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Mhd. Pujiono
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Jl. Universitas No.19, Padang Bulan, Kec. Medan Baru, Kota Medan, Sumatera Utara 20155.
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INDONESIA
International Journal of Cultural and Art Studies (IJCAS)
Published by Universitas Sumatera Utara
ISSN : 26231999     EISSN : 26543591     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
International Journal of Cultural and Art Studies (IJCAS) is an academic, open access, and peer-reviewed journal founded and first published in 2018 by Talenta Publisher & the Faculty of Cultural Sciences, University of Sumatera Utara, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, IJCAS provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Topics include culture (Traditional Art & Culture, Tourism), Linguistics (morphology, phonology, semantics, syntax, sociolinguistics, antropolinguistics, psycolinguistics/neurolinguistics, discourse Analysis, translation, clinical Linguistics, forensic linguistics), literature (comparative literature, foreign literature, Indonesian literature), history (foreign history, Indonesian history). Only original research articles and book reviews are accepted. International Journal of Cultural and Art Studies (IJCAS) are published two times per year (in April and October).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 82 Documents
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Japanglish: The Benefits of English Proficiency for Japanese Language Students' Vocabulary Acquisition in North Sumatra Gapur, Abdul; Taulia
International Journal of Culture and Art Studies Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i1.11868

Abstract

Japanglish is a popular term for absorbing English words into the Japanese language. The phenomenon emerged due to the global usage of English as an international language, which has influenced other languages, including Japanese. As a result, many English loanwords have been absorbed into the Japanese language, particularly for modern terminology. These loanwords are known as gairaigo (外来語) or katakanago (カタカナ語). Although the incorporation process involves morphological and phonological changes, English loanwords are easily recognizable to those who understand English. This study aims to prove that English Proficiency among Japanese language learners can help improve their mastery of Japanese vocabulary and conversational ability. The study was conducted by providing special instructions on the formation and usage of Japanese loanwords in conversation. The study approach is qualitative with a descriptive method, employing behavioral theory and pre-test and post-test evaluation methods. Data were collected through observation of the teaching process and pre-test and post-test results from Japanese language students in Sumatra Utara. The findings indicate that English language proficiency among students offers advantages and influence in the mastery of Japanese vocabulary, especially in loanwords, and facilitates communication in conversation.
Interference of Indonesian Language on Japanese Language in the Use of Aizuchi (相槌) by Japanese Language Students in Medan Taulia; Gapur, Abdul
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.12322

Abstract

Language interference or disorder often occurs in individuals who have acquired proficiency in multiple languages, including Japanese language learners at the college level. This research aims to analyze the interference of the Indonesian language in the use of aizuchi (backchanneling) in Japanese by Japanese language students in Medan, Indonesia. The study employs a qualitative approach with a descriptive method. The data consists of transcriptions of conversations between students and lecturers that contain instances of aizuchi interference. Data collection is conducted through observation using techniques such as eavesdropping and note-taking. The collected data is analyzed through data condensation, data presentation, and conclusion drawing. The findings reveal that the interference of the Indonesian language in aizuchi in Japanese primarily occurs at the lexical level, specifically in the utilization of Indonesian words as aizuchi in Japanese conversations. An example of this interference is replacing the Japanese word "hai" with the Indonesian word "iya." The students' experiences influence the identified interference in learning foreign languages and cultural factors. This research contributes to a better understanding of the interference of the Indonesian language in the use of aizuchi in Japanese and provides insights for teaching the Japanese language at the tertiary level.
Semiotics of Factory Printed Wax Prints across West Africa Sawyerr, Naa Omai; Acquaye, Richard; Kusi, Cynthia Agyeiwaa
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.12684

Abstract

This research explores the topic of factory-printed wax fabrics in West Africa, focusing on their portrayal and significance within the region. The study examines the resemblances and distinctions of these prints across different countries, as well as their applications, meanings, and interpretations. The historical and cultural importance of wax prints in West African society, culture, and economy is emphasized, highlighting the diverse meanings embedded within seemingly uniform designs. The research methodology involves qualitative research and selective sampling, with ten wax print designs chosen for analysis in Ghana, Nigeria, Cote d'Ivoire, and Togo. These countries were selected based on their integration, trade, production, and cultural significance related to wax prints. Data collection involved meticulous observation, thorough documentation, interviews, and thematic analysis. The findings reveal both similarities and differences among the analyzed designs, each representing unique narratives and embodying cultural significance. These prints are not just patterns, but also vessels of history, with captivating stories intertwined with their origins. To ensure the preservation and relevance of these visual representations for future generations, it is recommended to undertake comprehensive documentation and cataloging of traditional wax prints.
The Pacman Song Meaning Interpreted through Semiotics Analysis Nuryanti, Dewi; Pragita, Salca
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.12693

