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Contact Name
Made Ratna Dian Aryani
Contact Email
dian_aryani@unud.ac.id
Phone
+6281999556168
Journal Mail Official
jurnal.sakura@unud.ac.id
Editorial Address
Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana Jalan Pulau Nias 13, Sanglah, Denpasar Bali Indonesia 80114
Location
Kota denpasar,
Bali
INDONESIA
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Published by Universitas Udayana
ISSN : 26231328     EISSN : 26230151     DOI : https://doi.org/10.24843/JS.2019.v01
Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, merupakan jurnal yang memuat artikel hasil penelitian serta kajian ilmiah di bidang sastra, linguistik, kebudayaan dan pranata Jepang. Terbit dua kali dalam setahun, pada bulan Februari dan Agustus. Jurnal SAKURA bertujuan menjadi wadah bagi para peneliti, dosen, mahasiswa dan para praktisi di bidang Sastra, Linguistik, Kebudayaan dan Pranata Jepang untuk mempublikasikan karya ilmiahnya secara luas
Articles 122 Documents
Penggunaan Campur Kode Guru dalam Pembelajaran Bahasa Jepang Kelas XI IBB di SMAS LAB UNDIKSHA Ayu Kris Utari Dewi Alit Mandala; Ni Kadek Dwipayanti; Putu Tiara Karunia Dewi; Putu Dewi Merlyna
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p08

Abstract

The purpose of the study is to examine how Japanese language instructors used mixed codes in Japanese class XI IBB at the Undiksha Laboratory Private High School. Non-participation observation techniques were used in this study as qualitative descriptive methodologies. This study focused on a Japanese instructor at SMAS Laboratory Undiksha Class XI Language. The utterances made by Japanese teachers while engaging students in learning activities served as the study's data source. According to the findings of this investigation, Japanese professors at SMA Private Laboratory Undiksha sometimes mix codes externally. The research findings are presented in the form of a conversation between the teacher and the students, followed by a descriptive technique.
Konflik Batin Tokoh Tomoya Sugisaki dalam Anime Summer Ghost karya Loundraw Agung Anom Bintang Bayu Putra; Ni Putu Candra Lestari
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p12

Abstract

This research examines the inner conflict experienced by the character in the Anime “Summer Ghost”, the main character Tomoya Sugisaki, by Loundraw. The purpose of the research is to describe the form and inner conflict of Tomoya Sugisaki's character by using qualitative method. The theory used in this research, namely the theory of literary psychology proposed by Wellek and Warren and Psychoanalysis Theory according to Kurt Lewin. The results of this study show several forms of inner conflict experienced by Tomoya Sugisaki which include: approach-approach conflict, avoidance-avoidance conflict, and approach-avoidance conflict. One of the most prominent causes of inner conflict in Tomoya Sugisaki, which is very visible in the social relationships in the character's life, is the driving force due to the curiosity of the character about many things.
Kesantunan dalam Tindak Tutur Melalui Kotowaza: Kajian Pragmatik Iffatu Masrura Al Hakimi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p04

Abstract

This research focuses on politeness in speech acts through kotowaza (Japanese proverbs). The principle of politeness is needed for daily activities, especially in interacting with other people. Kotowaza is a tool used to convey sarcasm, warnings, warnings, notifications, advice, and even parables consisting of a series of beautiful words. Kotowaza is conveyed implicitly. This study used a descriptive qualitative method. Researchers limit kotowaza to animal elements in Doraemon no Kotowaza Jiten. The data collection technique was carried out using note-taking techniques. Meanwhile, the analysis was carried out using pragmatic studies by observing the principles of politeness according to Leech. Based on the results of the analysis, there are 15 dialogues with animal element kotowaza speech acts in Doraemon no Kotowaza Jiten. In this data, 10 dialogues have polite speech acts and 5 dialogues violate politeness principles. Politeness is important in communication. Therefore, it is necessary to pay attention to the use of maxims in the context of speech acts.
Depresi pada Tokoh Kiriyama Rei dalam Anime Sangatsu no Raion Gilbert Alexander B Sihombing; Ni Made Wiriani; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 1 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i01.p05

Abstract

This research focuses on the depression of the character Kiriyama Rei in the anime Sangatsu no Raion. The purpose of the research is to analyze the symptoms, causal factors, and impact of depression on Kiriyama Rei. The theories used are literary psychology theory by Wellek and Warren and cognitive theory of depression by Beck and Alford. Informal and descriptive methods are used as research methods. The method of data collection is the method of observe and note taking. In the data analysis stage, the descriptive analysis method is applied and in the data analysis presentation stage, the informal method is applied. Based on the results of the analysis, the symptoms of depression experienced by Kiriyama Rei are affective group in the form of emotions of sadness, motivational group in the form of desire to escape and loss of motivation, negative group in the form of negative view of self, negative interpretation of experience, and critical view of the future, and physical and vegetative group in the form of sleep disorders. The causative factors of Kiriyama Rei depression are specific stres and non-specific stres. The effects of Kiriyama Rei depression are negative view of self, negative view of life experience, and negative view of the future. Kiriyama Rei was declared a depressed patient because she experienced more than five symptoms of depression in a few weeks
Kondisi Jepang Pasca Gempa Bumi dan Tsunami dalam Ehon Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi Silvia Damayanti; Ni Putu Luhur Wedayanti; I Gusti Ngurah Jun Arya Wangsa
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p09

