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Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 312 Documents
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Implementation of Indah Mayang Embroidery in Pariaman City to Increase Sales of the Creative Fashion Industry Irja Irja; Fadri Rahmat; Syielvi Dwi Febrianty; Wirma Surya
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50664

Abstract

The creative economy is a new era of economic concepts that prioritizes information and creativity and relies on human resources' ideas as the primary production factor in economic activities. Pariaman City's traditional embroidered cloth business is one of the creative industries of the fashion sub-sector. The Embroidery Naras fabric business in Kota Pariaman has seen a drastic decrease in sales turnover since the Covid-19 pandemic, so entrepreneurs are looking for alternative solutions to increase their sales again. This research aims to find solutions to the problems faced by embroidered fabric craftsmanship, specifically how to increase sales volume after the covid-19 pandemic by advancing the creative embroidered fashion industry through the role of increasing production, creativity, and innovation. There are two types of data used: primary data and secondary data. Data collection, data reduction, data presentation, and conclusions are the data analysis techniques used in this study. According to the findings, increasing production played only a 33% role. This demonstrates that craftsmen play a smaller role in increasing production to 100%. While the criteria for increasing creativity reaches 70%, it demonstrates that it plays an important role in increasing sales volume. It reaches 15% for the global marketing criteria, indicating that it does not play a role in global marketing, and it reaches only 3% for the use of technology, indicating that it does not play a role in the production process. Similarly, increasing revenue by 33%, As a result, it plays a smaller role in increasing revenue through direct and online sales. 
The Role of Gunawan Setiawan's Batik Industry in the Education Process and Maintaining Batik Cultural Symbols in the Community Renzi Noviana; Omy Marissa Verdiani; Mohamad Rizki Azhar; Yosafat Hermawan Trinugraha; Bagas Narendra Parahita
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.48573

Abstract

Batik is one of the handicrafts that has high artistic value which has been passed down from generation to generation by the ancestors of the Indonesian nation since the Majapahit Kingdom and continues to be preserved today. However, we have discovered the reality that currently there are still many people who do not fully understand the meaning or philosophy behind batik motifs. Through this, it is necessary to have an educational process for the community, one of which can be carried out by the batik industry. The purpose of this study is to provide an overview regarding how the educational process carried out by Kampung Batik Kauman, especially Batik Gunawan Setiawan, is to provide a comprehensive understanding of batik to the public. This research was conducted in Surakarta, namely in Kauman Batik Village, precisely in Gunawan Setiawan Batik. The research method used is a qualitative research method with a case study approach. The results showed that there were several educational processes carried out by Batik Gunawan Setiawan, such as creating a batik gallery, conducting batik exhibitions and holding batik training. Furthermore, the process of batik education in the community is analyzed using Structural-Functional Theory - Radcliffe Brown as a countermeasure to tensions. As he stated that culture is not to satisfy individuals but to fulfill the social structure of society and emerge to overcome tensions such as theft of cultural identity due to the lack of public concern regarding local culture.
Composition Elements of the Traditional Joget Utan Dance in Bunjung Village Siak Regency Yahyar Erawati; Syahrul Syah Sinaga
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53951

Abstract

This research aims to examine the elements of dance composition in the Joget Utan traditional dance in Bunsur Village, Sungai Apit District, Siak Regency. The Joget Utan dance is rich in cultural values and is a legacy from previous generations. The traditional Joget Utan dance is an integral part of the life of the local community. However, there has been no research that has studied in depth the elements of this dance composition. Therefore, this research aims to fill this gap and provide a deeper understanding of the elements involved in the Joget Utan dance. The research method uses a qualitative approach with data collection methods through direct observation of dance performances, interviews with dancers and local community leaders, as well as literature study to obtain information on the Joget Utan dance. The collected data will be analyzed descriptively to describe the elements of dance composition. By following this stage, it is hoped that we can provide better insight into the richness of Joget Utan dance culture and contribute to efforts to preserve and develop this traditional dance art
Designing Interactive Media for the Introduction of Visual Language on Kresnayana Relief in Prambanan Fajar Persada Supandi
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53297

