cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kota banjarbaru,
Kalimantan selatan
INDONESIA
Naditira Widya
Published by Balai Arkeologi Kalimantan Selatan
ISSN : 14100932     EISSN : 25484125     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 545 Documents
 31   32   33   34   35 
DEWA BULAN DALAM MASYARAKAT JAWA KUNA, SEBAGAI LATAR CERITA ANAK MASA KINI T N Hari Lelono
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.157

Abstract

Many people in many nations have long perceived the moon as an inspirational element in establishing stories, tales or myths for children in forms of poems, poetries, rhymes or proverbs. In daily life, children and adults usually have tete-a-tete and a leisure entertainment of games under the full moon. In regard to religious aspect, some societies recognize the moon as a symbol of fertility. In Indonesian, the moon also plays an important a spiritual role. What is the concept in the Hindu-Buddhist culture on perceiving the moon, especially in Java during the 4th until the 14th century. However, archaeological evidences indicate the lack of attention and need to create statues of the moon god, Candra. Apparently, the visualization of the moon appears merely as a crescent moon places behind of a god’s head.  This article discusses the identity of Candra in regard to his mythological background, image and the comparison between Indonesian perceptions to that of the Indians.
RATU KEMALA SARI DAN PERDAGANGAN GELAP DI KALIMANTAN SELATAN PADA ABAD XIX MASEHI Andi Nuralang
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.158

Abstract

Ratu Kemala Sari is as well-known salt entrepreneur in the southeast region of Kalimantan. She is the spouse of Sultan Adam. In the 19th Century smuggling was one of the most troubling social phenomenon concerned by the sultanate and the people as well. Salt being the most important commodity at that time was also subject to smuggling. Why was salt considered valuable to be smuggled? How was the condition of trade monopoly in the southeastern part of Kalimantan? This article will discuss the position of Ratu Kemala Sari as famous salt enterprenuer and her role as a leading figure for business, economic and politic in the southeastern part of Kalimantan, especially during the reign of Sultan Adam.
PENINGGALAN SARANA PERTAHANAN BELANDA PERANG DUNIA II DI TARAKAN Nugroho Nur Susanto
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.159

Abstract

However importing to power the oil Kalimantan’s special Tarakan island by Duck and frends in future. They are exploitations and want to defend. Voraciously Jepan for gulp down Tarakan island is very power. The evident of remaining World War II archaeologies: meriams, pillbox, bunker, battery, and war equipment in Tarakan still wa known is very clear. To looks the remaining World War II as thought is conscious the foreight want to commanded is Tarakan. Makes so realize we having in abundance.
MAKNA SUBTANTIF DAN ESTETIS PADA MAKAM RAJA-RAJA DI PANTAI TIMUR KALIMANTAN Bambang Sakti Wiku Atmojo
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7007.644 KB) | DOI: 10.24832/nw.v2i1.160

Abstract

In the east coast of Kalimantan, which stretches from north to south from districts of Bulungan, Berau, Kutai Kertanegara, Paser, Kotabaru, and Tanah Bumbu, archaeological remains of the Islamic periode are abundantly founds comprising palaces and the old burials. Evidences of the old sultanate grandeur are commemorated on a number of places. For instance, based on the result of 2000-2004 research, there were 21 burial compounds of the sultans burials discovered with rich carving on their grave markers and jirat. The carving indicate 6 varieties of design i.e. geometric, floral, arabesque, Arabic calligraphy, Latin scrip and lontarak. This article will discuss about the fundamental and aesthetic significance of ornamentation on the sultan’s burials on the east coast of Kalimantan. 
RAGAM HIAS SENI UKIR PADA BANGUNAN TRADISIONAL BANJAR DULU DAN SEKARANG Sunarningsih Sunarningsih
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.161

Abstract

Banjarese traditional house-on-stils present different characteristics to those of other communities. In the past, such houses were abundantly built, but one can hardly ever build one today. Presently, many old Banjarese traditional house-on-stils have highly weathered and damaged. Such house which is richly ornamented is the bubungan tinggi. This article discusses ornaments carved on the old Banjarese traditional house-on-stilts, and the possibilities of people today persist on using it.
UNSUR SIMBOLIS DAN ESTETIS DALAM SENI PAHAT SUKU DAYAK BENUAQ DAN TUJUNG DI KALIMANTAN TIMUR Hartatik Hartatik
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.162

