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Kalangwan: Jurnal Pendidikan Agama, Bahasa dan Sastra
Published by Institut Hindu Dharma Negeri Denpasar
ISSN : 1979634X     EISSN : -     DOI : -
Core Subject : Education,
Education Languange, Linguistic, Communication & Media
Kalangwan, Jurnal Pendidikan Agama, Bahasa dan Sastra yang diterbitkan oleh Jurusan Pendidikan Bahasa dan Sastra Agama Fakultas Dharma Acarya IHDN Denpasar memiliki misi menghidupkan dan mengoptimalkan kesadaran keindahan ilmu pengetahuan yang ada dalam diri setiap orang. Maka dengan kesadaran tersebut akan membuat setiap insan tergerak untuk terus menimba menambah dan memperdalam pengetahuan demi kemajuan dan peningkatan kualitas SDM kampus. Keindahan ilmu pengetahuan akan membuka sisi estetika dan kelembutan menuju manusia yang ramah rendah hati jujur dan terbuka.
Arjuna Subject : -
Articles 151 Documents
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SIWA TATTWA PURANA [RITUAL-RITUAL KEHIDUPAN DAN KEMATIAN] Putra, I Gde Agus Dharma; Indrayani, A.A. Diah
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 10, No 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v10i1.1387

Abstract

Siwa Tattwa Purana berarti cerita kuna tentang hakikat Siwa. Kekunaan cerita tentang hakikat Siwa ini, diawali dengan penggambaran Sang Hyang Jagatpati yang sedang berada di Siwa Loka. Jagadpati adalah nama lain Siwa. Siwa Tattwa Purana menyediakan informasi dan pengetahuan perihal Padma Bhuwana, Ritual Kehidupan sampai dengan Ritual Kematian. Padma Bhuwana adalah peta mistis-geografis sebagai petunjuk arah. Ritual Kehidupan menurut Siwa Tattwa Purana berawal dari penyatuan Smara dan Ratih di Cantik Gedong Mas. Upacara saat di dalam perut adalah Pagedong-gedongan. Setelahnya silanjutkan dengan upacara saat dua belas hari, saat sebulan, tiga bulan, enam bulan, mulai berjalan dan tumbuh gigi, matatah, menikah, lalu Apodgala. Ritual Kematian dapat dilakukan pada orang yang ada jasadnya, dan tidak ada jasadnya. Ritual kematian ini dilakukan mulai dari tingkatan Atiwa-tiwa, Nyekah, Mukur, Ligya sampai dengan Angluwer.
ESENSI ETIKA DAN MORALITAS DALAM KITAB NITI SATAKA Jayendra, Putu Sabda; Semadi, Gusti Ngurah Yoga
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 9, No 2 (2019)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v9i2.1228

Abstract

Kitab Niti Sataka berisi tentang 100 buah sloka yang ditulis oleh Raja Bhartrihari sekitar dua ribu silam. Beliau adalah raja yang sangat pandai memimpin dan disayangi rakyatnya, disamping itu beliau juga ahli dalam filsafat dan bahasa Sansekerta. Kitab Niti Sataka mengandung ajaran tentang nilai-nilai etika dan moralitas yang sangat bermanfaat di dalam kehidupan, terlebih di zaman modern ini. Namun esensi etika dan moralitas dalam kitab Niti Sataka belum dikenal secara umum oleh umat Hindu. Ajaran yang terkandung di dalamnya sesungguhnya  merupakan ajaran-ajaran susila (etika dan moralitas) dengan ungkapan-ungkapan bahasa kekinian yang mudah dicerna oleh masyarakat umum, serta dapat diaplikasikan dalam upaya pembentukan karakter sejak dini.
MAKNA ETIKA SEBAGAI LANDASAN MENTAL SPIRITUAL PENDIDIK YANG PROFESIONAL DI ZAMAN MILENIAL Aryana, I Made Putra
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 10, No 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v10i1.1395

