Besaung : Jurnal Seni Desain dan Budaya
Besaung is a scientific journal Visual Communication Design Study Program, Faculty of Government and Culture of the University of Indo Global Mandiri which includes the results of research, meetings, community service, conceptual coordination (thinking), and analytical studies in the fields of art, design and culture. Besaung is expected to be a medium for writers to publish their works, so publishing this journal can help in advancing science in the fields of art, design and culture. This journal is published twice in one year in March and September.
Articles
317 Documents
<![CDATA[Koreografi “PETI = MATIâ€: Otokritik Fenomena Sosial Dompeng di Sarolangun, Jambi ]]>
<![CDATA[Syaputra, Redho]]>;
<![CDATA[Rasmida, Rasmida]]>;
<![CDATA[Martion, Martion]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v4i1.1403
<![CDATA[Koroegrafi titled "PETI = Dying" is the result of the interpreter's imagination and imagination in pouring ideas into the form of works about PETI or Dompeng activities. PETI or Dompeng is a mining business that is carried out by individuals, groups of people or companies with legal entities whose operations do not have permits from government agencies in accordance with applicable laws and regulations. Miners are supported by large investors who use heavy equipment to dredge sand and river so that it can quickly cause damage along the watershed. To purify gold, miners use mercury, then dump their waste directly into the river. Disposal of mercury poison is very severe in the upper area of Batang Tembesi. Choreography is arranged based on abstract type supported by setting and music to convey the message and impression of the dance work. The foothold in choreography departs from forms of pure motion, namely the activities of gold miners. To convey the contents of the choreography will be strengthened by seven dancers consisting of six male dancers and one female dancer. With the theme of life, who wants to convey messages and impressions to the audience about the importance of protecting natural resources and environmental preservation. The concept of this work is the result of observations of the workman, especially what happened in his personal life where the workmanship of the workman who was born and delivered in Sarolangun felt his direct impact. To visualize arable ideas into dance works.]]>
<![CDATA[Analisis Estetika pada Karya Seni Patung Dolorosa Sinaga ]]>
<![CDATA[Patriansah, Mukhsin]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1467
<![CDATA[The work of art is a visual form that always communicates and even expresses the ideas and experiences that the birth of his sisenimannya. The artwork that is present is a representation of the phenomena that exist in the environment that has a certain meaning and meaning to dissected and analyzed. In addition, artwork is a visual form that always communicates and even expresses ideas and experiences that are born by the sisenimannya. The artwork that is present is a representation of the phenomena that exist in the environment that has a certain meaning and meaning to dissected and analyzed. Analyzing a work of art seems unfair if we do not specify the cultural context of the time in which the work of art was born. Dolorosa Sinaga is a woman born in the tribe of Batak. Batak itself has Patrilineal kinship system. in the Patrilineal community structure based on the father lineage (male), the descendant of the father (male) is considered to have a higher position and his rights will also get more. This brief explanation of the artist's background has become a reference to be developed in interpreting the work analyzed later. Meanings and messages to be conveyed visible from the figure of a mother who was carrying her child. Mothers are women who do not get the highest place among the Batak tribe, so the inheritance belongs entirely to men. The suffering of women is illustrated by the expression of a mother on this work that suffers with an open mouth. Open mouth is part of the complexity of this work because it has the meaning and meaning of a mother who wants to ask for help when a mother is left by the men.]]>
<![CDATA[Drama Musical Sepatu Kaca ]]>
<![CDATA[Melisa Zasna]]>;
<![CDATA[Yusril ril]]>;
<![CDATA[Sulaiman man]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v4i1.1391
<![CDATA[Glass Shoes drama musical is an alternative whose made by director for attract the public's attention to watching theatrical performances. Based on facts found in the field, the theater has now lost its audience. Therefore, theater artist must make a new breakthrough in giving understanding to the audience, through the work he created. Musical dramas that carry children's tales are based on the importance of providing educational values to character formation. The combination of music, dance and vocals will provide different sensations and provide entertainment for the audience. Koreo and songs created based on the script will convey a sense that is not conveyed by words. This relates to a musical drama featuring three main objects, namely dialogue, dance and singing. The making of dances and songs is done carefully and intensely so as not to stick to one another. The Glass Shoes drama musical uses mobile settings that can be moved and moved quickly as needed. Penyesuaian video art di setiap adegan dapat memberikan visual yang menarik . perpaduan antara setting mobile dan video art serta unsur lainnya akan mewujudkan multi disiplin ilmu yang sejalan. Adjustment of video art in each scene can provide interesting visuals. a combination of mobile settings and video art and other elements will realize multi-disciplines that are in line. The Glass Shoes drama musical using the method from Bertold Brecht will flavor the storyline during the show. The purpose of using the method of Bertold Brecht is to make the audience aware and give a break so that the audience can immediately digest the content delivered in the show. This method is in line with the desire of the worker who has entertainment concepts in the show.]]>
