Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture.
Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Articles
452 Documents
<![CDATA[PEMBELAJARAN EKSTRAKULIKULER SENI LUKIS KACA DI SMP NEGERI 3 SUKASADA ]]>
<![CDATA[Suryawan, I Gde]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v10i2.2328
<![CDATA[Glass painting art as a “Kosa Rupa Bali†wealth especially Buleleng was very important to keep, one of them was in education. Because of that, it must be trained and directed for skill development through glass painting art extracuricular in many level, in this research focus on junior high scool especially at SMP N 3 Sukasada. The problem, that would be analyzed in this research are: (1) How are the glass painting art extracuricular learning process at SMP N 3 Sukasada. (2) How is the result of glass painting art extracurricularat SMP N 3 Sukasada. (3) What are the factor that affect the glass painting art extracuricular at SMP N 3 Sukasada. The research method that used was qualitative. The location that was choose for this research was SMP N 3 Sukasada. The technique that was used for collecting the data included: observation, interview, and documentation. The data was analysed by descriptive. Keywords: Learning, Ekstracuricular, Glass Painting]]>
<![CDATA[PEMANFAATAN SENI KOLASE SEBAGAI PRODUK KREATIF UNTUK PENGEMBANGAN KARYA PROYEK STUDI MAHASISWA JURUSAN SENI RUPA FBS UNNES ]]>
<![CDATA[Fiyanto, Arif]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v10i2.2329
<![CDATA[Efforts to develop artworks from student study projects at the FBS UNNES Department of Fine Arts which choose collage art are very interesting when applied to tottebag, as a creative product. After going through observations and various considerations, collage artworks that have been worked on as student study projects will be more economically valuable, and become creative products. So that the work can collaborate into handmade products with archipelago images. Because the material used in making these products uses batik patchwork with designs that utilize Indonesian decorative motifs, especially in developing the tourism potential of Semarang. Thus the use of collage art as a creative product for the development of student study project works can be a research that discusses inspirational and innovative methods of development. Keywords: study projects, creative products, collage art]]>
<![CDATA[SPIRIT OF NOAH : MEMAKNAI ULANG SEMANGAT KENABIAN DALAM ALKITAB MELALUI KARYA SENI RUPA ]]>
<![CDATA[Sitompul, Theresia Agustina]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v10i2.2331
<![CDATA[In the legend of Noah's Ark, God punished one whole generation of Noah who were wicked and defying God by sending a natural disaster in the form of the Great Flood, destroying the nature. Noah was commanded to build an ark (medium) to save himself, his family, and his followers, also all kind of animals in pairs; to save a generation of life that later will create a new civilization and culture in a new area or location. The legend of Noah's Ark can be found in almost every holy book of divine religions where the story conveys the message of a life-cycle and how we learn about the meaning of life.Associating the story with our current lives, Noah's Ark has two concepts of interpretation; in the context of salvation and at the same time as a mediation space of the birth of a new culture. How human save themselves from their worldly problems, and at the same time a mediation space, a shifting space from the old culture into the new culture. These two concepts of Noah's Ark are the background and the base this creation for the writer. Keywords : Spirit of Noah, graphic art, hermeneutika.]]>
<![CDATA[METAFORA DAN IDEOLOGI FILM IKLAN MANDIRI SECURITAS ]]>
<![CDATA[Handriyotopo, H.,]]>;
<![CDATA[Lastoro, GR Lono]]>;
<![CDATA[Gustami, SP]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/bri.v10i2.2332
<![CDATA[The Mandiri Securitas advertisement film is a corporate advertisement that contains a persuasive message to increase brand image as a leader in investment in the Stock Exchange or trusted banking investment in Indonesia. The metaphor in the Mandiri Securitas advertisement contains cinematographic images that borrow keris culture to be sided with banking culture. This qualitative descriptive study uses a semiotic approach to appropriate verbal and visual messages from the system of rhetorical marks "Minus One". The content of visual rhetoric and verbal rhetoric on the Mandiri Securitas advertisement was reviewed by Roland Barthes's semiotic theory, because it was considered capable of uncovering the relationship of the sign meaning behind the denotative marker system and connotative markers from the ideology of Mandiri Securitas advertisements with the theme of empu keris (keris maker). The results of this study prove that the application of the "Minus-One" method is very helpful to find and recognize the roles played by the constituent elements of a film construction. The Mandiri Securitas advertisement film is an example of the appropriation of the tradition world for the benefit of the modern world. The tradition world is not displayed in its entirety as it is, but is displayed partially and determined based on the image of the modern world wants to construct as an imagery form of advertising. Keywords: Metaphor, rhetoric, Semiotics, and ideology ]]>
<![CDATA[PERUBAHAN NILAI DAN FILOSOFIS BUSANA KEBAYA DI JAWA TENGAH ]]>
<![CDATA[santoso, ratna endah]]>;
<![CDATA[widyastuti, Theresia]]>;
<![CDATA[Sakuntalawati, LV Ratna Devi]]>;
<![CDATA[Josef, Adji Isworo]]>;
