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INDONESIA
Semiotika
Published by Universitas Jember
ISSN : 14115948     EISSN : 25993429     DOI : 10.19184
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Jurnal SEMIOTIKA terbit dua kali setahun pada Januari dan Juli, berisi artikel hasil pemikiran dan hasil penelitian yang ditulis oleh para pakar, ilmuwan, praktisi, dan pengkaji masalah bahasa dan sastra.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 160 Documents
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"I LOVE THIS COUNTRY!”: PROSES MENTAL DALAM PIDATO-PIDATO DONALD TRUMP Hanum Lintang Siwi Suwignyo
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v23i2.31085

Abstract

Mental processes, as part of the ideational function in the metafunction of discourse, referto the search for concepts of thinking, knowledge, feelings, and desires of the speaker. Thisstudy aims to understand and explore the use and trend of using mental processes byDonald Trump in his 2016–2018 speeches. The data and data sources of this research areclauses containing mental processes in Trump's victory speech (2016), critical speeches inPhoenix (2017), and campaign speeches in Evansville Rally (2018). Data were collectedemploying a transcription study of speech texts and analyzed using the theory of FunctionalGrammar M.A.K Halliday and Systemic Functional Linguistics Suzzane Eggins and TriWiratno, which were concretized through tables and percentages. The findings show thedominance of the affective mental process, namely the most frequent mental process or thehighest frequency used by Donald Trump to show his love for the people (listeners), flag,and country.
PRINCIPLES OF ANTONYMOUS LEXEMIC COMBINATION IN INDONESIAN I Dewa Putu Wijana
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36506

Abstract

This article deals with Indonesian lexemic combination whose elements consisting of lexemes having antonymous meaning. By using data collected introspectively whose grammaticality and acceptability are tested with other Indonesian native speakers, it is found that the combinations are governed by three main principles, i.e. formal, semantic, and stylistic principles. The formal principle can further be classified into rhyming, phonological, and length principle. While, the semantic principle can be differentiated into marked, diametric and chronological, equity, idiomatic, and gender principle. Those principles seems to be hierarchical whose dominance has not been revealed in this research. Therefore, the more serious research concerning this matter is urgently needed.
CONCEPTUAL METAPHOR OF ‘HEART’ IN POPULAR JAVANESE LOVE SONG M. Suryadi; Vina Uctuvia
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36504

Abstract

Metaphor is the use of language that is effective and expressive which causes metaphors to be found in the use of creative language, especially songs or poetry. Metaphors are now used in popular songs, especially in dangdut koplo songs. This research is supported by conceptual metaphor theory and image schema theory. The objective of this study is to explore any metaphors in the concept of 'heart' in song lyrics and how the concept of 'heart' is conceptualized in these collections of popular koplo songs. This study uses descriptive qualitative research design that consistent with the aims of this research. Data obtained by means of documentation. The data used is a collection of popular Javanese songs sung by Denny Caknan. In collecting data using documentation techniques. The data that has been collected is then analyzed using the direct element distribution and selection technique, which is realized by selecting song lyrics that contain the heart lexicon. Furthermore, the results of data analysis will be presented with an informal method. Based on the results of the analysis, there are two types of metaphors from the category of conceptual metaphors, namely ontological metaphors and structural metaphors. Two types of metaphors were also found from the image schema category, namely containment image schema and force image schema. From the analysis, it can be concluded that in Denny Caknan’s song represent some of conceptualization of the ati ‘heart’ metaphor, those are; (1) 'THE HEART IS HUMAN', (2) ‘HEART IS A CONTAINER CAN BE FILLED’, and (3) ‘THE HEART IS AN ENTITY CAN HANG OR GRASP’.
PEMILIHAN BAHASA DALAM CERAMAH AGAMA ISLAM DI TEMBILAHAN, RIAU Amalia Nazla Saldina; Suhandano Suhandano
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.31077

Abstract

Tembilahan is the capital of the Indragiri Hilir regency in Riau and is nicknamed a worship city because of the Islamic influence brought by the ulama from South Borneo. Its community consists of various ethnic groups, such as Banjar, Malay, Buginese, Javanese, Minangkabau, and others, with the majority adherents of Islam. This diversity raises problems regarding the choice of language in the religious setting. This paper examines language choice patterns and the factors that determine the choice of languages. The data are drawn by using document analysis and the introspection method. The ethnography of communication approach was used to analyze the data. It reveals that five languages were used (Indonesian, Arabic, Banjar, Riau Malay Coastal dialect, and Javanese) by applying code-switching and code-mixing, thus forming nine patterns of language choice. The factors that determine the choice of those languages are ethnic and language background, the speaker's language competence, the speech's situation, and the speaker's purposes. The purposes of language choice are to emphasize, teach, respect, give an example, pray, quote Al-Quran and Hadith, praise Allah, quote others' statements, and humour. The conclusion is Banjar language is used as the dominant language. Even though there is still no found language use with a single variation in the Islamic sermons in Tembilahan, it shows that the Tembilahan community is classified as a multilingual society that can use more than one language.
HALAL SEBAGAI BAHASA IDENTITAS PRODUK KECANTIKAN WARDAH: ANALISIS WACANA KRITIS Kuspita Sari; Bambang Wibisono; Edy Hariyadi; Akhmad Sofyan; Didik Suharijadi
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In Indonesia, the trend of products using religious commodities filled the economic market, which used "halal" diction. This study aims to answer several questions. Firstly how is the halal commodification process produced related to Wardah products? Second, how is the halal commodification process produced related to Wardah advertisements? The last is about the halal commodification process in which discourse and a "power" battle space occur. Systematization reproduced the specific knowledge. In contrast, variants are presented in specific ways. The research approach used is descriptive qualitative research. Data collection activities were carried out using the listening method and recording techniques to transcribe the data obtained. The data analysis process is carried out using the discourse theory proposed by Michel Foucault, using the genealogical method. The study results indicate that in the process of producing halal commodification related to halal products, all discourses that move in the Wardah production area are opposed to everything outside of Wardah. Besides, the openness of the power system process shows that these relations do not always dominate each other but instead play a role in strengthening the power of the halal products produced by Wardah. The results showed that when halal advertisements produced by Wardah were distributed to consumers (the public), they experienced several responses. Some people support halal advertisements, people reject halal advertisements, and neutral society towards halal advertising. This community response becomes data that is processed, selected, and sorted for reconstruction, intending to strengthen further the existence of Wardah formed by halal advertising. The relationship between Wardah, which produces the halal advertisements with other subjects outside, is interpreted as a space for the process of power to take place.
KESANTUNAN BERBAHASA DALAM MASYARAKAT OSING DI KABUPATEN BANYUWANGI Dwi Astutik; Akhmad Sofyan; Asrumi Asrumi; Bambang Wibisono; Ali Badrudin
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36423

