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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 312 Documents
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The presence of Mak Andam in the Lingga Malay Traditional Cultural Wedding Procession Doni Febri Hendra
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50916

Abstract

This study aims to determine the role of Mak Andam in traditional Malay Lingga  marriage using a qualitative approach. Mak Andam plays an important role in preparing brides-to-be, and its role in organizing Malay wedding ceremonies has a rich cultural and social dimension. Qualitative research methods are used to understand more deeply about Mak Andam's role, their perceptions, experiences, and perspectives on Malay marriage. This study used in-depth interviews with Mak Andam who is experienced in engaging in Malay marriages. The qualitative data obtained from the interviews were analyzed using content analysis to identify key themes related to Mak Andam's role. Research findings suggest that Mak Andam's role in Malay Lingga  weddings includes a wide range of duties, from dressing the bride and groom to providing emotional support. Mak Andam also has in-depth knowledge of Malay wedding traditions and plays an important role in maintaining the authenticity and sustainability of this cultural heritage. They also have a great influence in creating meaningful experiences for the bride. This research provides a deeper understanding of Mak Andam's existence in Lingga Malay marriages, by explaining the complexity of their social and cultural roles. These findings contribute to the preservation and further understanding of traditional Malay wedding culture and may also be useful in the context of the preservation of similar cultures and customs around the world.
Art and Cultural Diversity of Dayak Ngaju Tribe: Christian Education Interactive Learning on Kuala Kurun Sugiyanto Sugiyanto; Alfonso Munte
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53351

Abstract

The prevalence of comedy and satirical programming on television and online platforms has contributed to a growing divide between entertainers (musicians) and their audiences, with the former offering guidance, criticism, and a reflection of everyday life through their work. As far as the researchers's search and exploration, there are still a few who examine and can even be said to rarely relate music through the culture of Karungut and Deder song, a culture that exists and lives in Dayak Ngaju, Central Kalimantan. This research is interesting because besides music as a fun strategy, Deder song as local wisdom is an expression of the daily life of the Dayak people in Central Kalimantan. This song contains advice, satire, advice and is still present today as part of the richness of world civilization. Lantunan Deder is presented in traditional events (weddings, welcoming guests and various Manasai dances that include men and women in rhythm or balance). Participation in Lantunan Deder has become interesting as a strategy for learning about the content of Christian religious education lessons in schools, living rooms and churches. The usefulness is more about the love of culture, God also sensitizes the participation of women and men as part of the sustainable development goals (SGDs). The research method used 4D model development with analysis and validation space and considered diversity, and song structure. The results showed that Deder as method, strategy, development, cultural actualization, as well as an instrument rarely done in the learning process of Christian religious education and researchers conducted direct practice in the field by melting Deder chants with the learning process which resulted in the creativity of students as actors and user subjects as well as cultural preservation subjects for Ngaju Dayak culture.
Engineering Drawing of Cirebon Gunungan Puppet Shape through Ethnomathematics Ismail Bambang Subianto; Pandu Pramudita
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.52998

Abstract

Cirebon Gunungan Puppet is one of the gunungan puppet figures that has shape characteristics in the Java region. Gunungan puppet is a puppet figure whose presence is considered important in every puppet show. Therefore, these puppet figures are often reproduced to meet the needs of puppet show. However, knowledge of the gunungan puppet preparation is still limited to traditional knowledge that is less understandable by today's younger generation who need more objective and systematic knowledge. Therefore, this study aims to compose knowledge of gunungan puppet with a focus on composing engineering drawings in the Cirebon gunungan puppet shape through ethnomathematics. The method used in this study is qualitative with an experimental approach. The theory used to support the achievement of this gunungan puppet engineering drawing is ethnomathematics. The composition of the Cirebon gunungan puppet engineering drawings produced three stages, that are the base grid system that determined through ethnomathematical ratio, the contour base that resulting from the arrangement of triangle, circle, and square shape, and the outline shape that resulting from drawing the outline from the geometric shape arrangement to create the Cirebon gunungan puppet shape. The results of this research are expected to be a reference for learning traditional art and design objectively and systematically, especially in the creation of Cirebon mountain puppets.
Movement Analysis Of Bedincak Gymnastics Based On Traditional Dance Of Bangka Belitung Widia Srilestari; Tati Narawati; Yudi Sukmayadi
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56549