Abstract

Prambanan Temple in Yogyakarta is one of Indonesia's most meaningful and historic cultural heritages. One of the most impressive elements of the temple is the Kresnayana Relief, which depicts the epic story of Lord Vishnu transforming into Kresna. This relief has high artistic and historical value, but understanding and appreciation of the story is often limited. This research aims to design an interactive media that combines visual language with modern technology, focusing on the Kresnayana Relief. Through literature studies, surveys, interviews, and visual art analysis, we understand the story of the Kresnayana Relief and the interest of visitors to Prambanan Temple in interactive media. The result of this research is an interactive media prototype designed to provide an immersive experience in understanding the Kresnayana Relief story. The prototype includes a user-friendly interface, visual animation, narration, and audio elements that aim to enhance visitors' understanding and appreciation of this relief.
The Aesthetic Communication: Representation of Gandrung Bangun Urip Dance in Batukandik Village Putri Ekaresty Haes; Ayu Made Dwi Apsari
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.48631

Abstract

The Gandrung Bangun  Urip dance is one of the tarekat's sacred traditions from Banjar Bangun Urip, Batukandik Village, Nusa Penida, which is still performed in several manusa nyadnya events. This research aims to describe representation rates based on communication aesthetics. This qualitative research uses an ethnographic communication approach based on the results of participatory observation, in-depth interviews and documentation. The data obtained were analyzed using data triangulation techniques. The results obtained from the research conducted on the Banjar Batukandik krama are the Gandrung Bangun Urip dance, which represents the expression of gratitude for Krama Banjar and a symbol of repelling reinforcements or disasters. The representation of this dance is a cultural agreement in a social context as the embodiment of philosophy in society, namely Tri Hitakarana, Rwa Bhineda so that apart from having a religious function, it also has a social function, namely forming harmonious community relations within the community.
Involvement of State Officials As Cast of Characters in Folk Theater Ketoprak RRI Yogyakarta Joe Harrianto Setiawan; Santi Indra Astuti; Rawi Diwangkara; Daniari Setiawati
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57504

Abstract

Ketoprak is a traditional Javanese performing art that incorporates elements of karawitan, dance, comedy, song, acting, and artistic arrangements. Traditional art is divided into two types, such as folk art and classical art, or palace art. Ketoprak is a folk art that has its origins among the people who live outside the palace. As a folk art, ketoprak is also used to communicate to the authorities issues that the people are concerned about. Criticizing through the performing arts is a powerful way to express criticism without taking offense. Ketoprak is usually performed by a group of artists on stage. However, in recent years, ketoprak performances have been performed not only by community performer groups but also by state officials taking the cast of characters on stage. The involvement of state officials at all levels, from regional to ministerial, as well as guest stars and main characters. Including those carried out under the RRI Yogyakarta ketoprak program. The descriptive qualitative research method was used to figure out how the implementation of the ketoprak program at RRI can preserve ketoprak's dignity as a folk theater, despite the fact that it is represented by state officials, by conducting interviews with program producers and respected ketoprak performers from Yogyakarta. The study's findings show that in its development, ketoprak was divided into two forms, conventional ketoprak which was standard with rules or pakem that were still preserved by RRI Yogyakarta and ketoprak garapan which is open to be interpreted in various ways and is free to be casted by anyone, including officials who are performed in the live version of the RRI Ketoprak Program.
Creation Leumo Lon Sayang, Sayang Na Leumo Dance as a Criticism of Aceh Besar Regent Regulation No.5/2021 Dwindy Putri Cufara; Magfhirah Murni Bintang Permata
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50689