<![CDATA[Bentuk Penyajian Drumband SMA Negeri 3 Unggulan Kayuagung Kabupaten Ogan Komering Ilir ]]>
<![CDATA[Ahmad Heryanto]]>;
<![CDATA[Dedy Firmansyah]]>;
<![CDATA[Annisa Anggraeni]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1455
<![CDATA[The purpose of this study was to determine and describe the form of Drumband Presentation at SMA Negeri 3 Unggulan Kayuagung, Ogan Komering Ilir Regency. This study uses a qualitative method. Based on the results of the study, the Presentation Form of Drumband High School 3 State High School Kayuagung Ogan Komering Ilir Regency is divided into two (2) versions, namely Defile and Display. The presentation order consists of the initial (Pampare), Middle (Mars and Song) and the final ( Down tool). While the Display in terms of Drumband SMA Negeri 3 Featured Kayuagung is a form of presentation Drumband that plays one or several songs by using a number of combinations of musical instruments on the Out door page (In the open stage) or In door (Stage Arena) in a line that forms a formation with a pattern that always changes according to the choreography flow of the song being played. For this version of the Display the composition of the formation and sequence of presentation from beginning to end consists of: Solo Fox in - Early Respect - Mars, Formations and Songs (Tentative according to Duration and Event) - Final Respect - Solo Fox Out. The types of musical instruments presented from the defile and display versions consist of: 1) Command Sticks, 2) Types of melodic musical instruments consisting of Trumpets, Mellophone, Bellyra, and Marching Bell, 3) Types of rhythmic musical instruments, namely: Drum Strings , Tenor Drum and Bass Drum, and 4) Flag (Flag).]]>
<![CDATA[Kajian Strukturalisme dalam Melahirkan Sebuah Karya Seni ]]>
<![CDATA[mukhsin Patriansah]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i2.1444
<![CDATA[Structuralism for its adherents assumes that in humans there is a basic ability inherited genetically, so that this ability exists in all normal humans, namely the ability to structure, to structure, construct a structure, or attach a certain structure to the symptoms that it faces . The above statement assumes that every human being has the ability to create works of art from existing phenomena and is able to analyze the phenomena or phenomena with a structured method. Structural theory of language above that makes Levi-Strauss managed to see something behind the manifestation of human work. A work of art is a representation of students seeing phenomena or issues in their environment. This phenomenon makes artists feel touched and arouse and tickle their feelings to express it through the medium of art. Behind the manifestation of human work in it contains the value and meaning to be conveyed. These values and meanings have unconsciously shaped someone's ideas or thoughts. Thus it can be said that anything in this world according to Levi-Satruss's view is a system that has structures that govern it. In Structuralism the signifiant order or marker precedes meaning, in other words that talking about the existence of humans is actually not as a subject, on the contrary the existence and structure itself speaks of itself through human speech about existence.]]>
<![CDATA[Perancangan Kampanye Cara Pintar dalam Berhemat Listrik Prabayar ]]>
<![CDATA[Setyo, Sutikno Try]]>;
<![CDATA[Iswandi, Heri]]>;
<![CDATA[Yulius, Yosef]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v4i1.1399
<![CDATA[Government innovation by presenting prepaid electricity services or better known as "smart electricity" with the aim of improving service to the community. PLN introduces prepaid electricity services that can regulate and check electricity usage alone, but some people are reluctant to use prepaid electricity because it is considered more wasteful and more expensive than electricity with a postpaid payment system.The design of the Smart Way to Save Electricity Prepaid Campaign aims to invite the community and change the negative stigma that exists in the community about prepaid electricity itself. The results of this design turned out that when the design of this campaign was exhibited to the public, not a few people responded, even many of them only knew using or consuming it, without thinking about savings. From these results it can be concluded that the campaign and socialization of energy savings were very important and responded positively by the community.]]>
<![CDATA[Manfaat Pemisahan Sampah Organik dan Anorganik Melalui Media Buku Ilustrasi Anak ]]>
<![CDATA[Suseno, Ardani Ari]]>;
<![CDATA[Albab, Nabila Ulul]]>;
<![CDATA[Martadireja, Sonde]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1461
<![CDATA[Garbage was defined as the residue of people's daily activities. In the social environment, to facilitate decomposition, garbage was generally grouped into two simple parts; namely organic garbage and inorganic garbage. garbage management was needed to reduce the possibility of positive and negative impacts to the environment. Economic value was grouped into positive impact, while the source of odors and disease clusters were grouped as negative impact. In this study, the focus of the problem is on the negative group. Because if garbage is allowed to pile up in one place in community settlements, it will become a source of unpleasant odors so that it can then become an area for germs to develop. This condition is an indication that the garbage had not been managed properly and could worsen the surrounding environment. Therefore, proceeded from the scientific visual communication design, then at least hazard information and proper garbage processing method needed to be made. Knowledge of garbage separation to reduce environmental pollution would be better if known or understood since childhood. The choice of work form for dissemination of this information was children illustration book. The process of realizing this illustration book work used several stages, the first stage was the process of collecting data about garbage and its processing, then data on the type of book that match the target audience. The second stage was the process of making books, in this stage it went through several processes from pre-production to production.]]>
