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<![CDATA[MERANTAU SEBAGAI WADAH PEMBENTUKAN KARAKTER DALAM NOVEL-NOVEL INDONESIA BERLATAR MINANGKABAU ]]>
<![CDATA[Armini Arbain]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 1 (2022): Semiotika: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i1.24454
<![CDATA[This article aims to describe the tradition of merantau in Indonesian novels depicting the Minangkabau community. The tradition of merantau is a tradition that has its roots in Minangkabau and intends to shape the character of the younger generation. To analyze the merantau activity in the novel, the sociology of literature approach was used, especially genetic structuralism. The theory of genetic structuralism is relevant for dismantling the merantau activity in novels because this theory related closely to the genetic aspects of a novel. This study concludes that merantau in the Minangkabau community can shape the character of creating youth. The characters formed are tenacious, have a sense of sympathy and cooperation, and have a strong spirit and practice religious teachings.]]>
<![CDATA[Revitalisasi Kekejaman Penjajah dalam Puisi “Rangkasbitung” Karya W.S. Rendra ]]>
<![CDATA[Sunarti Mustamar]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30120
<![CDATA[This article discusses a poem by W.S. Rendra “ Rangkasbitung”. This poem depicts the cruelty of thecolonial regime on the revitalization of the Dutch colonial era. An examination of the history of thenation is indicated by Multatuli (a pseudonym) Max Havellar author. Through the book looks a concernfor the nation of Indonesia. He stated that the occupation can be devastating to people, especiallyyoung people. Ironically at the time of independence there are still many irregularities and policies infavor of the rulers, corrupt state officials in the increasingly rampant, land evictions common people, sothat people's suffering never stops. The poem is a social protest to the authorities to be more concernedwith the lives of ordinary people.]]>
<![CDATA[Kerinduan Tokoh-tokoh Novel Rindu Kami Pada-Mu Karya Garin Nugroho dan Islah Gusmian: Analisis Semiotik ]]>
<![CDATA[Sri Mariati]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 1 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i1.30109
<![CDATA[Novel Rindu Kami Pada-Mu reveals the lives of the peoples in the market and their life problems theyface. By using qualitative methods, it can be seen that the characters have a deep longing for lost loveand affection. The relationship between the sign and its reference in the form of icons, indices andsymbols, making the lives of those markets and the problems described Garin Nugroho and IslahGusmian be very interesting. The novel contains the suffering and struggle of the people in the marketto regain the lost affection. The novel implies that the poor and marginalized state or in a state rich andaffluent, people need attention and affection. In addition there is also a supporter of religious messagesconveyed discursive narrative and dramatic, both religious and social rituals of worship. Love oraffection is part of the value of one's religiosity, given that with love and affection, someone to worshipsocially.]]>
<![CDATA[Klausa Relatif dalam Bahasa Indonesia dan Padanannya dalam Bahasa Mandarin ]]>
<![CDATA[Xu Yunyu]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30125
<![CDATA[This paper is about the compliments in conversational Mandarin. The use of praise many usesexpressions are lexical meaning can not be understood without looking at the situation behind thespeech of praise. Moreover, the meaning of praise in Mandarin conversation can not be seen only fromthe meaning of the word meaning per word shape. Thus, it can be concluded that the various forms ofexpression of praise in Mandarin can not be separated from the context of the speech. It is based on thetracking of lexical meanings of words that became an element in the expression of praise.]]>
<![CDATA[POLITIK RESISTENSI DALAM MASYARAKAT JAWA POSKOLONIAL ]]>
<![CDATA[Aprinus Salam]]>;
<![CDATA[Rina Zuliana]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i2.31915
<![CDATA[Resistance does not exist autonomously but as behavior or responsive attitude to the situation. Resistance occurs in various forms depending on the relations between subjects or between subjects and objects. This article explained the practice of resistance at the subject level, while the limitation of Javanese society is intended as an arena for the subject's location. Resistance is used in the postcolonial perspective, the various forms of insubordination from postcolonial subjects dealing with postcolonial implications related to resistance. This study described the systems (a mechanism) of resistance such as silence, satire, imitation of physical and language plays, demonstrations, and violence. Meanwhile, this study elaborated on the nature of resistance in ideological resistance, half-heartedness, manipulative, narcissistic, and authentic resistance.]]>
<![CDATA[REPRESENTASI PEREMPUAN DALAM NOVEL-NOVEL PRAMOEDYA ANANTA TOER ]]>
<![CDATA[Yulianeta Yulianeta]]>;
<![CDATA[Nor Hasimah Ismail]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i2.31472
<![CDATA[Pramoedya Ananta Toer, through her social reality novels, presents ideas filled with messages of the struggle for and appreciation of the values of humanity. One of these ideas is the representation of women, presented in Bumi Manusia, Gadis Pantai, Midah Si Manis Bergigi Emas, Larasati, Arok Dedes, and Cerita Calon Arang. These six novels were analyzed using feminist literary criticism. Using qualitative method, this study reveals and describes 1) the position of female characters in their relationship with the other characters; 2) the struggle of female characters in their relationship with the other characters; and 3) the factors that support and hinder the struggle of female characters in Pramoedya Ananta Toer's novels. Based on the results, the women in the six novels put an effort in dismantling (deconstructing) the dominance of patriarchal ideology, promoting familialism as well as gender equality, and favoring the ideology of women in general.]]>