Abstract

Artikel ini menguraikan tentang pendidik dalam menerapkan etika sebagai landasan mental spiritual di zaman milenial. Membahas pentingnya etika sebagai landasan mental dan spiritual pendidik Hindu untuk mengendalikan emosi dan tingkah laku dalam menjalankan tugas-tugas pendidikan dan pengajaran di zaman milenial. Dibahas menggunakan metode observasi, studi kepustakaan dan wawancara. Sikap seorang pendidik yang profesional, yakni menjauhi larangan-larangan Agama Hindu yang dapat menghambat perkembangan profesi dan perkembangan peserta didik. Berdasarkan analisis, seorang pendidikan yang profesioanal di zaman milenial ini wajib memegang teguh etika sebagai landasan mental spiritualnya. Landasan tersebut terdapat ajaran-ajaran Hindu antara lain, Panca Sraddha, Catur Purusa Artha, Trikaya Parisudha, Dharma Laksana.
“MANTRA ABU” DALAM TEKS BHŪWANA KOSHA Putra, I Gde Agus Darma
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 9, No 2 (2019)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v9i2.1234

Abstract

Bhasma Mantra was delivered by Bhatara to Bhatari. This narrative seems very different from the early part of the text of Bh?wana Kosha. Bhasma Mantra is chapter VII of the XI chapter contained in Bh?wana Kosha. Chapter VII consists of 30 slokas. Bhasma Mantra is one part of the text of Bh?wana Kosha which explains the subject of bhasma [ashes]. The intended ash is Ongkara as a result of burning Brahma mantra into the Fire of Dampati. The Dampati fire is composed of two pairs namely the Ongkara [Purusha] and Ukara [Pradhana]. Bhasma Mantra itself is the body of Shiva. This teaching was delivered by Shiva to Uma. The practice can be found in worship rituals performed by Pandhita or sadhaka. The notion of bhasma does not only stop at ashes. Bhasma in the next stage is divided into two senses, namely sakala bhasma and niskala bhasma. Bhasma Sakala is the body, while bhasma niskala is jñ?na.
PERUBAHAN PANGAKSAMA ISTA DEWATA DALAM SASTRA JAWA KUNA KAJIAN TEOLOGI-SASTRA Adnyana, Gede Agus Budi
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 10, No 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v10i1.1391

Abstract

Pangaksama dalam sastra Jawa Kuna, menunjukan ista dewata yang dipuja oleh rakawi Jawa Kuna di dalam menuliskan karya sastranya. Secara pasti pangaksama merubah seluruh teologi sastra dari paham Waishnawa menjadi paham Siwaisme yang kenal  akan kekuatan magis. Perkembangan dari fase- fase sastra Jawa Kuna, secara keseluruhan merujuk pada keyakinan Siwa sebagai ista dewata yang utama. Bagian terpenting dari sastra itu sendiri adalah untuk menemukan kebijaksanaan dan sastra di sini sebagai penuntun serta petunjuk untuk mengarah kepada kesadaran rohani.
ESENSI KEHIDUPAN MANUSIA DALAM TEKS GEGURITAN AJI SESANA Widiantana, I Kadek
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 9, No 2 (2019)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v9i2.1230

Abstract

Lack of knowledge of the nature of life, especially being human, impacts many experiencing stress symptoms, even at the rise of suicides cases. Therefore, it is important to understand the essence of being born human, so that you can live your life as well as possible. One of the Geguritan texts that contains the essence of life being human is the Geguritan Aji Sesana which is considered to be lacking in attention. Therefore, the author uses this Geguritan as a study material, because in the Geguritan summarized the teachings of Hinduism, mainly related to the essence of being born into a human, so that there is no regret to be human. Based on the explanation above, in this paper will discuss about:1) Structure of the Geguritan Aji Sesana; and 2) The essence of human life in the Geguritan Aji Sesana. In analyzing the Geguritan Aji Sesana text, the author uses structural and semiotic theories.The Geguritan Aji Sesana is a text that contains the essence of being born human, how humans must always cling to the teachings of Dharma, with the essence of being born the main human being. Humans are reminded to always be vigilant with enemies that are in themselves because the enemy is actually inside. Humans are required to always improve themselves by diligently studying literature. But in studying the literature, it must be gradual and begin from the basic level.
KEBERTAHANAN TARI REJANG SUTRI DI DESA BATUAN KECAMATAN SUKAWATI KABUPATEN GIANYAR (Perspektif Sat Cit Ananda) Sukariawan, I Made
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 11, No 1 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v11i1.2375

