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Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : 14126206     EISSN : 25805886     DOI : https://doi.org/10.30996/parafrase.v23i1
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Parafrase: Jurnal Kebahasaan dan Kesastraan is an international scientific journal which is devoted to social and humanity studies. Parafrase: Jurnal Kebahasaan dan Kesastraan is a double blind peer-reviewed international journal published online and in printed form. Parafrase: Jurnal Kebahasaan dan Kesastraan publishes original, previously unpublished research and opinion papers written in English. Paper topics include the following: Literature, Language, History, Philosophy, Arts, Cultural studies, and Anthropology.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 274 Documents
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DEIKSIS EKSOFORA DAN ENDOFORA PADA KOLOM OPINI JAWA POS EDISI 29 MARET 2017 Khusnul Khotimah
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 01 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (175.557 KB) | DOI: 10.30996/parafrase.v18i01.1382

Abstract

This study discusses the analysis of deixis eksofora and endofora in the Jawa Pos Opinion column, March 29, 2017 edition. Researcher used qualitative methods with the object of research entitled Surrender or Cheating Type by Azrul Ananda. This study uses data documentation collection techniques in the network accessed on April 19, 2017 through Jawa Pos Online page. Data analysis technique used consists of four stages, including data collection phase, data reduction phase, data presentation phase, and conclusion withdrawal phase. The results show that Azrul Ananda in March 29, 2017 edition Opini column exploits the ecotoxid deixis persona, time, and space. The author Azrul Ananda also used the deoption of anaphoric endofora persona or not persona, but did not use the deoption endofora katafora persona or not persona. Keywords: Deixis, Opini column, Jawa Pos
SHINJU (BUNUH DIRI BERSAMA) DALAM CERPEN SONEZAKI SHINJU KARYA CHIKAMATSU MONZAEMON Eva Amalijah
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 15 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (245.389 KB) | DOI: 10.30996/parafrase.v15i02.568

Abstract

Abstract. This study discusses a lover suicide, shinju, in a short story entitled Sonezaki Shinju written by Chikamatsu Monzaemon. Shinju Sonezaki tells the marriage customs in Japanese society done by matchmaking (miai kekkon). However, the match failed to take place because the figures were refused an arranged marriage and do shinju with his girlfriend. By utilizing the approach of sociology of literature, this study discovered three things, namely shinju as a form of resistance against Japanese tradition; shinju as a way out of giri and ninjo conflict; Shinju as a representation of Shinto belief
COUNTER HEGEMONY SPECTACLE STEREOTIP WARIA DALAM INDUSTRI BUDAYA PADA FILM DOKUMENTER NGUDAL PIWULANG WANDU Kukuh Yudha Karnanta
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 15 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (409.491 KB) | DOI: 10.30996/parafrase.v15i02.573

Abstract

Abstract. This article discusses two main issues: (1) the effort of counter hegemoni presented in Ngudal Piwulang Wandu documentary film featuring the figure of the Nyi Suci alias Soleh as the mastermind transvestite; (2) the representation of transvestites as an object of entertainment in the context of the cultural industry in Indonesia which produced a certain negative stigma streotipe and on transgender community. The study uses the theory of spectacle and counter hegemony cinematic to explain the significance of the appearance of the film related to the presence NPW transvestites in Indonesia.Kata-kata kunci: Waria, Wayang Kulit, dan Kontrahegemoni
IMAGINING INDONESIA IN LEILA S. CHUDORI’S PULANG AND AGAM WISPI’S PULANG: AN INTERTEXTUALANALYSIS Tri Pramesti; YB Agung Prasaja
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 01 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (330.983 KB) | DOI: 10.30996/parafrase.v16i01.676

