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Al-Fathin: Jurnal Bahasa dan Sastra Arab
Published by Institut Agama Islam Negeri Metro Lampung
ISSN : 26223325     EISSN : 26226820     DOI : https://doi.org/10.32332/al-fathin.v3i01
Core Subject : Education,
Languange, Linguistic, Communication & Media
Al-Fathin: Jurnal Bahasa dan Sastra Arab diterbitkan oleh Fakultas Ushuluddin Adab dan Dakwah Institut Agama Islam Negeri (IAIN) Metro. Jurnal Al-Fthin diterbitkan dua kali dalam satu tahun edisi 1 Januari-Juni dan edisi 2 Juli-Desember. Tim redaksi menyambut baik kontribusi artikel seputar kajian kebahasaan maupun kesusastraan Arab dari para ilmuwan, sarjana, professional, dan peneliti untuk dipublikasikan dan disebarluaskan setelah melalui mekanisme seleksi naskah, telaah mitra bestari, dan proses penyuntingan.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 137 Documents
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Analisis Iqtibas dalam Syair Karya Labid Ibn Rabiah: Kajian Ilmu Balaghah Juni Sarah; Nabila Fradhita Lubis; Alfira Nur Fadilah; Nursukma Suri
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/q2qefj08

Abstract

This study aims to analyze the forms and functions of iqtibās in the poetry of Labid Ibn Rabiah based on the study of Arabic rhetoric (balāghah). Iqtibās refers to the incorporation of Qur’anic or Prophetic expressions into literary texts without explicit attribution. This research employs a qualitative approach through library research and content analysis of selected poetic verses. The findings reveal eleven phrases identified as iqtibās, classified into three types: lafẓī (verbal), ma‘nawī (semantic), and muḥawwal (modified). These forms function to reinforce meaning, intensify spiritual nuance, and create a sacred atmosphere within the poetic structure. The study concludes that iqtibās serves not merely as a stylistic feature, but also as an aesthetic and theological device that constructs depth of meaning and expressive strength in classical Arabic poetry.
Pembakuan Kosakata Serapan Bahasa Arab dan Keberterimaannya pada Ranah Keagamaan Islam di Media Daring Umi Kulsum; Azhari Dasman Darnis; Adang Asdari
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/d94q5486

Abstract

This study aims to explain the pattern of standardization of Indonesian vocabulary derived from Arabic, especially those used in the domain of Islamic religion, and its acceptability in online media. This research uses a qualitative-descriptive approach with data in the form of vocabulary used in the domain of Islam in Indonesian taken from religious articles on Islamic websites and corpus linguistics, such as Google Trends and Sketch Engine. Data collection techniques were conducted by means of document review and observation. The results show that the standardization of Indonesian vocabulary derived from Arabic used in the domain of Islamic religion has a low level of acceptability. The low level of acceptance is due to the fact that Islamic religious vocabulary carries ideological nuances, making its standardization considered more appropriate if it follows the form of the source language.
Estetika Muhassinat Lafdziyyah dalam Manuskrip Klasik: Analisis Jinas dan Saja’ pada Mandzumah Al-Mathlab Muhamad Zidan Alida Putera; Muhammad Alawi Muzhaffar; Lalu Turjiman Ahmad
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/6y668118

Abstract

This study aims to deepen the understanding of linguistic beauty and literary values in Mandzumah Al-Mathlab by Sheikh Muntakhab, with a focus on the stylistic devices jinas and saja’ as elements of Arabic rhetoric (balaghah). These rhetorical techniques enrich the aesthetic quality of the text, strengthen moral messages, and highlight the spiritual values present in classical Arabic literature. Using a descriptive qualitative method, the research presents structured explanations based on a verse-by-verse analysis to identify the types and functions of the stylistic elements employed. The findings are arranged in tables to provide clarity and a comprehensive overview of the linguistic features. The results show that 15 verses contain jinas, categorized into five types: jinas mutamatsil, mustaufi, mutharraf, naqis, and mudhari’. Meanwhile, saja’ is found in 37 verses, divided into two types: saja’mutharraf appearing in 33 verses and saja’ mutawazi appearing in 4 verses. Overall, this study distinguishes itself from other analyses of poetic works by highlighting Sheikh Muntakhab's mastery in integrating aesthetic, religious, and moral dimensions within a highly concise frame of 38 verses. He achieves a unique rhetorical equilibrium where jinas and saja' are not merely decorative, but function as structural and cognitive catalysts that accelerate mnemonic internalization for learners.
Distorsi Maskulinitas dan Krisis Patriarki dalam Novel Masīh Darfūr: Analisis Strukturalisme Genetik Lucien Goldmann Salwa Nabila Rindra Siwi; Vivi Alfiah Riski; Ritno Rojib Hidayat; Aning Ayu Kusumawati
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/6cxwb645