<![CDATA[Affanti, Tiwi Bina]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2479
<![CDATA[The Javanese who live in the Central Java region are known for their cultural strength. This can be seen from how they uphold the heritage traditions of their ancestors. Besides that, Central Javanese people are easily known through their typical costume. Kebaya and its equipment from head to toe, it is said that initially only used by the royal community had a quite interesting value and philosophy. For decades kebaya as part of history, experienced various changes in line with the era that continues to run. The most important thing is that kebaya is no longer an everyday outfit like in the past.This research paper uses qualitative research using a cultural approach. This study aims to find out (1) changes in values and philosophies such as what happened to kebaya clothing specifically used in the Central Java region; (2) whether today's kebaya can still be called traditional clothing, especially with various changes caused by current conditions.]]>
<![CDATA[MURAL KAMPUNG BANTARAN KALI BORO: PEMBERDAYAAN KAMPUNG MELALUI KEGIATAN KESENIAN ]]>
<![CDATA[handayani, endang sri]]>;
<![CDATA[fuad, figur rahman]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2481
<![CDATA[Kampung as the important factor the culture of a city plays important role in teh city develpoment. The community movements in managing their environment has become an interesting thing to discuss. This reserach is a qualitative study on the comunity creativity residing in Kali Boro riverside. It exproses the activities that the community caries in managing their environment through art. The data are collected trough interview and literatures. The results of this research shows that art can attract the community in Kali Boro riverside to actively participate in the environment improvement and trigger their creativity. Keywords: Kampung, creativity, art.]]>
<![CDATA[RAGAM HIAS TRADISIONAL JAWA Studi Rekonstruksi Visual Untuk Desain Kriya Kayu ]]>
<![CDATA[Prabowo, Rahayu Adi]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2500
<![CDATA[ Javanese traditional ornaments are one of the richness of the archipelago's culture. A variety of craft works in the form of decorative motifs from various ethnic Archipelago has given rise to a style with its own characteristics and uniqueness. The focus of this study is to explain the traditional Javanese decorative motifs. The study of motif reconstruction as a method of developing and preserving traditional Javanese decorative motifs, as an alternative design of wood craft products.Qualitative methods and explorative experimental methods are used as a basis for analyzing and translating experimental reconstruction designs for the visual development of wood crafts in Indonesia that are Indonesian, unique and varied. The development of alternative designs with various reconstructions of traditional ornamental motifs will enrich the repertoire of traditional fine arts culture in Indonesia.]]>
<![CDATA[PEMANFAATAN KOLASE DENGAN MEDIA KERTAS DAN PLASTIK BEKAS DALAM KARYA MONOPRINT ]]>
<![CDATA[Adi, Sigit Purnomo]]>;
<![CDATA[Tri Marutama, I Gusti Ngurah]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2668
<![CDATA[The use of used plastic and used paper to produce an alternative in the use of media in the process of visual processing specifically graphic artwork, this step is one of the efforts to save the environment with the help of art. By utilizing used goods, mostly used paper, plastic will not directly reduce the damage caused by plastic and paper materials. Paper and plastic are explored as sustainable media, while graphic art works are not only an aesthetic realm, but seniors as a way to provide awareness and care will discuss the environment. This creation uses monoprint and collage techniques as techniques for exploration and ideas in the art process.]]>
<![CDATA[WUJUD RASA SYUKUR SEBAGAI KELUARGA PETANI DALAM VISUAL KARYA SENI GRAFIS ]]>
<![CDATA[Prastyo, Irfan Dwi]]>;
<![CDATA[Zarkasi, Much Sofwan]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2675
<![CDATA[The lesson from life as farm family inspire personal life to patient, work hard, simple, sharing and help each other in daily life and also contribute to self-maturing. Purpose of create this printmaking artwork is creating printmaking artwork which take form thankfulness as farm family and also explain about concept, process creating and visual aesthetic result from printmaking artwork. Form of thankfulness as farm family is visualized in printmaking artwork with relief print technic use hardboardcut on paper. These creating printmaking artworks give more insight from empirical experience in creating printmaking artwork and also deepen about concept form thankfulness as farm family]]>
<![CDATA[STUDI EKSPLORASI BIOMORFIK SEBAGAI IDE DASAR DALAM PENCIPTAAN KARYA SENI RUPA TIGA DIMENSI ]]>
<![CDATA[Afatara, Narsen]]>;
<![CDATA[Prameswari, Nadia Sigi]]>
<![CDATA[ Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/brikolase.v11i1.2677
<![CDATA[Art is making quality work that can be enjoyed by others. The stages of making art are determined by ideas, ideas and being able to reconstruct into valuable works of art. One way to get ideas, ideas is to make observations. One object that can be used as observation is Ameba. Joan Miro and Santiago Calatrava are among the artists whose works are inspired by Amoeba or biomorphics. The purpose of this study is to find out how far artists explore and produce high-value works with Amoeba or biomorphics as the basic ideas in making art.]]>