Abstract

The Benuaq and Tunjung inhabit the high hinterland of Kutai Barat in the Province of East Kalimantan. Both communities have the sustainable potency to uphold their skill in wood carving; the existence of balontang, tugu ngugu tautn, templaq, klerekng and ornaments on old lamin, which abundantly found in their village signify their centuries-old competence in wood carving. Nevertheless, there are some style and type differences on carved wooden object between the Benuaq-Tunjung and that of the Ngaju, Lawangan and Maanyan. For instance, physically, the Ngaju, Lawangan and Maanyan tends to carve plain and massive wooden figures, whereas those of the Benuaq-Tunjung are more dynamic and enriched with attractive scrolls. This article discusses the aesthetic and symbolic representation of balontang, tugu ngugu tautn, templaq, klerekng, ornaments on old lamin.
SENI KRIYA DAYAK DALAM KANCAH INDUSTRI Wasita Wasita
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.163

Abstract

Proverb:”life goes on constant change is inevitable”; therefore, it is necessary to transfer distinguish values of the continuously-fading-Dayak-legacy by revitalizing and presenting the Dayak craftsmanship into the life of the present day Dayak. The Dayak craft will be founded on industrial-cultural-based consept to uplift the Dayak distinguish value to reinforce their cultural identity and honor, and be able to open up entrepreneurship possibilities. Similar transfer may be also applied delivering education, unity, and bestowing finance. This article discusses strategic possibility to transfer distinguish values and simultaneously reinforce the Dayak’s cultural identity and honor in forms of souvenirs production.
RUMAH PANJANG SEBUAH WANTAH INTEGRASI MASYARAKAT SUKU DAYAK KALIMANTAN Imam Hindarto
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.164

Abstract

The spatial layout in a longhouse may depict community-integrity of its dwellers. Spatial management in a Dayak longhouse is generally based on a macrocosmic balance between natural and cultural environment;spatial division is set up upon a philosophical value to uphold spatial sacredness and everything that represent it. Such spatial management is further carried out by exercising a philosophical order and discipline upon the dwellers, which will then create regulation-abiding-individual and manageable social control and construction.
ANALISIS RESIDU BEKAS PAKAI: PROSEDUR DAN MANFAATNYA UNTUK PENELITIAN ARKEOLOGI DI KALIMANTAN Nia Marniati Etie Fajari
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.165

Abstract

Microscopic analysis on traces of deposits on tools, either residue analysis or use-wear analysis, may provide information on technological characteristic, function, and types of use-wear of an artifact, which will further explain pattern of subsistence, exploiting plants and technology. Unfortunately, such analysis is still rarely used in an archaeological research in Kalimantan. This article discusses the advantages and prospect of benefiting microscopic analysis in archaeological researches in Kalimantan.
PENGELOLAAN KAWASAN KARST DI KALIMANTAN SELATAN Bambang Sugiyanto
Naditira Widya Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v2i1.166

Abstract

The karst environment is a unique natural phenomenon, which provides abundant resources for human survival, such as minerals, bird’s nest, guano, and forest products. Beside natural resources, the karst environment also store cultural resources essensial to archaeological  i.e. caves or rock shelters, which once occupied by prehistoric human. Therefore, it is important to be able to preserve the karst environment, either natural or cultural, for the benefit to the next generation. In order to carry out an appropriate karst environment management, especially in South Kalimantan, coordination and collaboration should be established between the Centre for Archaeology, Banjarmasin, the Local office for Culture and Tourism, the Conservation Centre for Natural Resources, the Lambung Mangkurat University, the non government organization on culture and the South Kalimantan community and produce a policy as a legal instruction to protect and preserve the South Kalimantan natural resources. This article discusses the strategy pf preservation-based karst environment management in South Kalimantan.