Abstract

This study aimed to interpret the meaning of the song lyrics “Pacman” by EAJ. It used the semiotic analysis by Michael Riffaterre. The research was qualitative descriptive research. Data for the research was the lyrics of the Pacman song by EAJ. The research found that the heuristic reading process in the “Pacman” lyrics still discussed each line’s meaning. It was interpreted when a person loved someone and would give anything and did anything even if it ended painfully as long as he/she was together with his/her mate. Then “Pacman and Lover” was analyzed as a model. “Cause my head says no, but my phone keeps calling you.” and “Over and Over, like it’s Red Rover” was analyzed as a variant. “People who love to die for someone” was analyzed as a matrix. Last, “one-sided love” was explored as a potential hypogram, and “Pacman” was analyzed as an actual hypogram. This research concludes that the hidden meaning of “Pacman” lyrics is when a person loves someone deeply. Even if a loved one hurts him, he will still love his lover. 
Locally Taboo Words Within East Java Society: A Sociolinguistic Study Br. Perangin-angin, Alemina; A. Jalil, Zurriyati; Pranata, Juli Samuel; Amalia, Firdha
International Journal of Culture and Art Studies Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v8i1.13409

Abstract

Researchers can learn a lot about a culture's values, beliefs, and fears by looking at the things that people don't do. What a culture thinks is holy, dangerous, or rude can be shown by taboos. This can help us figure out how societies work and how they've changed over time. This article analyzes the use of taboos in the daily communication of the people of East Java, particularly adolescents. Rural and urban Javanese have differing perspectives on the usage of taboo language, respectively. This study intends to examine the opposition of views between rural and urban Javanese individuals who use taboo language to communicate, as well as the types of taboo words typically employed by Javanese people. The type of data obtained from the study is qualitative, thus the data that will be reported in this study will be in the context of the usage of taboo language by rural, urban, and East Java Province-dwelling Javanese. The data was also collected by Interviews: Talking to people from a wide range of backgrounds in depth. Ask them open-ended questions about how they feel about banned words when they're used, and how they make them feel. Since rural Javanese continue to use language and manners, their perspectives on taboo language analysis differ from those in urban areas. The East Javanese believe that profanity and restricted language should not be utilized in speech and social interactions. 
Design of a Rumah Budaya in the Context of Preserving Karo Culture in Desa Lingga, Karo Regency, North Sumatra Nasution, Putri Handayani; Ginting, Salmina Wati
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.13692

Abstract

The Siwaluh Jabu Traditional House is one of the cultural heritages from the ancestors of the Karo people from the past. This traditional house is located in Desa Lingga (Lingga Village), Karo Regency, North Sumatra, Indonesia. The interest of tourists in visiting this traditional house has made the local government make Desa Lingga a cultural village. Traditional houses and other cultural heritage symbolize the greatness of the Batak Karo ancestors in the past. Nevertheless, the "remains" (inheritance) of greatness seems to have less attention anymore. This paper was created with the aim of examining the existence of cultural heritage with tourism potential of the Siwaluh Jabu Traditional House in Desa Lingga and providing architectural design solutions as a form of Karo Cultural preservation by creating a Rumah Budaya that provides lodging facilities and cultural learning facilities in order to preserve Karo Culture. The research was conducted using a qualitative descriptive method where the authors obtained the data by observing and describing th eenvironmental conditions of the object. Referring to the research results, it was found an idea for an design that has a cultural program where visitors and tourists can enjoy the atmosphere of Lingga Village, which is unique to its Karo Culture while learning about this culture. The design of this cultural learning facility will impact the Siwaluh Jabu Traditional House because this traditional house will experience preservation which is expected to lead to an increase in tourist visits to the Desa Budaya Lingga.
Indigenous Knowledge in Esan Proverbs of Edo State Nigeria Aluede, Charles Onomudo; Okakah, Fatelyn Irenosen; Ehiemua, Kingsley Iyayi
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.13765