Abstract

The use of the Osing language in this area is still quite strong, and the pronunciation could be more precise. Even so, the people of this village still apply politeness in language when interacting with each other. This study aimed to find out the forms and language politeness strategies used by the Osing community in Macan Putih Village. This research method uses a qualitative research method with three stages: the stage of providing data, the stage of data analysis, and the stage of providing the results of data analysis. The research data is in utterances by speech participants associated with a context. The study results show that most of the Osing people in Macan Putih Village are polite in speaking, although some still violate it. The form of politeness in the language of the Osing community is based on markers of politeness verbally through speech and nonverbally through accompanying body gestures, as well as the politeness scale. There are two strategies namely positive politeness strategies such as (1) paying attention, (2) exaggerating in giving comments or praise, (3) using markers as members of the same group, (4) using jokes, and (5) giving questions or asking for reasons. The second strategy is the negative politeness strategy, namely (1) using indirect speech, (2) being pessimistic, and (3) minimizing coercion/pressure.
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
MAKNA REPRESENTAMEN KENDARAAN PADA FILM ANIMASI ANAK CAR TOONS COMPILATION: KAJIAN SEMIOTIKA C.S. PEIRCE Soekma Yeni Astuti; Yanuaresti Kusuma W.
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36442

Abstract

Car Toons Compilation is an animated film by the YouTube channel First Toons which contains a compilation of episodes of Car Toons, including A Tow Truck, A Water Truck, and A Tractor. Car Toons tells a different story in each episode but still includes car elements. This study aims to discuss the semiotic understanding of the animated film by using Peirce's semiotic theory, especially icons, indexes, and symbols. The method used in this study is a qualitative method with descriptive analysis, which emphasizes the process of semiosis with the meaning of the relationship between signs or representamen in the elements of animated films and their benefits for children. The study results show that the animated films A Tow Truck, A Water Truck, and A Tractor have imaginary icons, namely visuals based on similarities to reality. The Tow Truck's indexicality as a saviour for a breaking car has a symbol of a towing tool that has a tip like a fishing hook on the back of the truck. The indexicality of the Water Truck is used to save alive whales even though they are on land. The blue object is a symbol of water. Tractor truck indexicality that agricultural land can be planted due to tractor services, its symbolism is that the animation of land with plants is agricultural land. Based on this discussion, the meaning of representamen provides benefits for children in the form of understanding the types of trucks and their uses.
FLASH FICTION DI INDONESIA: 1858 HINGGA KINI Ibnu Wahyudi
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36543

Abstract

Flash fiction or what is better known in Indonesia as "mini fiction" or also "mini prose" is not a form of work that arises as a result of dealing with limited space today but also has something to do with the level of literacy at a certain time. It is not surprising that the publication of early prose in Indonesia, which at that time was still under colonial rule, namely in the mid-19th century, was essentially similar to the “fiksi mini” that has been developing in Indonesia in recent years. Thus, this paper is an attempt to straighten out and trace the dynamics of the flash fictions which have been published in Indonesia since more than a century ago. Because of this tracking will, reading of the flash fictions that have been published is a must. From the data obtained, several “fiksi mini” were used which were clearly able to confirm the existence of flash fictions which could be said to have been ahead of its time. Facts like this are results that are worth caring about considering that the present atmosphere has existed in the past. This kind of literary reality reaffirms the understanding that literary works in particular, whatever their form, have the power to enter the future unconsciously or not on purpose. In form, what happens is the tacit proclamation of a genre, for example, while in content it is usually concerned with some sort of natural forecast or prediction.
“MI AYAM ORA KUDU ANA AYAME”: PEMAKAIAN BAHASA DALAM WACANA HUMOR BOCAH NGAPA(K) YA, PELANGGARAN PRINSIP KERJA SAMA, DAN RELASI HUMORNYA Ridha Mashudi Wibowo
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.30020

Abstract

In addition to serving as a medium of daily communication, the Banyumas dialect can also be used for entertainment, as seen in the television program Bocah Ngapa(k) Ya. This article seeks to identify linguistic quirks and pragmatic maxims that have the potential to be humorous. The data was collected from gathered information through the episode transcripts of the Bocah Ngapa(k) Ya video series, which were downloaded using YouTube Trans7 using the download-transcript-listen-record procedure from April to June 2019. The finding transcriptions were then described utilizing comparison, introspection, and pragmatic equivalent techniques. What linguistic components are crucial for producing the humour effect? How does the principle work? These are questions that the analysis is trying to address.

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