Abstract

This research is titled "Post-Earthquake and Tsunami Conditions in Japan in Ehon". This research aims to understand the post-earthquake and tsunami conditions in Japan following the Tohoku earthquake and tsunami in 2011, as depicted in the ehon series "Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi". Data collection was conducted using library research methods, observation techniques, and note-taking. The data analysis technique used was descriptive analysis, and the presentation of data analysis used both formal and informal methods. The theories employed were the Sociology of Literature Theory and Charles Sanders Peirce's Semiotics Theory. The results obtained in this research indicate that the natural disaster events of the Tohoku earthquake and tsunami in 2011 in Japan are reflected in the collection of ehon "Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi". Within the ehon collection, the earthquake and tsunami are depicted as causing significant losses, both in terms of loss of life and economic impact on Japan. Interestingly, the effects of the earthquake and tsunami narrated in the ehon are presented in a way that is not frightening and easily understandable by children, serving as an educational resource about earthquakes and tsunamis.
Front Matter Jurnal Sakura Volume 6. No. 1. Pebruari 2024 Editorial Team Sakura
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 1 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

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Kehormatan dari Shogun pada Seppuku dalam Kisah 47 Ronin Grace Junita Tiarida Hariandja
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p05

Abstract

The study aims to describe the reasons for seppuku as an honor given to the ronin in the story of the 47 Ronin. This research uses descriptive methods and a qualitative approach and uses reading and writing techniques to process data collected from excerpts from the story 47 Ronin written by John Allyn. Based on data findings, the seppuku carried out in this story was an honor given by the Shogun to the samurai because of their loyalty to their dead master even though the ronin had violated many existing rules. The Shogun granted this right because he felt that this was something that fulfilled his sense of justice. After seeing the struggle put up by the ronin and how sincerely they served their master, this moved the Shogun to give the ronin a respectful punishment. Also in the case of Lord Asano, the Shogun gave him the honor of seppuku considering Lord Asano's high rank and long service that had been passed down from his ancestors. This is all written in the story of the 47 Ronin explicitly and the author will discuss it in this research.
Penggunaan Souda, Youda, Rashii Pada Kalimat Bahasa Jepang Rina Devi Wijayanthi; Ni Wayan Meidariani; Betty Debora Aritonang
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 1 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i01.p02

Abstract

This research aims to find out and examine the use of sentences containing souda, youda, rashii in Japanese sentences. The theory used in this research is Prof.'s structural syntax theory. Dr. H. Abdul Muis Ba'dulu, M.S. The data used in writing the article were obtained from Japanese language news sites. Data analysis was performed using descriptive qualitative research techniques. Based on the results of the study it was found that souda, youda, rashii could be used to predict events based on what the speaker felt, saw, and experienced. However, only Souda and Youda can predict something that is based on subjective reasons, while Rashii must use objective reasons when making a guess.
Penerjemahan Kalimat Scrambling Bahasa Jepang kedalam Bahasa Indonesia (Linguistik Terjemahan) Dance Wamafma
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p10

Abstract

Kalimat scrambling merupakan satu fenomena struktur bahasa Jepang yang jarang diajarkan kepada mahasiswa di tingkat bawah sampai menengah. Berdasarkan distribusi komponennya fungsi, kalimat ini dapat dicirikan dalam model tertentu. Kalimat S Scrambling misalnya menempatkan posisi frase verbanya di depan subjek, M Scrambling mengacak posisi awal kalimat menjadi posisi akhir dan sebaliknya. Sementara kalimat model L Scrambling mengacak komponen tertentu melintasi batasan klausa. Kalimat-kalimat ini menjadi objek Bsu (bahasa sumber) Jepang yang dialihkan ke dalam bahasa Indonesia. Melalui angket data terjemahan scrambling di analisis berdasarkan struktur fungsi, kategori, dan, peran semantisnya. Didapati, bahwa ada kecenderungan responden mengalami kesulitan menerjemahkan kalimat L Scrambling dibanding model lainnya. Kalimat L Scrambling tidak mudah dikembalikan ke posisi baku kalimat bahasa Jepang sehingga mahasiswa menghadapi kesulitan melakukan terjemahan yang berterima. Kategori pengisi fungsi kalimat M dan S Srambling mendapat padanan Bsa Indonesia yang berfariasi. Misalnya ???????menjadi tiga atau dua komponen, unit translasi 'kakak perempuan' dan 'kakak perempuan saya' dengan kecenderugan pola 'y : a, y', b'. Struktur fungsi semua kalimat data terjemahan scrambling berubah dari fungsi scrambling 'Pelengkap-Subjek-Adjektiva', menjadi fungsi baku 'S-Pel-P'. Sebagian data memperlihatkan adanya struktur acak yang sangat kacau. Sehingga tanpa acuan tertentu, kalimat diterjemahkan dengan asal dan menghasilkan beberapa kalimat yang eror.
Representasi Gaman pada Tokoh Kudou Chika dalam Anime Kono Oto Tomare Rafelia Anggita Khoirunnisa; Yusida Lusiana; Diana Puspitasari
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p01

Abstract

This research was conducted to determine the representation of gaman in the character Kudou Chika from the anime Kono Oto Tomare. This research is a qualitative descriptive study. The research data is in the form of scenes and dialog performed by the character Kudou Chika as a data source. The data collection methods used are library study techniques and observation and note-taking. The theory used in this research is semiotic theory by John Fiske which describes television codes through three levels, namely reality, representation, and ideology. From the results of the research, the representation of gaman is depicted through three characters owned by Kudou Chika, including persistent, patient and diligent. In addition, there are ideology of egoism and cultural nationalism in the anime Kono Oto Tomare.

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