Abstract

Abstract. Menjadi seorang exile dan kerinduan akan tanah air adalah tema yang di-ekspose oleh dua penulis yaitu, Agam Wispi dan Leila S. Chudori. Karena alas an politik Agam Wispi harus meninggalkan negara asalnya yaitu Indonesia dan hidup sebagai seorang eksil. Kerinduan akan tanah airnya diungkapkan dalam puisinya yang berjudul Pulang. Novel Leila S. Chudori yang berjudul Pulang, juga bercerita tentangkehidupan seorang eksil yang bernama Dimas Suryo. Latar belakang Pulang dimulai pada tahun 1965 dan berakhir pada tahun 1998. Dimas Suryo, dan rekan-rekannya yang menghadiri konferensi wartawan di Santiago, Chili, pada saat terjadiperistiwa G 30 S tidak bias pulang karena paspor mereka dicabut dan mereka tidak bisa kembali ke Indonesia. Pindah dari Cile ke Kuba kemudian ke China, akhirnya berakhir menetap di Paris di mana mereka membuka restoran. Meskipun dipisahkan oleh jarak yang jauh dari tanah air mereka, kerinduan mereka untuk berhubungan dengan Indonesia adalah kunci dari novel tersebut.Tulisan ini mengeksplorasi hubungan intertekstual antara Pulang karya Agam Wispi dan Pulang karya Leila S.Chudori. Dengan menggunakan teoriinterteks yang diekspose oleh Roland Barthes dan Rifatterre, makalah ini berupaya untuk melihat bagaimana Pulang karyaAgam Wispi, seorang penulis eksil Indonesia, memiliki persamaan dan perbedaan dengan Pulang karya Leila S. Chudori, seorang penulis wanita Indonesia yang terkenal pada saat ini.Keywords: intertextuality, exiles
USING LEGENDS IN EXPANDING STUDENTS’ LANGUAGE AWARENESS AND PRESERVING LOCAL WISDOM IN ENGLISH LANGUAGE CLASSES Joesasono Oediarti Soelistijowati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 01 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (366.646 KB) | DOI: 10.30996/parafrase.v16i01.681

Abstract

Abstract. Karya sastra telah amat dihargai di berbagai negara di dunia sebagai sarana untuk memelihara dan mewariskan kearifan lokal kepada generasi yang lebih muda. Karya sastra dapat memberi akses bagi para murid kepada kebudayaan masyarakata yang bahasanya mereka sedang pelajari. Naskah-naskah sastra dalam bahasa Inggris mencerminkan keanekaragaman dunia kita yang kaya dan mengagumkan. Sebuah novel atau cerita pendek ataupun puisi yang bagus adalah materi pengajaran bahasa Inggris yang bagus. Jika materi tersebut dipilih secara seksama, para murid akan merasakan bahwa apa yang mereka lakukan di dalam ruang kelas adalah relevan dan bermakna bagi kehidupan mereka.Dalam konteks pembelajaran bahasa Inggris, memasilitasi para mahasiswa dari jurusan pendidikan bahasa Inggris dengan pengalaman dengan materi sastra di ruang kelas dapat memberikan kepada mereka pencapaian yang nyata dari penelusuran materi sastra di ruang kelas. Tujuan makalah ini adalah menunjukkan bahwa karya sastra dalam pengajaran bahsa adalah amat penting dalam era global demi memperluas kesadaran bahasa mahasiswa dan memelihara kearifan lokal melalui legenda yang menciptakan atmosfir yang menarik dan mengagumkan. Pembahasan ini meliputi bagaimana materi sastra, khususnya legenda, digunakan dalam kegiatan kelas bahasa Inggris yang melibatkan penceritaan kembali dan pengidentifikasian kearifan lokal. Meminta mahasiswa untuk menceritakan kembali cerita-cerita pendek dari kebudayaan mereka sendiri sebelum mereka membaca kisah otentik dalam bahasa Inggris dengan tema serupa adalah amat memotivasi mereka.Key words: language awareness, local wisdom, legends
HE NARRATIVE DISPLACEMENT AND UNHOMELINESS IN INDONESIAN EXIL WRITINGS Tri Pramesti
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.88 KB) | DOI: 10.30996/parafrase.v16i02.868