Abstract

Rejang Sutri dance is different from other Rejang dances. The Rejang Sutri dance in Batuan Village, Sukawati District, Gianyar Regency has uniqueness that does not exist in other villages, this dance is specially performed at the beginning of the Sasih Kelima to the end of Sasih Kesanga at Pengrupukan and danced by women who live in environment of Batuan Village, Sukawati Gianyar. The dancers have no age limit, have links to Hinduism and are the cultural identity of Batuan Village. In addition, the Rejang Sutri dance is a form of community appreciation of one of the manifestations of Ida Sang Hyang Widhi Wasa / God. Traditionally, the Rejang Sutri dance has survived to this day. This research is entitled: Resilience of Rejang Sutri Dance in Batuan Village, Sukawati District, Gianyar Regency (Sat, Cit, Ananda Perspective). The problems studied namely Why is the Rejang Sutri Dance in Batuan Village, Sukawati District, Gianyar Regency still surviving, Who contributed to maintaining Rejang Sutri Dance in Batuan Village, Sukawati District, Gianyar Regency, How do you maintain Rejang Sutri Dance in Batuan Village, Sukawati District, Gianyar Regency. The above problems will be examined using several theories. The theories used are religious theory, structural functional theory, and constructive education theory. In addition, in obtaining and analyzing data, several methods are used, namely the method of observation, interviews and document study. This type of research is qualitative and described by descriptive methods, in order to obtain a comprehensive conclusion. Based on the results of the analysis and discussion of the results of the research, it can be concluded as follows: (1) The persistence of the Rejang Sutri dance in Batuan Village is inseparable from the beliefs of the people of Batuan Village and making the Rejang Sutri dance 34 Vol. 11 No. 1 Maret 2021 as Sradha Bhakti for the people of Batuan Village where the relationship of belief in God is true truth or Sat or Satyam which is manifested in the form of sacred offerings, namely the Rejang Sutri dance, the people of Batuan Village believe that by making art an offering and its yadnya to get closer to God (Ida Sang Hyang Widhi Wasa). In accordance with the basis of Hindu religious beliefs known as Srada which consists of five parts, namely Panca Srada. One of these srada which is closely related is the first srada, namely believing in the existence of Brahman. The people of Batuan Village believe that the performance of the Rejang Sutri dance is a means of offering that can reject reinforcements or ward off disease outbreaks. So that the Rejang Sutri dance still survives because it embraces Sat or Satyam which means true truth. (2) Contributing to the survival of the Rejang Sutri dance in Batuan Village is Prajuru Desa Adat Batuan as a supporter of the Rejang Sutri dance, which in an effort to preserve the Rejang Sutri dance has been contained in the Awig-awig of Batuan Traditional Village and has become an agreement with all Krama Batuan Traditional Village and its members. the community as supporters of the Rejang Sutri dance in its sustainability. Because the Rejang Sutri dance is a cultural heritage of sacred arts in Batuan Village. So with the performance of the Rejang Sutri dance in Batuan Village, the people of Batuan Village have supported the sustainability of the Rejang Sutri dance as a sacred and sacred offering that places Siwam or Cit which means purity, honesty, honesty as very important things and cannot be separated from Satyam or Sat who meaning true truth as well as related to Sundaram or Ananda which means beauty, happiness which the people of Batuan Village manifest in the Rejang Sutri dance performance. (3) The way to maintain the Rejang Sutri dance in Batuan Village is by means of inheritance from generation to generation because the Rejang Sutri dance contains aspects of repelling reinforcements, aspects of ritual / ceremony, and aspects of beauty related to movement, composition, costumes, arenas and aspects of happiness in survival. Rejang Sutri dance where the people of Batuan Village still maintain the Rejang Sutri dance because it is closely related to aspects of Satyam or Sat (truth), Siwam or Cit (holiness) and Sundaram or Ananda (beauty / happiness). Because in sacred offerings towards the truth a happiness is achieved from the people of Batuan Village, so that they live in safety, prosperity and peace.
STRUKTUR INTRINSIK NOVEL SATYANING ATI KARYA I KOMANG ALIT JULIARTHA Purnomo Arta, Putu Eddy; Larashanti, Ida Ayu Diah; Ruminten, I Kadek
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 10, No 2 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v10i2.2366

