out the similarities and differences of Singosari-Majapahit era temples with Hindu temples and Buddhist temples through analysis in forms, spatial orders, and tectonics. After being analyzed, it is found that the syncretism that occurs in the temples did not have a default pattern, which the syncretism itself is only accepted conceptually whereas practically it is in the form of hybrid. Moreover, it is also found that the arrangements of temple complex had drifted into elongated and linear order as an embodiment of egalitariansm which was also mentioned in Panji tales, with the main temple is at the rearest part of the complex. This kind of arrangement will later influence and still can be seen by us now in the religious complexes of Bali. Keywords: candi, characteristics, syncretism, Singosari-Majapahit
STUDI PENJAJARAN ARSITEKTUR CANDI BUDDHA DI SUMATERA DAN JAWA DALAM KONTEKS MAHAYANA VAJRAYANA DITINJAU DARI TATA MASSA, TATA RUANG, SOSOK, DAN ORNAMENTASI Kukuh, Ravi; P. Herwindo, Rahadhian
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8588.423-441

Abstract

Abstract - Buddhist architecture in Sumatra and Java still needs to be studied further in relation to the study of relations because Buddhist architecture does not have books or buildings that serve as guidelines for Buddhist architecture in Indonesia. The Buddhist schools that have spread in Indonesia, namely Mahayana and Vajrayana, have long ago had roots in Hindu teachings which can be seen again from the spread of architecture that occurred in Indonesia. This research was conducted to determine the relationship between Buddhist temples in Sumatra and Buddhist temples in Java. Analysis regarding the similarities and differences between several temples in Sumatra and Java can produce influencing factors. Comparative qualitative research was conducted to find out the differences and similarities between Buddhist temples in Sumatra and Java by conducting a juxtaposition study, after which the analysis was given what factors were thought to influence the similarities and differences obtained. It was concluded that there are similarities and differences between the two architectures of Sumatran Buddhist temples and Ancient Mataram Buddhists, similarities are possible because Sumatran temples have a closeness or resemblance to the architectural style of Central Javanese temples which can be seen in the application of different temple architectural elements. adapted to the Sumatran temples. The difference also explains that there is a closeness of the architectural style that is implemented according to local wisdom or based on local genius which influences the differences. So based on the descriptive qualitative analysis, it is evident that there are similarities and differences in the juxtaposition study that connects the architectural elements of the temples that are the object of research. Keywords: candi architecture, Buddha, Sumatra, architectural elements
KAJIAN DESAIN BANDARA INDONESIA: KENUSANTARAAN DITINJAU DARI POLA RUANG, SOSOK, DAN ORNAMENTASI Andrew Darsono, Antonio; Prijotomo, Josef
Jurnal Riset Arsitektur Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8935.1-20

Abstract

Abstract - The airport is a form of representation of the entry gate of a nation that is present as the first greeterfor users of air transportation modes, both domestic and international users. The representation of the gatesymbolizes the identity and image of a nation. Indonesian airports carry an important message about theidentity of a nation which is reflected through the architectural form of the airport. The airport was designed notonly as a fulfillment of the facilities of a region or even a country, but more than that, the airport is nowdesigned by placing ef orts to create a visual character that shows architectural styles both from the west to theeast of the Republic of Indonesia. This style reflects the potential of arts and culture, tourism, and local wisdom.The development of Indonesian architecture from the past to the present has resulted in transformationsof forms that are constantly adapting, Nusantara Architecture has emerged as an "other" science in viewingarchitecture. Nusantara architecture develops, transforms, and goes global, not imitating the past or existingones, while respecting the architecture of the past. The definition of Nusantara Architecture used is based onNusantara Architecture by Prof. Josef Prijotomo.Airports in Indonesia on an international scale no longer represent the city, but represent the face ofIndonesia. Terminal 3 of Soekarno Hatta International Airport, I Gusti Ngurah Rai International Airport, andSultan Hasanuddin International Airport have the highest number of users in Indonesia and play an importantrole as representatives of Indonesia. A descriptivequalitative-comparative comparison is made to see how the archipelagic aspects based on the definition ofArchipelago Architecture are applied to the three study object airports. So that it can be seen how thetransformation of Archipelago architectural knowledge has been attached to the design of airports in Indonesia.This study was conducted to find out how the process of updating archipelago architecture in airport buildingsin Indonesia, whether airports in Indonesia can reflect their Nusantara through spatial patterns, figures, andornamentation.Key Words: Airport, Nusantara Architecture, Visual Character, Spatial form, Shape, Ornamentation
SEKUENS SPASIAL PADA GALERI SENI NUART SCULPTURE PARK, BANDUNG Hanin Ayudhiya, Athaya; Aly, Sudianto
Jurnal Riset Arsitektur Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8936.21-38

Abstract

Abstract - A series of spatial arrangements that create a continuous path so that it has a starting and endingpoint can be referred to as a spatial sequence in architecture. The series of plots that play a role in conveyingthe concepts of art, culture, and nature in the NuArt Sculpture Park art gallery attracts the attention of theauthor to dig deeper into sequential experiences and their formation. This study aims to discuss the spatialsequences present in architecture through elaboration regarding the architectural elements that also shape andinfluence the spatial sequences in NuArt Sculpture Park.The type of approach used is descriptive qualitative research, where researchers will conduct aliterature study related to spatial sequences in architecture and its constituent elements in the form of bothphysical and non-physical elements which are then used as a basis for analyzing data. Then the data resultingfrom the qualitative analysis will be compiled and described narratively. The analysis process on the object ofstudy is then focused on elaborating existing paths and sketching at certain points to analyze the elements andtypes of spatial sequences that exist in NuArt Sculpture Park.From the research that has been done, it is concluded that this art gallery has spatial sequence formingelements as an ef ort to realize the main goals and concepts of NuArt Sculpture Park so that visitors get acomplete experience. Based on the relationship between music and architecture, the grooves in NuArt SculpturePark are bound by a unified sequence consisting of an intro, verse, chorus, bridge, and outro. Meanwhile, whenviewed from the spatial sequences in architecture, the types of sequences formed in NuArt Sculpture Park arelong sequences and short sequences.Key Words: spatial sequences, art gallery, NuArt Sculpture Park

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