<![CDATA[ANALISIS POSTER VIDEO KLIP LATHI : KAJIAN SEMIOTIKA FERDINAND DE SAUSSURE ]]>
<![CDATA[Sitompul, Anni Lamria]]>;
<![CDATA[Patriansah2, Mukhsin]]>;
<![CDATA[Pangestu, Risvi]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 6, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v6i1.1339
<![CDATA[Occasionally, communication continues to develop, ranging from the use of smoke signals, drums, paper inventions, telegraphs, telephones, computers, emails to the internet as a medium of communication. One of the communication media that is developing today is posters. Posters used to convey messages or information to the public are generally printed and placed in public area or through social media. The visual markings used by the designer in the poster are addressed to the public so that the public can understand the message and the purpose of the information. The use of poster visual marks from the video clip of the song "Lathi" which raises the theme of toxic relationships is very interesting to be traced, dissected and analyzed using a semiotic approach. Semiotics is the study of the science of the signs that exist in human life and the meaning behind the sign. The visual mark that will be raised for analysis in this paper is the sign system in the form of posters from the video clip of the song "Lathi" by Andy Andrians (Art Director of Lathi).]]>
<![CDATA[PEMANFAATAN BATOK KELAPA SEBAGAI MEDIA PEMBUATAN BIO-INSTRUMEN MUSIK ]]>
<![CDATA[Rahman, Surya]]>;
<![CDATA[Gusmanto, Rico]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 2 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i2.1450
<![CDATA[Bio-musical instruments can be defined as musical instruments made from plant wastes in the surrounding environment. One of the plant waste that is easily found in the community is coconut shell. Coconut shells are often overlooked for their use as a creative medium, especially in the field of music. Musical instruments are the main media for creativity in the art of music. The rise of musical instruments or musical instruments with high prices has become one of the inhibiting factors for young people to be creative in the field of music. Seeing this phenomenon, it is deemed necessary to develop people's creativity in making their own musical instruments at economical prices but still able to compete with manufactured musical instruments. In making this bio-instrument, the method used consists of problem identification, preparation, application, and evaluation. Through this method, the results obtained in the use of coconut shell waste into creative media are the Kalimba instrument played by plucking the iron keys as the source of the tone, while the coconut shell is used as the main medium for the sound resonance of the Kalimba instrument. Kalimba is classified into a type of lamellophone instrument, which is a musical instrument that has a tongue or a thin plate. In addition to the easy-to-use manufacturing process, the tools and materials in making these instruments are also easy to find and can even take advantage of used materials. The results of making bio-musical instruments are expected to become a reference and reference for academics and non-academics, regarding how to make musical bio-instruments using coconut shell waste.]]>
<![CDATA[Pembelajaran Musik Rejung Menggunakan Media Audio Visual (Video Tutorial) ]]>
<![CDATA[Siswanto, Silo Siswanto]]>;
<![CDATA[Haque, Zelly Marissa]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v4i1.1404
<![CDATA[The Learning of local music in schools and universities had become the pre-eminent material as local content in every place in Indonesia, in this case, the focus of discussion on this paper was Rejung music or often called as Batang Hari Sembilan, the identification of problems in this research was in the learning process of Rejung music, where the music educators had difficulties in teaching this material because the steps of rejung music learning material were not well compiled. In addition, the problems faced by educators in learning Rejung music was the learning media was not utilized optimally, namely, audio-visual media (learning tutorial video). Based on the identification of the problem, The problem in this research could be formulated in the form of questions as follows, 1) How was the structure of Rejung music. 2) how to make /produce tutorial video in Rejung Music learning. 3) How to learn Rejung music through tutorials video. While the specific objectives of this study were 1) Explained the music playing technique in Rejung music. 2) Explained the video tutorial production. 3) Explained the learning process of Rejung music through tutorial video. The method used in this research was this research discussed matters related to the science of Rejung music, the data collection was done through observation and documentation related to the learning process of the local music. Furthermore, the analysis of data related to Rejung music was processed and formulated through musicology and audio-visual multimedia.]]>