Abstract

This research is entitled the intrinsic structure of the novel Satyaning Ati by I Komang Alit Juliartha. The aim is to find out the structure that builds the novel Satyaning Ati by I Komang Alit Juliartha. This study uses a structural approach or an objective approach, which is an approach that sees literary works as they are, examines and understands the story content. The data in this study, using qualitative data, in the form of words, sentences, dialogue between characters in the novel Satyaning Ati by I Komang Alit Juliartha. Primary data in this study are from the 164 pages of Satyaning Ati by I Komang Alit Juliartha's novel. This novel was published by Pustaka Ekspresi, in Tabanan in september 2016. This study analyzes the intrinsic elements of a novel Satyaning Ati by I Komang Alit Juliartha so that readers can better understand the constructive structures that include: themes, characters and characterizations, settings, plot, mandate, and language style. The technique used by the writer is by reading and analyzing the entire content of the novel Satyaning Ati by I Komang Alit Juliartha so that the writer can determine the intrinsic elements that build the novel. Literary works are human creations that express the thoughts, ideas, understandings and responses of their creators about the nature of life by using imaginative and emotional language. The literary works are human creations that express the thoughts, ideas, understandings and responses of their creators about the nature of life by using imaginative and emotional language. The novel is literary works that reveal various aspects of people's lives. Novel Satyaning Ati by I Komang Alit Juliartha is a literary work built by various intrinsic elements that are coherent and cohesive. In the novel Satyaning Ati by I Komang Alit Juliartha, there is a message conveyed by the author through the behavior of the characters in the novel. Hopefully this research can be useful for writers and society. So the novel is not just a mere reading, but gives a moral message to the social life of the community
EKSISTENSI NASKAH LONTAR MASYARAKAT BALI (STUDI KASUS HASIL PEMETAAN PENUYULUH BAHASA BALI TAHUN 2016-2018) Ardiyasa, I Nyoman Suka
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 11, No 1 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v11i1.2380

Abstract

The lontar manuscripts are written using Balinese script, the contents in the lontar manuscripts are various such as literature in the form of satua, geguritan, babad, usada, bebantenan, asta kosala kosali and others. Balinese literature written on lontar is one of the cultural heritages that is still being inherited today. From the findings, most of them are in an unkempt condition, this is due to the lack of public knowledge in caring for their lontar manuscripts. In general, the lontar manuscripts found in the community can be classified in the form of speech, kanda, wariga and usada, geguritan, weda, babad, kakawin texts in the form of lontar and other lontars which have their own peculiarities. From the results of the mapping carried out by Balinese Language Instructors from 2016, 2017, 2018, there were 25,106 Cakep Lontar spreads in 9 (nine) districts / cities in Bali. Meanwhile, the people who have the most lontar collections are in Gianyar Regency, while the smallest is in Jembrana Regency. This data shows that the existence of lontar manuscripts in the community is still very much found, even though some of the owners do not fully understand the contents of the lontar in their possession. With the existence of Balinese language instructors, it is hoped that the community will have more knowledge about lontar manuscripts and the growing awareness of the Balinese people about the importance of the existence of lontar manuscripts.
DEIKSIS BAHASA BALI DIALEK BUGBUG KECAMATAN KARANGASEM (KAJIAN PRAGMATIK) Aryani, Ni Komang
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol 10, No 2 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/klgw.v10i2.2371

Abstract

This research has three objectives, namely to describe the form of the person deixis, the form of the place deixis, and the form of the time deixis in Balinese, Bugbug dialect, Karangasem sub-district. This research is a qualitative descriptive research. The object of this research is the people’s utturance of the Bugbug village community with data and data sources in the form of speech or conversational dialogue that has been transcripted into text. Collecting data using utterances methods of simak bebas libat cakap. The interactive model data analysis is used as the data analysis in this research. The results showed that the deixis aspects contained in the utterances included a personal expression in the form of a single first person deixis, there were 6 forms. The first plural deixis has one form, the second deixis has 7 forms, the third deixis is single, there is one, third persona is plural has one form. Space deixis (place) has 13 forms and Deixis when there are 7 forms

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