Abstract

The Esan people are an ethnicity in the Edo state of Nigeria. Their language and culture are a subset of the larger Edo ethnic group in Nigeria. A close study of the Esan indigenous knowledge and culture reveals that the appeal of the Esan folk proverbs is in their eclectic nature because of their portrayal of diverse issues in the Esan cosmology and belief system, ranging from folk art to traditional health care beliefs and practices. This finding suggests that the subject of Esan proverbs deserves some scholarly attention. This article, therefore, examines the nature of Esan proverbs even as they perform their didactic and pedagogical functions in contemporary Esan parlance. By its nature, this study adopted a combination of research approaches, which included content analysis, library searches, and ethnographic methods such as interviews and observations. In the ethnographic study of a specific Nigerian with a focus on its proverbs, this paper’s research light shall beam over the five local government areas (LGAs) populated by the Esan people in the Edo State of Nigeria. Apart from its potential for insightful scholarship, the significance of this study on Esan proverbs also lies in the fact that inquiries into the indigenous knowledge system (IKS) portray folk proverbs as veritable windows into the culture and essence of a people. Indigenous knowledge has much more impact on contemporary society than people know.
Strengthening Students’ English Competence Based on the Results of Their English Proficiency Test with the Use of the Expert System with Forward Chaining Method Putri, Liza Amalia; Nurrahmi, Herly; Chu, Xirui
International Journal of Culture and Art Studies Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v7i2.14242

Abstract

This article presents the results of a study that aimed to strengthen students' English language competency based on the results of their English proficiency tests using an expert system with a forward chaining method. The study employed a quasi-experimental design, with an experimental group receiving intervention using the expert system and a control group following traditional classroom instruction. The analysis of pre and post-test assessments revealed significant improvements in language skills for the experimental group compared to the control group. Additionally, the comparison of English proficiency test results showed higher mean scores for the experimental group, indicating a positive impact of the expert system intervention. The findings highlight the potential of the expert system with forward chaining in providing personalized and adaptive learning experiences, supporting language educators in addressing individual students' weaknesses, and enhancing overall language development. Further research with larger sample sizes and diverse participant groups is recommended to validate these findings and explore the scalability of this approach in language education.
The Combination of Culture and Art in Muludan Mask Dance as a Strategy for Preserving Tradition: Muludan Mask tradition as a component of Surabaya's place identity Santiana, Anindra Candrika; Riyanto, Edi Dwi; Afdholy, Nadya
International Journal of Culture and Art Studies Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v8i1.15216

Abstract

Festivals and celebrations are among many ways for a culture or tradition to be presented to society. Muludan Mask is a Surabaya culture where children often play with these masks when celebrating the Prophet’s Birthday. But unfortunately, this culture is starting to be eroded by the times along with the development of the globalization era. Many efforts have been made by both the Surabaya government and communities in Surabaya to preserve the Muludan mask tradition. One of the efforts made by the Arbaya Dance Community in 2017 and 2018 was to celebrate the Prophet's birthday at Balai Pemuda Surabaya by dancing the Muludan Mask dance together. The qualitative method with interviews as a data collection method was applied to collect data from within the Arbaya Dance Community as the source to determine how effective and sustainable the efforts to preserve the Muludan mask tradition are. This article wants to show how art and culture are combined to preserve a tradition since tradition is one of the components composing a place identity. The results of this research show that the existence of the Muludan Mask tradition needs to be reaffirmed so that it doesn’t fade completely from Surabaya society because it can affect the identity of Surabaya. This tradition's small number of cultural practitioners causes this article to have only one source from one community. It is hoped that this article can provide further information about the Muludan Mask and help this tradition to be noticed by the Surabaya people.
Cultural Encounters: Puppetry Performing Arts (Wayang) and Dangdut Music as a Reflection of India-Indonesia Integration Bagaskara, Akbar; Rokhani, Umilia; Wahyuningsih, Septiana
International Journal of Culture and Art Studies Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v8i1.15333

Abstract

The purpose of this research is to reveal the relationship or social and cultural influence of the Indian nation on the expression of performing arts (wayang) and dangdut music in Indonesia. The hope of this research is to increase public awareness of the identity of national performing arts and music, which is rarely realized to be heavily influenced by Indian culture. Specifically, the aspects examined in this research include changes in the content of stories from Indian epics in the adaptation of Indonesian performing arts, as well as dangdut music that adapts the energetic spirit of music and dance from India. The method used in this research is qualitative with primary data sources derived from scientific articles and books related to the research. The data validation analysis technique used in this research is triangulation. Triangulation is used as a means of comparing the amount of data, to determine its consistency and accuracy, which will be displayed in the research. The results of this study show that, the culture brought by India is not really one hundred percent imitated or copied by the Indonesian people. The author concludes that the hybridity that occurs between Indian and Indonesian culture actually forms a new innovation in the field of art itself or can also be called a new work. The Mahabharata and Ramayana stories, which were originally the source of puppetry, changed and adapted to Indonesian culture. As a result, there are many compositions of the two epics, character changes, and the emergence of new characters that do not exist in the Mahabharata and Ramayana themselves, such as the punakawan characters that are closely related to the spread of Islam in Indonesia. The same goes for dangdut, a music that was originally based on the character of Malay music from Indonesia, now transformed into a new genre called dangdut due to the influence of India, through political elements and the spread of Indian movies in the 20th century.

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