Abstract

Makalah ini membahas dan menganalisis narasi displacement dan keterpinggiran oleh penuliseksil Indonesia yang tinggal di Eropa, terutama di Jerman dan Belanda. Lebih khusus, tulisan ini mencobauntuk melihat bagaimana para penulis ini menggunakan narasi untuk berbagi pengalaman eksil mereka.Ilusi kepulangan selalu hadir dalam tulisan-tulisan orang buangan, dan citra negara asal medominasikarya mereka. Berfokus pada isu dispacement, ketunawismaan (unhomeliness) dan keterpinggiran, artikelini mengkaji pamer diri dalam narasi. Konstruksi-diri saat ini sebagai individu yang lebih sosial antaralain ditandai dengan nostalgia. Kata kunci : narrative, exile, displacement, unhomeliness
POTRET BUDAYA GEISHA DALAM NAGASAKI BURA-BURA BUSHI KARYA NAKANISHI REI Endang Poerbowati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 17 No 1 (2017)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (258.029 KB) | DOI: 10.30996/parafrase.v17i1.1354

Abstract

Abstract. This article explores the cultural portrait of Geisha in Nagasaki Nova Bura Bura Bushi. The object of this research is the representation geisha in Nagasaki Bura Bura Bushi by Nakanishi Rei published in 2002. This research aims to examine the geisha figure in terms of its culture, which Nakanishi Rei uses to describe Japanese social culture in Japanese society. The research approach applied is qualitative approach. The result of the analysis shows that: first, a geisha must be able to maintain a discussion with guest. Second, a geisha should perform polite language behavior skills. Third, a geisha must follow the prevailing customs. Fourth, in everyday life, geisha has certain behavior patterns. Fifth, geishas figure in Japanese society are regarded to have more abilities as a woman compared with ordinary woman. Keywords: geisha, cultural aspect, polite behavior
STUDENTS’ RESPONSE TO SCHEMA THEORY APPLIED IN WRITING CLASS FOREIGN LANGUAGE LEARNING SOFI YUNIANTI
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (178.708 KB) | DOI: 10.30996/parafrase.v18i2.1716

Abstract

Much research analyzed the application of schema theory in classroom. However, few research have discussed about students’ response in writing class that applied schema theory, especially in Foreign Language Class. This research aims to find students’ response applied schema theory in writing class foreign language learning. It discovers what student’s opinion to the schema application in writing class. Finally, it discusses the implication of the research’s finding towards the schema theory, and encourages further study relating different groups of students in different contexts. Keywords Writing, Schema Theory, Foreign Language Learning
ANALISIS MAKNA DAN PENGGUNAAN KATA WASHI DAN ORA PADA 37 JUDUL MUKASHIBANASHI MERRY ZAHROTUL MUFIDAH; ENDANG POERBOWATI
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.999 KB) | DOI: 10.30996/parafrase.v18i2.1721

Abstract

In Mukashibanashi, the words Washi and Ora are often used. The word Washi is often used by the elderly people, namely grandfather and grandmother. The word Ora is also often used by young people. Washi and Ora have the same meaning as Watashi. The words Washi and Ora were used in the Edo period. The objectives of this study are to describe the meaning of the words Washi and Ora and to describe the use of the words Washi and Ora. Descriptive method is applied in tnis study. The data analysis procedure is looking for the words Washi and Ora in Mukashibanashi, translating, and analyzing them. After the analysis, it can be concluded that the words Washi and Ora have the same meaning, namely "me" and they can be used by anyone: the elderly people, young people, children, women, and men in informal use. Keywords: imiron, hinshi, washi dan ora, mukashibanashi
PERBEDAAN ICHININSHO DAIMEISHI MENURUT GENDER CUK YUANA
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (349.627 KB) | DOI: 10.30996/parafrase.v18i2.1717

Abstract

The variety of languages can be traced in every language. However from gender point view, it seems that every language does not have any differences. The different choice of vocabulary or goi used by men and women can be classified in Futsuu Meishi (noun), Ichininsho Daimeshi (first person pronoun), and Sanninsho Daimeishi (third person pronoun). This research focuses on futumeishi and Ichininsho Daimeishi. In futsumeishi, female speakers tend to add the prefix "O" or "GO" in front of meishi which is meant to respect, while male speakers tend not to use the prefix "O" or "GO". In Ichininsho daimeishi, male speakers tend to choose and use vocabulary that seems more crude, namely "washi, boku, ore, etc.", while female speakers tend to choose and use vocabulary that seems more subtle, such as "watakushi, atakushi, atashi, and so on.” Keywords: language variety, gender, male language, female language, koyumeishi

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