<![CDATA[MELIHAT SASTRA ANAK DUNIA SEBAGAI ALAT PERJUANGAN IDEOLOGI ]]>
<![CDATA[Anang Santoso]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v7i2.31470
<![CDATA[From a critical perspective, children's literature is considered a public discourse. It is a collection of ideas championed in the public sphere about something happening or being discussed that forms a particular point of view. Children's literature often becomes a tool of ideological struggle. The authors, primarily adults, consciously or unconsciously, tend to impose certain ideologies on young readers. So, children's literature is constantly exposed to a specific ideology. Researching children's literature is essentially revealing the ideology championed by the author. In this qualitative study, data were collected from research on children's literature which was utilized as a means of struggle or the cultivation of certain ideologies. The results show that there are at least seven world children's literature groups that are used as a tool for ideological struggle: (1) naturalizing the ideology of racial domination, (2) naturalizing heroic stories, (3) debating controversial historical stories in the past, (4) fighting for environmental ideologies, (5) comparing competing state ideologies, (6) forming ideological criticism, and (7) naturalizing critical perspectives and awareness.]]>
<![CDATA[NOVEL RAHASIA SALINEM KARYA BRILLIANT YOTENEGA DAN WISNU SURYANING ADJI: PERSPEKTIF GASTROCRITICISM ]]>
<![CDATA[Amalia Tussyahada]]>;
<![CDATA[Priscila Fitriasih Limbong]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i2.32514
<![CDATA[Indonesia as a culinary paradise has a variety of foods, while literature as a medium can be used as a tool to introduce various Indonesian culinary delights. This study aims to discuss food issues, especially “pecel”, to reveal the secrets of story characters in showing their identity and as an effort to preserve the culinary arts of the Indonesian archipelago. This study uses a qualitative method with a gastro criticism perspective. The research object is the novel Rahasia Salinem by Brilliant Yotenega and Wisnu Suryaning Adji. In this study, food in literature is not only used as the story's object, but both have material, physical, social, and cultural relationships. The results showed four concepts from the perspective of gastro critism, namely (1) food and pleasure, (2) food and art (bricolage), (3) food and names, and (4) food and history. The results of this study are expected to contribute to the development of literary studies in a cultural context as an effort to introduce and preserve local cuisine through literary works.]]>
<![CDATA[BAHASA GAUL SEBAGAI MEDIA KOMUNIKASI BUDAYA DI ZAMAN MILENIAL ]]>
<![CDATA[Wahyu Mulyani]]>;
<![CDATA[Sarujin Sarujin]]>;
<![CDATA[Ari Cahya Puspitaningrum]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i2.30212
<![CDATA[This study aims to discuss (1) adolescent slang in the form of abbreviations in the WhatsApp(WA) group of national-level short story writing competitions, (2) youth slang in the form ofwords in the WA group, and (3) slang as a medium of cultural communication in the millennialera. The research method uses qualitative methods. The research data were taken from two WAgroups in the national-level short story writing competition. Data collection techniques usinglistening and tapping techniques. The time used for data collection is half a year, from July2021 to December 2021. The results show ten forms of abbreviations and fifteen forms ofwords. Ten forms of abbreviations used by teenagers in chatting in the WA group of nationallevel short story writing competitions have variety, including abbreviations in English andIndonesian. The fifteen-word forms used by teenagers in chatting in the group also varied; ninewords came from English, six words came from Indonesian, there were variations inIndonesian words whose spellings were reversed (from the middle and behind), and There weretwo Jakarta dialect words. These findings represent adolescent self-identity. Communicationin the form of chatting is a youth culture, so there is a national-level short story writingcompetition in the WA group, which feels that teenagers tend to use slang. The number ofEnglish teenagers use in cultural communication shows that they want to be seen as modernand cool. By being looked at like that, teenagers feel happy and proud because they feel theyare not out of date. The findings from the study show that millennial youth have creativity incommunicating through abbreviations and variations of English to represent the context ofcontemporary culture that is modern, cool, and proud.]]>
<![CDATA[IMPLEMENTASI PRINSIP KESANTUNAN BAHASA PADA IKLAN PRODUK LIFEBOUY ]]>
<![CDATA[Domas Sugrahita Harja Susetya]]>;
<![CDATA[Safira Hamdala]]>;
<![CDATA[Moh. Fajar Al Hakim]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v23i2.31003
<![CDATA[This study discusses language politeness in Lifebuoy product advertisements based onLeech's theory. The type of research conducted is qualitative research. The data sourcecomes from Lifebuoy advertisements. The research data is in the form of speech/speechcontaining the politeness of the language spoken by the Lifebuoy advertising actor. Thedata collection method is qualitative and descriptive with listening, recording, and notetaking techniques. After the research data were found and recorded, the researchers conducted data analysis. The analysis technique used by the researcher is data reduction, data display, and conclusion. The results showed that there were six principles of politeness in language, namely the maxim of wisdom, the maxim of generosity, the maxim of appreciation, the maxim of simplicity, the maxim of consensus, and the maxim of sympathy.]]>