Abstract

Penelitian ini bertujuan untuk menganalisis fakta kemanusiaan dan krisis patriarki dalam novel Masīh Darfūr karya Abdul Aziz Sakin dengan menggunakan teori strukturalisme genetik Lucien Goldmann. Metode yang digunakan adalah deskriptif kualitatif dengan teknik dokumentasi untuk membedah struktur teks sebagai refleksi kondisi sosial masyarakat Darfur, Sudan. Hasil penelitian menunjukkan adanya degradasi nilai maskulinitas yang terwujud dalam bentuk kekerasan sistemik, militerisme buta, dan objektifikasi perempuan oleh kelompok dominan. Melalui posisi pengarang sebagai subjek kolektif, novel ini merepresentasikan pandangan dunia yang mengkritik keruntuhan fungsi protektif laki-laki dan dehumanisasi yang terjadi dalam konflik Darfur.
Analisis Semantik-Stilistika Lirik Lagu Albi Ya Albi Karya Nancy Ajram: Representasi Konflik Batin dan Makna Konotatif Renny Dwi Arumsari; Vira Hilma Fadhila; Mila Alinda Hastuti
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/bpqrjh96

Abstract

This study examines the connotative meanings and stylistic devices found in the lyrics of Albi Ya Albi by Nancy Ajram using a semantic and stylistic approach. Arabic popular song lyrics function not only as musical elements but also as linguistic texts that convey emotional, psychological, and cultural meanings. This qualitative descriptive research employs text analysis as the primary method, with the song lyrics serving as the main data source. Data were collected through documentation and close reading techniques, followed by identification, classification, and interpretation of figurative language and connotative meanings. The findings indicate that the lyrics predominantly employ figurative language, particularly personification, metaphor, repetition, and rhetorical questions, to express emotional conflict and inner psychological struggle. Connotative meaning appears more dominant than denotative meaning, as linguistic expressions are used symbolically to represent emotional exhaustion, love-related trauma, and internal dialogue. The use of personification, especially the portrayal of the “heart” as an entity that can be addressed and questioned, highlights the separation between rational awareness and emotional experience. These findings demonstrate that semantic and stylistic analysis is effective in uncovering implicit meanings in Arabic popular song lyrics and contributes to a deeper understanding of contemporary Arabic linguistic expression. These findings indicate that contemporary Arabic song lyrics in colloquial varieties are valuable for examining semantic and stylistic developments in modern Arabic dialectology.
Konstruksi Nasionalisme Religius dalam Lirik Lagu Yā Lal Waṭan: Analisis Pragmatik Tindak Ilokusi Zainurrakhmah; Arbi Mulya Sirait
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/j7qx0r44

Abstract

This study examines the pragmatic construction of religious nationalism in the lyrics of the song Yā Lal Waṭan through speech act theory. Widely associated with the tradition of Nahdlatul Ulama, the song functions not only as artistic expression but also as a performative medium that conveys nationalist commitment through Islamic discourse. This research aims to analyze how illocutionary functions in the lyrics contribute to the construction of a religiously grounded nationalist identity. The study employs pragmatic analysis based on speech act theory proposed by J. L. Austin (1962) and John R. Searle (1969), examining selected lyric units within their linguistic and socio-cultural contexts. The findings show that the lyrics integrate several illocutionary functions—expressive, assertive, directive, and commissive—forming a layered rhetorical structure that promotes religious nationalism. Expressive acts evoke emotional attachment and devotion to the homeland, assertive acts establish the ideological linkage between nationalism and Islamic values, directive acts encourage collective action in defending the nation, and commissive acts imply a shared commitment to safeguarding national unity. These findings demonstrate that the lyrics function not merely as aesthetic discourse but as a performative linguistic mechanism that reinforces collective identity and nationalist commitment within a religious framework.
Makna Denotasi, Konotasi, dan Mitos Nadhom Istigosah KH Khoer Affandy: Kajian Semiotika Roland Barthes Wihandani; Retty Isnendes
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 9 No 01 (2026): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/7gkvc396

Abstract

This study aimed to analyze the denotative, connotative, and mythical meanings in the Sundanese Nadhom Istigosah by KH. Khoer Affandi uses Roland Barthes's theory of semiotics. The method used was qualitative descriptive, analyzing 18 stanzas of the nadhom grouped into five thematic categories: creed, Sufism, society and leadership, the afterlife, and prayer and supplication. The results showed that at the denotative level, the nadhom functioned as a structured guide for collective prayer. At the connotative level, the text contained cultural values of the Sundanese pesantren such as asceticism, love for the Prophet, and rejection of injustice. At the mythical level, the nadhom constructed four belief systems: the power of collective prayer, blessings through a spiritual chain, justice based on Islamic law, and the afterlife as the true goal. This study concluded that the Sundanese Nadhom Istigosah is not merely a prayer text but a layered semiotic system that effectively transmitted Islamic values and Sundanese local wisdom across generations.

Page 14 of 14 | Total Record : 137

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