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INDONESIA
Jurnal Bahasa dan Sastra
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023538     DOI : https://doi.org/10.24036/jbs.vxix.xxxxx
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Language and Literature which including review of comparative literature, modern literature, creative expressions, new literary history, practice and theory of creative writing literature and language, methodologies of literature and language, Theories and practice of literary studies, linguistics, stylistics, research and developments in language and literature education, Language and Literature explores the connection between stylistics and critical theory, linguistics, language assessment and language for special purposes, language planning and policies, conversation analysis, sociology of literature, languages and cultures, cross-cultural studies, literary criticism, etc.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 447 Documents
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Gaya Bicara Manja sebagai Representasi Kognisi Bahasa Anak: Studi Kasus Psikolinguistik Alda Amanatun Khoiriyah; Tatang Hariri
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.137733

Abstract

The child’s playful speech style is not merely an individual form of expression, but also a communication strategy employed to build closeness and influence the interlocutor’s response. This study aims to identify the speech strategies used in playful speaking as well as the socio-emotional factors underlying the emergence of this style in the subject AFR, an eight-year-old child. Using a qualitative descriptive approach, the study found that AFR’s playful speech style is characterized by word reduplication, phoneme omission and substitution, rising and elongated intonation, and the use of special forms of address. Data were collected in both home and school settings trough the Simak Bebas Libat Cakap (SBLC) method, followed by note-taking, providing direct insight into the contexts of use. Furthermore, AFR’s speech strategies include bald on record, positive politeness, negative politeness, and off-record strategies. The style appears predominantly in interactions with close family members and rarely in school, shaped by socio-emotional closeness and executive functions such as inhibitory control, cognitive flexibility, and emotional regulation. These findings affirm that coquettish speech is not a spontaneous childish act but a manifestation of psycholinguistic processes rooted in cognitive mechanisms, reflecting the child’s understanding of interpersonal relations. This study contributes to child psycholinguistics by offering new perspectives on how children’s language us reflects not only structural development but also the social and emotional dynamics shaping everyday interaction.
Bentuk Ketidakadilan dan Resistensi Tokoh Utama Perempuan dalam Kumpulan Cerkak Wit Tanjung Ngiringan Omah karya Bu Ageng Cicit Raihana Nurani; Rahma Ari Widihastuti; Dhoni Zustiyantoro
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.138273

Abstract

This study analyzes forms of injustice and resistance experienced by the female main character in the short story collection Wit Tanjung Ngiringan Omah using a feminist approach and James C. Scott's theory of resistance. Data collection involved reading and note-taking, with the reading process conducted heuristically and subsequently analyzed hermeneutically to achieve a deeper understanding. The research data consist of phrases and sentences related to forms of injustice, betrayal, and manifestations of resistance by the female protagonists, drawn from the short story collection Wit Tanjung Ngiringan Omah. The results indicate the presence of betrayal in the realms of romance, politics, economics, legitimacy, and protective functions. The female main character's resistance manifests in the form of open resistance (public transcript) and hidden resistance (hidden transcript), with hidden resistance being the most dominant form. Overall, this study demonstrates that power is not always manifested through physical rebellion but also through covert resistance.
Kesantunan Berbahasa Jawa Ragam Krama pada Tuturan TikTok @agilnofian: Analisis Prinsip Leech dalam Perspektif Wijana Kinanti Raraswanti; Endang Kurniati; Eka Yuli Astuti
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.138002

Abstract

Javanese is  a language that is synonymous with politeness. In fact, it was found that the use of Javanese language was a variety of  manners that did not reflect politeness in  @agilnofian TikTok  videos. This study aims to analyze compliance with and violation of Leech's principle of politeness in  the register of  Javanese krama  in @agilnofian TikTok video uploads. This study uses a qualitative approach with a descriptive method. The research data is in the form of Javanese speech in a variety of  manners  in @agilnofian TikTok video uploads that contain elements of linguistic politeness. The data source is in the form of all speech in 150 TikTok video uploads  @agilnofian the period October 2024-December 2025. Data was collected by the observation method and the advanced recording technique. The data analysis technique of this study uses the Miles & Huberman interactive model with four stages, namely, data collection, data condensation, data presentation, and conclusions/verification. The results of the study showed that Javanese speech of various manners on TikTok @agilnofian more impolite than polite ones. Compliance with the principle of language politeness in TikTok speech was @agilnofian found as much as 48%, while violations of the principle of language politeness were found as many as 52%. The maxim that is most followed is the maxim of wisdom, while the maxim that is violated the most is the maxim of praise. The dominance of violations of the principle of language politeness in this study has implications for the shift in the function of using the Javanese language from   a marker of respect and politeness to a means of expression of humor and entertainment on social media. Thus, the existence of this research is expected to be an input so that the Javanese language is used  properly and still pays attention to the value of language politeness, especially when communicating on social media.
Simbol, Metafora, dan Makna Kehidupan dalam Antologi Hujan Bulan Juni Karya Sapardi Djoko Damono: Kajian Hermeneutika Paul Ricoeur Fitri Dwi Jayanti; Dede Endang Mascita; Diki Mutaqin
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.138566