Abstract

Public order is an ideal that can create calm, comfort and tranquility in people's lives. However, this is still far from being felt by the people of Jantho City, Aceh Besar Regency. This is due to the large number of livestock roaming around in public places such as residential areas, offices, parks, roads, etc. The rise in cases such as accidents, crop destruction and environmental pollution caused by animal waste needs to be a cause for concern. The regional government through Aceh Besar Regent Regulation No.5/2021 concerning Procedures for Controlling Livestock in Aceh Besar Regency has made efforts to prevent and resolve the above problems. In fact, until now the government seems to have turned a blind eye to what is happening in public. This needs to be a common concern in order to create order in livestock that is oriented towards orderly community life. This phenomenon is interesting to actualize in the form of a dance work entitled "Leumo Lon Sayang, Sayang Na Leumo". The aim of this research is to create a dance as criticism regarding Aceh Besar Regent Regulation No.5/2021. The method used in this research is Alma Hawkins method which consists of exploration, improvisation and forming. <w
Philosophical Meaning of Pariangan Batik Motifs as an Effort to Preserve Minangkabau Culture Yuliarma yuliarma
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.49639

Abstract

Batik Pariangan is a batik cloth originating from Nagari Tuo Pariangan, Tanah Datar Regency. Pariangan batik motifs come from the ancient texts of Nagari Pariangan, which in each motif has a philosophical meaning and Minangkabau cultural values. This study was conducted with the aim of describing the philosophical meaning contained in Pariangan batik motifs as an effort to preserve Minangkabau culture. This research uses a qualitative method. This method collects research data in the form of observation, interviews, documents. Data analysis is done by reducing data, presenting data and drawing conclusions. The results of this study indicate that each sample of Pariangan batik has a philosophical meaning that contains Minangkabau cultural values. These include the Nagari Pariangan motif, Bintang Batabua motif, Minangkabau Kingdom motif, Rumah Gadang motif, and Kopi Kawa motif. That every meaning it contains should be strived to continue to be learned and is still relevant to be applied in life.
Scenography of the Show Hari Terakhir Mangkutak as a Media for Appreciation Inggit Prastiawan; Irwansyah Irwansyah; Erizon Erizon
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.39126

Abstract

The artistic creation of the stage as a medium for appreciation of performing arts is a manifestation of the author's interest in performing arts. Aka Bodi Theater is one of the theater groups developing in the city of Medan which often performs sui generis repertoire. Despite the limited facilities for holding performances, Medan City still has several groups that propose unusual performance styles. Performances from the Aka Bodi Theater group generally use an intense stage with the public, but due to the lack of artistry in the performances, through this article the author wants to explain the scenographic concept of the Mangkutak Last Day performance. The author created an artistic design for a proscenium stage prepared with all the artistic elements that support the performance. The choice of an eclectic style which is packaged with a stage set that has performance elements complemented by stage artistic value, is intended to harmonize modern developments and foster innovation values, as well as philosophical values presented in the performance in a unified artistic production. So that this article can be an intellectual contribution in terms of ideas, interpretation of the concept of scenography into the artistic space of performance by creating a concept of appreciation for performing arts.
Exploring Resilience: A Virtual Tour of Disaster-Affected Communities through Digital Photo Stories Annalisa Sonaria Hasibuan; Rezha Destiadi; Andi Supriadi Chan; Alfannisa Annurallah Fajrin
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.52581

Abstract

This study analyzes and explores disaster village tourism and life situation communication, clarifies the form and virtual scenarios, determines building blocks, and suggests sufficient functional requirements to develop virtual tourism scenarios. The questionnaire survey method is direct and effective for identifying questions; the case analysis method surveys the situation of the disaster village tourist attraction; and the theoretical analysis method discusses theories related to Digital Photo Book. The results indicate that tourists are interested in using Digital Photo Book as an information guide. Digital Photo Book's contribution to tourist information is more significant than conventional information, with 77% of tourists believing that the information provided greatly influenced their interest in the future. 70% of respondents stated that the impact of the information provided reached a satisfactory level. Digital Photo Book is more easily accepted and appreciated by tourists and is more suitable to be applied globally in the aspect of tourism, especially in areas with limited access.

Page 18 of 32 | Total Record : 312

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