Abstract

The problem of this research is how Senam Bedincak can be an alternative recreational sport for the people of Bangka Belitung. The purpose of this study is to describe and analyze the choreographic and musical structure of Bedincak Gymnastics in Bedindak Gymnastics so that it becomes an alternative recreational sport for the people of Bangka Belitung. The method used is descriptive analysis with a qualitative approach. Bedincak Gymnastics is a community sport that adopts traditional Bangka Belitung dance movements such as Kedidi Dance, Dincak Dambus Dance and Measles Dance. The purpose of Bedincak Gymnastics is to improve the overall health and fitness of the community as well as to introduce and preserve Bangka Belitung culture to the community. Bedincak Gymnastics consists of 7 movement structures, namely opening movement, pattern 1 movement, pattern string movement, bedincak basic movement, pattern 2 movement, pattern 3 movement and closing movement.
Innovating the Piriang Diateh Karambia Dance as a Cultural Tourism Asset in the Solok City Wimbrayardi Wimbrayardi; Irdhan Epria Darma Putra; Venny Rosalina
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.52665

Abstract

The potential of local culture, namely Piriang Diateh Karambia Dance in tourism development, is part of a product of human creativity that has economic value. This innovative goal is to analyze local culture as a cultural tourism attraction in Solok City which is packaged in the form of performances. Piriang Diateh Karambia dance is in the tourist bag in Solok City. This service method used is qualitative analysis through direct observation and indepth interviews with related parties. To analyze the potential and problems in the local culture of Piariang Diateh Karambia Dance as a cultural tourism attraction at the location where Piriang Diateh Krambia Dance grows including internal and external potential and problems. Local culture of Piriang Diateh Karambia Dance, especially in Solok City in general, has unique potential and art product centers need to be innovative as a means of performing arts that can increase cultural tourism. Innovative strategies as an increase in the local culture of Piariang Diateh Karambia Dance will attract tourists who come to the cultural bag in Solok City. Innovative local culture of Piriang Diateh Karambia Dance in Solok City, made into attractive packaging as a performing art to come to Solok City. Besides being presented as a performing art that will stimulate community economic growth through UMKM in natural tourism pockets in Solok City.
The Influence of Local Cultural Values in the Traditional Music Learning Process in the Sendratasik Department Hengki Armez Hidayat; Syeilendra Syeilendra; Marzam Marzam; Uswatul Hakim; Belirda Wulan Dhari; Syafa’atussara Silahudin
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.55509

Abstract

Traditional music as an integral part of a society's cultural wealth has aesthetic value and plays a role in deepening cultural identity. However, in the era of globalization and modernization, traditional music is often threatened by changes in values and lifestyles that dominate from outside the culture. This article explores the influence of local cultural values on the traditional music education process in the Sendratasik Department. The main challenge is maintaining the existence of traditional music amidst the ever-changing interests of the younger generation. The research is a type of qualitative research with a case study approach. Through in-depth interviews, document analysis, and direct observation, this research aims to understand the extent to which local cultural values influence students' attitudes, interests, and participation in learning traditional music. The research results show that curriculum implementation through face-to-face lectures, online learning, lecturer collaboration, and integration of educational technology are effective strategies for maintaining the existence of traditional music. Analysis of the impact of globalization shows that traditional music needs to adapt to contemporary trends to remain relevant. Traditional music education also plays a role in developing student character, such as creativity, communication skills, empathy, pedagogical skills, discipline, collaboration, understanding of cultural diversity, understanding of technology, self-development, spirit of inclusivity, as well as creation and performance. This research is expected to contribute to the development of learning strategies and curricula that focus on maintaining and developing traditional music as an inseparable part of cultural heritage that is alive and relevant in today's society.
Unpacking the Form and Structure of Jaya Baya Music Composition in JES Gamelan Fusion I Putu Riangga Budi Pramana; Hendra Santosa; I Saptono; I Gede Yudarta; I Wayan Sutirtha
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.49581