Abstract

Poetry is one of the literary literacy materials that can develop students' interpretive, reflective, and appreciative abilities. However, the use of symbols and metaphors often makes poetry difficult to understand because its meanings are not conveyed directly. This study aims to describe and analyze the symbols and metaphors found in the poems of Sapardi Djoko Damono's Hujan Bulan Juni anthology, interpret the meanings of life represented through these symbols and metaphors, and explain their relevance as literary literacy materials for senior high school students. This study employed Paul Ricoeur's hermeneutic approach using a qualitative descriptive method. The data consisted of words, phrases, lines, and stanzas containing symbols and metaphors in five poems: “Lanskap”, “Tulisan di Batu Nisan”, “Yang Fana Adalah Waktu”, “Aku Ingin”, and “Berjalan ke Barat Waktu Pagi Hari”. Data were analyzed through the stages of distanciation, appropriation, and refiguration. The findings reveal the presence of natural, temporal, color, situational, and abstract symbols, as well as the use of anthropomorphic and concrete-to-abstract metaphors. These symbols and metaphors construct meanings of life related to reflections on life's journey, acceptance of loss, awareness of the limitations of time, sincerity in giving and letting go, and the importance of making peace with oneself. The findings also indicate that the poems in Hujan Bulan Juni are relevant as literary literacy materials for senior high school students because they can foster students' interpretive, reflective, and literary appreciation skills. Based on the complexity of their symbols and metaphors, Aku Ingin and Lanskap are more suitable for Phase E, while Berjalan ke Barat Waktu Pagi Hari, Yang Fana Adalah Waktu, and Tulisan di Batu Nisan are more suitable for Phase F.
Ragam Bahasa dan Konstruksi Identitas Hibrida pada Konten TikTok @arab_ngapak: Kajian Sosiolinguistik Riska Syawalia; Prembayun Miji Lestari; Eka Yuli Astuti
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.137851

Abstract

The development of social media platforms, especially TikTok, has given rise to new linguistic phenomena that are interesting to study sociolinguistically. This study aims to describe the variety of languages and linguistic characteristics in the content of @arab_ngapak TikTok accounts. Using a qualitative descriptive method with a sociolinguistic approach, data was collected from 12 videos uploaded in March–December 2025 through the free participation listening technique (SBLC) and the recording technique. Data analysis used the Miles and Huberman models. The main theoretical frameworks include Martin Joos' theory of linguistic diversity and the theory of Chaer and Agustina's language variation. The results showed three dominant language types: consultative, intimate, and casual, with the business variety being the most frequent due to the high level of promotional content. Prominent linguistic characteristics include the mixing of Arabic and Javanese codes of the Ngapak dialect as a form of hybrid identity enregistration, the use of pisuhan as a marker of group solidarity, and the simile language style. These findings contribute to understanding how content creators use a variety of languages to construct social identities in the digital space.
Strategi Naratif dan Resistensi terhadap Konstruksi Identitas Agama dalam Novel Anjing Mengeong Kucing Menggonggong Karya Eka Kurniawan Dewi Lenggani Prima Rini; Muhamad Adji; Mochamad Irfan Hidayatullah
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.138701

Abstract

In studies of contemporary Indonesian literature, Eka Kurniawan's novel Anjing Mengeong Kucing Menggonggong has primarily been examined through the lenses of internal conflict and power relations. However, few studies have positioned narrative strategy as the primary medium through which the negotiation of religious identity is represented. This study aims to examine how religious identity is represented in the novel and how narrative strategies are employed to portray resistance as part of the ongoing negotiation of identity. The analysis draws on Genette's narratology, focusing on order, duration, frequency, focalization, and is supported by Hall's theory of identity, Bell's theory of ritual, and Scott's concept of resistance. The findings show that religious practices such as prayer, Qur'an recitation, fasting, and circumcision are understood not only as acts of worship but also as practices that shape the characters' everyday lives. This subversive tendency is already suggested in the title (Dogs Bark, Cats Meow), which reverses what is commonly perceived as natural, creating space to question identities and norms that have long been accepted as fixed. The study also finds that narrative strategies play a significant role in constructing this representation through the use of temporal structure, focalization, and voice, allowing religiosity to be understood as a plural and evolving experience rather than a singular one. In the novel, resistance is not presented simply as a rejection of religious identity but as a way for the characters to reinterpret, negotiate, and reshape their religious identities through everyday experiences. Thus, the novel portrays religiosity as a dynamic space of identity negotiation that continues to evolve through the characters' lived experiences, social relationships, and personal choices.
Dominasi atau Persetujuan? Hegemoni Keluarga dalam Praktik Perjodohan pada Cerita Romansa Jodho Pilihan Bapak Hafit Yudya Kristalianto; Suwardi Endraswara; Doni Dwi Hartanto
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.137840

Abstract

Javanese romance stories often portray socio-cultural issues within society, including the practice of arranged marriage. In Javanese culture, family involvement in determining a child’s spouse remains significant, particularly for women, as considerations of social status, family reputation, and economic stability frequently shape marital decisions. This phenomenon reflects the operation of family hegemony through the internalization of cultural values and social consent. This study examines the forms of family hegemony and the female character’s responses to arranged marriage in the romance story Jodho Pilihan Bapak. Using a qualitative approach, this research applies content analysis within the frameworks of sociology of literature and Gramsci’s theory of hegemony. The data consist of narrative passages and dialogues that represent family power relations and the female character’s responses. The findings reveal that family hegemony operates through moral pressure, the legitimization of social and economic values, and parental authority in determining a life partner. Although the female character initially experiences inner conflict, she gradually negotiates and eventually accepts the arranged marriage. These findings suggest that arranged marriage in Javanese romance literature functions not only as a cultural representation but also as a mechanism through which family hegemony shapes individual consent. Furthermore, the study highlights the relevance of literary texts as critical material for Javanese literature learning.

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