Page 33 of 55 | Total Record : 545

 31   32   33   34   35 

Filter by Year

2006 2023


Reset
Filter By Issues
All Issue Vol 17 No 1 (2023): Naditira Widya Volume 17 Nomor 1 Tahun 2023 Vol 16 No 2 (2022): Naditira Widya Volume 16 Nomor 2 Tahun 2022 Vol 16 No 1 (2022): Naditira Widya Volume 16 Nomor 1 Tahun 2022 Vol 15 No 2 (2021): NADITIRA WIDYA VOLUME 15 NOMOR 2 OKTOBER 2021 Vol 15 No 1 (2021): NADITIRA WIDYA VOLUME 15 NOMOR 1 APRIL 2021 Vol 14 No 2 (2020): NADITIRA WIDYA VOLUME 14 NOMOR 2 OKTOBER 2020 Vol 14 No 1 (2020): NADITIRA WIDYA VOLUME 14 NOMOR 1 APRIL 2020 Vol 13 No 2 (2019): NADITIRA WIDYA Vol 13, No 1 (2019): NADITIRA WIDYA Vol 13 No 1 (2019): NADITIRA WIDYA Vol 12, No 2 (2018): Naditira Widya Volume 12 Nomor 2 Oktober Tahun 2018 Vol 12 No 2 (2018): Naditira Widya Volume 12 Nomor 2 Oktober Tahun 2018 Vol 12 No 1 (2018): NADITIRA WIDYA VOLUME 12 NOMOR 1 TAHUN 2018 Vol 12, No 1 (2018): NADITIRA WIDYA VOLUME 12 NOMOR 1 TAHUN 2018 Vol 11 No 2 (2017): Naditira Widya Volome 11 Nomor 2 Oktober 2017 Vol 11, No 2 (2017): Naditira Widya Volome 11 Nomor 2 Oktober 2017 Vol 11, No 1 (2017): Naditira Widya Vol. 11 No. 1 April 2017 Vol 11 No 1 (2017): Naditira Widya Vol. 11 No. 1 April 2017 Vol 10, No 2 (2016): Naditira Widya Vol. 10 No. 2 Oktober 2016 Vol 10 No 2 (2016): Naditira Widya Vol. 10 No. 2 Oktober 2016 Vol 10, No 1 (2016): Naditira Widya Vol. 10 No. 1 Tahun 2016 Vol 10 No 1 (2016): Naditira Widya Vol. 10 No. 1 Tahun 2016 Vol 9 No 2 (2015): OKtober 2015 Vol 9, No 2 (2015): OKtober 2015 Vol 9 No 1 (2015): April 2015 Vol 9, No 1 (2015): April 2015 Vol 8, No 2 (2014): Oktober 2014 Vol 8 No 2 (2014): Oktober 2014 Vol 8 No 1 (2014): April 2014 Vol 8, No 1 (2014): April 2014 Vol 7 No 2 (2013): Oktober 2013 Vol 7, No 2 (2013): Oktober 2013 Vol 7, No 1 (2013): April 2013 Vol 7 No 1 (2013): April 2013 Vol 6 No 2 (2012): Oktober 2012 Vol 6, No 2 (2012): Oktober 2012 Vol 6, No 1 (2012): April 2012 Vol 6 No 1 (2012): April 2012 Vol 5 No 2 (2011): Oktober 2011 Vol 5, No 2 (2011): Oktober 2011 Vol 5, No 1 (2011): April 2011 Vol 5 No 1 (2011): April 2011 Vol 4 No 2 (2010): Oktober 2010 Vol 4, No 2 (2010): Oktober 2010 Vol 4 No 1 (2010): April 2010 Vol 4, No 1 (2010): April 2010 Vol 3 No 2 (2009): Naditira Widya Vol. 3 No.2 Vol 3, No 2 (2009): Naditira Widya Vol. 3 No.2 Vol 3, No 1 (2009): Naditira Widya Vol. 3 No.1 Vol 3 No 1 (2009): Naditira Widya Vol. 3 No.1 Vol 2 No 2 (2008): Naditira Widya Vol. 2 No.2 Vol 2, No 2 (2008): Naditira Widya Vol. 2 No.2 Vol 2, No 1 (2008): Naditira Widya Vol. 2 No.1 Vol 2 No 1 (2008): Naditira Widya Vol. 2 No.1 Vol 1, No 2 (2007): Naditira Widya Volume 1 Nomor 2 Tahun 2007 Vol 1 No 2 (2007): Naditira Widya Vol. 1 No.2 Vol 1, No 1 (2007): Naditira Widya Vol. 1 No.1 Vol 1 No 1 (2007): Naditira Widya Vol. 1 No.1 No 16 (2006): Naditira Widya Nomor 16 Oktober 2006 No 16 (2006): Naditira Widya Nomor 16 Oktober 2006 More Issue