Abstract

This paper aims to reveal the structure and form of Jaya Baya music composition by I Nyoman Windha in JES Gamelan Fusion. Jaya Baya's Music Composition in JES Gamelan Fusion is the result of a rearrangement of the same title worked on with the Sekar Jaya Gamelan Group using Angklung gamelan in 2002 by taking the idea of revealing the meaning of the Bom Bali I Tragedy. This research uses qualitative descriptive research methods, with musicological approach procedures, to analyze the form and structure of the Composition of Musik Jaya Baya in JES Gamelan Fusion. This music turnover is in the style of fusion music, by combining the values of Bali characteristics with Western music values presented by JGF (Jes Gamelan Fusion). It turns out that in her composition, Windha is still thick with Balinese karawitan practices, where various elements of music, the practice of music playing techniques, ornamentation, and even the structure of the music are still Balinese style. Two types of gamelan as the basic foundation of music fusion, namely Jegog gamelan and Semar Pagulingan Saih Pitu gamelan, have certainly given rise to sound color perspectives and instrumentation techniques as a creative force for composition creation.   Windha has also made hybrid music in a fusion style which turned out to be an alternative to combining Western and Eastern music (Nusantara).
Cultural Transmission through Dance: Teaching Endeng-Endeng in SMPN 1 Rantau Selatan Kasmahidayat, Yuliawan; Khanaya, Disty Uni; Suryawan, Ace Iwan
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.50932

Abstract

Endeng-endeng is a traditional Mandailing dance that encapsulates cultural diversity and local wisdom, serving as a medium through which traditional values are sustained amid modern societal shifts. This study investigates the embodiment of local wisdom in the instruction of Endeng-endeng dance among ninth-grade students at SMP Negeri 1 Rantau Selatan. Using a qualitative descriptive method, data were gathered through observation, interviews, and document analysis. Local wisdom in the Mandailing community is reflected in social values, norms, and kinship systems, which are integrated into traditional expressions such as dance. These elements function as intangible cultural assets, reinforcing identity and guiding social behavior. The educational setting is positioned as a critical space for cultural transmission, enabling students to internalize and reproduce these values. Findings indicate that the Endeng-endeng dance is an effective pedagogical tool for instilling moral and social norms, including politeness, communal living, and life guidance. Its integration into formal education supports the preservation of Mandailing cultural heritage and enhances students’ understanding of indigenous knowledge systems. Thus, dance education serves not only as artistic instruction but also as a conduit for intergenerational knowledge transfer and the reinforcement of local identity.
Study of Logo Teaching Methods in Design Colleges Farid, Rudy; Astuti, Marisa; Supandi, Fajar Persada
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.53301

Abstract

Design colleges play a key role in shaping competent future designers, especially in the context of logo designing, which is an important element in a brand or organization's identity. The teaching of logo designing in design colleges varies and faces challenges, so there is a need for in-depth research on its teaching methods. Teaching methods are strategies used to convey knowledge and skills to students, involving steps such as concept explanation, demonstration, practical exercises, feedback, iteration, and collaboration. The design teaching method is a specialized approach to design learning, focusing on developing aesthetic understanding, design concepts and technical skills. The design teaching process includes steps such as concept explanation, demonstration, practical exercises, feedback, iteration, and collaboration. This research aims to analyze logo design teaching methods in design colleges, evaluating their effectiveness in developing students' understanding, skills, creativity, and problem-solving. The research will also explore the potential utilization of technology in teaching logo design. The research results are expected to provide recommendations and guidelines for design colleges to improve the quality of logo design teaching, prepare students for the competitive design industry, and innovate teaching methods in an era of rapid design development.
Social Construction of Dangdut Lamongan: Identity and Performance of Dangdut Lamongan Setiyawan, Dimas Bagus; Juwariyah, Anik; Rahayu, Eko Wahyuni
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.63759

Abstract

Lamongan has two different characteristics based on its territory, namely the North dominated by the culture of the Islamic Mataram Kingdom and Demak Kingdom, and South Parts dominated by Ancient Mataram culture. This cultural diversity has a significant impact on the development of dangdut music in Lamongan. This study was carried out to determine the characteristics of dangdut music in Lamongan based on the cultural backgrounds and the characteristics of the people in each region. The method used in this study is a qualitative approach with phenomenology and social construction methods. The results of this study show how public construction is formed through thought that produces a social construction. The social construction process of dangdut Lamongan music can be seen through three stages, namely internalization, objectification, and externalization. Internalization occurs when a culture are penetrated on dangdut music, adopted and becoming part of the social identity of society. The music not only represents entertainment but also cultural values and social norms lowered from generation to generation. Objektivication is visible in objective elements such as musical instruments, and stage performances which form the typical identity of the dangdut Lamongan. Musical instruments such as drum, suling and electronic musical elements in modern dangdut collaborate with traditional musical instruments. Finally, Externalization occurs when people create in accordance with the form of serving their respective regions. Through the three processes, dangdut music in Lamongan becomes a social space where people interact, communicate, and reinforce their cultural identity through music.

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